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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F66688 it is the complementary color #099977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F66688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F66688 shade: #FB6683, #FF7896, #FF8AA9, #FF9CBC and #FFAECF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F66688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F66688 shade: #F66688, #E55475, #D44262, #C3304F and #B21E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F66688 shade: #F66587 and #F66565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F66688 shade: #F66587, #F665AE, #F665D5, #EF65F6 and #C865F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F66688 shade matches the following richer shades: #F66587

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F66688 shade: #F66587, #E9728E, #DC7F95, #CE8C9C and #C19AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F66688 shade: #F665D7, #F665B0, #F66589, #F66765 and #F68E65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F66688 shade: #F1174A, #F43E69, #F66587, #F88CA5 and #FBB3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F66688 shade: #F66688, #F6EF65 and #65C3F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F66688 shade: #F66688, #89F665 and #6589F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F66688 shade: #F66688, #F6EF65, #65F6D2 and #656CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F66688 shade: #F66688, #D2F665, #65F6D2 and #8965F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 45 / 4

HEX #F66688

RGB 246 102 136

HSL 345.83, 0.89%, 0.68%

LAB 62.4, 58.02, 9.89

 

Complementary color

CMYK 94 / 0 / 22 / 40

HEX #099977

RGB 9 153 119

HSL 165.83, 0.89%, 0.32%

LAB 56.26, -42.27, 8.42

 

CMYK 0 / 59 / 48 / 2

HEX #FB6683

RGB 251 102 131

HSL 348.32, 0.95%, 0.69%

LAB 63.05, 59.17, 13.8

 

CMYK 0 / 53 / 41 / 0

HEX #FF7896

RGB 255 120 150

HSL 346.67, 1%, 0.74%

LAB 67.2, 54.12, 8.89

 

CMYK 0 / 46 / 34 / 0

HEX #FF8AA9

RGB 255 138 169

HSL 344.1, 1%, 0.77%

LAB 71.08, 47.51, 3.78

 

CMYK 0 / 39 / 26 / 0

HEX #FF9CBC

RGB 255 156 188

HSL 340.61, 1%, 0.81%

LAB 75.24, 40.82, -0.69

 

CMYK 0 / 32 / 19 / 0

HEX #FFAECF

RGB 255 174 207

HSL 335.56, 1%, 0.84%

LAB 79.63, 34.18, -4.61

 

CMYK 0 / 59 / 45 / 4

HEX #F66688

RGB 246 102 136

HSL 345.83, 0.89%, 0.68%

LAB 62.4, 58.02, 9.89

 

CMYK 0 / 63 / 49 / 10

HEX #E55475

RGB 229 84 117

HSL 346.34, 0.74%, 0.61%

LAB 56.37, 58.63, 12.09

 

CMYK 0 / 69 / 54 / 17

HEX #D44262

RGB 212 66 98

HSL 346.85, 0.63%, 0.55%

LAB 50.42, 58.99, 14.72

 

CMYK 0 / 75 / 59 / 24

HEX #C3304F

RGB 195 48 79

HSL 347.35, 0.6%, 0.48%

LAB 44.63, 58.9, 17.95

 

CMYK 0 / 83 / 66 / 30

HEX #B21E3C

RGB 178 30 60

HSL 347.84, 0.71%, 0.41%

LAB 39.1, 58.08, 21.94

 

CMYK 0 / 59 / 45 / 4

HEX #F66587

RGB 246 101 135

HSL 345.93, 0.89%, 0.68%

LAB 62.21, 58.37, 10.2

 

CMYK 0 / 59 / 59 / 4

HEX #F66565

RGB 246 101 101

HSL 0, 0.89%, 0.68%

LAB 61.52, 55.6, 28.77

 

CMYK 0 / 59 / 45 / 4

HEX #F66587

RGB 246 101 135

HSL 345.93, 0.89%, 0.68%

LAB 62.21, 58.37, 10.2

 

CMYK 0 / 59 / 29 / 4

HEX #F665AE

RGB 246 101 174

HSL 329.79, 0.89%, 0.68%

LAB 63.31, 62.59, -10.63

 

CMYK 0 / 59 / 13 / 4

HEX #F665D5

RGB 246 101 213

HSL 313.66, 0.89%, 0.68%

LAB 64.73, 67.86, -30.57

 

CMYK 3 / 59 / 0 / 4

HEX #EF65F6

RGB 239 101 246

HSL 297.1, 0.89%, 0.68%

LAB 65.21, 71.32, -48.24

 

CMYK 19 / 59 / 0 / 4

HEX #C865F6

RGB 200 101 246

HSL 280.97, 0.89%, 0.68%

LAB 60.11, 61.97, -56.66

 

CMYK 0 / 59 / 45 / 4

HEX #F66587

RGB 246 101 135

HSL 345.93, 0.89%, 0.68%

LAB 62.21, 58.37, 10.2

 

CMYK 0 / 59 / 45 / 4

HEX #F66587

RGB 246 101 135

HSL 345.93, 0.89%, 0.68%

LAB 62.21, 58.37, 10.2

 

CMYK 0 / 51 / 39 / 9

HEX #E9728E

RGB 233 114 142

HSL 345.88, 0.73%, 0.68%

LAB 62.77, 48.74, 6.7

 

