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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F66F4ACE it is the complementary color #0990B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F66F4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F66F4ACE shade: #FB6F45CE, #FF8158CE, #FF936BCE, #FFA57ECE and #FFB791CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F66F4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F66F4ACE shade: #F66F4ACE, #E55D37CE, #D44B24CE, #C33911CE and #B22700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F66F4ACE shade: #F7704B and #F74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F66F4ACE shade: #F7704B, #F79E4B, #F7CC4B, #F2F74B and #C4F74B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F66F4ACE shade matches the following richer shades: #F7704B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F66F4ACE shade: #F7704B, #E7785A, #D88169, #C98A79 and #B99388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F66F4ACE shade: #F74B84, #F74B56, #F76D4B, #F79B4B and #F7C94B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F66F4ACE shade: #E4390B, #F55023, #F7704B, #F88F72 and #FAAE9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F66F4ACE shade: #F66F4A, #B2F74B and #4B6DF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F66F4ACE shade: #F66F4A, #4BF76D and #6D4BF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F66F4ACE shade: #F66F4A, #B2F74B, #4BD4F7 and #8F4BF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F66F4ACE shade: #F66F4A, #7EF74B, #4BD4F7 and #C34BF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 57 / 3

HEX #F66F4ACE

RGBA 246 111 74 0.81

HSLA 12.91, 0.91%, 0.63%, 0.81

LABA 62.89, 49.44, 45.24, 0.81

 

Complementary color

CMYK 77 / 17 / 0 / 24

HEX #0990B5CE

RGBA 9 144 181 0.81

HSLA 192.91, 0.91%, 0.37%, 0.81

LABA 55.42, -18.47, -28.28, 0.81

 

CMYK 0 / 45 / 59 / 1

HEX #FB6F45CE

RGBA 251 111 69 0.81

HSLA 13.85, 0.96%, 0.63%, 0.81

LABA 63.6, 51.01, 48.8, 0.81

 

CMYK 0 / 40 / 53 / 0

HEX #FF8158CE

RGBA 255 129 88 0.81

HSLA 14.73, 1%, 0.67%, 0.81

LABA 67.77, 44.82, 43.92, 0.81

 

CMYK 0 / 34 / 47 / 0

HEX #FF936BCE

RGBA 255 147 107 0.81

HSLA 16.22, 1%, 0.71%, 0.81

LABA 71.68, 37.01, 38.67, 0.81

 

CMYK 0 / 29 / 41 / 0

HEX #FFA57ECE

RGBA 255 165 126 0.81

HSLA 18.14, 1%, 0.75%, 0.81

LABA 75.87, 29.23, 33.93, 0.81

 

CMYK 0 / 23 / 35 / 0

HEX #FFB791CE

RGBA 255 183 145 0.81

HSLA 20.73, 1%, 0.78%, 0.81

LABA 80.28, 21.62, 29.66, 0.81

 

CMYK 0 / 44 / 57 / 3

HEX #F66F4ACE

RGBA 246 111 74 0.81

HSLA 12.91, 0.91%, 0.63%, 0.81

LABA 62.89, 49.44, 45.24, 0.81

 

CMYK 0 / 48 / 62 / 8

HEX #E55D37CE

RGBA 229 93 55 0.81

HSLA 13.1, 0.77%, 0.56%, 0.81

LABA 56.84, 50.83, 47.63, 0.81

 

CMYK 0 / 52 / 67 / 14

HEX #D44B24CE

RGBA 212 75 36 0.81

HSLA 13.3, 0.71%, 0.49%, 0.81

LABA 50.87, 52.15, 50.01, 0.81

 

CMYK 0 / 57 / 74 / 19

HEX #C33911CE

RGBA 195 57 17 0.81

HSLA 13.48, 0.84%, 0.42%, 0.81

LABA 45.04, 53.24, 51.83, 0.81

 

CMYK 0 / 63 / 81 / 24

HEX #B22700CE

RGBA 178 39 0 0.81

HSLA 13.15, 1%, 0.35%, 0.81

LABA 39.44, 53.83, 52.33, 0.81

 

CMYK 0 / 55 / 70 / 3

HEX #F7704B

RGB 247 112 75

HSL 12.91, 0.91%, 0.63%

LAB 63.24, 49.38, 45.15

 

CMYK 0 / 70 / 70 / 3

HEX #F74B4B

RGB 247 75 75

HSL 0, 0.91%, 0.63%

LAB 57.38, 64.98, 38.37

 

CMYK 0 / 55 / 70 / 3

HEX #F7704B

RGB 247 112 75

HSL 12.91, 0.91%, 0.63%

LAB 63.24, 49.38, 45.15

 

CMYK 0 / 36 / 70 / 3

HEX #F79E4B

RGB 247 158 75

HSL 28.95, 0.91%, 0.63%

LAB 72.72, 26.15, 55.61

 

CMYK 0 / 17 / 70 / 3

HEX #F7CC4B

RGB 247 204 75

HSL 45, 0.91%, 0.63%

LAB 83.69, 2.12, 67.04

 

CMYK 2 / 0 / 70 / 3

HEX #F2F74B

RGB 242 247 75

HSL 61.74, 0.91%, 0.63%

LAB 94.27, -21.32, 77.41

 

CMYK 21 / 0 / 70 / 3

HEX #C4F74B

RGB 196 247 75

HSL 77.79, 0.91%, 0.63%

LAB 91.13, -39.38, 73.26

 

CMYK 0 / 55 / 70 / 3

HEX #F7704B

RGB 247 112 75

HSL 12.91, 0.91%, 0.63%

LAB 63.24, 49.38, 45.15

 

CMYK 0 / 55 / 70 / 3

HEX #F7704B

RGB 247 112 75

HSL 12.91, 0.91%, 0.63%

LAB 63.24, 49.38, 45.15

 

