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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F68958 it is the complementary color #0976A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F68958. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F68958 shade: #FB8953, #FF9B66, #FFAD79, #FFBF8C and #FFD19F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F68958. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F68958 shade: #F68958, #E57745, #D46532, #C3531F and #B2410C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F68958 shade: #F68755, #F65C55 and #F65555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F68958 shade: #F68755, #F6B355, #F6DE55, #E3F655 and #B8F655

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F68958 shade matches the following richer shades: #F68755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F68958 shade: #F68755, #E88D64, #D99272, #CB9881 and #BC9D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F68958 shade: #F6557B, #F65B55, #F68655, #F6B055 and #F6DB55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F68958 shade: #ED520C, #F46C2E, #F68755, #F8A37D and #FABFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F68958 shade: #F68958, #A6F655 and #5565F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F68958 shade: #F68958, #55F686 and #8655F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F68958 shade: #F68958, #A6F655, #55C6F6 and #A655F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F68958 shade: #F68958, #76F655, #55C6F6 and #D655F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 64 / 4

HEX #F68958

RGB 246 137 88

HSL 18.61, 0.9%, 0.65%

LAB 68.16, 37.38, 44.07

 

Complementary color

CMYK 95 / 29 / 0 / 35

HEX #0976A7

RGB 9 118 167

HSL 198.61, 0.9%, 0.35%

LAB 46.72, -9.03, -33.77

 

CMYK 0 / 45 / 67 / 2

HEX #FB8953

RGB 251 137 83

HSL 19.29, 0.95%, 0.65%

LAB 68.77, 39.02, 47.51

 

CMYK 0 / 39 / 60 / 0

HEX #FF9B66

RGB 255 155 102

HSL 20.78, 1%, 0.7%

LAB 73.33, 32.54, 43.3

 

CMYK 0 / 32 / 53 / 0

HEX #FFAD79

RGB 255 173 121

HSL 23.28, 1%, 0.74%

LAB 77.6, 24.62, 38.76

 

CMYK 0 / 25 / 45 / 0

HEX #FFBF8C

RGB 255 191 140

HSL 26.61, 1%, 0.77%

LAB 82.06, 16.93, 34.64

 

CMYK 0 / 18 / 38 / 0

HEX #FFD19F

RGB 255 209 159

HSL 31.25, 1%, 0.81%

LAB 86.68, 9.57, 30.9

 

CMYK 0 / 44 / 64 / 4

HEX #F68958

RGB 246 137 88

HSL 18.61, 0.9%, 0.65%

LAB 68.16, 37.38, 44.07

 

CMYK 0 / 48 / 70 / 10

HEX #E57745

RGB 229 119 69

HSL 18.75, 0.75%, 0.58%

LAB 61.9, 38.89, 46.01

 

CMYK 0 / 52 / 76 / 17

HEX #D46532

RGB 212 101 50

HSL 18.89, 0.65%, 0.51%

LAB 55.62, 40.51, 48

 

CMYK 0 / 57 / 84 / 24

HEX #C3531F

RGB 195 83 31

HSL 19.02, 0.73%, 0.44%

LAB 49.36, 42.21, 49.79

 

CMYK 0 / 63 / 93 / 30

HEX #B2410C

RGB 178 65 12

HSL 19.16, 0.87%, 0.37%

LAB 43.17, 43.91, 50.71

 

CMYK 0 / 45 / 65 / 4

HEX #F68755

RGB 246 135 85

HSL 18.63, 0.9%, 0.65%

LAB 67.71, 38.22, 45.09

 

CMYK 0 / 63 / 65 / 4

HEX #F65C55

RGB 246 92 85

HSL 2.61, 0.9%, 0.65%

LAB 59.8, 58.51, 35.64

 

CMYK 0 / 65 / 65 / 4

HEX #F65555

RGB 246 85 85

HSL 0, 0.9%, 0.65%

LAB 58.74, 61.37, 34.33

 

CMYK 0 / 45 / 65 / 4

HEX #F68755

RGB 246 135 85

HSL 18.63, 0.9%, 0.65%

LAB 67.71, 38.22, 45.09

 

CMYK 0 / 27 / 65 / 4

HEX #F6B355

RGB 246 179 85

HSL 35.03, 0.9%, 0.65%

LAB 77.57, 15.25, 56.26

 

CMYK 0 / 10 / 65 / 4

HEX #F6DE55

RGB 246 222 85

HSL 51.06, 0.9%, 0.65%

LAB 88.2, -6.92, 67.67

 

CMYK 8 / 0 / 65 / 4

HEX #E3F655

RGB 227 246 85

HSL 67.08, 0.9%, 0.65%

LAB 92.97, -26.32, 72.14

 

CMYK 25 / 0 / 65 / 4

HEX #B8F655

RGB 184 246 85

HSL 83.11, 0.9%, 0.65%

LAB 90.21, -42.76, 68.41

 

CMYK 0 / 45 / 65 / 4

HEX #F68755

RGB 246 135 85

HSL 18.63, 0.9%, 0.65%

LAB 67.71, 38.22, 45.09

 

CMYK 0 / 45 / 65 / 4

HEX #F68755

RGB 246 135 85

HSL 18.63, 0.9%, 0.65%

LAB 67.71, 38.22, 45.09

 

CMYK 0 / 39 / 57 / 9

HEX #E88D64

RGB 232 141 100

HSL 18.64, 0.74%, 0.65%

LAB 67.37, 30.64, 36.38

 

