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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F68DF2 it is the complementary color #09720D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F68DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F68DF2 shade: #FB8DED, #FF9FFF, #FFB1FF, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F68DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F68DF2 shade: #F68DF2, #E57BDF, #D469CC, #C357B9 and #B245A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F68DF2 shade: #F68EF2, #F68ED6, #F68EBA, #F68E9E and #F68E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F68DF2 shade: #F68EF2, #DE8EF6, #C28EF6, #A68EF6 and #8E8EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F68DF2 shade matches the following richer shades: #F68EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F68DF2 shade: #F68EF2, #EC98E9, #E2A2E0, #D8ABD6 and #CEB5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F68DF2 shade: #C28EF6, #DE8EF6, #F68EF2, #F68ED7 and #F68EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F68DF2 shade: #F041E9, #F368ED, #F68EF2, #F9B4F6 and #FCDAFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F68DF2 shade: #F68DF2, #F6A68E and #8EF6D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F68DF2 shade: #F68DF2, #F2F68E and #8EF2F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F68DF2 shade: #F68DF2, #F6A68E, #8EF691 and #8EDEF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F68DF2 shade: #F68DF2, #F6C58E, #8EF691 and #8EBEF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 2 / 4

HEX #F68DF2

RGB 246 141 242

HSL 302.29, 0.85%, 0.76%

LAB 72.93, 53.93, -33.92

 

Complementary color

CMYK 92 / 0 / 89 / 55

HEX #09720D

RGB 9 114 13

HSL 122.29, 0.85%, 0.24%

LAB 41.41, -46.15, 42.95

 

CMYK 0 / 44 / 6 / 2

HEX #FB8DED

RGB 251 141 237

HSL 307.64, 0.93%, 0.77%

LAB 73.33, 54.54, -30.52

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 43 / 2 / 4

HEX #F68DF2

RGB 246 141 242

HSL 302.29, 0.85%, 0.76%

LAB 72.93, 53.93, -33.92

 

CMYK 0 / 46 / 3 / 10

HEX #E57BDF

RGB 229 123 223

HSL 303.4, 0.67%, 0.69%

LAB 66.64, 54.62, -33.38

 

CMYK 0 / 50 / 4 / 17

HEX #D469CC

RGB 212 105 204

HSL 304.49, 0.55%, 0.62%

LAB 60.3, 55.25, -32.73

 

CMYK 0 / 55 / 5 / 24

HEX #C357B9

RGB 195 87 185

HSL 305.56, 0.47%, 0.55%

LAB 53.94, 55.78, -31.94

 

CMYK 0 / 61 / 7 / 30

HEX #B245A6

RGB 178 69 166

HSL 306.61, 0.44%, 0.48%

LAB 47.59, 56.08, -30.94

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 0 / 42 / 13 / 4

HEX #F68ED6

RGB 246 142 214

HSL 318.46, 0.85%, 0.76%

LAB 72.09, 48.78, -19.84

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBA

RGB 246 142 186

HSL 334.62, 0.85%, 0.76%

LAB 71.2, 44.64, -5.65

 

CMYK 0 / 42 / 36 / 4

HEX #F68E9E

RGB 246 142 158

HSL 350.77, 0.85%, 0.76%

LAB 70.46, 41.06, 8.88

 

CMYK 0 / 42 / 42 / 4

HEX #F68E8E

RGB 246 142 142

HSL 0, 0.85%, 0.76%

LAB 70.1, 39.28, 17.28

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 10 / 42 / 0 / 4

HEX #DE8EF6

RGB 222 142 246

HSL 286.15, 0.85%, 0.76%

LAB 70.55, 47.2, -40.02

 

CMYK 21 / 42 / 0 / 4

HEX #C28EF6

RGB 194 142 246

HSL 270, 0.85%, 0.76%

LAB 67.63, 39.24, -44.8

 

CMYK 33 / 42 / 0 / 4

HEX #A68EF6

RGB 166 142 246

HSL 253.85, 0.85%, 0.76%

LAB 65.05, 31.6, -49.04

 

CMYK 42 / 42 / 0 / 4

HEX #8E8EF6

RGB 142 142 246

HSL 240, 0.85%, 0.76%

LAB 63.14, 25.49, -52.18

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 0 / 36 / 1 / 7

HEX #EC98E9

RGB 236 152 233

HSL 302.14, 0.69%, 0.76%

LAB 73.66, 43.72, -27.98

 

CMYK 0 / 28 / 1 / 11

HEX #E2A2E0

RGB 226 162 224

HSL 301.88, 0.52%, 0.76%

LAB 74.44, 33.64, -21.97

 

CMYK 0 / 21 / 1 / 15

HEX #D8ABD6

RGB 216 171 214

HSL 302.67, 0.37%, 0.76%

LAB 75.19, 23.65, -15.47

 

