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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F685AF it is the complementary color #097A50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F685AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F685AF shade: #FB85AA, #FF97BD, #FFA9D0, #FFBBE3 and #FFCDF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F685AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F685AF shade: #F685AF, #E5739C, #D46189, #C34F76 and #B23D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F685AF shade: #F684AE, #F6848F and #F68484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F685AF shade: #F684AE, #F684CD, #F684EC, #E184F6 and #C284F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F685AF shade matches the following richer shades: #F684AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F685AF shade: #F684AE, #EB8EB1, #E099B4, #D6A4B6 and #CBAFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F685AF shade: #F684EC, #F684CE, #F684AF, #F68491 and #F69584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F685AF shade: #F0377C, #F35D95, #F684AE, #F9AAC7 and #FBD0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F685AF shade: #F685AF, #F6E184 and #84DDF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F685AF shade: #F685AF, #AFF684 and #84AFF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F685AF shade: #F685AF, #F6E184, #84F6CA and #8499F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F685AF shade: #F685AF, #E8F684, #84F6CA and #9184F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 29 / 4

HEX #F685AF

RGB 246 133 175

HSL 337.7, 0.86%, 0.74%

LAB 69.09, 47.7, -2.63

 

Complementary color

CMYK 93 / 0 / 34 / 52

HEX #097A50

RGB 9 122 80

HSL 157.7, 0.86%, 0.26%

LAB 45.02, -39.25, 15.12

 

CMYK 0 / 47 / 32 / 2

HEX #FB85AA

RGB 251 133 170

HSL 341.19, 0.94%, 0.75%

LAB 69.6, 48.76, 1.01

 

CMYK 0 / 41 / 26 / 0

HEX #FF97BD

RGB 255 151 189

HSL 338.08, 1%, 0.8%

LAB 74.23, 43.51, -2.72

 

CMYK 0 / 34 / 18 / 0

HEX #FFA9D0

RGB 255 169 208

HSL 332.79, 1%, 0.83%

LAB 78.57, 36.93, -6.73

 

CMYK 0 / 27 / 11 / 0

HEX #FFBBE3

RGB 255 187 227

HSL 324.71, 1%, 0.87%

LAB 83.1, 30.49, -10.26

 

CMYK 0 / 20 / 4 / 0

HEX #FFCDF6

RGB 255 205 246

HSL 310.8, 1%, 0.9%

LAB 87.76, 24.25, -13.41

 

CMYK 0 / 46 / 29 / 4

HEX #F685AF

RGB 246 133 175

HSL 337.7, 0.86%, 0.74%

LAB 69.09, 47.7, -2.63

 

CMYK 0 / 50 / 32 / 10

HEX #E5739C

RGB 229 115 156

HSL 338.42, 0.69%, 0.67%

LAB 62.78, 48.53, -1.38

 

CMYK 0 / 54 / 35 / 17

HEX #D46189

RGB 212 97 137

HSL 339.13, 0.57%, 0.61%

LAB 56.44, 49.33, 0.07

 

CMYK 0 / 59 / 39 / 24

HEX #C34F76

RGB 195 79 118

HSL 339.83, 0.49%, 0.54%

LAB 50.1, 50.03, 1.8

 

CMYK 0 / 66 / 44 / 30

HEX #B23D63

RGB 178 61 99

HSL 340.51, 0.49%, 0.47%

LAB 43.8, 50.52, 3.94

 

CMYK 0 / 46 / 29 / 4

HEX #F684AE

RGB 246 132 174

HSL 337.89, 0.86%, 0.74%

LAB 68.86, 48.07, -2.4

 

CMYK 0 / 46 / 42 / 4

HEX #F6848F

RGB 246 132 143

HSL 354.21, 0.86%, 0.74%

LAB 68.08, 44.46, 13.91

 

CMYK 0 / 46 / 46 / 4

HEX #F68484

RGB 246 132 132

HSL 0, 0.86%, 0.74%

LAB 67.84, 43.36, 19.75

 

CMYK 0 / 46 / 29 / 4

HEX #F684AE

RGB 246 132 174

HSL 337.89, 0.86%, 0.74%

LAB 68.86, 48.07, -2.4

 

CMYK 0 / 46 / 17 / 4

HEX #F684CD

RGB 246 132 205

HSL 321.58, 0.86%, 0.74%

LAB 69.83, 52.39, -18.29

 

CMYK 0 / 46 / 4 / 4

HEX #F684EC

RGB 246 132 236

HSL 305.26, 0.86%, 0.74%

LAB 70.98, 57.33, -33.66

 

CMYK 9 / 46 / 0 / 4

HEX #E184F6

RGB 225 132 246

HSL 288.95, 0.86%, 0.74%

LAB 68.87, 53.19, -42.61

 

CMYK 21 / 46 / 0 / 4

HEX #C284F6

RGB 194 132 246

HSL 272.63, 0.86%, 0.74%

LAB 65.46, 44.66, -48.22

 

CMYK 0 / 46 / 29 / 4

HEX #F684AE

RGB 246 132 174

HSL 337.89, 0.86%, 0.74%

LAB 68.86, 48.07, -2.4

 

CMYK 0 / 46 / 29 / 4

HEX #F684AE

RGB 246 132 174

HSL 337.89, 0.86%, 0.74%

LAB 68.86, 48.07, -2.4

 

CMYK 0 / 40 / 25 / 8

HEX #EB8EB1

RGB 235 142 177

HSL 337.42, 0.7%, 0.74%

LAB 69.6, 39.63, -3.15

 

