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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F65187 it is the complementary color #09AE78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F65187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F65187 shade: #FB5182, #FF6395, #FF75A8, #FF87BB and #FF99CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F65187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F65187 shade: #F65187, #E53F74, #D42D61, #C31B4E and #B2093B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F65187 shade: #F65187, #F6515A and #F65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F65187 shade: #F65187, #F651B3, #F651E0, #DF51F6 and #B351F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F65187 shade matches the following richer shades: #F65187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F65187 shade: #F65187, #E75F8C, #D86E91, #C97D96 and #BA8C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F65187 shade: #F651E0, #F651B4, #F65188, #F6515C and #F67251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F65187 shade: #E80C54, #F4296C, #F65187, #F878A2 and #FA9FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F65187 shade: #F65187, #F6E051 and #51CAF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F65187 shade: #F65187, #88F651 and #5188F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F65187 shade: #F65187, #F6E051, #51F6BF and #5167F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F65187 shade: #F65187, #DAF651, #51F6BF and #6C51F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

Complementary color

CMYK 95 / 0 / 31 / 32

HEX #09AE78

RGB 9 174 120

HSL 160.36, 0.9%, 0.36%

LAB 63.08, -50.38, 17.41

 

CMYK 0 / 68 / 48 / 2

HEX #FB5182

RGB 251 81 130

HSL 342.71, 0.96%, 0.65%

LAB 59.89, 67.57, 9.94

 

CMYK 0 / 61 / 42 / 0

HEX #FF6395

RGB 255 99 149

HSL 340.77, 1%, 0.69%

LAB 63.63, 63.39, 4.35

 

CMYK 0 / 54 / 34 / 0

HEX #FF75A8

RGB 255 117 168

HSL 337.83, 1%, 0.73%

LAB 67.13, 57.48, -1.4

 

CMYK 0 / 47 / 27 / 0

HEX #FF87BB

RGB 255 135 187

HSL 334, 1%, 0.76%

LAB 70.99, 51.25, -6.4

 

CMYK 0 / 40 / 19 / 0

HEX #FF99CE

RGB 255 153 206

HSL 328.82, 1%, 0.8%

LAB 75.14, 44.89, -10.74

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 72 / 49 / 10

HEX #E53F74

RGB 229 63 116

HSL 340.84, 0.76%, 0.57%

LAB 53.46, 66.46, 8.59

 

CMYK 0 / 79 / 54 / 17

HEX #D42D61

RGB 212 45 97

HSL 341.32, 0.66%, 0.5%

LAB 47.93, 65.82, 11.87

 

CMYK 0 / 86 / 60 / 24

HEX #C31B4E

RGB 195 27 78

HSL 341.79, 0.76%, 0.44%

LAB 42.67, 64.35, 15.92

 

CMYK 0 / 95 / 67 / 30

HEX #B2093B

RGB 178 9 59

HSL 342.25, 0.9%, 0.37%

LAB 37.8, 61.72, 20.91

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 67 / 63 / 4

HEX #F6515A

RGB 246 81 90

HSL 356.73, 0.9%, 0.64%

LAB 58.24, 63.22, 30.86

 

CMYK 0 / 67 / 67 / 4

HEX #F65151

RGB 246 81 81

HSL 0, 0.9%, 0.64%

LAB 58.11, 62.73, 35.82

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 67 / 27 / 4

HEX #F651B3

RGB 246 81 179

HSL 324.36, 0.9%, 0.64%

LAB 60.54, 71.22, -17.67

 

CMYK 0 / 67 / 9 / 4

HEX #F651E0

RGB 246 81 224

HSL 308, 0.9%, 0.64%

LAB 62.39, 77.26, -40.38

 

CMYK 9 / 67 / 0 / 4

HEX #DF51F6

RGB 223 81 246

HSL 291.64, 0.9%, 0.64%

LAB 60.09, 75.66, -56.5

 

CMYK 27 / 67 / 0 / 4

HEX #B351F6

RGB 179 81 246

HSL 275.64, 0.9%, 0.64%

LAB 54.16, 66.48, -66.35

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 59 / 39 / 9

HEX #E75F8C

RGB 231 95 140

HSL 340.15, 0.74%, 0.64%

LAB 59.04, 56.74, 2.44

 

CMYK 0 / 49 / 33 / 15

HEX #D86E91

RGB 216 110 145

HSL 340.19, 0.58%, 0.64%

LAB 59.7, 45.26, 0.24

 

