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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6814ACE it is the complementary color #097EB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6814ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6814ACE shade: #FB8145CE, #FF9358CE, #FFA56BCE, #FFB77ECE and #FFC991CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6814ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6814ACE shade: #F6814ACE, #E56F37CE, #D45D24CE, #C34B11CE and #B23900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6814ACE shade: #F7824B, #F7534B and #F74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6814ACE shade: #F7824B, #F7B04B, #F7DE4B, #E0F74B and #B2F74B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6814ACE shade matches the following richer shades: #F7824B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6814ACE shade: #F7824B, #E7875A, #D88D69, #C99279 and #B99888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6814ACE shade: #F74B70, #F7534B, #F7814B, #F7AF4B and #F7DD4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6814ACE shade: #E4500B, #F56623, #F7824B, #F89D72 and #FAB99A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6814ACE shade: #F6814A, #9EF74B and #4B59F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6814ACE shade: #F6814A, #4BF781 and #814BF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6814ACE shade: #F6814A, #9EF74B, #4BC0F7 and #A44BF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6814ACE shade: #F6814A, #6AF74B, #4BC0F7 and #D74BF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 57 / 3

HEX #F6814ACE

RGBA 246 129 74 0.81

HSLA 19.19, 0.91%, 0.63%, 0.81

LABA 66.36, 40.66, 49.12, 0.81

 

Complementary color

CMYK 77 / 25 / 0 / 24

HEX #097EB5CE

RGBA 9 126 181 0.81

HSLA 199.19, 0.91%, 0.37%, 0.81

LABA 49.88, -8.37, -36.94, 0.81

 

CMYK 0 / 39 / 59 / 1

HEX #FB8145CE

RGBA 251 129 69 0.81

HSLA 19.78, 0.96%, 0.63%, 0.81

LABA 67.01, 42.34, 52.47, 0.81

 

CMYK 0 / 34 / 53 / 0

HEX #FF9358CE

RGBA 255 147 88 0.81

HSLA 21.2, 1%, 0.67%, 0.81

LABA 71.44, 35.77, 48.2, 0.81

 

CMYK 0 / 29 / 47 / 0

HEX #FFA56BCE

RGBA 255 165 107 0.81

HSLA 23.51, 1%, 0.71%, 0.81

LABA 75.6, 27.7, 43.5, 0.81

 

CMYK 0 / 23 / 41 / 0

HEX #FFB77ECE

RGBA 255 183 126 0.81

HSLA 26.51, 1%, 0.75%, 0.81

LABA 79.97, 19.81, 39.19, 0.81

 

CMYK 0 / 17 / 35 / 0

HEX #FFC991CE

RGBA 255 201 145 0.81

HSLA 30.55, 1%, 0.78%, 0.81

LABA 84.52, 12.22, 35.27, 0.81

 

CMYK 0 / 39 / 57 / 3

HEX #F6814ACE

RGBA 246 129 74 0.81

HSLA 19.19, 0.91%, 0.63%, 0.81

LABA 66.36, 40.66, 49.12, 0.81

 

CMYK 0 / 42 / 62 / 8

HEX #E56F37CE

RGBA 229 111 55 0.81

HSLA 19.31, 0.77%, 0.56%, 0.81

LABA 60.16, 42.27, 51.05, 0.81

 

CMYK 0 / 45 / 67 / 14

HEX #D45D24CE

RGBA 212 93 36 0.81

HSLA 19.43, 0.71%, 0.49%, 0.81

LABA 53.98, 43.96, 52.79, 0.81

 

CMYK 0 / 50 / 74 / 19

HEX #C34B11CE

RGBA 195 75 17 0.81

HSLA 19.55, 0.84%, 0.42%, 0.81

LABA 47.85, 45.68, 53.81, 0.81

 

CMYK 0 / 55 / 81 / 24

HEX #B23900CE

RGBA 178 57 0 0.81

HSLA 19.21, 1%, 0.35%, 0.81

LABA 41.83, 47.24, 53.45, 0.81

 

CMYK 0 / 47 / 70 / 3

HEX #F7824B

RGB 247 130 75

HSL 19.19, 0.91%, 0.63%

LAB 66.71, 40.59, 49.05

 

CMYK 0 / 66 / 70 / 3

HEX #F7534B

RGB 247 83 75

HSL 2.79, 0.91%, 0.63%

LAB 58.48, 61.97, 39.66

 

CMYK 0 / 70 / 70 / 3

HEX #F74B4B

RGB 247 75 75

HSL 0, 0.91%, 0.63%

LAB 57.38, 64.98, 38.37

 

CMYK 0 / 47 / 70 / 3

HEX #F7824B

RGB 247 130 75

HSL 19.19, 0.91%, 0.63%

LAB 66.71, 40.59, 49.05

 

CMYK 0 / 29 / 70 / 3

HEX #F7B04B

RGB 247 176 75

HSL 35.23, 0.91%, 0.63%

LAB 76.88, 16.7, 60.02

 

CMYK 0 / 10 / 70 / 3

HEX #F7DE4B

RGB 247 222 75

HSL 51.28, 0.91%, 0.63%

LAB 88.22, -7.02, 71.6

 

CMYK 9 / 0 / 70 / 3

HEX #E0F74B

RGB 224 247 75

HSL 68.02, 0.91%, 0.63%

LAB 92.96, -28.53, 75.68

 

CMYK 28 / 0 / 70 / 3

HEX #B2F74B

RGB 178 247 75

HSL 84.07, 0.91%, 0.63%

LAB 90.09, -46.02, 71.87

 