CMYK 0 / 32 / 20 / 12

HEX #E099B4

RGB 224 153 180

HSL 337.18, 0.53%, 0.74%

LAB 70.82, 30.4, -3.18

 

CMYK 0 / 23 / 15 / 16

HEX #D6A4B6

RGB 214 164 182

HSL 338.4, 0.38%, 0.74%

LAB 72.38, 21.2, -2.11

 

CMYK 0 / 14 / 9 / 20

HEX #CBAFB9

RGB 203 175 185

HSL 338.57, 0.21%, 0.74%

LAB 74.1, 11.78, -1.36

 

CMYK 0 / 46 / 4 / 4

HEX #F684EC

RGB 246 132 236

HSL 305.26, 0.86%, 0.74%

LAB 70.98, 57.33, -33.66

 

CMYK 0 / 46 / 16 / 4

HEX #F684CE

RGB 246 132 206

HSL 321.05, 0.86%, 0.74%

LAB 69.86, 52.54, -18.79

 

CMYK 0 / 46 / 29 / 4

HEX #F684AF

RGB 246 132 175

HSL 337.37, 0.86%, 0.74%

LAB 68.89, 48.2, -2.92

 

CMYK 0 / 46 / 41 / 4

HEX #F68491

RGB 246 132 145

HSL 353.16, 0.86%, 0.74%

LAB 68.12, 44.67, 12.85

 

CMYK 0 / 39 / 46 / 4

HEX #F69584

RGB 246 149 132

HSL 8.95, 0.86%, 0.74%

LAB 71.39, 34.66, 24.56

 

CMYK 0 / 77 / 48 / 6

HEX #F0377C

RGB 240 55 124

HSL 337.62, 0.86%, 0.58%

LAB 54.78, 72.54, 5.93

 

CMYK 0 / 62 / 39 / 5

HEX #F35D95

RGB 243 93 149

HSL 337.6, 0.86%, 0.66%

LAB 60.83, 62.26, 0.05

 

CMYK 0 / 46 / 29 / 4

HEX #F684AE

RGB 246 132 174

HSL 337.89, 0.86%, 0.74%

LAB 68.86, 48.07, -2.4

 

CMYK 0 / 32 / 20 / 2

HEX #F9AAC7

RGB 249 170 199

HSL 337.97, 0.87%, 0.82%

LAB 77.88, 33.01, -2.92

 

CMYK 0 / 17 / 11 / 2

HEX #FBD0E0

RGB 251 208 224

HSL 337.67, 0.84%, 0.9%

LAB 87.49, 17.6, -2.22

 

CMYK 0 / 46 / 29 / 4

HEX #F685AF

RGB 246 133 175

HSL 337.7, 0.86%, 0.74%

LAB 69.09, 47.7, -2.63

 

CMYK 0 / 9 / 46 / 4

HEX #F6E184

RGB 246 225 132

HSL 48.95, 0.86%, 0.74%

LAB 89.44, -4.92, 47.89

 

CMYK 46 / 10 / 0 / 4

HEX #84DDF6

RGB 132 221 246

HSL 193.16, 0.86%, 0.74%

LAB 83.59, -20.29, -20.52

 

CMYK 0 / 46 / 29 / 4

HEX #F685AF

RGB 246 133 175

HSL 337.7, 0.86%, 0.74%

LAB 69.09, 47.7, -2.63

 

CMYK 29 / 0 / 46 / 4

HEX #AFF684

RGB 175 246 132

HSL 97.37, 0.86%, 0.74%

LAB 90.18, -41.52, 47.72

 

CMYK 46 / 29 / 0 / 4

HEX #84AFF6

RGB 132 175 246

HSL 217.37, 0.86%, 0.74%

LAB 71.02, 4.17, -39.83

 

CMYK 0 / 46 / 29 / 4

HEX #F685AF

RGB 246 133 175

HSL 337.7, 0.86%, 0.74%

LAB 69.09, 47.7, -2.63

 

CMYK 0 / 9 / 46 / 4

HEX #F6E184

RGB 246 225 132

HSL 48.95, 0.86%, 0.74%

LAB 89.44, -4.92, 47.89

 

CMYK 46 / 0 / 18 / 4

HEX #84F6CA

RGB 132 246 202

HSL 156.84, 0.86%, 0.74%

LAB 89.43, -42.56, 11.19

 

CMYK 46 / 38 / 0 / 4

HEX #8499F6

RGB 132 153 246

HSL 228.95, 0.86%, 0.74%

LAB 65.23, 16.71, -48.91

 

CMYK 0 / 46 / 29 / 4

HEX #F685AF

RGB 246 133 175

HSL 337.7, 0.86%, 0.74%

LAB 69.09, 47.7, -2.63

 

CMYK 6 / 0 / 46 / 4

HEX #E8F684

RGB 232 246 132

HSL 67.37, 0.86%, 0.74%

LAB 93.77, -20.75, 52.94

 

CMYK 46 / 0 / 18 / 4

HEX #84F6CA

RGB 132 246 202

HSL 156.84, 0.86%, 0.74%

LAB 89.43, -42.56, 11.19

 

CMYK 41 / 46 / 0 / 4

HEX #9184F6

RGB 145 132 246

HSL 246.84, 0.86%, 0.74%

LAB 60.94, 32.02, -55.67

 

Description

Color code: HEX #F685AF | qconv.com Color code: HEX #F685AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 133 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 133 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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