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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F67DFB it is the complementary color #098204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F67DFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F67DFB shade: #FB7DF6, #FF8FFF, #FFA1FF, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F67DFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F67DFB shade: #F67DFB, #E56BE8, #D459D5, #C347C2 and #B235AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F67DFB shade: #F67EFB, #FB7EDE, #FB7EBD, #FB7E9B and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F67DFB shade: #F67EFB, #D47EFB, #B37EFB, #917EFB and #7E7EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F67DFB shade matches the following richer shades: #F67EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F67DFB shade: #F67EFB, #EC89F0, #E294E6, #D89FDB and #CFA9D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F67DFB shade: #B27EFB, #D47EFB, #F57EFB, #FB7EE0 and #FB7EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F67DFB shade: #F12EF9, #F356FA, #F67EFB, #F9A6FC and #FCCEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F67DFB shade: #F67DFB, #FB917E and #7EFBC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F67DFB shade: #F67DFB, #FBF57E and #7EFBF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F67DFB shade: #F67DFB, #FB917E, #85FB7E and #7EE8FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F67DFB shade: #F67DFB, #FBB67E, #85FB7E and #7EC3FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 50 / 0 / 2

HEX #F67DFB

RGB 246 125 251

HSL 297.62, 0.94%, 0.74%

LAB 70.33, 63.25, -42.87

 

Complementary color

CMYK 93 / 0 / 97 / 49

HEX #098204

RGB 9 130 4

HSL 117.62, 0.94%, 0.26%

LAB 47.02, -51.44, 49.75

 

CMYK 0 / 50 / 2 / 2

HEX #FB7DF6

RGB 251 125 246

HSL 302.38, 0.94%, 0.74%

LAB 70.75, 63.74, -39.44

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 2 / 50 / 0 / 2

HEX #F67DFB

RGB 246 125 251

HSL 297.62, 0.94%, 0.74%

LAB 70.33, 63.25, -42.87

 

CMYK 1 / 54 / 0 / 9

HEX #E56BE8

RGB 229 107 232

HSL 298.56, 0.73%, 0.66%

LAB 64.16, 63.78, -42.24

 

CMYK 0 / 58 / 0 / 16

HEX #D459D5

RGB 212 89 213

HSL 299.52, 0.6%, 0.59%

LAB 57.99, 64.14, -41.45

 

CMYK 0 / 64 / 1 / 24

HEX #C347C2

RGB 195 71 194

HSL 300.48, 0.51%, 0.52%

LAB 51.84, 64.24, -40.44

 

CMYK 0 / 70 / 2 / 30

HEX #B235AF

RGB 178 53 175

HSL 301.44, 0.54%, 0.45%

LAB 45.78, 63.89, -39.11

 

CMYK 2 / 50 / 0 / 2

HEX #F67EFB

RGB 246 126 251

HSL 297.6, 0.94%, 0.74%

LAB 70.51, 62.78, -42.6

 

CMYK 0 / 50 / 12 / 2

HEX #FB7EDE

RGB 251 126 222

HSL 313.92, 0.94%, 0.74%

LAB 69.97, 59.38, -27.44

 

CMYK 0 / 50 / 25 / 2

HEX #FB7EBD

RGB 251 126 189

HSL 329.76, 0.94%, 0.74%

LAB 68.83, 54.6, -10.79

 

CMYK 0 / 50 / 38 / 2

HEX #FB7E9B

RGB 251 126 155

HSL 346.08, 0.94%, 0.74%

LAB 67.87, 50.45, 6.95

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 2 / 50 / 0 / 2

HEX #F67EFB

RGB 246 126 251

HSL 297.6, 0.94%, 0.74%

LAB 70.51, 62.78, -42.6

 

CMYK 16 / 50 / 0 / 2

HEX #D47EFB

RGB 212 126 251

HSL 281.28, 0.94%, 0.74%

LAB 66.43, 53.7, -49.29

 

CMYK 29 / 50 / 0 / 2

HEX #B37EFB

RGB 179 126 251

HSL 265.44, 0.94%, 0.74%

LAB 62.9, 45.11, -55.1

 

CMYK 42 / 50 / 0 / 2

HEX #917EFB

RGB 145 126 251

HSL 249.12, 0.94%, 0.74%

LAB 59.8, 36.86, -60.23

 

CMYK 50 / 50 / 0 / 2

HEX #7E7EFB

RGB 126 126 251

HSL 240, 0.94%, 0.74%

LAB 58.34, 32.67, -62.65

 

CMYK 2 / 50 / 0 / 2

HEX #F67EFB

RGB 246 126 251

HSL 297.6, 0.94%, 0.74%

LAB 70.51, 62.78, -42.6

 

CMYK 2 / 50 / 0 / 2

HEX #F67EFB

RGB 246 126 251

HSL 297.6, 0.94%, 0.74%

LAB 70.51, 62.78, -42.6

 

CMYK 2 / 43 / 0 / 6

HEX #EC89F0

RGB 236 137 240

HSL 297.67, 0.77%, 0.74%

LAB 70.88, 52.67, -36.09

 

CMYK 2 / 36 / 0 / 10

HEX #E294E6

RGB 226 148 230

HSL 297.07, 0.62%, 0.74%

LAB 71.6, 42.18, -29.6

 