CMYK 0 / 33 / 47 / 15

HEX #D99272

RGB 217 146 114

HSL 18.64, 0.58%, 0.65%

LAB 66.92, 23.22, 27.85

 

CMYK 0 / 25 / 36 / 20

HEX #CB9881

RGB 203 152 129

HSL 18.65, 0.42%, 0.65%

LAB 67.08, 16.03, 19.54

 

CMYK 0 / 16 / 24 / 26

HEX #BC9D8F

RGB 188 157 143

HSL 18.67, 0.25%, 0.65%

LAB 67.12, 9.28, 11.6

 

CMYK 0 / 65 / 50 / 4

HEX #F6557B

RGB 246 85 123

HSL 345.84, 0.9%, 0.65%

LAB 59.45, 63.98, 13.29

 

CMYK 0 / 63 / 65 / 4

HEX #F65B55

RGB 246 91 85

HSL 2.24, 0.9%, 0.65%

LAB 59.64, 58.93, 35.45

 

CMYK 0 / 46 / 65 / 4

HEX #F68655

RGB 246 134 85

HSL 18.26, 0.9%, 0.65%

LAB 67.5, 38.73, 44.85

 

CMYK 0 / 28 / 65 / 4

HEX #F6B055

RGB 246 176 85

HSL 33.91, 0.9%, 0.65%

LAB 76.86, 16.83, 55.48

 

CMYK 0 / 11 / 65 / 4

HEX #F6DB55

RGB 246 219 85

HSL 49.94, 0.9%, 0.65%

LAB 87.44, -5.41, 66.87

 

CMYK 0 / 65 / 95 / 7

HEX #ED520C

RGB 237 82 12

HSL 18.67, 0.9%, 0.49%

LAB 56.15, 57.36, 64.07

 

CMYK 0 / 56 / 81 / 4

HEX #F46C2E

RGB 244 108 46

HSL 18.79, 0.9%, 0.57%

LAB 61.79, 49.03, 57.46

 

CMYK 0 / 45 / 65 / 4

HEX #F68755

RGB 246 135 85

HSL 18.63, 0.9%, 0.65%

LAB 67.71, 38.22, 45.09

 

CMYK 0 / 34 / 50 / 3

HEX #F8A37D

RGB 248 163 125

HSL 18.54, 0.9%, 0.73%

LAB 74.59, 27.46, 32.64

 

CMYK 0 / 24 / 34 / 2

HEX #FABFA4

RGB 250 191 164

HSL 18.84, 0.9%, 0.81%

LAB 81.98, 17.63, 21.81

 

CMYK 0 / 44 / 64 / 4

HEX #F68958

RGB 246 137 88

HSL 18.61, 0.9%, 0.65%

LAB 68.16, 37.38, 44.07

 

CMYK 33 / 0 / 65 / 4

HEX #A6F655

RGB 166 246 85

HSL 89.81, 0.9%, 0.65%

LAB 89.24, -49.13, 67.09

 

CMYK 65 / 59 / 0 / 4

HEX #5565F6

RGB 85 101 246

HSL 234.04, 0.9%, 0.65%

LAB 49.37, 38.76, -74.53

 

CMYK 0 / 44 / 64 / 4

HEX #F68958

RGB 246 137 88

HSL 18.61, 0.9%, 0.65%

LAB 68.16, 37.38, 44.07

 

CMYK 65 / 0 / 46 / 4

HEX #55F686

RGB 85 246 134

HSL 138.26, 0.9%, 0.65%

LAB 86.78, -65.22, 41.76

 

CMYK 46 / 65 / 0 / 4

HEX #8655F6

RGB 134 85 246

HSL 258.26, 0.9%, 0.65%

LAB 49.76, 55.9, -73.72

 

CMYK 0 / 44 / 64 / 4

HEX #F68958

RGB 246 137 88

HSL 18.61, 0.9%, 0.65%

LAB 68.16, 37.38, 44.07

 

CMYK 33 / 0 / 65 / 4

HEX #A6F655

RGB 166 246 85

HSL 89.81, 0.9%, 0.65%

LAB 89.24, -49.13, 67.09

 

CMYK 65 / 20 / 0 / 4

HEX #55C6F6

RGB 85 198 246

HSL 197.89, 0.9%, 0.65%

LAB 75.43, -17.63, -33.13

 

CMYK 33 / 65 / 0 / 4

HEX #A655F6

RGB 166 85 246

HSL 270.19, 0.9%, 0.65%

LAB 53.23, 62.04, -67.93

 

CMYK 0 / 44 / 64 / 4

HEX #F68958

RGB 246 137 88

HSL 18.61, 0.9%, 0.65%

LAB 68.16, 37.38, 44.07

 

CMYK 52 / 0 / 65 / 4

HEX #76F655

RGB 118 246 85

HSL 107.7, 0.9%, 0.65%

LAB 87.2, -63.8, 64.3

 

CMYK 65 / 20 / 0 / 4

HEX #55C6F6

RGB 85 198 246

HSL 197.89, 0.9%, 0.65%

LAB 75.43, -17.63, -33.13

 

CMYK 13 / 65 / 0 / 4

HEX #D655F6

RGB 214 85 246

HSL 288.07, 0.9%, 0.65%

LAB 59.39, 72.17, -57.71

 

Description

Color code: HEX #F68958 | qconv.com Color code: HEX #F68958 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 137 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 137 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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