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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F682F4 it is the complementary color #097D0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F682F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F682F4 shade: #FB82EF, #FF94FF, #FFA6FF, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F682F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F682F4 shade: #F682F4, #E570E1, #D45ECE, #C34CBB and #B23AA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F682F4 shade: #F683F4, #F683D5, #F683B6, #F68397 and #F68383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F682F4 shade: #F683F4, #D983F6, #BA83F6, #9B83F6 and #8383F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F682F4 shade matches the following richer shades: #F683F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F682F4 shade: #F683F4, #EB8DEA, #E098DF, #D6A3D5 and #CBADCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F682F4 shade: #BA83F6, #D983F6, #F683F4, #F683D5 and #F683B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F682F4 shade: #F135ED, #F35CF1, #F683F4, #F9A9F7 and #FBD0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F682F4 shade: #F682F4, #F69C83 and #83F6CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F682F4 shade: #F682F4, #F4F683 and #83F4F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F682F4 shade: #F682F4, #F69C83, #83F684 and #83DDF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F682F4 shade: #F682F4, #F6BE83, #83F684 and #83BAF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 1 / 4

HEX #F682F4

RGB 246 130 244

HSL 301.03, 0.87%, 0.74%

LAB 70.93, 59.66, -38.11

 

Complementary color

CMYK 93 / 0 / 91 / 51

HEX #097D0B

RGB 9 125 11

HSL 121.03, 0.87%, 0.26%

LAB 45.29, -49.65, 46.86

 

CMYK 0 / 48 / 5 / 2

HEX #FB82EF

RGB 251 130 239

HSL 305.95, 0.94%, 0.75%

LAB 71.36, 60.22, -34.67

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 47 / 1 / 4

HEX #F682F4

RGB 246 130 244

HSL 301.03, 0.87%, 0.74%

LAB 70.93, 59.66, -38.11

 

CMYK 0 / 51 / 2 / 10

HEX #E570E1

RGB 229 112 225

HSL 302.05, 0.69%, 0.67%

LAB 64.71, 60.26, -37.48

 

CMYK 0 / 56 / 3 / 17

HEX #D45ECE

RGB 212 94 206

HSL 303.05, 0.58%, 0.6%

LAB 58.47, 60.74, -36.72

 

CMYK 0 / 61 / 4 / 24

HEX #C34CBB

RGB 195 76 187

HSL 304.03, 0.5%, 0.53%

LAB 52.24, 61, -35.76

 

CMYK 0 / 67 / 6 / 30

HEX #B23AA8

RGB 178 58 168

HSL 305, 0.51%, 0.46%

LAB 46.07, 60.91, -34.52

 

CMYK 0 / 47 / 1 / 4

HEX #F683F4

RGB 246 131 244

HSL 301.04, 0.86%, 0.74%

LAB 71.12, 59.18, -37.82

 

CMYK 0 / 47 / 13 / 4

HEX #F683D5

RGB 246 131 213

HSL 317.22, 0.86%, 0.74%

LAB 69.92, 54.1, -22.6

 

CMYK 0 / 47 / 26 / 4

HEX #F683B6

RGB 246 131 182

HSL 333.39, 0.86%, 0.74%

LAB 68.9, 49.62, -6.83

 

CMYK 0 / 47 / 39 / 4

HEX #F68397

RGB 246 131 151

HSL 349.57, 0.86%, 0.74%

LAB 68.06, 45.82, 9.39

 

CMYK 0 / 47 / 47 / 4

HEX #F68383

RGB 246 131 131

HSL 0, 0.86%, 0.74%

LAB 67.62, 43.77, 20.01

 

CMYK 0 / 47 / 1 / 4

HEX #F683F4

RGB 246 131 244

HSL 301.04, 0.86%, 0.74%

LAB 71.12, 59.18, -37.82

 

CMYK 12 / 47 / 0 / 4

HEX #D983F6

RGB 217 131 246

HSL 284.87, 0.86%, 0.74%

LAB 67.75, 51.48, -44.43

 

CMYK 24 / 47 / 0 / 4

HEX #BA83F6

RGB 186 131 246

HSL 268.7, 0.86%, 0.74%

LAB 64.42, 43.05, -49.9

 

CMYK 37 / 47 / 0 / 4

HEX #9B83F6

RGB 155 131 246

HSL 252.52, 0.86%, 0.74%

LAB 61.53, 35.03, -54.67

 

CMYK 47 / 47 / 0 / 4

HEX #8383F6

RGB 131 131 246

HSL 240, 0.86%, 0.74%

LAB 59.63, 29.34, -57.82

 

CMYK 0 / 47 / 1 / 4

HEX #F683F4

RGB 246 131 244

HSL 301.04, 0.86%, 0.74%

LAB 71.12, 59.18, -37.82

 

CMYK 0 / 47 / 1 / 4

HEX #F683F4

RGB 246 131 244

HSL 301.04, 0.86%, 0.74%

LAB 71.12, 59.18, -37.82

 

CMYK 0 / 40 / 0 / 8

HEX #EB8DEA

RGB 235 141 234

HSL 300.64, 0.7%, 0.74%

LAB 71.32, 49.27, -32.14

 

CMYK 0 / 32 / 0 / 12

HEX #E098DF

RGB 224 152 223

HSL 300.83, 0.54%, 0.74%

LAB 71.98, 38.15, -25.19

 