CMYK 0 / 12 / 0 / 19

HEX #CEB5CD

RGB 206 181 205

HSL 302.4, 0.2%, 0.76%

LAB 76.42, 13.16, -8.82

 

CMYK 21 / 42 / 0 / 4

HEX #C28EF6

RGB 194 142 246

HSL 270, 0.85%, 0.76%

LAB 67.63, 39.24, -44.8

 

CMYK 10 / 42 / 0 / 4

HEX #DE8EF6

RGB 222 142 246

HSL 286.15, 0.85%, 0.76%

LAB 70.55, 47.2, -40.02

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 0 / 42 / 13 / 4

HEX #F68ED7

RGB 246 142 215

HSL 317.88, 0.85%, 0.76%

LAB 72.12, 48.94, -20.34

 

CMYK 0 / 42 / 24 / 4

HEX #F68EBB

RGB 246 142 187

HSL 334.04, 0.85%, 0.76%

LAB 71.23, 44.78, -6.17

 

CMYK 0 / 73 / 3 / 6

HEX #F041E9

RGB 240 65 233

HSL 302.4, 0.85%, 0.6%

LAB 60.06, 82.49, -49.16

 

CMYK 0 / 57 / 2 / 5

HEX #F368ED

RGB 243 104 237

HSL 302.59, 0.85%, 0.68%

LAB 65.8, 69.54, -42.3

 

CMYK 0 / 42 / 2 / 4

HEX #F68EF2

RGB 246 142 242

HSL 302.31, 0.85%, 0.76%

LAB 73.12, 53.43, -33.62

 

CMYK 0 / 28 / 1 / 2

HEX #F9B4F6

RGB 249 180 246

HSL 302.61, 0.85%, 0.84%

LAB 81.53, 35.45, -22.86

 

CMYK 0 / 13 / 0 / 1

HEX #FCDAFB

RGB 252 218 251

HSL 301.76, 0.85%, 0.92%

LAB 90.69, 17.33, -11.7

 

CMYK 0 / 43 / 2 / 4

HEX #F68DF2

RGB 246 141 242

HSL 302.29, 0.85%, 0.76%

LAB 72.93, 53.93, -33.92

 

CMYK 0 / 33 / 42 / 4

HEX #F6A68E

RGB 246 166 142

HSL 13.85, 0.85%, 0.76%

LAB 75.34, 26.77, 24.46

 

CMYK 42 / 0 / 15 / 4

HEX #8EF6D0

RGB 142 246 208

HSL 158.08, 0.85%, 0.76%

LAB 89.96, -38.82, 8.88

 

CMYK 0 / 43 / 2 / 4

HEX #F68DF2

RGB 246 141 242

HSL 302.29, 0.85%, 0.76%

LAB 72.93, 53.93, -33.92

 

CMYK 2 / 0 / 42 / 4

HEX #F2F68E

RGB 242 246 142

HSL 62.31, 0.85%, 0.76%

LAB 94.63, -15.93, 49.42

 

CMYK 42 / 2 / 0 / 4

HEX #8EF2F6

RGB 142 242 246

HSL 182.31, 0.85%, 0.76%

LAB 89.82, -28.28, -11.12

 

CMYK 0 / 43 / 2 / 4

HEX #F68DF2

RGB 246 141 242

HSL 302.29, 0.85%, 0.76%

LAB 72.93, 53.93, -33.92

 

CMYK 0 / 33 / 42 / 4

HEX #F6A68E

RGB 246 166 142

HSL 13.85, 0.85%, 0.76%

LAB 75.34, 26.77, 24.46

 

CMYK 42 / 0 / 41 / 4

HEX #8EF691

RGB 142 246 145

HSL 121.73, 0.85%, 0.76%

LAB 88.78, -50.13, 39.33

 

CMYK 42 / 10 / 0 / 4

HEX #8EDEF6

RGB 142 222 246

HSL 193.85, 0.85%, 0.76%

LAB 84.3, -18.45, -19.39

 

CMYK 0 / 43 / 2 / 4

HEX #F68DF2

RGB 246 141 242

HSL 302.29, 0.85%, 0.76%

LAB 72.93, 53.93, -33.92

 

CMYK 0 / 20 / 42 / 4

HEX #F6C58E

RGB 246 197 142

HSL 31.73, 0.85%, 0.76%

LAB 82.64, 10.46, 34.18

 

CMYK 42 / 0 / 41 / 4

HEX #8EF691

RGB 142 246 145

HSL 121.73, 0.85%, 0.76%

LAB 88.78, -50.13, 39.33

 

CMYK 42 / 23 / 0 / 4

HEX #8EBEF6

RGB 142 190 246

HSL 212.31, 0.85%, 0.76%

LAB 75.6, -1.67, -32.69

 

Description

Color code: HEX #F68DF2 | qconv.com Color code: HEX #F68DF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 141 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 141 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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