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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F683444C it is the complementary color #097CBB4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F683444C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F683444C shade: #FB833F4C, #FF95524C, #FFA7654C, #FFB9784C and #FFCB8B4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F683444C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F683444C shade: #F683444C, #E571314C, #D45F1E4C, #C34D0B4C and #B23B004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F683444C shade: #F68446, #F65546 and #F64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F683444C shade: #F68446, #F6B446, #F6E346, #DAF646 and #AAF646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F683444C shade matches the following richer shades: #F68446

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F683444C shade: #F68446, #E78956, #D78E65, #C79275 and #B89785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F683444C shade: #F64666, #F65546, #F68446, #F6B346 and #F6E246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F683444C shade: #DF560B, #F46A1F, #F68446, #F89E6D and #FAB995

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F683444C shade: #F68344, #95F646 and #464FF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F683444C shade: #F68344, #46F684 and #8446F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F683444C shade: #F68344, #95F646, #46B9F6 and #A746F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F683444C shade: #F68344, #60F646, #46B9F6 and #DC46F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 22 / 1

HEX #F683444C

RGBA 246 131 68 0.3

HSLA 21.24, 0.91%, 0.62%, 0.3

LABA 66.71, 39.36, 52.42, 0.3

 

Complementary color

CMYK 29 / 10 / 0 / 8

HEX #097CBB4C

RGBA 9 124 187 0.3

HSLA 201.24, 0.91%, 0.38%, 0.3

LABA 49.57, -4.9, -40.88, 0.3

 

CMYK 0 / 14 / 22 / 0

HEX #FB833F4C

RGBA 251 131 63 0.3

HSLA 21.7, 0.96%, 0.62%, 0.3

LABA 67.35, 41.09, 55.66, 0.3

 

CMYK 0 / 12 / 20 / 0

HEX #FF95524C

RGBA 255 149 82 0.3

HSLA 23.24, 1%, 0.66%, 0.3

LABA 71.8, 34.41, 51.57, 0.3

 

CMYK 0 / 10 / 18 / 0

HEX #FFA7654C

RGBA 255 167 101 0.3

HSLA 25.71, 1%, 0.7%, 0.3

LABA 75.97, 26.23, 46.99, 0.3

 

CMYK 0 / 8 / 16 / 0

HEX #FFB9784C

RGBA 255 185 120 0.3

HSLA 28.89, 1%, 0.74%, 0.3

LABA 80.36, 18.26, 42.75, 0.3

 

CMYK 0 / 6 / 14 / 0

HEX #FFCB8B4C

RGBA 255 203 139 0.3

HSLA 33.1, 1%, 0.77%, 0.3

LABA 84.91, 10.59, 38.85, 0.3

 

CMYK 0 / 14 / 22 / 1

HEX #F683444C

RGBA 246 131 68 0.3

HSLA 21.24, 0.91%, 0.62%, 0.3

LABA 66.71, 39.36, 52.42, 0.3

 

CMYK 0 / 15 / 24 / 3

HEX #E571314C

RGBA 229 113 49 0.3

HSLA 21.33, 0.78%, 0.55%, 0.3

LABA 60.51, 41.05, 54.15, 0.3

 

CMYK 0 / 17 / 26 / 5

HEX #D45F1E4C

RGBA 212 95 30 0.3

HSLA 21.43, 0.75%, 0.47%, 0.3

LABA 54.32, 42.84, 55.49, 0.3

 

CMYK 0 / 18 / 28 / 7

HEX #C34D0B4C

RGBA 195 77 11 0.3

HSLA 21.52, 0.89%, 0.4%, 0.3

LABA 48.18, 44.67, 55.72, 0.3

 

CMYK 0 / 20 / 30 / 9

HEX #B23B004C

RGBA 178 59 0 0.3

HSLA 19.89, 1%, 0.35%, 0.3

LABA 42.14, 46.4, 53.61, 0.3

 

CMYK 0 / 46 / 72 / 4

HEX #F68446

RGB 246 132 70

HSL 21.14, 0.91%, 0.62%

LAB 66.93, 38.95, 51.7

 

CMYK 0 / 65 / 72 / 4

HEX #F65546

RGB 246 85 70

HSL 5.11, 0.91%, 0.62%

LAB 58.54, 60.64, 42.43

 

CMYK 0 / 72 / 72 / 4

HEX #F64646

RGB 246 70 70

HSL 0, 0.91%, 0.62%

LAB 56.5, 66.21, 40.1

 

CMYK 0 / 46 / 72 / 4

HEX #F68446

RGB 246 132 70

HSL 21.14, 0.91%, 0.62%

LAB 66.93, 38.95, 51.7

 

CMYK 0 / 27 / 72 / 4

HEX #F6B446

RGB 246 180 70

HSL 37.5, 0.91%, 0.62%

LAB 77.68, 13.94, 62.94

 

CMYK 0 / 8 / 72 / 4

HEX #F6E346

RGB 246 227 70

HSL 53.52, 0.91%, 0.62%

LAB 89.38, -10.17, 74.51

 

CMYK 11 / 0 / 72 / 4

HEX #DAF646

RGB 218 246 70

HSL 69.55, 0.91%, 0.62%

LAB 92.25, -30.69, 76.54

 

CMYK 31 / 0 / 72 / 4

HEX #AAF646

RGB 170 246 70

HSL 85.91, 0.91%, 0.62%

LAB 89.35, -48.74, 72.72

 

CMYK 0 / 46 / 72 / 4

HEX #F68446

RGB 246 132 70

HSL 21.14, 0.91%, 0.62%

LAB 66.93, 38.95, 51.7

 

