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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6860A it is the complementary color #0979F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6860A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6860A shade: #FB8605, #FF9818, #FFAA2B, #FFBC3E and #FFCE51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6860A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6860A shade: #F6860A, #E57400, #D46200, #C35000 and #B23E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6860A shade: #F68609, #F64609 and #F60909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6860A shade: #F68609, #F6C509, #E7F609, #A7F609 and #67F609

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6860A shade matches the following richer shades: #F68609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6860A shade: #F68609, #E1841E, #CD8332, #B88247 and #A4815B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6860A shade: #F6090D, #F64409, #F68309, #F6C309 and #EAF609

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6860A shade: #A65A06, #CE7007, #F68609, #F89931 and #F9AD59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6860A shade: #F6860A, #4CF609 and #2509F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6860A shade: #F6860A, #09F683 and #8309F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6860A shade: #F6860A, #4CF609, #097CF6 and #B309F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6860A shade: #F6860A, #09F60D, #097CF6 and #F609F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 96 / 4

HEX #F6860A

RGB 246 134 10

HSL 31.53, 0.93%, 0.5%

LAB 67.02, 36.36, 71.96

 

Complementary color

CMYK 96 / 51 / 0 / 4

HEX #0979F5

RGB 9 121 245

HSL 211.53, 0.93%, 0.5%

LAB 52.2, 19.54, -69.46

 

CMYK 0 / 47 / 98 / 2

HEX #FB8605

RGB 251 134 5

HSL 31.46, 0.97%, 0.5%

LAB 67.7, 38.31, 73.43

 

CMYK 0 / 40 / 91 / 0

HEX #FF9818

RGB 255 152 24

HSL 33.25, 1%, 0.55%

LAB 72.08, 30.92, 73.54

 

CMYK 0 / 33 / 83 / 0

HEX #FFAA2B

RGB 255 170 43

HSL 35.94, 1%, 0.58%

LAB 76.18, 21.96, 71.76

 

CMYK 0 / 26 / 76 / 0

HEX #FFBC3E

RGB 255 188 62

HSL 39.17, 1%, 0.62%

LAB 80.5, 13.18, 69.17

 

CMYK 0 / 19 / 68 / 0

HEX #FFCE51

RGB 255 206 81

HSL 43.1, 1%, 0.66%

LAB 84.99, 4.73, 66.21

 

CMYK 0 / 46 / 96 / 4

HEX #F6860A

RGB 246 134 10

HSL 31.53, 0.93%, 0.5%

LAB 67.02, 36.36, 71.96

 

CMYK 0 / 49 / 100 / 10

HEX #E57400

RGB 229 116 0

HSL 30.39, 1%, 0.45%

LAB 60.91, 38.62, 68.45

 

CMYK 0 / 54 / 100 / 17

HEX #D46200

RGB 212 98 0

HSL 27.74, 1%, 0.42%

LAB 54.8, 40.93, 63.55

 

CMYK 0 / 59 / 100 / 24

HEX #C35000

RGB 195 80 0

HSL 24.62, 1%, 0.38%

LAB 48.68, 43.14, 58.67

 

CMYK 0 / 65 / 100 / 30

HEX #B23E00

RGB 178 62 0

HSL 20.9, 1%, 0.35%

LAB 42.63, 45.1, 53.86

 

CMYK 0 / 46 / 96 / 4

HEX #F68609

RGB 246 134 9

HSL 31.65, 0.93%, 0.5%

LAB 67.02, 36.35, 72.1

 

CMYK 0 / 72 / 96 / 4

HEX #F64609

RGB 246 70 9

HSL 15.44, 0.93%, 0.5%

LAB 56.08, 64.77, 65.47

 

CMYK 0 / 96 / 96 / 4

HEX #F60909

RGB 246 9 9

HSL 0, 0.93%, 0.5%

LAB 51.62, 77.37, 63.2

 

CMYK 0 / 46 / 96 / 4

HEX #F68609

RGB 246 134 9

HSL 31.65, 0.93%, 0.5%

LAB 67.02, 36.35, 72.1

 

CMYK 0 / 20 / 96 / 4

HEX #F6C509

RGB 246 197 9

HSL 47.59, 0.93%, 0.5%

LAB 81.59, 3.5, 82.14

 

CMYK 6 / 0 / 96 / 4

HEX #E7F609

RGB 231 246 9

HSL 63.8, 0.93%, 0.5%

LAB 92.98, -27.06, 89.95

 

CMYK 32 / 0 / 96 / 4

HEX #A7F609

RGB 167 246 9

HSL 80, 0.93%, 0.5%

LAB 88.99, -51.79, 85.16

 

CMYK 58 / 0 / 96 / 4

HEX #67F609

RGB 103 246 9

HSL 96.2, 0.93%, 0.5%

LAB 86.41, -71.17, 82.02

 

CMYK 0 / 46 / 96 / 4

HEX #F68609

RGB 246 134 9

HSL 31.65, 0.93%, 0.5%

LAB 67.02, 36.35, 72.1

 

CMYK 0 / 46 / 96 / 4

HEX #F68609

RGB 246 134 9

HSL 31.65, 0.93%, 0.5%

LAB 67.02, 36.35, 72.1

 

CMYK 0 / 41 / 87 / 12

HEX #E1841E

RGB 225 132 30

HSL 31.38, 0.76%, 0.5%

LAB 63.84, 29.11, 64

 

