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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F683044C it is the complementary color #097CFB4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F683044C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F683044C shade: #FB83004C, #FF95124C, #FFA7254C, #FFB9384C and #FFCB4B4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F683044C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F683044C shade: #F683044C, #E571004C, #D45F004C, #C34D004C and #B23B004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F683044C shade: #F68304, #F64204 and #F60404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F683044C shade: #F68304, #F6C404, #E7F604, #A5F604 and #64F604

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F683044C shade matches the following richer shades: #F68304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F683044C shade: #F68304, #E28218, #CE812C, #BA8040 and #A57F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F683044C shade: #F60408, #F64004, #F68104, #F6C204 and #EAF604

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F683044C shade: #A55803, #CE6D03, #F68304, #FC9727 and #FCAA50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F683044C shade: #F68304, #48F604 and #2004F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F683044C shade: #F68304, #04F681 and #8104F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F683044C shade: #F68304, #48F604, #0479F6 and #B104F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F683044C shade: #F68304, #04F608, #0479F6 and #F604F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 30 / 1

HEX #F683044C

RGBA 246 131 4 0.3

HSLA 31.49, 0.97%, 0.49%, 0.3

LABA 66.39, 37.83, 72.4, 0.3

 

Complementary color

CMYK 29 / 15 / 0 / 0

HEX #097CFB4C

RGBA 9 124 251 0.3

HSLA 211.49, 0.97%, 0.51%, 0.3

LABA 53.43, 19.96, -70.81, 0.3

 

CMYK 0 / 14 / 30 / 0

HEX #FB83004C

RGBA 251 131 0 0.3

HSLA 31.31, 1%, 0.49%, 0.3

LABA 67.08, 39.78, 73.76, 0.3

 

CMYK 0 / 12 / 28 / 0

HEX #FF95124C

RGBA 255 149 18 0.3

HSLA 33.16, 1%, 0.54%, 0.3

LABA 71.42, 32.39, 74.25, 0.3

 

CMYK 0 / 10 / 26 / 0

HEX #FFA7254C

RGBA 255 167 37 0.3

HSLA 35.78, 1%, 0.57%, 0.3

LABA 75.47, 23.38, 72.92, 0.3

 

CMYK 0 / 8 / 23 / 0

HEX #FFB9384C

RGBA 255 185 56 0.3

HSLA 38.89, 1%, 0.61%, 0.3

LABA 79.75, 14.53, 70.63, 0.3

 

CMYK 0 / 6 / 21 / 0

HEX #FFCB4B4C

RGBA 255 203 75 0.3

HSLA 42.67, 1%, 0.65%, 0.3

LABA 84.21, 5.98, 67.83, 0.3

 

CMYK 0 / 14 / 30 / 1

HEX #F683044C

RGBA 246 131 4 0.3

HSLA 31.49, 0.97%, 0.49%, 0.3

LABA 66.39, 37.83, 72.4, 0.3

 

CMYK 0 / 15 / 30 / 3

HEX #E571004C

RGBA 229 113 0 0.3

HSLA 29.61, 1%, 0.45%, 0.3

LABA 60.31, 40.13, 68.09, 0.3

 

CMYK 0 / 17 / 30 / 5

HEX #D45F004C

RGBA 212 95 0 0.3

HSLA 26.89, 1%, 0.42%, 0.3

LABA 54.22, 42.4, 63.22, 0.3

 

CMYK 0 / 18 / 30 / 7

HEX #C34D004C

RGBA 195 77 0 0.3

HSLA 23.69, 1%, 0.38%, 0.3

LABA 48.15, 44.55, 58.38, 0.3

 

CMYK 0 / 20 / 30 / 9

HEX #B23B004C

RGBA 178 59 0 0.3

HSLA 19.89, 1%, 0.35%, 0.3

LABA 42.14, 46.4, 53.61, 0.3

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 0 / 73 / 98 / 4

HEX #F64204

RGB 246 66 4

HSL 15.37, 0.97%, 0.49%

LAB 55.58, 66.08, 66.24

 

CMYK 0 / 98 / 98 / 4

HEX #F60404

RGB 246 4 4

HSL 0, 0.97%, 0.49%

LAB 51.48, 77.7, 64.4

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 0 / 20 / 98 / 4

HEX #F6C404

RGB 246 196 4

HSL 47.6, 0.97%, 0.49%

LAB 81.34, 3.98, 82.43

 

CMYK 6 / 0 / 98 / 4

HEX #E7F604

RGB 231 246 4

HSL 63.72, 0.97%, 0.49%

LAB 92.97, -27.11, 90.32

 

CMYK 33 / 0 / 98 / 4

HEX #A5F604

RGB 165 246 4

HSL 80.08, 0.97%, 0.49%

LAB 88.88, -52.55, 85.41

 