CMYK 0 / 24 / 0 / 16

HEX #D6A3D5

RGB 214 163 213

HSL 301.18, 0.38%, 0.74%

LAB 73.09, 27.14, -18.12

 

CMYK 0 / 15 / 0 / 20

HEX #CBADCA

RGB 203 173 202

HSL 302, 0.22%, 0.74%

LAB 74.09, 15.92, -10.68

 

CMYK 24 / 47 / 0 / 4

HEX #BA83F6

RGB 186 131 246

HSL 268.7, 0.86%, 0.74%

LAB 64.42, 43.05, -49.9

 

CMYK 12 / 47 / 0 / 4

HEX #D983F6

RGB 217 131 246

HSL 284.87, 0.86%, 0.74%

LAB 67.75, 51.48, -44.43

 

CMYK 0 / 47 / 1 / 4

HEX #F683F4

RGB 246 131 244

HSL 301.04, 0.86%, 0.74%

LAB 71.12, 59.18, -37.82

 

CMYK 0 / 47 / 13 / 4

HEX #F683D5

RGB 246 131 213

HSL 317.22, 0.86%, 0.74%

LAB 69.92, 54.1, -22.6

 

CMYK 0 / 47 / 26 / 4

HEX #F683B6

RGB 246 131 182

HSL 333.39, 0.86%, 0.74%

LAB 68.9, 49.62, -6.83

 

CMYK 0 / 78 / 2 / 5

HEX #F135ED

RGB 241 53 237

HSL 301.28, 0.87%, 0.58%

LAB 59.31, 86.51, -52.58

 

CMYK 0 / 62 / 1 / 5

HEX #F35CF1

RGB 243 92 241

HSL 300.79, 0.86%, 0.66%

LAB 64.21, 75.09, -47.02

 

CMYK 0 / 47 / 1 / 4

HEX #F683F4

RGB 246 131 244

HSL 301.04, 0.86%, 0.74%

LAB 71.12, 59.18, -37.82

 

CMYK 0 / 32 / 1 / 2

HEX #F9A9F7

RGB 249 169 247

HSL 301.5, 0.87%, 0.82%

LAB 79.17, 41.39, -26.99

 

CMYK 0 / 17 / 0 / 2

HEX #FBD0FA

RGB 251 208 250

HSL 301.4, 0.84%, 0.9%

LAB 88.22, 22.06, -14.88

 

CMYK 0 / 47 / 1 / 4

HEX #F682F4

RGB 246 130 244

HSL 301.03, 0.87%, 0.74%

LAB 70.93, 59.66, -38.11

 

CMYK 0 / 37 / 47 / 4

HEX #F69C83

RGB 246 156 131

HSL 13.04, 0.86%, 0.74%

LAB 72.9, 30.91, 27.13

 

CMYK 47 / 0 / 18 / 4

HEX #83F6CA

RGB 131 246 202

HSL 157.04, 0.86%, 0.74%

LAB 89.39, -42.8, 11.13

 

CMYK 0 / 47 / 1 / 4

HEX #F682F4

RGB 246 130 244

HSL 301.03, 0.87%, 0.74%

LAB 70.93, 59.66, -38.11

 

CMYK 1 / 0 / 47 / 4

HEX #F4F683

RGB 244 246 131

HSL 61.04, 0.86%, 0.74%

LAB 94.65, -16.2, 54.68

 

CMYK 47 / 1 / 0 / 4

HEX #83F4F6

RGB 131 244 246

HSL 181.04, 0.86%, 0.74%

LAB 89.94, -31.71, -10.98

 

CMYK 0 / 47 / 1 / 4

HEX #F682F4

RGB 246 130 244

HSL 301.03, 0.87%, 0.74%

LAB 70.93, 59.66, -38.11

 

CMYK 0 / 37 / 47 / 4

HEX #F69C83

RGB 246 156 131

HSL 13.04, 0.86%, 0.74%

LAB 72.9, 30.91, 27.13

 

CMYK 47 / 0 / 46 / 4

HEX #83F684

RGB 131 246 132

HSL 120.52, 0.86%, 0.74%

LAB 88.16, -55.05, 44.77

 

CMYK 47 / 10 / 0 / 4

HEX #83DDF6

RGB 131 221 246

HSL 193.04, 0.86%, 0.74%

LAB 83.54, -20.52, -20.59

 

CMYK 0 / 47 / 1 / 4

HEX #F682F4

RGB 246 130 244

HSL 301.03, 0.87%, 0.74%

LAB 70.93, 59.66, -38.11

 

CMYK 0 / 23 / 47 / 4

HEX #F6BE83

RGB 246 190 131

HSL 30.78, 0.86%, 0.74%

LAB 80.77, 13.03, 37.45

 

CMYK 47 / 0 / 46 / 4

HEX #83F684

RGB 131 246 132

HSL 120.52, 0.86%, 0.74%

LAB 88.16, -55.05, 44.77

 

CMYK 47 / 24 / 0 / 4

HEX #83BAF6

RGB 131 186 246

HSL 211.3, 0.86%, 0.74%

LAB 73.93, -2.16, -35.31

 

Description

Color code: HEX #F682F4 | qconv.com Color code: HEX #F682F4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 130 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 130 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 1 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 1% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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