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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F690BCCE it is the complementary color #096F43CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F690BCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F690BCCE shade: #FB90B7CE, #FFA2CACE, #FFB4DDCE, #FFC6F0CE and #FFD8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F690BCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F690BCCE shade: #F690BCCE, #E57EA9CE, #D46C96CE, #C35A83CE and #B24870CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F690BCCE shade: #F68EBB, #F68E9F and #F68E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F690BCCE shade: #F68EBB, #F68ED7, #F68EF3, #DD8EF6 and #C18EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F690BCCE shade matches the following richer shades: #F68EBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F690BCCE shade: #F68EBB, #EC98BC, #E2A2BD, #D8ABBF and #CEB5C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F690BCCE shade: #F68EF2, #F68ED7, #F68EBB, #F68E9F and #F6988E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F690BCCE shade: #F0418D, #F368A4, #F68EBB, #F9B4D2 and #FCDAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F690BCCE shade: #F690BC, #F6DE8E and #8EE4F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F690BCCE shade: #F690BC, #BBF68E and #8EBBF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F690BCCE shade: #F690BC, #F6DE8E, #8EF6C9 and #8EA6F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F690BCCE shade: #F690BC, #EFF68E, #8EF6C9 and #958EF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 3

HEX #F690BCCE

RGBA 246 144 188 0.81

HSLA 334.12, 0.85%, 0.76%, 0.81

LABA 71.67, 43.9, -6.07, 0.81

 

Complementary color

CMYK 74 / 0 / 32 / 46

HEX #096F43CE

RGBA 9 111 67 0.81

HSLA 154.12, 0.85%, 0.24%, 0.81

LABA 40.95, -37.79, 17.18, 0.81

 

CMYK 0 / 35 / 22 / 1

HEX #FB90B7CE

RGBA 251 144 183 0.81

HSLA 338.13, 0.93%, 0.77%, 0.81

LABA 72.14, 44.9, -2.53, 0.81

 

CMYK 0 / 30 / 17 / 0

HEX #FFA2CACE

RGBA 255 162 202 0.81

HSLA 334.19, 1%, 0.82%, 0.81

LABA 76.9, 39.68, -5.93, 0.81

 

CMYK 0 / 24 / 11 / 0

HEX #FFB4DDCE

RGBA 255 180 221 0.81

HSLA 327.2, 1%, 0.85%, 0.81

LABA 81.36, 33.19, -9.63, 0.81

 

CMYK 0 / 18 / 5 / 0

HEX #FFC6F0CE

RGBA 255 198 240 0.81

HSLA 315.79, 1%, 0.89%, 0.81

LABA 85.98, 26.88, -12.9, 0.81

 

CMYK 0 / 12 / 0 / 0

HEX #FFD8FFCE

RGBA 255 216 255 0.81

HSLA 300, 1%, 0.92%, 0.81

LABA 90.59, 20.08, -13.92, 0.81

 

CMYK 0 / 34 / 19 / 3

HEX #F690BCCE

RGBA 246 144 188 0.81

HSLA 334.12, 0.85%, 0.76%, 0.81

LABA 71.67, 43.9, -6.07, 0.81

 

CMYK 0 / 36 / 21 / 8

HEX #E57EA9CE

RGBA 229 126 169 0.81

HSLA 334.95, 0.66%, 0.7%, 0.81

LABA 65.31, 44.72, -5.06, 0.81

 

CMYK 0 / 40 / 24 / 14

HEX #D46C96CE

RGBA 212 108 150 0.81

HSLA 335.77, 0.55%, 0.63%, 0.81

LABA 58.9, 45.54, -3.89, 0.81

 

CMYK 0 / 44 / 27 / 19

HEX #C35A83CE

RGBA 195 90 131 0.81

HSLA 336.57, 0.47%, 0.56%, 0.81

LABA 52.46, 46.33, -2.52, 0.81

 

CMYK 0 / 48 / 30 / 24

HEX #B24870CE

RGBA 178 72 112 0.81

HSLA 337.36, 0.42%, 0.49%, 0.81

LABA 46, 47.03, -0.86, 0.81

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 42 / 35 / 4

HEX #F68E9F

RGB 246 142 159

HSL 350.19, 0.85%, 0.76%

LAB 70.48, 41.18, 8.35

 

CMYK 0 / 42 / 42 / 4

HEX #F68E8E

RGB 246 142 142

HSL 0, 0.85%, 0.76%

LAB 70.1, 39.28, 17.28

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 42 / 13 / 4

HEX #F68ED7

RGB 246 142 215

HSL 317.88, 0.85%, 0.76%

LAB 72.12, 48.94, -20.34

 

CMYK 0 / 42 / 1 / 4

HEX #F68EF3

RGB 246 142 243

HSL 301.73, 0.85%, 0.76%

LAB 73.16, 53.6, -34.11

 

CMYK 10 / 42 / 0 / 4

HEX #DD8EF6

RGB 221 142 246

HSL 285.58, 0.85%, 0.76%

LAB 70.44, 46.91, -40.2

 