CMYK 1 / 27 / 0 / 14

HEX #D89FDB

RGB 216 159 219

HSL 297, 0.45%, 0.74%

LAB 72.57, 31.08, -22.17

 

CMYK 0 / 19 / 0 / 18

HEX #CFA9D0

RGB 207 169 208

HSL 298.46, 0.29%, 0.74%

LAB 73.67, 20.59, -14.56

 

CMYK 29 / 50 / 0 / 2

HEX #B27EFB

RGB 178 126 251

HSL 264.96, 0.94%, 0.74%

LAB 62.8, 44.86, -55.27

 

CMYK 16 / 50 / 0 / 2

HEX #D47EFB

RGB 212 126 251

HSL 281.28, 0.94%, 0.74%

LAB 66.43, 53.7, -49.29

 

CMYK 2 / 50 / 0 / 2

HEX #F57EFB

RGB 245 126 251

HSL 297.12, 0.94%, 0.74%

LAB 70.39, 62.51, -42.8

 

CMYK 0 / 50 / 11 / 2

HEX #FB7EE0

RGB 251 126 224

HSL 312.96, 0.94%, 0.74%

LAB 70.04, 59.7, -28.43

 

CMYK 0 / 50 / 24 / 2

HEX #FB7EBF

RGB 251 126 191

HSL 328.8, 0.94%, 0.74%

LAB 68.89, 54.87, -11.82

 

CMYK 3 / 82 / 0 / 2

HEX #F12EF9

RGB 241 46 249

HSL 297.64, 0.94%, 0.58%

LAB 59.43, 89.89, -59.07

 

CMYK 3 / 66 / 0 / 2

HEX #F356FA

RGB 243 86 250

HSL 297.44, 0.94%, 0.66%

LAB 63.85, 78.82, -52.57

 

CMYK 2 / 50 / 0 / 2

HEX #F67EFB

RGB 246 126 251

HSL 297.6, 0.94%, 0.74%

LAB 70.51, 62.78, -42.6

 

CMYK 1 / 34 / 0 / 1

HEX #F9A6FC

RGB 249 166 252

HSL 297.91, 0.93%, 0.82%

LAB 78.72, 43.85, -30.38

 

CMYK 0 / 19 / 0 / 1

HEX #FCCEFD

RGB 252 206 253

HSL 298.72, 0.92%, 0.9%

LAB 87.93, 23.98, -16.88

 

CMYK 2 / 50 / 0 / 2

HEX #F67DFB

RGB 246 125 251

HSL 297.62, 0.94%, 0.74%

LAB 70.33, 63.25, -42.87

 

CMYK 0 / 42 / 50 / 2

HEX #FB917E

RGB 251 145 126

HSL 9.12, 0.94%, 0.74%

LAB 71.05, 38.05, 27.51

 

CMYK 50 / 0 / 22 / 2

HEX #7EFBC3

RGB 126 251 195

HSL 153.12, 0.94%, 0.74%

LAB 90.49, -47.6, 16.27

 

CMYK 2 / 50 / 0 / 2

HEX #F67DFB

RGB 246 125 251

HSL 297.62, 0.94%, 0.74%

LAB 70.33, 63.25, -42.87

 

CMYK 0 / 2 / 50 / 2

HEX #FBF57E

RGB 251 245 126

HSL 57.12, 0.94%, 0.74%

LAB 94.87, -13.41, 57.4

 

CMYK 50 / 0 / 2 / 2

HEX #7EFBF5

RGB 126 251 245

HSL 177.12, 0.94%, 0.74%

LAB 91.69, -36.28, -7.87

 

CMYK 2 / 50 / 0 / 2

HEX #F67DFB

RGB 246 125 251

HSL 297.62, 0.94%, 0.74%

LAB 70.33, 63.25, -42.87

 

CMYK 0 / 42 / 50 / 2

HEX #FB917E

RGB 251 145 126

HSL 9.12, 0.94%, 0.74%

LAB 71.05, 38.05, 27.51

 

CMYK 47 / 0 / 50 / 2

HEX #85FB7E

RGB 133 251 126

HSL 116.64, 0.94%, 0.74%

LAB 89.62, -57.27, 49.43

 

CMYK 50 / 8 / 0 / 2

HEX #7EE8FB

RGB 126 232 251

HSL 189.12, 0.94%, 0.74%

LAB 86.56, -25.73, -18.68

 

CMYK 2 / 50 / 0 / 2

HEX #F67DFB

RGB 246 125 251

HSL 297.62, 0.94%, 0.74%

LAB 70.33, 63.25, -42.87

 

CMYK 0 / 27 / 50 / 2

HEX #FBB67E

RGB 251 182 126

HSL 26.88, 0.94%, 0.74%

LAB 79.31, 18.75, 38.27

 

CMYK 47 / 0 / 50 / 2

HEX #85FB7E

RGB 133 251 126

HSL 116.64, 0.94%, 0.74%

LAB 89.62, -57.27, 49.43

 

CMYK 50 / 22 / 0 / 2

HEX #7EC3FB

RGB 126 195 251

HSL 206.88, 0.94%, 0.74%

LAB 76.33, -6.76, -34.3

 

Description

Color code: HEX #F67DFB | qconv.com Color code: HEX #F67DFB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 125 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 125 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 50 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 50% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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