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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6662C it is the complementary color #0999D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6662C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6662C shade: #FB6627, #FF783A, #FF8A4D, #FF9C60 and #FFAE73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6662C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6662C shade: #F6662C, #E55419, #D44206, #C33000 and #B21E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6662C shade: #F6662C, #F6302C and #F62C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6662C shade: #F6662C, #F69D2C, #F6D32C, #E3F62C and #ACF62C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6662C shade matches the following richer shades: #F6662C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6662C shade: #F6662C, #E46E3E, #D37650, #C17D62 and #AF8573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6662C shade: #F62C5F, #F6302C, #F6662C, #F69B2C and #F6D12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6662C shade: #C83F08, #EF4C0A, #F6662C, #F88354 and #FAA07C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6662C shade: #F6662C, #95F62C and #2C44F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6662C shade: #F6662C, #2CF666 and #662CF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6662C shade: #F6662C, #95F62C, #2CBDF6 and #8E2CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6662C shade: #F6662C, #58F62C, #2CBDF6 and #CB2CF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

Complementary color

CMYK 96 / 27 / 0 / 17

HEX #0999D3

RGB 9 153 211

HSL 197.23, 0.92%, 0.43%

LAB 59.47, -12.56, -38.89

 

CMYK 0 / 59 / 84 / 2

HEX #FB6627

RGB 251 102 39

HSL 17.83, 0.96%, 0.57%

LAB 61.79, 54.11, 60.76

 

CMYK 0 / 53 / 77 / 0

HEX #FF783A

RGB 255 120 58

HSL 18.88, 1%, 0.61%

LAB 65.75, 47.79, 56.52

 

CMYK 0 / 46 / 70 / 0

HEX #FF8A4D

RGB 255 138 77

HSL 20.56, 1%, 0.65%

LAB 69.45, 39.75, 51.4

 

CMYK 0 / 39 / 62 / 0

HEX #FF9C60

RGB 255 156 96

HSL 22.64, 1%, 0.69%

LAB 73.47, 31.62, 46.54

 

CMYK 0 / 32 / 55 / 0

HEX #FFAE73

RGB 255 174 115

HSL 25.29, 1%, 0.73%

LAB 77.74, 23.61, 42.04

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 63 / 89 / 10

HEX #E55419

RGB 229 84 25

HSL 17.35, 0.8%, 0.5%

LAB 55.14, 53.97, 59.11

 

CMYK 0 / 69 / 97 / 17

HEX #D44206

RGB 212 66 6

HSL 17.48, 0.94%, 0.43%

LAB 49.38, 55.3, 59.15

 

CMYK 0 / 75 / 100 / 24

HEX #C33000

RGB 195 48 0

HSL 14.77, 1%, 0.38%

LAB 43.82, 56.24, 56.23

 

CMYK 0 / 83 / 100 / 30

HEX #B21E00

RGB 178 30 0

HSL 10.11, 1%, 0.35%

LAB 38.54, 56.37, 51.96

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 80 / 82 / 4

HEX #F6302C

RGB 246 48 44

HSL 1.19, 0.92%, 0.57%

LAB 53.91, 71.85, 51.26

 

CMYK 0 / 82 / 82 / 4

HEX #F62C2C

RGB 246 44 44

HSL 0, 0.92%, 0.57%

LAB 53.57, 72.8, 50.95

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 36 / 82 / 4

HEX #F69D2C

RGB 246 157 44

HSL 33.56, 0.92%, 0.57%

LAB 72.15, 25.04, 67.56

 

CMYK 0 / 14 / 82 / 4

HEX #F6D32C

RGB 246 211 44

HSL 49.6, 0.92%, 0.57%

LAB 85.18, -3.07, 78.73

 

CMYK 8 / 0 / 82 / 4

HEX #E3F62C

RGB 227 246 44

HSL 65.64, 0.92%, 0.57%

LAB 92.76, -28.08, 84.54

 

CMYK 30 / 0 / 82 / 4

HEX #ACF62C

RGB 172 246 44

HSL 81.98, 0.92%, 0.57%

LAB 89.33, -49.24, 80.24

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 52 / 73 / 11

HEX #E46E3E

RGB 228 110 62

HSL 17.35, 0.75%, 0.57%

LAB 59.88, 42.68, 47.29

 

