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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F67C5EBF it is the complementary color #0983A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F67C5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F67C5EBF shade: #FB7C59BF, #FF8E6CBF, #FFA07FBF, #FFB292BF and #FFC4A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F67C5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F67C5EBF shade: #F67C5EBF, #E56A4BBF, #D45838BF, #C34625BF and #B23412BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F67C5EBF shade: #F67E60 and #F66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F67C5EBF shade: #F67E60, #F6A660, #F6CE60, #F5F660 and #CCF660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F67C5EBF shade matches the following richer shades: #F67E60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F67C5EBF shade: #F67E60, #E8866E, #DB8E7B, #CD9689 and #BF9E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F67C5EBF shade: #F66094, #F6606C, #F67B60, #F6A360 and #F6CB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F67C5EBF shade: #F13E12, #F35E39, #F67E60, #F89D87 and #FABDAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F67C5EBF shade: #F67C5E, #BCF660 and #6080F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F67C5EBF shade: #F67C5E, #60F67B and #7B60F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F67C5EBF shade: #F67C5E, #BCF660, #60DAF6 and #9960F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F67C5EBF shade: #F67C5E, #8FF660, #60DAF6 and #C660F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 46 / 3

HEX #F67C5EBF

RGBA 246 124 94 0.75

HSLA 11.84, 0.89%, 0.67%, 0.75

LABA 65.61, 44.3, 37.82, 0.75

 

Complementary color

CMYK 71 / 14 / 0 / 28

HEX #0983A1BF

RGBA 9 131 161 0.75

HSLA 191.84, 0.89%, 0.33%, 0.75

LABA 50.53, -18.6, -24.34, 0.75

 

CMYK 0 / 38 / 48 / 1

HEX #FB7C59BF

RGBA 251 124 89 0.75

HSLA 12.96, 0.95%, 0.67%, 0.75

LABA 66.25, 45.84, 41.44, 0.75

 

CMYK 0 / 33 / 43 / 0

HEX #FF8E6CBF

RGBA 255 142 108 0.75

HSLA 13.88, 1%, 0.71%, 0.75

LABA 70.66, 39.63, 36.85, 0.75

 

CMYK 0 / 28 / 38 / 0

HEX #FFA07FBF

RGBA 255 160 127 0.75

HSLA 15.47, 1%, 0.75%, 0.75

LABA 74.78, 31.92, 31.98, 0.75

 

CMYK 0 / 23 / 32 / 0

HEX #FFB292BF

RGBA 255 178 146 0.75

HSLA 17.61, 1%, 0.79%, 0.75

LABA 79.14, 24.35, 27.61, 0.75

 

CMYK 0 / 17 / 26 / 0

HEX #FFC4A5BF

RGBA 255 196 165 0.75

HSLA 20.67, 1%, 0.82%, 0.75

LABA 83.68, 17.03, 23.7, 0.75

 

CMYK 0 / 37 / 46 / 3

HEX #F67C5EBF

RGBA 246 124 94 0.75

HSLA 11.84, 0.89%, 0.67%, 0.75

LABA 65.61, 44.3, 37.82, 0.75

 

CMYK 0 / 40 / 50 / 8

HEX #E56A4BBF

RGBA 229 106 75 0.75

HSLA 12.08, 0.75%, 0.6%, 0.75

LABA 59.41, 45.66, 40.03, 0.75

 

CMYK 0 / 44 / 55 / 13

HEX #D45838BF

RGBA 212 88 56 0.75

HSLA 12.31, 0.64%, 0.53%, 0.75

LABA 53.24, 47.06, 42.46, 0.75

 

CMYK 0 / 48 / 61 / 18

HEX #C34625BF

RGBA 195 70 37 0.75

HSLA 12.53, 0.68%, 0.45%, 0.75

LABA 47.13, 48.39, 45, 0.75

 

CMYK 0 / 53 / 67 / 23

HEX #B23412BF

RGBA 178 52 18 0.75

HSLA 12.75, 0.82%, 0.38%, 0.75

LABA 41.16, 49.51, 47.2, 0.75

 

CMYK 0 / 49 / 61 / 4

HEX #F67E60

RGB 246 126 96

HSL 12, 0.89%, 0.67%

LAB 66.03, 43.44, 37.26

 

CMYK 0 / 61 / 61 / 4

HEX #F66060

RGB 246 96 96

HSL 0, 0.89%, 0.67%

LAB 60.61, 57.46, 30.44

 

CMYK 0 / 49 / 61 / 4

HEX #F67E60

RGB 246 126 96

HSL 12, 0.89%, 0.67%

LAB 66.03, 43.44, 37.26

 

CMYK 0 / 33 / 61 / 4

HEX #F6A660

RGB 246 166 96

HSL 28, 0.89%, 0.67%

LAB 74.64, 22.79, 47.66

 

CMYK 0 / 16 / 61 / 4

HEX #F6CE60

RGB 246 206 96

HSL 44, 0.89%, 0.67%

LAB 84.27, 1.89, 58.71

 

CMYK 0 / 0 / 61 / 4

HEX #F5F660

RGB 245 246 96

HSL 60.4, 0.89%, 0.67%

LAB 94.38, -18.48, 69.73

 

CMYK 17 / 0 / 61 / 4

HEX #CCF660

RGB 204 246 96

HSL 76.8, 0.89%, 0.67%

LAB 91.5, -34.53, 65.78

 

CMYK 0 / 49 / 61 / 4

HEX #F67E60

RGB 246 126 96

HSL 12, 0.89%, 0.67%

LAB 66.03, 43.44, 37.26

 

CMYK 0 / 49 / 61 / 4

HEX #F67E60

RGB 246 126 96

HSL 12, 0.89%, 0.67%

LAB 66.03, 43.44, 37.26

 

