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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F682B2CE it is the complementary color #097D4DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F682B2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F682B2CE shade: #FB82ADCE, #FF94C0CE, #FFA6D3CE, #FFB8E6CE and #FFCAF9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F682B2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F682B2CE shade: #F682B2CE, #E5709FCE, #D45E8CCE, #C34C79CE and #B23A66CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F682B2CE shade: #F683B3, #F68394 and #F68383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F682B2CE shade: #F683B3, #F683D2, #F683F1, #DD83F6 and #BE83F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F682B2CE shade matches the following richer shades: #F683B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F682B2CE shade: #F683B3, #EC8EB5, #E198B6, #D6A3B8 and #CBAEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F682B2CE shade: #F683F1, #F683D2, #F683B3, #F68394 and #F69083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F682B2CE shade: #F13683, #F45C9B, #F683B3, #F9AACA and #FCD0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F682B2CE shade: #F682B2, #F6DD83 and #83E1F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F682B2CE shade: #F682B2, #B3F683 and #83B3F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F682B2CE shade: #F682B2, #F6DD83, #83F6C6 and #839CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F682B2CE shade: #F682B2, #EDF683, #83F6C6 and #8D83F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 22 / 3

HEX #F682B2CE

RGBA 246 130 178 0.81

HSLA 335.17, 0.87%, 0.74%, 0.81

LABA 68.59, 49.58, -5.05, 0.81

 

Complementary color

CMYK 75 / 0 / 31 / 41

HEX #097D4DCE

RGBA 9 125 77 0.81

HSLA 155.17, 0.87%, 0.26%, 0.81

LABA 45.99, -41.12, 18.16, 0.81

 

CMYK 0 / 39 / 25 / 1

HEX #FB82ADCE

RGBA 251 130 173 0.81

HSLA 338.68, 0.94%, 0.75%, 0.81

LABA 69.11, 50.6, -1.4, 0.81

 

CMYK 0 / 34 / 20 / 0

HEX #FF94C0CE

RGBA 255 148 192 0.81

HSLA 335.33, 1%, 0.79%, 0.81

LABA 73.7, 45.44, -5.16, 0.81

 

CMYK 0 / 28 / 14 / 0

HEX #FFA6D3CE

RGBA 255 166 211 0.81

HSLA 329.66, 1%, 0.83%, 0.81

LABA 78.01, 38.94, -9.19, 0.81

 

CMYK 0 / 23 / 8 / 0

HEX #FFB8E6CE

RGBA 255 184 230 0.81

HSLA 321.13, 1%, 0.86%, 0.81

LABA 82.52, 32.55, -12.74, 0.81

 

CMYK 0 / 17 / 2 / 0

HEX #FFCAF9CE

RGBA 255 202 249 0.81

HSLA 306.79, 1%, 0.9%, 0.81

LABA 87.16, 26.35, -15.9, 0.81

 

CMYK 0 / 38 / 22 / 3

HEX #F682B2CE

RGBA 246 130 178 0.81

HSLA 335.17, 0.87%, 0.74%, 0.81

LABA 68.59, 49.58, -5.05, 0.81

 

CMYK 0 / 41 / 25 / 8

HEX #E5709FCE

RGBA 229 112 159 0.81

HSLA 335.9, 0.69%, 0.67%, 0.81

LABA 62.3, 50.38, -3.81, 0.81

 

CMYK 0 / 45 / 28 / 14

HEX #D45E8CCE

RGBA 212 94 140 0.81

HSLA 336.61, 0.58%, 0.6%, 0.81

LABA 55.98, 51.11, -2.36, 0.81

 

CMYK 0 / 49 / 31 / 19

HEX #C34C79CE

RGBA 195 76 121 0.81

HSLA 337.31, 0.5%, 0.53%, 0.81

LABA 49.68, 51.72, -0.62, 0.81

 

CMYK 0 / 55 / 35 / 24

HEX #B23A66CE

RGBA 178 58 102 0.81

HSLA 338, 0.51%, 0.46%, 0.81

LABA 43.43, 52.07, 1.54, 0.81

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 47 / 40 / 4

HEX #F68394

RGB 246 131 148

HSL 351.13, 0.86%, 0.74%

LAB 67.99, 45.5, 10.98

 

CMYK 0 / 47 / 47 / 4

HEX #F68383

RGB 246 131 131

HSL 0, 0.86%, 0.74%

LAB 67.62, 43.77, 20.01

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 47 / 15 / 4

HEX #F683D2

RGB 246 131 210

HSL 318.78, 0.86%, 0.74%

LAB 69.81, 53.63, -21.09

 

CMYK 0 / 47 / 2 / 4

HEX #F683F1

RGB 246 131 241

HSL 302.61, 0.86%, 0.74%

LAB 70.99, 58.66, -36.37

 

CMYK 10 / 47 / 0 / 4

HEX #DD83F6

RGB 221 131 246

HSL 286.96, 0.86%, 0.74%

LAB 68.21, 52.59, -43.68

 

CMYK 23 / 47 / 0 / 4

HEX #BE83F6

RGB 190 131 246

HSL 270.78, 0.86%, 0.74%

LAB 64.83, 44.12, -49.23

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 40 / 23 / 7

HEX #EC8EB5

RGB 236 142 181

HSL 335.11, 0.71%, 0.74%

LAB 69.83, 40.54, -5.03

 

