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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F683B34C it is the complementary color #097C4C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F683B34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F683B34C shade: #FB83AE4C, #FF95C14C, #FFA7D44C, #FFB9E74C and #FFCBFA4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F683B34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F683B34C shade: #F683B34C, #E571A04C, #D45F8D4C, #C34D7A4C and #B23B674C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F683B34C shade: #F684B3, #F68495 and #F68484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F683B34C shade: #F684B3, #F684D2, #F684F1, #DC84F6 and #BD84F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F683B34C shade matches the following richer shades: #F684B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F683B34C shade: #F684B3, #EB8EB5, #E099B7, #D6A4B9 and #CBAFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F683B34C shade: #F684F2, #F684D4, #F684B5, #F68497 and #F68F84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F683B34C shade: #F03784, #F35D9C, #F684B3, #F9AACB and #FBD0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F683B34C shade: #F683B3, #F6DB84 and #84E3F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F683B34C shade: #F683B3, #B5F684 and #84B5F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F683B34C shade: #F683B3, #F6DB84, #84F6C4 and #849EF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F683B34C shade: #F683B3, #EEF684, #84F6C4 and #8B84F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 8 / 1

HEX #F683B34C

RGBA 246 131 179 0.3

HSLA 334.96, 0.86%, 0.74%, 0.3

LABA 68.81, 49.22, -5.28, 0.3

 

Complementary color

CMYK 28 / 0 / 12 / 15

HEX #097C4C4C

RGBA 9 124 76 0.3

HSLA 154.96, 0.86%, 0.26%, 0.3

LABA 45.63, -40.95, 18.25, 0.3

 

CMYK 0 / 14 / 9 / 0

HEX #FB83AE4C

RGBA 251 131 174 0.3

HSLA 338.5, 0.94%, 0.75%, 0.3

LABA 69.33, 50.23, -1.64, 0.3

 

CMYK 0 / 12 / 7 / 0

HEX #FF95C14C

RGBA 255 149 193 0.3

HSLA 335.09, 1%, 0.79%, 0.3

LABA 73.94, 45.07, -5.37, 0.3

 

CMYK 0 / 10 / 5 / 0

HEX #FFA7D44C

RGBA 255 167 212 0.3

HSLA 329.32, 1%, 0.83%, 0.3

LABA 78.26, 38.58, -9.37, 0.3

 

CMYK 0 / 8 / 3 / 0

HEX #FFB9E74C

RGBA 255 185 231 0.3

HSLA 320.57, 1%, 0.86%, 0.3

LABA 82.77, 32.2, -12.9, 0.3

 

CMYK 0 / 6 / 1 / 0

HEX #FFCBFA4C

RGBA 255 203 250 0.3

HSLA 305.77, 1%, 0.9%, 0.3

LABA 87.42, 26, -16.03, 0.3

 

CMYK 0 / 14 / 8 / 1

HEX #F683B34C

RGBA 246 131 179 0.3

HSLA 334.96, 0.86%, 0.74%, 0.3

LABA 68.81, 49.22, -5.28, 0.3

 

CMYK 0 / 15 / 9 / 3

HEX #E571A04C

RGBA 229 113 160 0.3

HSLA 335.69, 0.69%, 0.67%, 0.3

LABA 62.51, 50.02, -4.06, 0.3

 

CMYK 0 / 17 / 10 / 5

HEX #D45F8D4C

RGBA 212 95 141 0.3

HSLA 336.41, 0.58%, 0.6%, 0.3

LABA 56.19, 50.76, -2.64, 0.3

 

CMYK 0 / 18 / 11 / 7

HEX #C34D7A4C

RGBA 195 77 122 0.3

HSLA 337.12, 0.5%, 0.53%, 0.3

LABA 49.88, 51.39, -0.93, 0.3

 

CMYK 0 / 20 / 13 / 9

HEX #B23B674C

RGBA 178 59 103 0.3

HSLA 337.82, 0.5%, 0.46%, 0.3

LABA 43.61, 51.76, 1.19, 0.3

 

CMYK 0 / 46 / 27 / 4

HEX #F684B3

RGB 246 132 179

HSL 335.26, 0.86%, 0.74%

LAB 69, 48.72, -4.99

 

CMYK 0 / 46 / 39 / 4

HEX #F68495

RGB 246 132 149

HSL 351.05, 0.86%, 0.74%

LAB 68.22, 45.11, 10.73

 

CMYK 0 / 46 / 46 / 4

HEX #F68484

RGB 246 132 132

HSL 0, 0.86%, 0.74%

LAB 67.84, 43.36, 19.75

 

CMYK 0 / 46 / 27 / 4

HEX #F684B3

RGB 246 132 179

HSL 335.26, 0.86%, 0.74%

LAB 69, 48.72, -4.99

 

CMYK 0 / 46 / 15 / 4

HEX #F684D2

RGB 246 132 210

HSL 318.95, 0.86%, 0.74%

LAB 70, 53.14, -20.8

 

CMYK 0 / 46 / 2 / 4

HEX #F684F1

RGB 246 132 241

HSL 302.63, 0.86%, 0.74%

LAB 71.18, 58.18, -36.09

 

CMYK 11 / 46 / 0 / 4

HEX #DC84F6

RGB 220 132 246

HSL 286.32, 0.86%, 0.74%

LAB 68.29, 51.8, -43.56

 