CMYK 22 / 42 / 0 / 4

HEX #C18EF6

RGB 193 142 246

HSL 269.42, 0.85%, 0.76%

LAB 67.53, 38.96, -44.96

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 36 / 20 / 7

HEX #EC98BC

RGB 236 152 188

HSL 334.29, 0.69%, 0.76%

LAB 72.18, 36.33, -5.46

 

CMYK 0 / 28 / 16 / 11

HEX #E2A2BD

RGB 226 162 189

HSL 334.69, 0.52%, 0.76%

LAB 73.34, 27.67, -4.42

 

CMYK 0 / 21 / 12 / 15

HEX #D8ABBF

RGB 216 171 191

HSL 333.33, 0.37%, 0.76%

LAB 74.5, 19.6, -3.92

 

CMYK 0 / 12 / 7 / 19

HEX #CEB5C0

RGB 206 181 192

HSL 333.6, 0.2%, 0.76%

LAB 76.05, 10.82, -2.29

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 0 / 42 / 13 / 4

HEX #F68ED7

RGB 246 142 215

HSL 317.88, 0.85%, 0.76%

LAB 72.12, 48.94, -20.34

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 42 / 35 / 4

HEX #F68E9F

RGB 246 142 159

HSL 350.19, 0.85%, 0.76%

LAB 70.48, 41.18, 8.35

 

CMYK 0 / 38 / 42 / 4

HEX #F6988E

RGB 246 152 142

HSL 5.77, 0.85%, 0.76%

LAB 72.23, 34.11, 20.22

 

CMYK 0 / 73 / 41 / 6

HEX #F0418D

RGB 240 65 141

HSL 333.94, 0.85%, 0.6%

LAB 56.32, 71.03, -1.94

 

CMYK 0 / 57 / 33 / 5

HEX #F368A4

RGB 243 104 164

HSL 334.1, 0.85%, 0.68%

LAB 63.04, 59.17, -5.35

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 28 / 16 / 2

HEX #F9B4D2

RGB 249 180 210

HSL 333.91, 0.85%, 0.84%

LAB 80.42, 29.41, -5.15

 

CMYK 0 / 13 / 8 / 1

HEX #FCDAE9

RGB 252 218 233

HSL 333.53, 0.85%, 0.92%

LAB 90.19, 14.21, -2.98

 

CMYK 0 / 41 / 24 / 4

HEX #F690BC

RGB 246 144 188

HSL 334.12, 0.85%, 0.76%

LAB 71.67, 43.9, -6.07

 

CMYK 0 / 10 / 42 / 4

HEX #F6DE8E

RGB 246 222 142

HSL 46.15, 0.85%, 0.76%

LAB 88.82, -2.43, 42.18

 

CMYK 42 / 7 / 0 / 4

HEX #8EE4F6

RGB 142 228 246

HSL 190.38, 0.85%, 0.76%

LAB 85.95, -21.45, -16.9

 

CMYK 0 / 41 / 24 / 4

HEX #F690BC

RGB 246 144 188

HSL 334.12, 0.85%, 0.76%

LAB 71.67, 43.9, -6.07

 

CMYK 24 / 0 / 42 / 4

HEX #BBF68E

RGB 187 246 142

HSL 94.04, 0.85%, 0.76%

LAB 90.98, -36.2, 44.06

 

CMYK 42 / 24 / 0 / 4

HEX #8EBBF6

RGB 142 187 246

HSL 214.04, 0.85%, 0.76%

LAB 74.79, -0.03, -33.93

 

CMYK 0 / 41 / 24 / 4

HEX #F690BC

RGB 246 144 188

HSL 334.12, 0.85%, 0.76%

LAB 71.67, 43.9, -6.07

 

CMYK 0 / 10 / 42 / 4

HEX #F6DE8E

RGB 246 222 142

HSL 46.15, 0.85%, 0.76%

LAB 88.82, -2.43, 42.18

 

CMYK 42 / 0 / 18 / 4

HEX #8EF6C9

RGB 142 246 201

HSL 154.04, 0.85%, 0.76%

LAB 89.8, -40.27, 12.29

 

CMYK 42 / 33 / 0 / 4

HEX #8EA6F6

RGB 142 166 246

HSL 226.15, 0.85%, 0.76%

LAB 69.24, 11.69, -42.57

 

CMYK 0 / 41 / 24 / 4

HEX #F690BC

RGB 246 144 188

HSL 334.12, 0.85%, 0.76%

LAB 71.67, 43.9, -6.07

 

CMYK 3 / 0 / 42 / 4

HEX #EFF68E

RGB 239 246 142

HSL 64.04, 0.85%, 0.76%

LAB 94.4, -17.08, 49.1

 

CMYK 42 / 0 / 18 / 4

HEX #8EF6C9

RGB 142 246 201

HSL 154.04, 0.85%, 0.76%

LAB 89.8, -40.27, 12.29

 

CMYK 39 / 42 / 0 / 4

HEX #958EF6

RGB 149 142 246

HSL 244.04, 0.85%, 0.76%

LAB 63.66, 27.22, -51.32

 

Description

Color code: HEX #F690BCCE | qconv.com Color code: HEX #F690BCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 144 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 144 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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