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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6906100 it is the complementary color #096F9E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6906100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6906100 shade: #FB905C00, #FFA26F00, #FFB48200, #FFC69500 and #FFD8A800

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6906100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6906100 shade: #F6906100, #E57E4E00, #D46C3B00, #C35A2800 and #B2481500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6906100 shade: #F68F60, #F66760 and #F66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6906100 shade: #F68F60, #F6B860, #F6E060, #E3F660 and #BBF660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6906100 shade matches the following richer shades: #F68F60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6906100 shade: #F68F60, #E8946E, #DB997B, #CD9E89 and #BFA396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6906100 shade: #F66083, #F66560, #F68D60, #F6B560 and #F6DD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6906100 shade: #F15812, #F37439, #F68F60, #F8AB87 and #FAC6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6906100 shade: #F69061, #ABF660 and #606FF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6906100 shade: #F69061, #60F68D and #8D60F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6906100 shade: #F69061, #ABF660, #60C9F6 and #AB60F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6906100 shade: #F69061, #7EF660, #60C9F6 and #D860F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F6906100

RGBA 246 144 97 0

HSLA 18.93, 0.89%, 0.67%, 0

LABA 69.76, 34.36, 41.3, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #096F9E00

RGBA 9 111 158 0

HSLA 198.93, 0.89%, 0.33%, 0

LABA 44.08, -8.36, -32.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FB905C00

RGBA 251 144 92 0

HSLA 19.62, 0.95%, 0.67%, 0

LABA 70.34, 35.98, 44.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA26F00

RGBA 255 162 111 0

HSLA 21.25, 1%, 0.72%, 0

LABA 74.98, 29.56, 40.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB48200

RGBA 255 180 130 0

HSLA 24, 1%, 0.75%, 0

LABA 79.34, 21.74, 36.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC69500

RGBA 255 198 149 0

HSLA 27.74, 1%, 0.79%, 0

LABA 83.87, 14.2, 32.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8A800

RGBA 255 216 168 0

HSLA 33.1, 1%, 0.83%, 0

LABA 88.54, 6.99, 28.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F6906100

RGBA 246 144 97 0

HSLA 18.93, 0.89%, 0.67%, 0

LABA 69.76, 34.36, 41.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E57E4E00

RGBA 229 126 78 0

HSLA 19.07, 0.74%, 0.6%, 0

LABA 63.45, 35.79, 43.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D46C3B00

RGBA 212 108 59 0

HSLA 19.22, 0.64%, 0.53%, 0

LABA 57.11, 37.36, 45.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C35A2800

RGBA 195 90 40 0

HSLA 19.35, 0.66%, 0.46%, 0

LABA 50.77, 39.04, 47.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2481500

RGBA 178 72 21 0

HSLA 19.49, 0.79%, 0.39%, 0

LABA 44.45, 40.8, 48.59, 0

 

CMYK 0 / 42 / 61 / 4

HEX #F68F60

RGB 246 143 96

HSL 18.8, 0.89%, 0.67%

LAB 69.53, 34.81, 41.55

 

CMYK 0 / 58 / 61 / 4

HEX #F66760

RGB 246 103 96

HSL 2.8, 0.89%, 0.67%

LAB 61.77, 54.38, 31.93

 

CMYK 0 / 61 / 61 / 4

HEX #F66060

RGB 246 96 96

HSL 0, 0.89%, 0.67%

LAB 60.61, 57.46, 30.44

 

CMYK 0 / 42 / 61 / 4

HEX #F68F60

RGB 246 143 96

HSL 18.8, 0.89%, 0.67%

LAB 69.53, 34.81, 41.55

 

CMYK 0 / 25 / 61 / 4

HEX #F6B860

RGB 246 184 96

HSL 35.2, 0.89%, 0.67%

LAB 78.88, 13.32, 52.59

 

CMYK 0 / 9 / 61 / 4

HEX #F6E060

RGB 246 224 96

HSL 51.2, 0.89%, 0.67%

LAB 88.8, -7.25, 63.73

 

CMYK 8 / 0 / 61 / 4

HEX #E3F660

RGB 227 246 96

HSL 67.6, 0.89%, 0.67%

LAB 93.05, -25.63, 67.91

 

CMYK 24 / 0 / 61 / 4

HEX #BBF660

RGB 187 246 96

HSL 83.6, 0.89%, 0.67%

LAB 90.47, -40.85, 64.35

 

CMYK 0 / 42 / 61 / 4

HEX #F68F60

RGB 246 143 96

HSL 18.8, 0.89%, 0.67%

LAB 69.53, 34.81, 41.55

 

CMYK 0 / 42 / 61 / 4

HEX #F68F60

RGB 246 143 96

HSL 18.8, 0.89%, 0.67%

LAB 69.53, 34.81, 41.55

 

CMYK 0 / 36 / 53 / 9

HEX #E8946E

RGB 232 148 110

HSL 18.69, 0.73%, 0.67%

LAB 69.08, 27.75, 33.18

 

CMYK 0 / 30 / 44 / 14

HEX #DB997B

RGB 219 153 123

HSL 18.75, 0.57%, 0.67%

LAB 68.95, 21.16, 25.67

 

