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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6720E it is the complementary color #098DF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6720E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6720E shade: #FB7209, #FF841C, #FF962F, #FFA842 and #FFBA55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6720E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6720E shade: #F6720E, #E56000, #D44E00, #C33C00 and #B22A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6720E shade: #F6720E, #F6330E and #F60E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6720E shade: #F6720E, #F6B10E, #F6EF0E, #BEF60E and #80F60E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6720E shade matches the following richer shades: #F6720E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6720E shade: #F6720E, #E27522, #CE7836, #BA7A4A and #A57D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6720E shade: #F60E29, #F6310E, #F66F0E, #F6AD0E and #F6EB0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6720E shade: #AB4D06, #D35F08, #F6720E, #F88936 and #F9A15D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6720E shade: #F6720E, #67F60E and #120EF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6720E shade: #F6720E, #0EF66F and #6F0EF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6720E shade: #F6720E, #67F60E, #0E95F6 and #9D0EF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6720E shade: #F6720E, #21F60E, #0E95F6 and #E30EF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

Complementary color

CMYK 96 / 41 / 0 / 5

HEX #098DF1

RGB 9 141 241

HSL 205.86, 0.93%, 0.49%

LAB 57.52, 5.65, -58.68

 

CMYK 0 / 55 / 96 / 2

HEX #FB7209

RGB 251 114 9

HSL 26.03, 0.97%, 0.51%

LAB 63.81, 48.15, 70.41

 

CMYK 0 / 48 / 89 / 0

HEX #FF841C

RGB 255 132 28

HSL 27.49, 1%, 0.55%

LAB 67.91, 41.15, 69.48

 

CMYK 0 / 41 / 82 / 0

HEX #FF962F

RGB 255 150 47

HSL 29.71, 1%, 0.59%

LAB 71.74, 32.46, 66.59

 

CMYK 0 / 34 / 74 / 0

HEX #FFA842

RGB 255 168 66

HSL 32.38, 1%, 0.63%

LAB 75.86, 23.78, 63.09

 

CMYK 0 / 27 / 67 / 0

HEX #FFBA55

RGB 255 186 85

HSL 35.65, 1%, 0.67%

LAB 80.2, 15.31, 59.41

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 0 / 58 / 100 / 10

HEX #E56000

RGB 229 96 0

HSL 25.15, 1%, 0.45%

LAB 57.1, 48.34, 66.26

 

CMYK 0 / 63 / 100 / 17

HEX #D44E00

RGB 212 78 0

HSL 22.08, 1%, 0.42%

LAB 51.2, 50.29, 61.57

 

CMYK 0 / 69 / 100 / 24

HEX #C33C00

RGB 195 60 0

HSL 18.46, 1%, 0.38%

LAB 45.41, 51.88, 56.97

 

CMYK 0 / 76 / 100 / 30

HEX #B22A00

RGB 178 42 0

HSL 14.16, 1%, 0.35%

LAB 39.78, 52.87, 52.49

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 0 / 79 / 94 / 4

HEX #F6330E

RGB 246 51 14

HSL 9.57, 0.93%, 0.51%

LAB 54.02, 70.59, 63.2

 

CMYK 0 / 94 / 94 / 4

HEX #F60E0E

RGB 246 14 14

HSL 0, 0.93%, 0.51%

LAB 51.77, 77.02, 61.97

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 0 / 28 / 94 / 4

HEX #F6B10E

RGB 246 177 14

HSL 42.16, 0.93%, 0.51%

LAB 76.72, 13.96, 78.11

 

CMYK 0 / 3 / 94 / 4

HEX #F6EF0E

RGB 246 239 14

HSL 58.19, 0.93%, 0.51%

LAB 92.29, -17.5, 89.54

 

CMYK 23 / 0 / 94 / 4

HEX #BEF60E

RGB 190 246 14

HSL 74.48, 0.93%, 0.51%

LAB 90.27, -43.26, 86.29

 

CMYK 48 / 0 / 94 / 4

HEX #80F60E

RGB 128 246 14

HSL 90.52, 0.93%, 0.51%

LAB 87.26, -64.43, 82.62

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 0 / 48 / 85 / 11

HEX #E27522

RGB 226 117 34

HSL 25.94, 0.77%, 0.51%

LAB 60.79, 37.41, 60.26

 

CMYK 0 / 42 / 74 / 19

HEX #CE7836

RGB 206 120 54

HSL 26.05, 0.61%, 0.51%

LAB 58.81, 28.39, 49.1

 