CMYK 0 / 42 / 53 / 9

HEX #E8866E

RGB 232 134 110

HSL 11.8, 0.73%, 0.67%

LAB 66.01, 35.12, 29.2

 

CMYK 0 / 35 / 44 / 14

HEX #DB8E7B

RGB 219 142 123

HSL 11.88, 0.57%, 0.67%

LAB 66.39, 27.08, 22.23

 

CMYK 0 / 27 / 33 / 20

HEX #CD9689

RGB 205 150 137

HSL 11.47, 0.4%, 0.67%

LAB 66.97, 18.91, 14.99

 

CMYK 0 / 17 / 21 / 25

HEX #BF9E96

RGB 191 158 150

HSL 11.71, 0.24%, 0.67%

LAB 67.82, 10.93, 8.74

 

CMYK 0 / 61 / 40 / 4

HEX #F66094

RGB 246 96 148

HSL 339.2, 0.89%, 0.67%

LAB 61.74, 61.8, 2.01

 

CMYK 0 / 61 / 56 / 4

HEX #F6606C

RGB 246 96 108

HSL 355.2, 0.89%, 0.67%

LAB 60.82, 58.28, 23.86

 

CMYK 0 / 50 / 61 / 4

HEX #F67B60

RGB 246 123 96

HSL 10.8, 0.89%, 0.67%

LAB 65.44, 44.92, 36.53

 

CMYK 0 / 34 / 61 / 4

HEX #F6A360

RGB 246 163 96

HSL 26.8, 0.89%, 0.67%

LAB 73.95, 24.37, 46.85

 

CMYK 0 / 17 / 61 / 4

HEX #F6CB60

RGB 246 203 96

HSL 42.8, 0.89%, 0.67%

LAB 83.52, 3.43, 57.87

 

CMYK 0 / 74 / 93 / 5

HEX #F13E12

RGB 241 62 18

HSL 11.84, 0.89%, 0.51%

LAB 54.23, 65.98, 61.72

 

CMYK 0 / 61 / 77 / 5

HEX #F35E39

RGB 243 94 57

HSL 11.94, 0.89%, 0.59%

LAB 59.3, 55.36, 49.89

 

CMYK 0 / 49 / 61 / 4

HEX #F67E60

RGB 246 126 96

HSL 12, 0.89%, 0.67%

LAB 66.03, 43.44, 37.26

 

CMYK 0 / 37 / 46 / 3

HEX #F89D87

RGB 248 157 135

HSL 11.68, 0.89%, 0.75%

LAB 73.43, 31.55, 25.72

 

CMYK 0 / 24 / 30 / 2

HEX #FABDAE

RGB 250 189 174

HSL 11.84, 0.88%, 0.83%

LAB 81.72, 19.92, 16.11

 

CMYK 0 / 50 / 62 / 4

HEX #F67C5E

RGB 246 124 94

HSL 11.84, 0.89%, 0.67%

LAB 65.61, 44.3, 37.82

 

CMYK 24 / 0 / 61 / 4

HEX #BCF660

RGB 188 246 96

HSL 83.2, 0.89%, 0.67%

LAB 90.53, -40.49, 64.43

 

CMYK 61 / 48 / 0 / 4

HEX #6080F6

RGB 96 128 246

HSL 227.2, 0.89%, 0.67%

LAB 56.66, 24.09, -62.69

 

CMYK 0 / 50 / 62 / 4

HEX #F67C5E

RGB 246 124 94

HSL 11.84, 0.89%, 0.67%

LAB 65.61, 44.3, 37.82

 

CMYK 61 / 0 / 50 / 4

HEX #60F67B

RGB 96 246 123

HSL 130.8, 0.89%, 0.67%

LAB 86.91, -64.71, 47.24

 

CMYK 50 / 61 / 0 / 4

HEX #7B60F6

RGB 123 96 246

HSL 250.8, 0.89%, 0.67%

LAB 50.96, 47.95, -71.82

 

CMYK 0 / 50 / 62 / 4

HEX #F67C5E

RGB 246 124 94

HSL 11.84, 0.89%, 0.67%

LAB 65.61, 44.3, 37.82

 

CMYK 24 / 0 / 61 / 4

HEX #BCF660

RGB 188 246 96

HSL 83.2, 0.89%, 0.67%

LAB 90.53, -40.49, 64.43

 

CMYK 61 / 11 / 0 / 4

HEX #60DAF6

RGB 96 218 246

HSL 191.2, 0.89%, 0.67%

LAB 81.45, -25.97, -23.89

 

CMYK 38 / 61 / 0 / 4

HEX #9960F6

RGB 153 96 246

HSL 262.8, 0.89%, 0.67%

LAB 53.81, 53.89, -67.07

 

CMYK 0 / 50 / 62 / 4

HEX #F67C5E

RGB 246 124 94

HSL 11.84, 0.89%, 0.67%

LAB 65.61, 44.3, 37.82

 

CMYK 42 / 0 / 61 / 4

HEX #8FF660

RGB 143 246 96

HSL 101.2, 0.89%, 0.67%

LAB 88.25, -55.69, 61.27

 

CMYK 61 / 11 / 0 / 4

HEX #60DAF6

RGB 96 218 246

HSL 191.2, 0.89%, 0.67%

LAB 81.45, -25.97, -23.89

 

CMYK 20 / 61 / 0 / 4

HEX #C660F6

RGB 198 96 246

HSL 280.8, 0.89%, 0.67%

LAB 59, 63.83, -58.45

 

Description

Color code: HEX #F67C5EBF | qconv.com Color code: HEX #F67C5EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 124 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 124 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 46 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 46% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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