CMYK 0 / 48 / 61 / 9

HEX #E7785A

RGB 231 120 90

HSL 12.77, 0.75%, 0.63%

LAB 62.64, 40.4, 35.86

 

CMYK 0 / 40 / 51 / 15

HEX #D88169

RGB 216 129 105

HSL 12.97, 0.59%, 0.63%

LAB 62.78, 31.1, 27.35

 

CMYK 0 / 31 / 40 / 21

HEX #C98A79

RGB 201 138 121

HSL 12.75, 0.43%, 0.63%

LAB 63.32, 21.95, 18.82

 

CMYK 0 / 21 / 26 / 27

HEX #B99388

RGB 185 147 136

HSL 13.47, 0.26%, 0.63%

LAB 64.13, 12.61, 11.25

 

CMYK 0 / 70 / 47 / 3

HEX #F74B84

RGB 247 75 132

HSL 340.12, 0.91%, 0.63%

LAB 58.48, 68.76, 6.66

 

CMYK 0 / 70 / 65 / 3

HEX #F74B56

RGB 247 75 86

HSL 356.16, 0.91%, 0.63%

LAB 57.54, 65.53, 32.31

 

CMYK 0 / 56 / 70 / 3

HEX #F76D4B

RGB 247 109 75

HSL 11.86, 0.91%, 0.63%

LAB 62.69, 50.78, 44.53

 

CMYK 0 / 37 / 70 / 3

HEX #F79B4B

RGB 247 155 75

HSL 27.91, 0.91%, 0.63%

LAB 72.04, 27.72, 54.88

 

CMYK 0 / 19 / 70 / 3

HEX #F7C94B

RGB 247 201 75

HSL 43.95, 0.91%, 0.63%

LAB 82.94, 3.66, 66.29

 

CMYK 0 / 75 / 95 / 11

HEX #E4390B

RGB 228 57 11

HSL 12.72, 0.91%, 0.47%

LAB 51.2, 63.58, 60.56

 

CMYK 0 / 67 / 86 / 4

HEX #F55023

RGB 245 80 35

HSL 12.86, 0.91%, 0.55%

LAB 57.34, 61.15, 58.25

 

CMYK 0 / 55 / 70 / 3

HEX #F7704B

RGB 247 112 75

HSL 12.91, 0.91%, 0.63%

LAB 63.24, 49.38, 45.15

 

CMYK 0 / 42 / 54 / 3

HEX #F88F72

RGB 248 143 114

HSL 12.99, 0.91%, 0.71%

LAB 70.05, 36.92, 32.66

 

CMYK 0 / 30 / 38 / 2

HEX #FAAE9A

RGB 250 174 154

HSL 12.5, 0.91%, 0.79%

LAB 77.83, 25.4, 21.46

 

CMYK 0 / 55 / 70 / 4

HEX #F66F4A

RGB 246 111 74

HSL 12.91, 0.91%, 0.63%

LAB 62.89, 49.44, 45.24

 

CMYK 28 / 0 / 70 / 3

HEX #B2F74B

RGB 178 247 75

HSL 84.07, 0.91%, 0.63%

LAB 90.09, -46.02, 71.87

 

CMYK 70 / 56 / 0 / 3

HEX #4B6DF7

RGB 75 109 247

HSL 228.14, 0.91%, 0.63%

LAB 50.86, 32.84, -72.67

 

CMYK 0 / 55 / 70 / 4

HEX #F66F4A

RGB 246 111 74

HSL 12.91, 0.91%, 0.63%

LAB 62.89, 49.44, 45.24

 

CMYK 70 / 0 / 56 / 3

HEX #4BF76D

RGB 75 247 109

HSL 131.86, 0.91%, 0.63%

LAB 86.56, -70.79, 53.14

 

CMYK 56 / 70 / 0 / 3

HEX #6D4BF7

RGB 109 75 247

HSL 251.86, 0.91%, 0.63%

LAB 45.63, 57.29, -81.11

 

CMYK 0 / 55 / 70 / 4

HEX #F66F4A

RGB 246 111 74

HSL 12.91, 0.91%, 0.63%

LAB 62.89, 49.44, 45.24

 

CMYK 28 / 0 / 70 / 3

HEX #B2F74B

RGB 178 247 75

HSL 84.07, 0.91%, 0.63%

LAB 90.09, -46.02, 71.87

 

CMYK 70 / 14 / 0 / 3

HEX #4BD4F7

RGB 75 212 247

HSL 192.21, 0.91%, 0.63%

LAB 79.21, -25.87, -27.88

 

CMYK 42 / 70 / 0 / 3

HEX #8F4BF7

RGB 143 75 247

HSL 263.72, 0.91%, 0.63%

LAB 48.99, 62.67, -75.49

 

CMYK 0 / 55 / 70 / 4

HEX #F66F4A

RGB 246 111 74

HSL 12.91, 0.91%, 0.63%

LAB 62.89, 49.44, 45.24

 

CMYK 49 / 0 / 70 / 3

HEX #7EF74B

RGB 126 247 75

HSL 102.21, 0.91%, 0.63%

LAB 87.71, -62.79, 68.69

 

CMYK 70 / 14 / 0 / 3

HEX #4BD4F7

RGB 75 212 247

HSL 192.21, 0.91%, 0.63%

LAB 79.21, -25.87, -27.88

 

CMYK 21 / 70 / 0 / 3

HEX #C34BF7

RGB 195 75 247

HSL 281.86, 0.91%, 0.63%

LAB 55.43, 72.37, -64.75

 

Description

Color code: HEX #F66F4ACE | qconv.com Color code: HEX #F66F4ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 111 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 111 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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