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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F66C13 it is the complementary color #0993EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F66C13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F66C13 shade: #FB6C0E, #FF7E21, #FF9034, #FFA247 and #FFB45A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F66C13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F66C13 shade: #F66C13, #E55A00, #D44800, #C33600 and #B22400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F66C13 shade: #F66C13, #F62F13 and #F61313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F66C13 shade: #F66C13, #F6A913, #F6E713, #C9F613 and #8BF613

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F66C13 shade matches the following richer shades: #F66C13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F66C13 shade: #F66C13, #E37027, #CF753A, #BB794E and #A77D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F66C13 shade: #F61335, #F62D13, #F66A13, #F6A713 and #F6E313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F66C13 shade: #B04906, #D85908, #F66C13, #F8853B and #F99E62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F66C13 shade: #F66C13, #72F613 and #1317F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F66C13 shade: #F66C13, #13F66A and #6A13F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F66C13 shade: #F66C13, #72F613, #139FF6 and #9813F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F66C13 shade: #F66C13, #2DF613, #139FF6 and #DC13F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

Complementary color

CMYK 96 / 38 / 0 / 7

HEX #0993EC

RGB 9 147 236

HSL 203.52, 0.93%, 0.48%

LAB 58.96, 0.17, -53.62

 

CMYK 0 / 57 / 94 / 2

HEX #FB6C0E

RGB 251 108 14

HSL 23.8, 0.97%, 0.52%

LAB 62.73, 50.99, 68.89

 

CMYK 0 / 51 / 87 / 0

HEX #FF7E21

RGB 255 126 33

HSL 25.14, 1%, 0.56%

LAB 66.74, 44.2, 67.14

 

CMYK 0 / 44 / 80 / 0

HEX #FF9034

RGB 255 144 52

HSL 27.19, 1%, 0.6%

LAB 70.49, 35.69, 63.59

 

CMYK 0 / 36 / 72 / 0

HEX #FFA247

RGB 255 162 71

HSL 29.67, 1%, 0.64%

LAB 74.54, 27.13, 59.62

 

CMYK 0 / 29 / 65 / 0

HEX #FFB45A

RGB 255 180 90

HSL 32.73, 1%, 0.68%

LAB 78.83, 18.73, 55.63

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 0 / 61 / 100 / 10

HEX #E55A00

RGB 229 90 0

HSL 23.58, 1%, 0.45%

LAB 56.06, 51.07, 65.69

 

CMYK 0 / 66 / 100 / 17

HEX #D44800

RGB 212 72 0

HSL 20.38, 1%, 0.42%

LAB 50.25, 52.84, 61.08

 

CMYK 0 / 72 / 100 / 24

HEX #C33600

RGB 195 54 0

HSL 16.62, 1%, 0.38%

LAB 44.58, 54.16, 56.57

 

CMYK 0 / 80 / 100 / 30

HEX #B22400

RGB 178 36 0

HSL 12.13, 1%, 0.35%

LAB 39.12, 54.74, 52.2

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 0 / 81 / 92 / 4

HEX #F62F13

RGB 246 47 19

HSL 7.4, 0.93%, 0.52%

LAB 53.68, 71.65, 61.55

 

CMYK 0 / 92 / 92 / 4

HEX #F61313

RGB 246 19 19

HSL 0, 0.93%, 0.52%

LAB 51.96, 76.58, 60.51

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 0 / 31 / 92 / 4

HEX #F6A913

RGB 246 169 19

HSL 39.65, 0.93%, 0.52%

LAB 74.83, 18.22, 76.01

 

CMYK 0 / 6 / 92 / 4

HEX #F6E713

RGB 246 231 19

HSL 56.04, 0.93%, 0.52%

LAB 90.23, -13.55, 87.46

 

CMYK 18 / 0 / 92 / 4

HEX #C9F613

RGB 201 246 19

HSL 71.89, 0.93%, 0.52%

LAB 90.95, -38.95, 86.6

 

CMYK 43 / 0 / 92 / 4

HEX #8BF613

RGB 139 246 19

HSL 88.28, 0.93%, 0.52%

LAB 87.7, -61.02, 82.63

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 0 / 51 / 83 / 11

HEX #E37027

RGB 227 112 39

HSL 23.3, 0.77%, 0.52%

LAB 59.95, 40.46, 57.73

 

CMYK 0 / 43 / 72 / 19

HEX #CF753A

RGB 207 117 58

HSL 23.76, 0.61%, 0.52%

LAB 58.31, 30.59, 46.71

 