CMYK 0 / 36 / 76 / 20

HEX #CD8332

RGB 205 131 50

HSL 31.35, 0.61%, 0.5%

LAB 61.17, 21.85, 53.26

 

CMYK 0 / 29 / 61 / 28

HEX #B88247

RGB 184 130 71

HSL 31.33, 0.44%, 0.5%

LAB 58.61, 14.57, 39.7

 

CMYK 0 / 21 / 45 / 36

HEX #A4815B

RGB 164 129 91

HSL 31.23, 0.29%, 0.5%

LAB 56.43, 8.35, 25.71

 

CMYK 0 / 96 / 95 / 4

HEX #F6090D

RGB 246 9 13

HSL 358.99, 0.93%, 0.5%

LAB 51.63, 77.4, 62.18

 

CMYK 0 / 72 / 96 / 4

HEX #F64409

RGB 246 68 9

HSL 14.94, 0.93%, 0.5%

LAB 55.83, 65.45, 65.33

 

CMYK 0 / 47 / 96 / 4

HEX #F68309

RGB 246 131 9

HSL 30.89, 0.93%, 0.5%

LAB 66.4, 37.87, 71.7

 

CMYK 0 / 21 / 96 / 4

HEX #F6C309

RGB 246 195 9

HSL 47.09, 0.93%, 0.5%

LAB 81.09, 4.54, 81.78

 

CMYK 5 / 0 / 96 / 4

HEX #EAF609

RGB 234 246 9

HSL 63.04, 0.93%, 0.5%

LAB 93.2, -25.84, 90.22

 

CMYK 0 / 46 / 96 / 35

HEX #A65A06

RGB 166 90 6

HSL 31.5, 0.93%, 0.34%

LAB 46.22, 26.27, 53.41

 

CMYK 0 / 46 / 97 / 19

HEX #CE7007

RGB 206 112 7

HSL 31.66, 0.93%, 0.42%

LAB 56.81, 31.41, 63.02

 

CMYK 0 / 46 / 96 / 4

HEX #F68609

RGB 246 134 9

HSL 31.65, 0.93%, 0.5%

LAB 67.02, 36.35, 72.1

 

CMYK 0 / 38 / 80 / 3

HEX #F89931

RGB 248 153 49

HSL 31.36, 0.93%, 0.58%

LAB 71.53, 28.11, 65.34

 

CMYK 0 / 31 / 64 / 2

HEX #F9AD59

RGB 249 173 89

HSL 31.5, 0.93%, 0.66%

LAB 76.53, 19.88, 53.32

 

CMYK 0 / 46 / 96 / 4

HEX #F6860A

RGB 246 134 10

HSL 31.53, 0.93%, 0.5%

LAB 67.02, 36.36, 71.96

 

CMYK 69 / 0 / 96 / 4

HEX #4CF609

RGB 76 246 9

HSL 103.04, 0.93%, 0.5%

LAB 85.74, -76.82, 81.19

 

CMYK 85 / 96 / 0 / 4

HEX #2509F6

RGB 37 9 246

HSL 247.09, 0.93%, 0.5%

LAB 32.35, 76.01, -102.69

 

CMYK 0 / 46 / 96 / 4

HEX #F6860A

RGB 246 134 10

HSL 31.53, 0.93%, 0.5%

LAB 67.02, 36.36, 71.96

 

CMYK 96 / 0 / 47 / 4

HEX #09F683

RGB 9 246 131

HSL 150.89, 0.93%, 0.5%

LAB 85.81, -73.21, 41.79

 

CMYK 47 / 96 / 0 / 4

HEX #8309F6

RGB 131 9 246

HSL 270.89, 0.93%, 0.5%

LAB 40.69, 80.59, -88.6

 

CMYK 0 / 46 / 96 / 4

HEX #F6860A

RGB 246 134 10

HSL 31.53, 0.93%, 0.5%

LAB 67.02, 36.36, 71.96

 

CMYK 69 / 0 / 96 / 4

HEX #4CF609

RGB 76 246 9

HSL 103.04, 0.93%, 0.5%

LAB 85.74, -76.82, 81.19

 

CMYK 96 / 50 / 0 / 4

HEX #097CF6

RGB 9 124 246

HSL 210.89, 0.93%, 0.5%

LAB 53.09, 18.04, -68.58

 

CMYK 27 / 96 / 0 / 4

HEX #B309F6

RGB 179 9 246

HSL 283.04, 0.93%, 0.5%

LAB 47.54, 85.61, -77.1

 

CMYK 0 / 46 / 96 / 4

HEX #F6860A

RGB 246 134 10

HSL 31.53, 0.93%, 0.5%

LAB 67.02, 36.36, 71.96

 

CMYK 96 / 0 / 95 / 4

HEX #09F60D

RGB 9 246 13

HSL 121.01, 0.93%, 0.5%

LAB 85, -83.4, 79.94

 

CMYK 96 / 50 / 0 / 4

HEX #097CF6

RGB 9 124 246

HSL 210.89, 0.93%, 0.5%

LAB 53.09, 18.04, -68.58

 

CMYK 0 / 96 / 2 / 4

HEX #F609F2

RGB 246 9 242

HSL 301.01, 0.93%, 0.5%

LAB 58.23, 94.51, -57.05

 

Description

Color code: HEX #F6860A | qconv.com Color code: HEX #F6860A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 134 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 134 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 96% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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