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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F68F5E it is the complementary color #0970A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F68F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F68F5E shade: #FB8F59, #FFA16C, #FFB37F, #FFC592 and #FFD7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F68F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F68F5E shade: #F68F5E, #E57D4B, #D46B38, #C35925 and #B24712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F68F5E shade: #F69060, #F66860 and #F66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F68F5E shade: #F69060, #F6B960, #F6E160, #E2F660 and #BAF660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F68F5E shade matches the following richer shades: #F69060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F68F5E shade: #F69060, #E8956E, #DB9A7B, #CD9F89 and #BFA496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F68F5E shade: #F66080, #F66760, #F68F60, #F6B760 and #F6DF60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F68F5E shade: #F15A12, #F37539, #F69060, #F8AB87 and #FAC7AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F68F5E shade: #F68F5E, #A8F660 and #606CF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F68F5E shade: #F68F5E, #60F68F and #8F60F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F68F5E shade: #F68F5E, #A8F660, #60C6F6 and #AD60F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F68F5E shade: #F68F5E, #7BF660, #60C6F6 and #DA60F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 62 / 4

HEX #F68F5E

RGB 246 143 94

HSL 19.34, 0.89%, 0.67%

LAB 69.5, 34.68, 42.56

 

Complementary color

CMYK 94 / 30 / 0 / 37

HEX #0970A1

RGB 9 112 161

HSL 199.34, 0.89%, 0.33%

LAB 44.55, -7.8, -33.67

 

CMYK 0 / 43 / 65 / 2

HEX #FB8F59

RGB 251 143 89

HSL 20, 0.95%, 0.67%

LAB 70.09, 36.31, 45.99

 

CMYK 0 / 37 / 58 / 0

HEX #FFA16C

RGB 255 161 108

HSL 21.63, 1%, 0.71%

LAB 74.72, 29.85, 41.91

 

CMYK 0 / 30 / 50 / 0

HEX #FFB37F

RGB 255 179 127

HSL 24.38, 1%, 0.75%

LAB 79.06, 22, 37.51

 

CMYK 0 / 23 / 43 / 0

HEX #FFC592

RGB 255 197 146

HSL 28.07, 1%, 0.79%

LAB 83.58, 14.41, 33.52

 

CMYK 0 / 16 / 35 / 0

HEX #FFD7A5

RGB 255 215 165

HSL 33.33, 1%, 0.82%

LAB 88.25, 7.16, 29.89

 

CMYK 0 / 42 / 62 / 4

HEX #F68F5E

RGB 246 143 94

HSL 19.34, 0.89%, 0.67%

LAB 69.5, 34.68, 42.56

 

CMYK 0 / 45 / 67 / 10

HEX #E57D4B

RGB 229 125 75

HSL 19.48, 0.75%, 0.6%

LAB 63.2, 36.14, 44.43

 

CMYK 0 / 50 / 74 / 17

HEX #D46B38

RGB 212 107 56

HSL 19.62, 0.64%, 0.53%

LAB 56.88, 37.73, 46.37

 

CMYK 0 / 54 / 81 / 24

HEX #C35925

RGB 195 89 37

HSL 19.75, 0.68%, 0.45%

LAB 50.55, 39.44, 48.24

 

CMYK 0 / 60 / 90 / 30

HEX #B24712

RGB 178 71 18

HSL 19.88, 0.82%, 0.38%

LAB 44.25, 41.22, 49.54

 

CMYK 0 / 41 / 61 / 4

HEX #F69060

RGB 246 144 96

HSL 19.2, 0.89%, 0.67%

LAB 69.74, 34.29, 41.81

 

CMYK 0 / 58 / 61 / 4

HEX #F66860

RGB 246 104 96

HSL 3.2, 0.89%, 0.67%

LAB 61.94, 53.92, 32.14

 

CMYK 0 / 61 / 61 / 4

HEX #F66060

RGB 246 96 96

HSL 0, 0.89%, 0.67%

LAB 60.61, 57.46, 30.44

 

CMYK 0 / 41 / 61 / 4

HEX #F69060

RGB 246 144 96

HSL 19.2, 0.89%, 0.67%

LAB 69.74, 34.29, 41.81

 

CMYK 0 / 25 / 61 / 4

HEX #F6B960

RGB 246 185 96

HSL 35.6, 0.89%, 0.67%

LAB 79.12, 12.8, 52.87

 

CMYK 0 / 9 / 61 / 4

HEX #F6E160

RGB 246 225 96

HSL 51.6, 0.89%, 0.67%

LAB 89.06, -7.75, 64

 

CMYK 8 / 0 / 61 / 4

HEX #E2F660

RGB 226 246 96

HSL 68, 0.89%, 0.67%

LAB 92.98, -26.02, 67.81

 

CMYK 24 / 0 / 61 / 4

HEX #BAF660

RGB 186 246 96

HSL 84, 0.89%, 0.67%

LAB 90.41, -41.21, 64.27

 

CMYK 0 / 41 / 61 / 4

HEX #F69060

RGB 246 144 96

HSL 19.2, 0.89%, 0.67%

LAB 69.74, 34.29, 41.81

 

CMYK 0 / 41 / 61 / 4

HEX #F69060

RGB 246 144 96

HSL 19.2, 0.89%, 0.67%

LAB 69.74, 34.29, 41.81

 

CMYK 0 / 36 / 53 / 9

HEX #E8956E

RGB 232 149 110

HSL 19.18, 0.73%, 0.67%

LAB 69.31, 27.22, 33.47

 