CMYK 0 / 38 / 25 / 21

HEX #C97D96

RGB 201 125 150

HSL 340.26, 0.41%, 0.64%

LAB 61.03, 32.8, -0.93

 

CMYK 0 / 25 / 17 / 27

HEX #BA8C9B

RGB 186 140 155

HSL 340.43, 0.25%, 0.64%

LAB 62.98, 19.8, -1.13

 

CMYK 0 / 67 / 9 / 4

HEX #F651E0

RGB 246 81 224

HSL 308, 0.9%, 0.64%

LAB 62.39, 77.26, -40.38

 

CMYK 0 / 67 / 27 / 4

HEX #F651B4

RGB 246 81 180

HSL 324, 0.9%, 0.64%

LAB 60.58, 71.34, -18.19

 

CMYK 0 / 67 / 45 / 4

HEX #F65188

RGB 246 81 136

HSL 340, 0.9%, 0.64%

LAB 59.21, 66.65, 5.34

 

CMYK 0 / 67 / 63 / 4

HEX #F6515C

RGB 246 81 92

HSL 356, 0.9%, 0.64%

LAB 58.27, 63.33, 29.75

 

CMYK 0 / 54 / 67 / 4

HEX #F67251

RGB 246 114 81

HSL 12, 0.9%, 0.64%

LAB 63.53, 48.38, 42.29

 

CMYK 0 / 95 / 64 / 9

HEX #E80C54

RGB 232 12 84

HSL 340.36, 0.9%, 0.48%

LAB 49.57, 75.8, 22.73

 

CMYK 0 / 83 / 56 / 4

HEX #F4296C

RGB 244 41 108

HSL 340.2, 0.9%, 0.56%

LAB 53.92, 75.81, 14.44

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 52 / 35 / 3

HEX #F878A2

RGB 248 120 162

HSL 340.31, 0.9%, 0.72%

LAB 66.52, 53.12, 0.98

 

CMYK 0 / 36 / 24 / 2

HEX #FA9FBD

RGB 250 159 189

HSL 340.22, 0.9%, 0.8%

LAB 75.32, 37.67, -1.19

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 9 / 67 / 4

HEX #F6E051

RGB 246 224 81

HSL 52, 0.9%, 0.64%

LAB 88.68, -8.14, 69.75

 

CMYK 67 / 18 / 0 / 4

HEX #51CAF6

RGB 81 202 246

HSL 196, 0.9%, 0.64%

LAB 76.46, -20.3, -31.55

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 45 / 0 / 67 / 4

HEX #88F651

RGB 136 246 81

HSL 100, 0.9%, 0.64%

LAB 87.84, -59.08, 66.73

 

CMYK 67 / 45 / 0 / 4

HEX #5188F6

RGB 81 136 246

HSL 220, 0.9%, 0.64%

LAB 58.05, 16.78, -60.51

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 0 / 9 / 67 / 4

HEX #F6E051

RGB 246 224 81

HSL 52, 0.9%, 0.64%

LAB 88.68, -8.14, 69.75

 

CMYK 67 / 0 / 22 / 4

HEX #51F6BF

RGB 81 246 191

HSL 160, 0.9%, 0.64%

LAB 87.69, -55.08, 14.2

 

CMYK 67 / 58 / 0 / 4

HEX #5167F6

RGB 81 103 246

HSL 232, 0.9%, 0.64%

LAB 49.62, 36.99, -74.12

 

CMYK 0 / 67 / 45 / 4

HEX #F65187

RGB 246 81 135

HSL 340.36, 0.9%, 0.64%

LAB 59.18, 66.56, 5.89

 

CMYK 11 / 0 / 67 / 4

HEX #DAF651

RGB 218 246 81

HSL 70.18, 0.9%, 0.64%

LAB 92.31, -30.11, 72.76

 

CMYK 67 / 0 / 22 / 4

HEX #51F6BF

RGB 81 246 191

HSL 160, 0.9%, 0.64%

LAB 87.69, -55.08, 14.2

 

CMYK 56 / 67 / 0 / 4

HEX #6C51F6

RGB 108 81 246

HSL 249.82, 0.9%, 0.64%

LAB 46.61, 53.69, -78.95

 

Description

Color code: HEX #F65187 | qconv.com Color code: HEX #F65187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 81 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 81 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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