CMYK 0 / 42 / 32 / 14

HEX #DC7F95

RGB 220 127 149

HSL 345.81, 0.57%, 0.68%

LAB 63.81, 38.44, 3.97

 

CMYK 0 / 32 / 24 / 19

HEX #CE8C9C

RGB 206 140 156

HSL 345.45, 0.4%, 0.68%

LAB 65.18, 27.35, 1.78

 

CMYK 0 / 20 / 16 / 24

HEX #C19AA3

RGB 193 154 163

HSL 346.15, 0.24%, 0.68%

LAB 67.35, 15.94, 0.83

 

CMYK 0 / 59 / 13 / 4

HEX #F665D7

RGB 246 101 215

HSL 312.83, 0.89%, 0.68%

LAB 64.81, 68.15, -31.56

 

CMYK 0 / 59 / 28 / 4

HEX #F665B0

RGB 246 101 176

HSL 328.97, 0.89%, 0.68%

LAB 63.37, 62.84, -11.68

 

CMYK 0 / 59 / 44 / 4

HEX #F66589

RGB 246 101 137

HSL 345.1, 0.89%, 0.68%

LAB 62.26, 58.55, 9.11

 

CMYK 0 / 58 / 59 / 4

HEX #F66765

RGB 246 103 101

HSL 0.83, 0.89%, 0.68%

LAB 61.85, 54.71, 29.21

 

CMYK 0 / 42 / 59 / 4

HEX #F68E65

RGB 246 142 101

HSL 16.97, 0.89%, 0.68%

LAB 69.38, 35.67, 38.74

 

CMYK 0 / 90 / 69 / 5

HEX #F1174A

RGB 241 23 74

HSL 345.96, 0.89%, 0.52%

LAB 51.62, 76.29, 31.75

 

CMYK 0 / 75 / 57 / 4

HEX #F43E69

RGB 244 62 105

HSL 345.82, 0.89%, 0.6%

LAB 55.78, 70.15, 18.78

 

CMYK 0 / 59 / 45 / 4

HEX #F66587

RGB 246 101 135

HSL 345.93, 0.89%, 0.68%

LAB 62.21, 58.37, 10.2

 

CMYK 0 / 44 / 33 / 3

HEX #F88CA5

RGB 248 140 165

HSL 346.11, 0.89%, 0.76%

LAB 70.48, 43.62, 5.02

 

CMYK 0 / 29 / 22 / 2

HEX #FBB3C4

RGB 251 179 196

HSL 345.83, 0.9%, 0.84%

LAB 80.03, 28.54, 1.87

 

CMYK 0 / 59 / 45 / 4

HEX #F66688

RGB 246 102 136

HSL 345.83, 0.89%, 0.68%

LAB 62.4, 58.02, 9.89

 

CMYK 0 / 3 / 59 / 4

HEX #F6EF65

RGB 246 239 101

HSL 57.1, 0.89%, 0.68%

LAB 92.69, -14.35, 65.86

 

CMYK 59 / 21 / 0 / 4

HEX #65C3F6

RGB 101 195 246

HSL 201.1, 0.89%, 0.68%

LAB 75.11, -13.34, -33.59

 

CMYK 0 / 59 / 45 / 4

HEX #F66688

RGB 246 102 136

HSL 345.83, 0.89%, 0.68%

LAB 62.4, 58.02, 9.89

 

CMYK 44 / 0 / 59 / 4

HEX #89F665

RGB 137 246 101

HSL 105.1, 0.89%, 0.68%

LAB 88.05, -57.01, 58.86

 

CMYK 59 / 44 / 0 / 4

HEX #6589F6

RGB 101 137 246

HSL 225.1, 0.89%, 0.68%

LAB 59.26, 19.57, -58.51

 

CMYK 0 / 59 / 45 / 4

HEX #F66688

RGB 246 102 136

HSL 345.83, 0.89%, 0.68%

LAB 62.4, 58.02, 9.89

 

CMYK 0 / 3 / 59 / 4

HEX #F6EF65

RGB 246 239 101

HSL 57.1, 0.89%, 0.68%

LAB 92.69, -14.35, 65.86

 

CMYK 59 / 0 / 15 / 4

HEX #65F6D2

RGB 101 246 210

HSL 165.1, 0.89%, 0.68%

LAB 88.61, -47.38, 5.71

 

CMYK 59 / 56 / 0 / 4

HEX #656CF6

RGB 101 108 246

HSL 237.1, 0.89%, 0.68%

LAB 52, 37.04, -70.2

 

CMYK 0 / 59 / 45 / 4

HEX #F66688

RGB 246 102 136

HSL 345.83, 0.89%, 0.68%

LAB 62.4, 58.02, 9.89

 

CMYK 15 / 0 / 59 / 4

HEX #D2F665

RGB 210 246 101

HSL 74.9, 0.89%, 0.68%

LAB 91.93, -31.87, 64.28

 

CMYK 59 / 0 / 15 / 4

HEX #65F6D2

RGB 101 246 210

HSL 165.1, 0.89%, 0.68%

LAB 88.61, -47.38, 5.71

 

CMYK 44 / 59 / 0 / 4

HEX #8965F6

RGB 137 101 246

HSL 254.9, 0.89%, 0.68%

LAB 53.25, 47.89, -68.04

 

Description

Color code: HEX #F66688 | qconv.com Color code: HEX #F66688 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 102 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 102 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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