CMYK 0 / 47 / 70 / 3

HEX #F7824B

RGB 247 130 75

HSL 19.19, 0.91%, 0.63%

LAB 66.71, 40.59, 49.05

 

CMYK 0 / 47 / 70 / 3

HEX #F7824B

RGB 247 130 75

HSL 19.19, 0.91%, 0.63%

LAB 66.71, 40.59, 49.05

 

CMYK 0 / 42 / 61 / 9

HEX #E7875A

RGB 231 135 90

HSL 19.15, 0.75%, 0.63%

LAB 65.79, 32.66, 39.72

 

CMYK 0 / 35 / 51 / 15

HEX #D88D69

RGB 216 141 105

HSL 19.46, 0.59%, 0.63%

LAB 65.49, 24.67, 30.88

 

CMYK 0 / 27 / 40 / 21

HEX #C99279

RGB 201 146 121

HSL 18.75, 0.43%, 0.63%

LAB 65.24, 17.56, 21.44

 

CMYK 0 / 18 / 26 / 27

HEX #B99888

RGB 185 152 136

HSL 19.59, 0.26%, 0.63%

LAB 65.4, 9.84, 13.03

 

CMYK 0 / 70 / 55 / 3

HEX #F74B70

RGB 247 75 112

HSL 347.09, 0.91%, 0.63%

LAB 58.01, 67.17, 17.77

 

CMYK 0 / 66 / 70 / 3

HEX #F7534B

RGB 247 83 75

HSL 2.79, 0.91%, 0.63%

LAB 58.48, 61.97, 39.66

 

CMYK 0 / 48 / 70 / 3

HEX #F7814B

RGB 247 129 75

HSL 18.84, 0.91%, 0.63%

LAB 66.51, 41.09, 48.82

 

CMYK 0 / 29 / 70 / 3

HEX #F7AF4B

RGB 247 175 75

HSL 34.88, 0.91%, 0.63%

LAB 76.64, 17.22, 59.77

 

CMYK 0 / 11 / 70 / 3

HEX #F7DD4B

RGB 247 221 75

HSL 50.93, 0.91%, 0.63%

LAB 87.97, -6.52, 71.34

 

CMYK 0 / 65 / 95 / 11

HEX #E4500B

RGB 228 80 11

HSL 19.08, 0.91%, 0.47%

LAB 54.3, 55.12, 62.37

 

CMYK 0 / 58 / 86 / 4

HEX #F56623

RGB 245 102 35

HSL 19.14, 0.91%, 0.55%

LAB 60.81, 51.88, 61.09

 

CMYK 0 / 47 / 70 / 3

HEX #F7824B

RGB 247 130 75

HSL 19.19, 0.91%, 0.63%

LAB 66.71, 40.59, 49.05

 

CMYK 0 / 37 / 54 / 3

HEX #F89D72

RGB 248 157 114

HSL 19.25, 0.91%, 0.71%

LAB 73.08, 29.66, 36.54

 

CMYK 0 / 26 / 38 / 2

HEX #FAB99A

RGB 250 185 154

HSL 19.38, 0.91%, 0.79%

LAB 80.38, 19.61, 24.94

 

CMYK 0 / 48 / 70 / 4

HEX #F6814A

RGB 246 129 74

HSL 19.19, 0.91%, 0.63%

LAB 66.36, 40.66, 49.12

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 70 / 64 / 0 / 3

HEX #4B59F7

RGB 75 89 247

HSL 235.12, 0.91%, 0.63%

LAB 46.12, 45.01, -80.41

 

CMYK 0 / 48 / 70 / 4

HEX #F6814A

RGB 246 129 74

HSL 19.19, 0.91%, 0.63%

LAB 66.36, 40.66, 49.12

 

CMYK 70 / 0 / 48 / 3

HEX #4BF781

RGB 75 247 129

HSL 138.84, 0.91%, 0.63%

LAB 86.8, -68.03, 44.15

 

CMYK 48 / 70 / 0 / 3

HEX #814BF7

RGB 129 75 247

HSL 258.84, 0.91%, 0.63%

LAB 47.51, 60.34, -77.96

 

CMYK 0 / 48 / 70 / 4

HEX #F6814A

RGB 246 129 74

HSL 19.19, 0.91%, 0.63%

LAB 66.36, 40.66, 49.12

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 70 / 22 / 0 / 3

HEX #4BC0F7

RGB 75 192 247

HSL 199.19, 0.91%, 0.63%

LAB 73.49, -15.64, -36.71

 

CMYK 34 / 70 / 0 / 3

HEX #A44BF7

RGB 164 75 247

HSL 271.05, 0.91%, 0.63%

LAB 51.43, 66.42, -71.42

 

CMYK 0 / 48 / 70 / 4

HEX #F6814A

RGB 246 129 74

HSL 19.19, 0.91%, 0.63%

LAB 66.36, 40.66, 49.12

 

CMYK 57 / 0 / 70 / 3

HEX #6AF74B

RGB 106 247 75

HSL 109.19, 0.91%, 0.63%

LAB 87.04, -67.98, 67.79

 

CMYK 70 / 22 / 0 / 3

HEX #4BC0F7

RGB 75 192 247

HSL 199.19, 0.91%, 0.63%

LAB 73.49, -15.64, -36.71

 

CMYK 13 / 70 / 0 / 3

HEX #D74BF7

RGB 215 75 247

HSL 288.84, 0.91%, 0.63%

LAB 58.22, 76.39, -60.12

 

Description

Color code: HEX #F6814ACE | qconv.com Color code: HEX #F6814ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 129 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 129 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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