CMYK 0 / 46 / 72 / 4

HEX #F68446

RGB 246 132 70

HSL 21.14, 0.91%, 0.62%

LAB 66.93, 38.95, 51.7

 

CMYK 0 / 41 / 63 / 9

HEX #E78956

RGB 231 137 86

HSL 21.1, 0.75%, 0.62%

LAB 66.18, 31.35, 42.28

 

CMYK 0 / 34 / 53 / 16

HEX #D78E65

RGB 215 142 101

HSL 21.58, 0.59%, 0.62%

LAB 65.54, 23.37, 33.09

 

CMYK 0 / 27 / 41 / 22

HEX #C79275

RGB 199 146 117

HSL 21.22, 0.42%, 0.62%

LAB 64.95, 16.3, 23.22

 

CMYK 0 / 18 / 28 / 28

HEX #B89785

RGB 184 151 133

HSL 21.18, 0.26%, 0.62%

LAB 64.98, 9.58, 14.11

 

CMYK 0 / 72 / 59 / 4

HEX #F64666

RGB 246 70 102

HSL 349.09, 0.91%, 0.62%

LAB 57.01, 67.93, 22.27

 

CMYK 0 / 65 / 72 / 4

HEX #F65546

RGB 246 85 70

HSL 5.11, 0.91%, 0.62%

LAB 58.54, 60.64, 42.43

 

CMYK 0 / 46 / 72 / 4

HEX #F68446

RGB 246 132 70

HSL 21.14, 0.91%, 0.62%

LAB 66.93, 38.95, 51.7

 

CMYK 0 / 27 / 72 / 4

HEX #F6B346

RGB 246 179 70

HSL 37.16, 0.91%, 0.62%

LAB 77.45, 14.46, 62.7

 

CMYK 0 / 8 / 72 / 4

HEX #F6E246

RGB 246 226 70

HSL 53.18, 0.91%, 0.62%

LAB 89.12, -9.67, 74.27

 

CMYK 0 / 61 / 95 / 13

HEX #DF560B

RGB 223 86 11

HSL 21.23, 0.91%, 0.46%

LAB 54.42, 50.79, 62.01

 

CMYK 0 / 57 / 87 / 4

HEX #F46A1F

RGB 244 106 31

HSL 21.13, 0.91%, 0.54%

LAB 61.34, 49.6, 62.86

 

CMYK 0 / 46 / 72 / 4

HEX #F68446

RGB 246 132 70

HSL 21.14, 0.91%, 0.62%

LAB 66.93, 38.95, 51.7

 

CMYK 0 / 36 / 56 / 3

HEX #F89E6D

RGB 248 158 109

HSL 21.15, 0.91%, 0.7%

LAB 73.23, 28.73, 39.36

 

CMYK 0 / 26 / 40 / 2

HEX #FAB995

RGB 250 185 149

HSL 21.39, 0.91%, 0.78%

LAB 80.29, 19.06, 27.47

 

CMYK 0 / 47 / 72 / 4

HEX #F68344

RGB 246 131 68

HSL 21.24, 0.91%, 0.62%

LAB 66.71, 39.36, 52.42

 

CMYK 39 / 0 / 72 / 4

HEX #95F646

RGB 149 246 70

HSL 93.07, 0.91%, 0.62%

LAB 88.33, -55.82, 71.37

 

CMYK 72 / 68 / 0 / 4

HEX #464FF6

RGB 70 79 246

HSL 236.93, 0.91%, 0.62%

LAB 43.58, 49.99, -84.03

 

CMYK 0 / 47 / 72 / 4

HEX #F68344

RGB 246 131 68

HSL 21.24, 0.91%, 0.62%

LAB 66.71, 39.36, 52.42

 

CMYK 72 / 0 / 46 / 4

HEX #46F684

RGB 70 246 132

HSL 141.14, 0.91%, 0.62%

LAB 86.44, -67.98, 42.24

 

CMYK 46 / 72 / 0 / 4

HEX #8446F6

RGB 132 70 246

HSL 261.14, 0.91%, 0.62%

LAB 46.9, 62.94, -78.4

 

CMYK 0 / 47 / 72 / 4

HEX #F68344

RGB 246 131 68

HSL 21.24, 0.91%, 0.62%

LAB 66.71, 39.36, 52.42

 

CMYK 39 / 0 / 72 / 4

HEX #95F646

RGB 149 246 70

HSL 93.07, 0.91%, 0.62%

LAB 88.33, -55.82, 71.37

 

CMYK 72 / 25 / 0 / 4

HEX #46B9F6

RGB 70 185 246

HSL 200.8, 0.91%, 0.62%

LAB 71.32, -12.92, -39.55

 

CMYK 32 / 72 / 0 / 4

HEX #A746F6

RGB 167 70 246

HSL 273.07, 0.91%, 0.62%

LAB 50.98, 68.87, -71.57

 

CMYK 0 / 47 / 72 / 4

HEX #F68344

RGB 246 131 68

HSL 21.24, 0.91%, 0.62%

LAB 66.71, 39.36, 52.42

 

CMYK 61 / 0 / 72 / 4

HEX #60F646

RGB 96 246 70

HSL 111.14, 0.91%, 0.62%

LAB 86.43, -70.31, 68.83

 

CMYK 72 / 25 / 0 / 4

HEX #46B9F6

RGB 70 185 246

HSL 200.8, 0.91%, 0.62%

LAB 71.32, -12.92, -39.55

 

CMYK 11 / 72 / 0 / 4

HEX #DC46F6

RGB 220 70 246

HSL 291.14, 0.91%, 0.62%

LAB 58.27, 78.97, -59.44

 

Description

Color code: HEX #F683444C | qconv.com Color code: HEX #F683444C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 131 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 131 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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