CMYK 0 / 34 / 60 / 27

HEX #BA7A4A

RGB 186 122 74

HSL 25.71, 0.45%, 0.51%

LAB 56.93, 20.09, 36.19

 

CMYK 0 / 24 / 42 / 35

HEX #A57D5F

RGB 165 125 95

HSL 25.71, 0.28%, 0.51%

LAB 55.58, 11.48, 22.35

 

CMYK 0 / 94 / 83 / 4

HEX #F60E29

RGB 246 14 41

HSL 353.02, 0.93%, 0.51%

LAB 51.91, 77.43, 50.95

 

CMYK 0 / 80 / 94 / 4

HEX #F6310E

RGB 246 49 14

HSL 9.05, 0.93%, 0.51%

LAB 53.84, 71.11, 63.1

 

CMYK 0 / 55 / 94 / 4

HEX #F66F0E

RGB 246 111 14

HSL 25.09, 0.93%, 0.51%

LAB 62.5, 47.74, 68.36

 

CMYK 0 / 30 / 94 / 4

HEX #F6AD0E

RGB 246 173 14

HSL 41.12, 0.93%, 0.51%

LAB 75.77, 16.06, 77.43

 

CMYK 0 / 4 / 94 / 4

HEX #F6EB0E

RGB 246 235 14

HSL 57.16, 0.93%, 0.51%

LAB 91.25, -15.56, 88.77

 

CMYK 0 / 55 / 96 / 33

HEX #AB4D06

RGB 171 77 6

HSL 25.82, 0.93%, 0.35%

LAB 44.2, 35.31, 52.44

 

CMYK 0 / 55 / 96 / 17

HEX #D35F08

RGB 211 95 8

HSL 25.71, 0.93%, 0.43%

LAB 54.08, 42.1, 61.43

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 0 / 45 / 78 / 3

HEX #F88936

RGB 248 137 54

HSL 25.67, 0.93%, 0.59%

LAB 68.1, 36.54, 60.21

 

CMYK 0 / 35 / 63 / 2

HEX #F9A15D

RGB 249 161 93

HSL 26.15, 0.93%, 0.67%

LAB 73.82, 26.43, 48.27

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 58 / 0 / 94 / 4

HEX #67F60E

RGB 103 246 14

HSL 96.98, 0.93%, 0.51%

LAB 86.42, -71.1, 81.6

 

CMYK 93 / 94 / 0 / 4

HEX #120EF6

RGB 18 14 246

HSL 241.03, 0.93%, 0.51%

LAB 32.03, 74.93, -103.25

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 94 / 0 / 55 / 4

HEX #0EF66F

RGB 14 246 111

HSL 145.09, 0.93%, 0.51%

LAB 85.58, -76.06, 50.9

 

CMYK 55 / 94 / 0 / 4

HEX #6F0EF6

RGB 111 14 246

HSL 265.09, 0.93%, 0.51%

LAB 38.46, 78.4, -92.37

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 58 / 0 / 94 / 4

HEX #67F60E

RGB 103 246 14

HSL 96.98, 0.93%, 0.51%

LAB 86.42, -71.1, 81.6

 

CMYK 94 / 39 / 0 / 4

HEX #0E95F6

RGB 14 149 246

HSL 205.09, 0.93%, 0.51%

LAB 60.11, 2.91, -57.3

 

CMYK 36 / 94 / 0 / 4

HEX #9D0EF6

RGB 157 14 246

HSL 276.98, 0.93%, 0.51%

LAB 44.43, 82.58, -82.32

 

CMYK 0 / 54 / 94 / 4

HEX #F6720E

RGB 246 114 14

HSL 25.86, 0.93%, 0.51%

LAB 63.06, 46.31, 68.72

 

CMYK 87 / 0 / 94 / 4

HEX #21F60E

RGB 33 246 14

HSL 115.09, 0.93%, 0.51%

LAB 85.13, -82.16, 80.01

 

CMYK 94 / 39 / 0 / 4

HEX #0E95F6

RGB 14 149 246

HSL 205.09, 0.93%, 0.51%

LAB 60.11, 2.91, -57.3

 

CMYK 8 / 94 / 0 / 4

HEX #E30EF6

RGB 227 14 246

HSL 295.09, 0.93%, 0.51%

LAB 55.38, 91.8, -64.02

 

Description

Color code: HEX #F6720E | qconv.com Color code: HEX #F6720E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 114 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 114 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 94 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 94% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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