CMYK 0 / 35 / 58 / 27

HEX #BB794E

RGB 187 121 78

HSL 23.67, 0.44%, 0.52%

LAB 56.87, 21.37, 33.98

 

CMYK 0 / 25 / 41 / 35

HEX #A77D62

RGB 167 125 98

HSL 23.48, 0.28%, 0.52%

LAB 55.85, 12.67, 21.05

 

CMYK 0 / 92 / 78 / 4

HEX #F61335

RGB 246 19 53

HSL 351.01, 0.93%, 0.52%

LAB 52.19, 77.24, 44.82

 

CMYK 0 / 82 / 92 / 4

HEX #F62D13

RGB 246 45 19

HSL 6.87, 0.93%, 0.52%

LAB 53.51, 72.13, 61.45

 

CMYK 0 / 57 / 92 / 4

HEX #F66A13

RGB 246 106 19

HSL 23, 0.93%, 0.52%

LAB 61.61, 50.14, 66.69

 

CMYK 0 / 32 / 92 / 4

HEX #F6A713

RGB 246 167 19

HSL 39.12, 0.93%, 0.52%

LAB 74.37, 19.28, 75.67

 

CMYK 0 / 8 / 92 / 4

HEX #F6E313

RGB 246 227 19

HSL 54.98, 0.93%, 0.52%

LAB 89.19, -11.58, 86.68

 

CMYK 0 / 59 / 97 / 31

HEX #B04906

RGB 176 73 6

HSL 23.65, 0.93%, 0.36%

LAB 44.24, 39.3, 52.87

 

CMYK 0 / 59 / 96 / 15

HEX #D85908

RGB 216 89 8

HSL 23.37, 0.93%, 0.44%

LAB 53.77, 46.86, 61.64

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 0 / 46 / 76 / 3

HEX #F8853B

RGB 248 133 59

HSL 23.49, 0.93%, 0.6%

LAB 67.31, 38.76, 57.29

 

CMYK 0 / 37 / 61 / 2

HEX #F99E62

RGB 249 158 98

HSL 23.84, 0.93%, 0.68%

LAB 73.2, 28.33, 45.03

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 54 / 0 / 92 / 4

HEX #72F613

RGB 114 246 19

HSL 94.89, 0.93%, 0.52%

LAB 86.77, -68.23, 81.49

 

CMYK 92 / 91 / 0 / 4

HEX #1317F6

RGB 19 23 246

HSL 238.94, 0.93%, 0.52%

LAB 32.71, 72.9, -102.11

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 92 / 0 / 57 / 4

HEX #13F66A

RGB 19 246 106

HSL 143, 0.93%, 0.52%

LAB 85.55, -76.53, 53.11

 

CMYK 57 / 92 / 0 / 4

HEX #6A13F6

RGB 106 19 246

HSL 263, 0.93%, 0.52%

LAB 38.17, 77.23, -92.87

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 54 / 0 / 92 / 4

HEX #72F613

RGB 114 246 19

HSL 94.89, 0.93%, 0.52%

LAB 86.77, -68.23, 81.49

 

CMYK 92 / 35 / 0 / 4

HEX #139FF6

RGB 19 159 246

HSL 203, 0.93%, 0.52%

LAB 63, -2.75, -52.69

 

CMYK 38 / 92 / 0 / 4

HEX #9813F6

RGB 152 19 246

HSL 275.15, 0.93%, 0.52%

LAB 43.94, 81.39, -83.15

 

CMYK 0 / 56 / 92 / 4

HEX #F66C13

RGB 246 108 19

HSL 23.52, 0.93%, 0.52%

LAB 61.97, 49.21, 66.93

 

CMYK 82 / 0 / 92 / 4

HEX #2DF613

RGB 45 246 19

HSL 113.13, 0.93%, 0.52%

LAB 85.26, -80.99, 79.62

 

CMYK 92 / 35 / 0 / 4

HEX #139FF6

RGB 19 159 246

HSL 203, 0.93%, 0.52%

LAB 63, -2.75, -52.69

 

CMYK 11 / 92 / 0 / 4

HEX #DC13F6

RGB 220 19 246

HSL 293.13, 0.93%, 0.52%

LAB 54.38, 90.28, -65.69

 

Description

Color code: HEX #F66C13 | qconv.com Color code: HEX #F66C13 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 108 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 108 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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