CMYK 0 / 32 / 19 / 12

HEX #E198B6

RGB 225 152 182

HSL 335.34, 0.55%, 0.74%

LAB 70.76, 31.59, -4.36

 

CMYK 0 / 24 / 14 / 16

HEX #D6A3B8

RGB 214 163 184

HSL 335.29, 0.38%, 0.74%

LAB 72.2, 22.07, -3.49

 

CMYK 0 / 14 / 8 / 20

HEX #CBAEBA

RGB 203 174 186

HSL 335.17, 0.22%, 0.74%

LAB 73.88, 12.5, -2.24

 

CMYK 0 / 47 / 2 / 4

HEX #F683F1

RGB 246 131 241

HSL 302.61, 0.86%, 0.74%

LAB 70.99, 58.66, -36.37

 

CMYK 0 / 47 / 15 / 4

HEX #F683D2

RGB 246 131 210

HSL 318.78, 0.86%, 0.74%

LAB 69.81, 53.63, -21.09

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 47 / 40 / 4

HEX #F68394

RGB 246 131 148

HSL 351.13, 0.86%, 0.74%

LAB 67.99, 45.5, 10.98

 

CMYK 0 / 41 / 47 / 4

HEX #F69083

RGB 246 144 131

HSL 6.78, 0.86%, 0.74%

LAB 70.3, 37.15, 23.65

 

CMYK 0 / 78 / 46 / 5

HEX #F13683

RGB 241 54 131

HSL 335.29, 0.87%, 0.58%

LAB 55.05, 73.66, 2.17

 

CMYK 0 / 62 / 36 / 4

HEX #F45C9B

RGB 244 92 155

HSL 335.13, 0.87%, 0.66%

LAB 61.01, 63.61, -3.15

 

CMYK 0 / 47 / 27 / 4

HEX #F683B3

RGB 246 131 179

HSL 334.96, 0.86%, 0.74%

LAB 68.81, 49.22, -5.28

 

CMYK 0 / 32 / 19 / 2

HEX #F9AACA

RGB 249 170 202

HSL 335.7, 0.87%, 0.82%

LAB 77.97, 33.45, -4.43

 

CMYK 0 / 17 / 10 / 1

HEX #FCD0E2

RGB 252 208 226

HSL 335.45, 0.88%, 0.9%

LAB 87.63, 18.27, -3.06

 

CMYK 0 / 47 / 28 / 4

HEX #F682B2

RGB 246 130 178

HSL 335.17, 0.87%, 0.74%

LAB 68.59, 49.58, -5.05

 

CMYK 0 / 10 / 47 / 4

HEX #F6DD83

RGB 246 221 131

HSL 46.96, 0.86%, 0.74%

LAB 88.42, -2.99, 47.11

 

CMYK 47 / 9 / 0 / 4

HEX #83E1F6

RGB 131 225 246

HSL 190.96, 0.86%, 0.74%

LAB 84.65, -22.51, -18.91

 

CMYK 0 / 47 / 28 / 4

HEX #F682B2

RGB 246 130 178

HSL 335.17, 0.87%, 0.74%

LAB 68.59, 49.58, -5.05

 

CMYK 27 / 0 / 47 / 4

HEX #B3F683

RGB 179 246 131

HSL 94.96, 0.86%, 0.74%

LAB 90.38, -40.27, 48.5

 

CMYK 47 / 27 / 0 / 4

HEX #83B3F6

RGB 131 179 246

HSL 214.96, 0.86%, 0.74%

LAB 72.04, 1.7, -38.24

 

CMYK 0 / 47 / 28 / 4

HEX #F682B2

RGB 246 130 178

HSL 335.17, 0.87%, 0.74%

LAB 68.59, 49.58, -5.05

 

CMYK 0 / 10 / 47 / 4

HEX #F6DD83

RGB 246 221 131

HSL 46.96, 0.86%, 0.74%

LAB 88.42, -2.99, 47.11

 

CMYK 47 / 0 / 20 / 4

HEX #83F6C6

RGB 131 246 198

HSL 154.96, 0.86%, 0.74%

LAB 89.31, -43.64, 13.07

 

CMYK 47 / 37 / 0 / 4

HEX #839CF6

RGB 131 156 246

HSL 226.96, 0.86%, 0.74%

LAB 65.95, 14.74, -47.79

 

CMYK 0 / 47 / 28 / 4

HEX #F682B2

RGB 246 130 178

HSL 335.17, 0.87%, 0.74%

LAB 68.59, 49.58, -5.05

 

CMYK 4 / 0 / 47 / 4

HEX #EDF683

RGB 237 246 131

HSL 64.7, 0.86%, 0.74%

LAB 94.12, -18.92, 53.92

 

CMYK 47 / 0 / 20 / 4

HEX #83F6C6

RGB 131 246 198

HSL 154.96, 0.86%, 0.74%

LAB 89.31, -43.64, 13.07

 

CMYK 43 / 47 / 0 / 4

HEX #8D83F6

RGB 141 131 246

HSL 245.22, 0.86%, 0.74%

LAB 60.38, 31.64, -56.57

 

Description

Color code: HEX #F682B2CE | qconv.com Color code: HEX #F682B2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 130 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 130 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 22 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 22% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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