CMYK 23 / 46 / 0 / 4

HEX #BD84F6

RGB 189 132 246

HSL 270, 0.86%, 0.74%

LAB 64.94, 43.31, -49.06

 

CMYK 0 / 46 / 27 / 4

HEX #F684B3

RGB 246 132 179

HSL 335.26, 0.86%, 0.74%

LAB 69, 48.72, -4.99

 

CMYK 0 / 46 / 27 / 4

HEX #F684B3

RGB 246 132 179

HSL 335.26, 0.86%, 0.74%

LAB 69, 48.72, -4.99

 

CMYK 0 / 40 / 23 / 8

HEX #EB8EB5

RGB 235 142 181

HSL 334.84, 0.7%, 0.74%

LAB 69.71, 40.2, -5.22

 

CMYK 0 / 32 / 18 / 12

HEX #E099B7

RGB 224 153 183

HSL 334.65, 0.53%, 0.74%

LAB 70.9, 30.86, -4.72

 

CMYK 0 / 23 / 14 / 16

HEX #D6A4B9

RGB 214 164 185

HSL 334.8, 0.38%, 0.74%

LAB 72.46, 21.69, -3.65

 

CMYK 0 / 14 / 8 / 20

HEX #CBAFBA

RGB 203 175 186

HSL 336.43, 0.21%, 0.74%

LAB 74.13, 11.95, -1.87

 

CMYK 0 / 46 / 2 / 4

HEX #F684F2

RGB 246 132 242

HSL 302.11, 0.86%, 0.74%

LAB 71.22, 58.35, -36.57

 

CMYK 0 / 46 / 14 / 4

HEX #F684D4

RGB 246 132 212

HSL 317.89, 0.86%, 0.74%

LAB 70.07, 53.45, -21.81

 

CMYK 0 / 46 / 26 / 4

HEX #F684B5

RGB 246 132 181

HSL 334.21, 0.86%, 0.74%

LAB 69.06, 48.99, -6.03

 

CMYK 0 / 46 / 39 / 4

HEX #F68497

RGB 246 132 151

HSL 350, 0.86%, 0.74%

LAB 68.26, 45.33, 9.67

 

CMYK 0 / 42 / 46 / 4

HEX #F68F84

RGB 246 143 132

HSL 5.79, 0.86%, 0.74%

LAB 70.11, 37.76, 22.84

 

CMYK 0 / 77 / 45 / 6

HEX #F03784

RGB 240 55 132

HSL 335.03, 0.86%, 0.58%

LAB 54.99, 73.21, 1.47

 

CMYK 0 / 62 / 36 / 5

HEX #F35D9C

RGB 243 93 156

HSL 334.8, 0.86%, 0.66%

LAB 61.03, 63.01, -3.71

 

CMYK 0 / 46 / 27 / 4

HEX #F684B3

RGB 246 132 179

HSL 335.26, 0.86%, 0.74%

LAB 69, 48.72, -4.99

 

CMYK 0 / 32 / 18 / 2

HEX #F9AACB

RGB 249 170 203

HSL 334.94, 0.87%, 0.82%

LAB 77.99, 33.6, -4.94

 

CMYK 0 / 17 / 10 / 2

HEX #FBD0E2

RGB 251 208 226

HSL 334.88, 0.84%, 0.9%

LAB 87.54, 17.93, -3.2

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 11 / 46 / 4

HEX #F6DB84

RGB 246 219 132

HSL 45.79, 0.86%, 0.74%

LAB 87.93, -1.88, 46.01

 

CMYK 46 / 8 / 0 / 4

HEX #84E3F6

RGB 132 227 246

HSL 190, 0.86%, 0.74%

LAB 85.25, -23.28, -18

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 26 / 0 / 46 / 4

HEX #B5F684

RGB 181 246 132

HSL 94.21, 0.86%, 0.74%

LAB 90.51, -39.47, 48.2

 

CMYK 46 / 26 / 0 / 4

HEX #84B5F6

RGB 132 181 246

HSL 214.21, 0.86%, 0.74%

LAB 72.63, 0.83, -37.32

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 11 / 46 / 4

HEX #F6DB84

RGB 246 219 132

HSL 45.79, 0.86%, 0.74%

LAB 87.93, -1.88, 46.01

 

CMYK 46 / 0 / 20 / 4

HEX #84F6C4

RGB 132 246 196

HSL 153.68, 0.86%, 0.74%

LAB 89.3, -43.8, 14.11

 

CMYK 46 / 36 / 0 / 4

HEX #849EF6

RGB 132 158 246

HSL 226.32, 0.86%, 0.74%

LAB 66.53, 13.82, -46.86

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 3 / 0 / 46 / 4

HEX #EEF684

RGB 238 246 132

HSL 64.21, 0.86%, 0.74%

LAB 94.21, -18.44, 53.58

 

CMYK 46 / 0 / 20 / 4

HEX #84F6C4

RGB 132 246 196

HSL 153.68, 0.86%, 0.74%

LAB 89.3, -43.8, 14.11

 

CMYK 43 / 46 / 0 / 4

HEX #8B84F6

RGB 139 132 246

HSL 243.68, 0.86%, 0.74%

LAB 60.47, 30.59, -56.44

 

Description

Color code: HEX #F683B34C | qconv.com Color code: HEX #F683B34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 131 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 131 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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