CMYK 0 / 44 / 62 / 17

HEX #D37650

RGB 211 118 80

HSL 17.4, 0.6%, 0.57%

LAB 59.33, 32.97, 36.61

 

CMYK 0 / 35 / 49 / 24

HEX #C17D62

RGB 193 125 98

HSL 17.05, 0.43%, 0.57%

LAB 58.87, 23.41, 25.6

 

CMYK 0 / 24 / 34 / 31

HEX #AF8573

RGB 175 133 115

HSL 18, 0.27%, 0.57%

LAB 59.09, 13.56, 15.93

 

CMYK 0 / 82 / 61 / 4

HEX #F62C5F

RGB 246 44 95

HSL 344.85, 0.92%, 0.57%

LAB 54.26, 74.86, 22.77

 

CMYK 0 / 80 / 82 / 4

HEX #F6302C

RGB 246 48 44

HSL 1.19, 0.92%, 0.57%

LAB 53.91, 71.85, 51.26

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 37 / 82 / 4

HEX #F69B2C

RGB 246 155 44

HSL 32.97, 0.92%, 0.57%

LAB 71.7, 26.09, 67.17

 

CMYK 0 / 15 / 82 / 4

HEX #F6D12C

RGB 246 209 44

HSL 49.01, 0.92%, 0.57%

LAB 84.68, -2.05, 78.3

 

CMYK 0 / 69 / 96 / 22

HEX #C83F08

RGB 200 63 8

HSL 17.19, 0.92%, 0.41%

LAB 46.78, 52.47, 56.02

 

CMYK 0 / 68 / 96 / 6

HEX #EF4C0A

RGB 239 76 10

HSL 17.29, 0.92%, 0.49%

LAB 55.63, 60.37, 64.35

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 0 / 47 / 66 / 3

HEX #F88354

RGB 248 131 84

HSL 17.2, 0.92%, 0.65%

LAB 67.15, 40.95, 45.02

 

CMYK 0 / 36 / 50 / 2

HEX #FAA07C

RGB 250 160 124

HSL 17.14, 0.93%, 0.73%

LAB 74.14, 29.72, 32.63

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 39 / 0 / 82 / 4

HEX #95F62C

RGB 149 246 44

HSL 88.81, 0.92%, 0.57%

LAB 88.2, -57.13, 78.81

 

CMYK 82 / 72 / 0 / 4

HEX #2C44F6

RGB 44 68 246

HSL 232.87, 0.92%, 0.57%

LAB 40.12, 54.21, -89.77

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 82 / 0 / 59 / 4

HEX #2CF666

RGB 44 246 102

HSL 137.23, 0.92%, 0.57%

LAB 85.71, -75.33, 55.11

 

CMYK 59 / 82 / 0 / 4

HEX #662CF6

RGB 102 44 246

HSL 257.23, 0.92%, 0.57%

LAB 40.05, 70.06, -89.77

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 39 / 0 / 82 / 4

HEX #95F62C

RGB 149 246 44

HSL 88.81, 0.92%, 0.57%

LAB 88.2, -57.13, 78.81

 

CMYK 82 / 23 / 0 / 4

HEX #2CBDF6

RGB 44 189 246

HSL 196.93, 0.92%, 0.57%

LAB 71.95, -17.76, -38.6

 

CMYK 42 / 82 / 0 / 4

HEX #8E2CF6

RGB 142 44 246

HSL 269.11, 0.92%, 0.57%

LAB 44.53, 74.51, -82.23

 

CMYK 0 / 59 / 82 / 4

HEX #F6662C

RGB 246 102 44

HSL 17.23, 0.92%, 0.57%

LAB 61.03, 52.46, 57.74

 

CMYK 64 / 0 / 82 / 4

HEX #58F62C

RGB 88 246 44

HSL 106.93, 0.92%, 0.57%

LAB 86.09, -73.54, 76.12

 

CMYK 82 / 23 / 0 / 4

HEX #2CBDF6

RGB 44 189 246

HSL 196.93, 0.92%, 0.57%

LAB 71.95, -17.76, -38.6

 

CMYK 17 / 82 / 0 / 4

HEX #CB2CF6

RGB 203 44 246

HSL 287.23, 0.92%, 0.57%

LAB 53.12, 83.42, -67.87

 

Description

Color code: HEX #F6662C | qconv.com Color code: HEX #F6662C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 102 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 102 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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