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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F68B02 it is the complementary color #0974FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F68B02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F68B02 shade: #FB8B00, #FF9D10, #FFAF23, #FFC136 and #FFD349

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F68B02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F68B02 shade: #F68B02, #E57900, #D46700, #C35500 and #B24300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F68B02 shade: #F78C02, #F74A02, #F70802 and #F70202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F68B02 shade: #F78C02, #F7CE02, #DFF702, #9DF702 and #5BF702

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F68B02 shade matches the following richer shades: #F78C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F68B02 shade: #F78C02, #E38A17, #CF872B, #BB853F and #A78253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F68B02 shade: #F70702, #F74802, #F78902, #F7CB02 and #E3F702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F68B02 shade: #A65E02, #CF7502, #F78C02, #FD9F26 and #FDB14F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F68B02 shade: #F68B02, #40F702 and #2702F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F68B02 shade: #F68B02, #02F789 and #8902F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F68B02 shade: #F68B02, #40F702, #0271F7 and #BA02F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F68B02 shade: #F68B02, #02F70F, #0271F7 and #F702EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 99 / 4

HEX #F68B02

RGB 246 139 2

HSL 33.69, 0.98%, 0.49%

LAB 68.07, 33.73, 73.74

 

Complementary color

CMYK 96 / 54 / 0 / 1

HEX #0974FD

RGB 9 116 253

HSL 213.69, 0.98%, 0.51%

LAB 51.43, 25.77, -75.16

 

CMYK 0 / 45 / 100 / 2

HEX #FB8B00

RGB 251 139 0

HSL 33.23, 1%, 0.49%

LAB 68.73, 35.74, 74.76

 

CMYK 0 / 38 / 94 / 0

HEX #FF9D10

RGB 255 157 16

HSL 35.4, 1%, 0.53%

LAB 73.16, 28.23, 75.8

 

CMYK 0 / 31 / 86 / 0

HEX #FFAF23

RGB 255 175 35

HSL 38.18, 1%, 0.57%

LAB 77.31, 19.16, 74.94

 

CMYK 0 / 24 / 79 / 0

HEX #FFC136

RGB 255 193 54

HSL 41.49, 1%, 0.61%

LAB 81.66, 10.3, 73.04

 

CMYK 0 / 17 / 71 / 0

HEX #FFD349

RGB 255 211 73

HSL 45.49, 1%, 0.64%

LAB 86.17, 1.78, 70.56

 

CMYK 0 / 43 / 99 / 4

HEX #F68B02

RGB 246 139 2

HSL 33.69, 0.98%, 0.49%

LAB 68.07, 33.73, 73.74

 

CMYK 0 / 47 / 100 / 10

HEX #E57900

RGB 229 121 0

HSL 31.7, 1%, 0.45%

LAB 61.94, 36.07, 69.07

 

CMYK 0 / 51 / 100 / 17

HEX #D46700

RGB 212 103 0

HSL 29.15, 1%, 0.42%

LAB 55.78, 38.43, 64.12

 

CMYK 0 / 56 / 100 / 24

HEX #C35500

RGB 195 85 0

HSL 26.15, 1%, 0.38%

LAB 49.62, 40.72, 59.19

 

CMYK 0 / 62 / 100 / 30

HEX #B24300

RGB 178 67 0

HSL 22.58, 1%, 0.35%

LAB 43.48, 42.84, 54.3

 

CMYK 0 / 43 / 99 / 3

HEX #F78C02

RGB 247 140 2

HSL 33.8, 0.98%, 0.49%

LAB 68.41, 33.62, 74.02

 

CMYK 0 / 70 / 99 / 3

HEX #F74A02

RGB 247 74 2

HSL 17.63, 0.98%, 0.49%

LAB 56.76, 63.62, 67.35

 

CMYK 0 / 97 / 99 / 3

HEX #F70802

RGB 247 8 2

HSL 1.47, 0.98%, 0.49%

LAB 51.78, 77.64, 65.16

 

CMYK 0 / 99 / 99 / 3

HEX #F70202

RGB 247 2 2

HSL 0, 0.98%, 0.49%

LAB 51.64, 78.07, 65.1

 

CMYK 0 / 43 / 99 / 3

HEX #F78C02

RGB 247 140 2

HSL 33.8, 0.98%, 0.49%

LAB 68.41, 33.62, 74.02

 

CMYK 0 / 17 / 99 / 3

HEX #F7CE02

RGB 247 206 2

HSL 49.96, 0.98%, 0.49%

LAB 83.92, -0.75, 84.49

 

CMYK 10 / 0 / 99 / 3

HEX #DFF702

RGB 223 247 2

HSL 65.88, 0.98%, 0.49%

LAB 92.67, -30.84, 89.98

 

CMYK 36 / 0 / 99 / 3

HEX #9DF702

RGB 157 247 2

HSL 82.04, 0.98%, 0.49%

LAB 88.78, -55.75, 85.31

 

CMYK 63 / 0 / 99 / 3

HEX #5BF702

RGB 91 247 2

HSL 98.2, 0.98%, 0.49%

LAB 86.38, -74.29, 82.4

 

CMYK 0 / 43 / 99 / 3

HEX #F78C02

RGB 247 140 2

HSL 33.8, 0.98%, 0.49%

LAB 68.41, 33.62, 74.02

 

CMYK 0 / 43 / 99 / 3

HEX #F78C02

RGB 247 140 2

HSL 33.8, 0.98%, 0.49%

LAB 68.41, 33.62, 74.02

 