CMYK 0 / 23 / 33 / 20

HEX #CD9E89

RGB 205 158 137

HSL 18.53, 0.4%, 0.67%

LAB 68.92, 14.54, 17.69

 

CMYK 0 / 15 / 21 / 25

HEX #BFA396

RGB 191 163 150

HSL 19.02, 0.24%, 0.67%

LAB 69.09, 8.19, 10.55

 

CMYK 0 / 61 / 47 / 4

HEX #F66083

RGB 246 96 131

HSL 346, 0.89%, 0.67%

LAB 61.31, 60.16, 11.23

 

CMYK 0 / 59 / 61 / 4

HEX #F66560

RGB 246 101 96

HSL 2, 0.89%, 0.67%

LAB 61.43, 55.27, 31.5

 

CMYK 0 / 43 / 61 / 4

HEX #F68D60

RGB 246 141 96

HSL 18, 0.89%, 0.67%

LAB 69.1, 35.84, 41.03

 

CMYK 0 / 26 / 61 / 4

HEX #F6B560

RGB 246 181 96

HSL 34, 0.89%, 0.67%

LAB 78.16, 14.9, 51.76

 

CMYK 0 / 10 / 61 / 4

HEX #F6DD60

RGB 246 221 96

HSL 50, 0.89%, 0.67%

LAB 88.04, -5.75, 62.89

 

CMYK 0 / 63 / 93 / 5

HEX #F15812

RGB 241 88 18

HSL 18.83, 0.89%, 0.51%

LAB 57.77, 56.31, 64

 

CMYK 0 / 52 / 77 / 5

HEX #F37439

RGB 243 116 57

HSL 19.03, 0.89%, 0.59%

LAB 63.21, 45.2, 53.86

 

CMYK 0 / 42 / 61 / 4

HEX #F68F60

RGB 246 143 96

HSL 18.8, 0.89%, 0.67%

LAB 69.53, 34.81, 41.55

 

CMYK 0 / 31 / 46 / 3

HEX #F8AB87

RGB 248 171 135

HSL 19.12, 0.89%, 0.75%

LAB 76.58, 24.2, 29.92

 

CMYK 0 / 21 / 30 / 2

HEX #FAC6AE

RGB 250 198 174

HSL 18.95, 0.88%, 0.83%

LAB 83.84, 15.19, 19.08

 

CMYK 0 / 41 / 61 / 4

HEX #F69061

RGB 246 144 97

HSL 18.93, 0.89%, 0.67%

LAB 69.76, 34.36, 41.3

 

CMYK 30 / 0 / 61 / 4

HEX #ABF660

RGB 171 246 96

HSL 90, 0.89%, 0.67%

LAB 89.59, -46.54, 63.13

 

CMYK 61 / 55 / 0 / 4

HEX #606FF6

RGB 96 111 246

HSL 234, 0.89%, 0.67%

LAB 52.41, 34.4, -69.55

 

CMYK 0 / 41 / 61 / 4

HEX #F69061

RGB 246 144 97

HSL 18.93, 0.89%, 0.67%

LAB 69.76, 34.36, 41.3

 

CMYK 61 / 0 / 43 / 4

HEX #60F68D

RGB 96 246 141

HSL 138, 0.89%, 0.67%

LAB 87.15, -62.03, 38.88

 

CMYK 43 / 61 / 0 / 4

HEX #8D60F6

RGB 141 96 246

HSL 258, 0.89%, 0.67%

LAB 52.6, 51.43, -69.08

 

CMYK 0 / 41 / 61 / 4

HEX #F69061

RGB 246 144 97

HSL 18.93, 0.89%, 0.67%

LAB 69.76, 34.36, 41.3

 

CMYK 30 / 0 / 61 / 4

HEX #ABF660

RGB 171 246 96

HSL 90, 0.89%, 0.67%

LAB 89.59, -46.54, 63.13

 

CMYK 61 / 18 / 0 / 4

HEX #60C9F6

RGB 96 201 246

HSL 198, 0.89%, 0.67%

LAB 76.63, -17.38, -31.26

 

CMYK 30 / 61 / 0 / 4

HEX #AB60F6

RGB 171 96 246

HSL 270, 0.89%, 0.67%

LAB 55.76, 57.76, -63.81

 

CMYK 0 / 41 / 61 / 4

HEX #F69061

RGB 246 144 97

HSL 18.93, 0.89%, 0.67%

LAB 69.76, 34.36, 41.3

 

CMYK 49 / 0 / 61 / 4

HEX #7EF660

RGB 126 246 96

HSL 108, 0.89%, 0.67%

LAB 87.58, -60.63, 60.33

 

CMYK 61 / 18 / 0 / 4

HEX #60C9F6

RGB 96 201 246

HSL 198, 0.89%, 0.67%

LAB 76.63, -17.38, -31.26

 

CMYK 12 / 61 / 0 / 4

HEX #D860F6

RGB 216 96 246

HSL 288, 0.89%, 0.67%

LAB 61.32, 68, -54.6

 

Description

Color code: HEX #F6906100 | qconv.com Color code: HEX #F6906100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 144 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 144 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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