CMYK 0 / 30 / 44 / 14

HEX #DB9A7B

RGB 219 154 123

HSL 19.38, 0.57%, 0.67%

LAB 69.18, 20.62, 25.98

 

CMYK 0 / 22 / 33 / 20

HEX #CD9F89

RGB 205 159 137

HSL 19.41, 0.4%, 0.67%

LAB 69.17, 14, 18.04

 

CMYK 0 / 14 / 21 / 25

HEX #BFA496

RGB 191 164 150

HSL 20.49, 0.24%, 0.67%

LAB 69.35, 7.65, 10.91

 

CMYK 0 / 61 / 48 / 4

HEX #F66080

RGB 246 96 128

HSL 347.2, 0.89%, 0.67%

LAB 61.24, 59.89, 12.87

 

CMYK 0 / 58 / 61 / 4

HEX #F66760

RGB 246 103 96

HSL 2.8, 0.89%, 0.67%

LAB 61.77, 54.38, 31.93

 

CMYK 0 / 42 / 61 / 4

HEX #F68F60

RGB 246 143 96

HSL 18.8, 0.89%, 0.67%

LAB 69.53, 34.81, 41.55

 

CMYK 0 / 26 / 61 / 4

HEX #F6B760

RGB 246 183 96

HSL 34.8, 0.89%, 0.67%

LAB 78.64, 13.85, 52.32

 

CMYK 0 / 9 / 61 / 4

HEX #F6DF60

RGB 246 223 96

HSL 50.8, 0.89%, 0.67%

LAB 88.55, -6.75, 63.45

 

CMYK 0 / 63 / 93 / 5

HEX #F15A12

RGB 241 90 18

HSL 19.37, 0.89%, 0.51%

LAB 58.09, 55.46, 64.2

 

CMYK 0 / 52 / 77 / 5

HEX #F37539

RGB 243 117 57

HSL 19.35, 0.89%, 0.59%

LAB 63.4, 44.72, 54.05

 

CMYK 0 / 41 / 61 / 4

HEX #F69060

RGB 246 144 96

HSL 19.2, 0.89%, 0.67%

LAB 69.74, 34.29, 41.81

 

CMYK 0 / 31 / 46 / 3

HEX #F8AB87

RGB 248 171 135

HSL 19.12, 0.89%, 0.75%

LAB 76.58, 24.2, 29.92

 

CMYK 0 / 20 / 30 / 2

HEX #FAC7AE

RGB 250 199 174

HSL 19.74, 0.88%, 0.83%

LAB 84.08, 14.67, 19.41

 

CMYK 0 / 42 / 62 / 4

HEX #F68F5E

RGB 246 143 94

HSL 19.34, 0.89%, 0.67%

LAB 69.5, 34.68, 42.56

 

CMYK 32 / 0 / 61 / 4

HEX #A8F660

RGB 168 246 96

HSL 91.2, 0.89%, 0.67%

LAB 89.43, -47.57, 62.91

 

CMYK 61 / 56 / 0 / 4

HEX #606CF6

RGB 96 108 246

HSL 235.2, 0.89%, 0.67%

LAB 51.69, 36.21, -70.73

 

CMYK 0 / 42 / 62 / 4

HEX #F68F5E

RGB 246 143 94

HSL 19.34, 0.89%, 0.67%

LAB 69.5, 34.68, 42.56

 

CMYK 61 / 0 / 42 / 4

HEX #60F68F

RGB 96 246 143

HSL 138.8, 0.89%, 0.67%

LAB 87.18, -61.7, 37.94

 

CMYK 42 / 61 / 0 / 4

HEX #8F60F6

RGB 143 96 246

HSL 258.8, 0.89%, 0.67%

LAB 52.8, 51.83, -68.75

 

CMYK 0 / 42 / 62 / 4

HEX #F68F5E

RGB 246 143 94

HSL 19.34, 0.89%, 0.67%

LAB 69.5, 34.68, 42.56

 

CMYK 32 / 0 / 61 / 4

HEX #A8F660

RGB 168 246 96

HSL 91.2, 0.89%, 0.67%

LAB 89.43, -47.57, 62.91

 

CMYK 61 / 20 / 0 / 4

HEX #60C6F6

RGB 96 198 246

HSL 199.2, 0.89%, 0.67%

LAB 75.78, -15.81, -32.57

 

CMYK 30 / 61 / 0 / 4

HEX #AD60F6

RGB 173 96 246

HSL 270.8, 0.89%, 0.67%

LAB 55.99, 58.2, -63.43

 

CMYK 0 / 42 / 62 / 4

HEX #F68F5E

RGB 246 143 94

HSL 19.34, 0.89%, 0.67%

LAB 69.5, 34.68, 42.56

 

CMYK 50 / 0 / 61 / 4

HEX #7BF660

RGB 123 246 96

HSL 109.2, 0.89%, 0.67%

LAB 87.47, -61.45, 60.18

 

CMYK 61 / 20 / 0 / 4

HEX #60C6F6

RGB 96 198 246

HSL 199.2, 0.89%, 0.67%

LAB 75.78, -15.81, -32.57

 

CMYK 11 / 61 / 0 / 4

HEX #DA60F6

RGB 218 96 246

HSL 288.8, 0.89%, 0.67%

LAB 61.59, 68.46, -54.16

 

Description

Color code: HEX #F68F5E | qconv.com Color code: HEX #F68F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 143 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 143 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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