CMYK 0 / 39 / 90 / 11

HEX #E38A17

RGB 227 138 23

HSL 33.82, 0.82%, 0.49%

LAB 65.41, 26.64, 67.22

 

CMYK 0 / 35 / 79 / 19

HEX #CF872B

RGB 207 135 43

HSL 33.66, 0.66%, 0.49%

LAB 62.31, 20.26, 57.3

 

CMYK 0 / 29 / 66 / 27

HEX #BB853F

RGB 187 133 63

HSL 33.87, 0.5%, 0.49%

LAB 59.62, 13.66, 44.96

 

CMYK 0 / 22 / 50 / 35

HEX #A78253

RGB 167 130 83

HSL 33.57, 0.34%, 0.49%

LAB 56.89, 8.24, 30.77

 

CMYK 0 / 97 / 99 / 3

HEX #F70702

RGB 247 7 2

HSL 1.22, 0.98%, 0.49%

LAB 51.76, 77.71, 65.15

 

CMYK 0 / 71 / 99 / 3

HEX #F74802

RGB 247 72 2

HSL 17.14, 0.98%, 0.49%

LAB 56.5, 64.33, 67.22

 

CMYK 0 / 45 / 99 / 3

HEX #F78902

RGB 247 137 2

HSL 33.06, 0.98%, 0.49%

LAB 67.78, 35.16, 73.62

 

CMYK 0 / 18 / 99 / 3

HEX #F7CB02

RGB 247 203 2

HSL 49.22, 0.98%, 0.49%

LAB 83.17, 0.79, 83.96

 

CMYK 8 / 0 / 99 / 3

HEX #E3F702

RGB 227 247 2

HSL 64.9, 0.98%, 0.49%

LAB 92.95, -29.22, 90.32

 

CMYK 0 / 43 / 99 / 35

HEX #A65E02

RGB 166 94 2

HSL 33.66, 0.98%, 0.33%

LAB 47.13, 24, 54.97

 

CMYK 0 / 43 / 99 / 19

HEX #CF7502

RGB 207 117 2

HSL 33.66, 0.98%, 0.41%

LAB 58.03, 29.12, 64.77

 

CMYK 0 / 43 / 99 / 3

HEX #F78C02

RGB 247 140 2

HSL 33.8, 0.98%, 0.49%

LAB 68.41, 33.62, 74.02

 

CMYK 0 / 37 / 85 / 1

HEX #FD9F26

RGB 253 159 38

HSL 33.77, 0.98%, 0.57%

LAB 73.43, 26.74, 70.87

 

CMYK 0 / 30 / 69 / 1

HEX #FDB14F

RGB 253 177 79

HSL 33.79, 0.98%, 0.65%

LAB 77.81, 18.87, 59.45

 

CMYK 0 / 43 / 99 / 4

HEX #F68B02

RGB 246 139 2

HSL 33.69, 0.98%, 0.49%

LAB 68.07, 33.73, 73.74

 

CMYK 74 / 0 / 99 / 3

HEX #40F702

RGB 64 247 2

HSL 104.82, 0.98%, 0.49%

LAB 85.81, -79.16, 81.71

 

CMYK 84 / 99 / 0 / 3

HEX #2702F7

RGB 39 2 247

HSL 249.06, 0.98%, 0.49%

LAB 32.24, 77.33, -103.45

 

CMYK 0 / 43 / 99 / 4

HEX #F68B02

RGB 246 139 2

HSL 33.69, 0.98%, 0.49%

LAB 68.07, 33.73, 73.74

 

CMYK 99 / 0 / 45 / 3

HEX #02F789

RGB 2 247 137

HSL 153.06, 0.98%, 0.49%

LAB 86.18, -72.72, 39.34

 

CMYK 45 / 99 / 0 / 3

HEX #8902F7

RGB 137 2 247

HSL 273.06, 0.98%, 0.49%

LAB 41.34, 82.05, -88.07

 

CMYK 0 / 43 / 99 / 4

HEX #F68B02

RGB 246 139 2

HSL 33.69, 0.98%, 0.49%

LAB 68.07, 33.73, 73.74

 

CMYK 74 / 0 / 99 / 3

HEX #40F702

RGB 64 247 2

HSL 104.82, 0.98%, 0.49%

LAB 85.81, -79.16, 81.71

 

CMYK 99 / 54 / 0 / 3

HEX #0271F7

RGB 2 113 247

HSL 212.82, 0.98%, 0.49%

LAB 50.14, 25.2, -73.92

 

CMYK 25 / 99 / 0 / 3

HEX #BA02F7

RGB 186 2 247

HSL 285.06, 0.98%, 0.49%

LAB 48.51, 87.23, -76.03

 

CMYK 0 / 43 / 99 / 4

HEX #F68B02

RGB 246 139 2

HSL 33.69, 0.98%, 0.49%

LAB 68.07, 33.73, 73.74

 

CMYK 99 / 0 / 94 / 3

HEX #02F70F

RGB 2 247 15

HSL 123.18, 0.98%, 0.49%

LAB 85.29, -83.84, 79.98

 

CMYK 99 / 54 / 0 / 3

HEX #0271F7

RGB 2 113 247

HSL 212.82, 0.98%, 0.49%

LAB 50.14, 25.2, -73.92

 

CMYK 0 / 99 / 5 / 3

HEX #F702EB

RGB 247 2 235

HSL 302.94, 0.98%, 0.49%

LAB 57.86, 94.14, -53.7

 

Description

Color code: HEX #F68B02 | qconv.com Color code: HEX #F68B02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 139 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 139 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 99 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 99% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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