CMYK 59 / 0 / 98 / 4

HEX #64F604

RGB 100 246 4

HSL 96.2, 0.97%, 0.49%

LAB 86.32, -71.94, 82.3

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 0 / 42 / 89 / 11

HEX #E28218

RGB 226 130 24

HSL 31.49, 0.81%, 0.49%

LAB 63.51, 30.46, 65.48

 

CMYK 0 / 37 / 79 / 19

HEX #CE812C

RGB 206 129 44

HSL 31.48, 0.65%, 0.49%

LAB 60.79, 23.12, 55.44

 

CMYK 0 / 31 / 66 / 27

HEX #BA8040

RGB 186 128 64

HSL 31.48, 0.49%, 0.49%

LAB 58.27, 16.06, 42.93

 

CMYK 0 / 23 / 48 / 35

HEX #A57F55

RGB 165 127 85

HSL 31.5, 0.32%, 0.49%

LAB 55.92, 9.27, 28.41

 

CMYK 0 / 98 / 97 / 4

HEX #F60408

RGB 246 4 8

HSL 359.01, 0.97%, 0.49%

LAB 51.49, 77.72, 63.39

 

CMYK 0 / 74 / 98 / 4

HEX #F64004

RGB 246 64 4

HSL 14.88, 0.97%, 0.49%

LAB 55.35, 66.73, 66.13

 

CMYK 0 / 48 / 98 / 4

HEX #F68104

RGB 246 129 4

HSL 30.99, 0.97%, 0.49%

LAB 65.98, 38.84, 72.15

 

CMYK 0 / 21 / 98 / 4

HEX #F6C204

RGB 246 194 4

HSL 47.11, 0.97%, 0.49%

LAB 80.84, 5.01, 82.08

 

CMYK 5 / 0 / 98 / 4

HEX #EAF604

RGB 234 246 4

HSL 62.98, 0.97%, 0.49%

LAB 93.19, -25.88, 90.58

 

CMYK 0 / 47 / 98 / 35

HEX #A55803

RGB 165 88 3

HSL 31.48, 0.96%, 0.33%

LAB 45.61, 26.89, 53.67

 

CMYK 0 / 47 / 99 / 19

HEX #CE6D03

RGB 206 109 3

HSL 31.33, 0.97%, 0.41%

LAB 56.15, 32.94, 63.33

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 0 / 40 / 85 / 1

HEX #FC9727

RGB 252 151 39

HSL 31.55, 0.97%, 0.57%

LAB 71.54, 30.51, 68.96

 

CMYK 0 / 33 / 68 / 1

HEX #FCAA50

RGB 252 170 80

HSL 31.4, 0.97%, 0.65%

LAB 76.08, 22.17, 57.12

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 71 / 0 / 98 / 4

HEX #48F604

RGB 72 246 4

HSL 103.14, 0.97%, 0.49%

LAB 85.65, -77.58, 81.48

 

CMYK 87 / 98 / 0 / 4

HEX #2004F6

RGB 32 4 246

HSL 246.94, 0.97%, 0.49%

LAB 31.92, 76.68, -103.43

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 98 / 0 / 48 / 4

HEX #04F681

RGB 4 246 129

HSL 150.99, 0.97%, 0.49%

LAB 85.77, -73.67, 42.69

 

CMYK 48 / 98 / 0 / 4

HEX #8104F6

RGB 129 4 246

HSL 270.99, 0.97%, 0.49%

LAB 40.26, 80.96, -89.32

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 71 / 0 / 98 / 4

HEX #48F604

RGB 72 246 4

HSL 103.14, 0.97%, 0.49%

LAB 85.65, -77.58, 81.48

 

CMYK 98 / 51 / 0 / 4

HEX #0479F6

RGB 4 121 246

HSL 210.99, 0.97%, 0.49%

LAB 52.24, 19.8, -69.96

 

CMYK 28 / 98 / 0 / 4

HEX #B104F6

RGB 177 4 246

HSL 282.89, 0.97%, 0.49%

LAB 47.09, 85.79, -77.85

 

CMYK 0 / 47 / 98 / 4

HEX #F68304

RGB 246 131 4

HSL 31.49, 0.97%, 0.49%

LAB 66.39, 37.83, 72.4

 

CMYK 98 / 0 / 97 / 4

HEX #04F608

RGB 4 246 8

HSL 120.99, 0.97%, 0.49%

LAB 84.97, -83.63, 80.33

 

CMYK 98 / 51 / 0 / 4

HEX #0479F6

RGB 4 121 246

HSL 210.99, 0.97%, 0.49%

LAB 52.24, 19.8, -69.96

 

CMYK 0 / 98 / 2 / 4

HEX #F604F2

RGB 246 4 242

HSL 300.99, 0.97%, 0.49%

LAB 58.12, 94.82, -57.21

 

Description

Color code: HEX #F683044C | qconv.com Color code: HEX #F683044C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 131 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 131 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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