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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F64F3B it is the complementary color #09B0C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F64F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F64F3B shade: #FB4F36, #FF6149, #FF735C, #FF856F and #FF9782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F64F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F64F3B shade: #F64F3B, #E53D28, #D42B15, #C31902 and #B20700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F64F3B shade: #F6503C and #F63C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F64F3B shade: #F6503C, #F6823C, #F6B43C, #F6E63C and #D3F63C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F64F3B shade matches the following richer shades: #F6503C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F64F3B shade: #F6503C, #E55D4D, #D56A5D, #C4776E and #B4847E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F64F3B shade: #F63C8D, #F63C5B, #F64F3C, #F6803C and #F6B23C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F64F3B shade: #D5200A, #F42D15, #F6503C, #F87364 and #FA978B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F64F3B shade: #F64F3B, #BEF63C and #3C74F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F64F3B shade: #F64F3B, #3CF64F and #4F3CF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F64F3B shade: #F64F3B, #BEF63C, #3CE3F6 and #743CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F64F3B shade: #F64F3B, #86F63C, #3CE3F6 and #AC3CF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 76 / 4

HEX #F64F3B

RGB 246 79 59

HSL 6.42, 0.91%, 0.6%

LAB 57.56, 62.53, 47.22

 

Complementary color

CMYK 95 / 10 / 0 / 23

HEX #09B0C4

RGB 9 176 196

HSL 186.42, 0.91%, 0.4%

LAB 65.82, -29.77, -20.73

 

CMYK 0 / 69 / 78 / 2

HEX #FB4F36

RGB 251 79 54

HSL 7.61, 0.96%, 0.6%

LAB 58.38, 63.94, 50.89

 

CMYK 0 / 62 / 71 / 0

HEX #FF6149

RGB 255 97 73

HSL 7.91, 1%, 0.64%

LAB 61.9, 58.8, 45.03

 

CMYK 0 / 55 / 64 / 0

HEX #FF735C

RGB 255 115 92

HSL 8.47, 1%, 0.68%

LAB 65.2, 51.76, 38.7

 

CMYK 0 / 48 / 56 / 0

HEX #FF856F

RGB 255 133 111

HSL 9.17, 1%, 0.72%

LAB 68.88, 44.36, 32.97

 

CMYK 0 / 41 / 49 / 0

HEX #FF9782

RGB 255 151 130

HSL 10.08, 1%, 0.75%

LAB 72.9, 36.83, 27.87

 

CMYK 0 / 68 / 76 / 4

HEX #F64F3B

RGB 246 79 59

HSL 6.42, 0.91%, 0.6%

LAB 57.56, 62.53, 47.22

 

CMYK 0 / 73 / 83 / 10

HEX #E53D28

RGB 229 61 40

HSL 6.67, 0.78%, 0.53%

LAB 52, 63.08, 50.29

 

CMYK 0 / 80 / 90 / 17

HEX #D42B15

RGB 212 43 21

HSL 6.91, 0.82%, 0.46%

LAB 46.68, 63.1, 53.02

 

CMYK 0 / 87 / 99 / 24

HEX #C31902

RGB 195 25 2

HSL 7.15, 0.98%, 0.39%

LAB 41.69, 62.29, 54.63

 

CMYK 0 / 96 / 100 / 30

HEX #B20700

RGB 178 7 0

HSL 2.36, 1%, 0.35%

LAB 37.15, 60.35, 51.39

 

CMYK 0 / 67 / 76 / 4

HEX #F6503C

RGB 246 80 60

HSL 6.45, 0.91%, 0.6%

LAB 57.71, 62.19, 46.85

 

CMYK 0 / 76 / 76 / 4

HEX #F63C3C

RGB 246 60 60

HSL 0, 0.91%, 0.6%

LAB 55.23, 69.04, 44.19

 

CMYK 0 / 67 / 76 / 4

HEX #F6503C

RGB 246 80 60

HSL 6.45, 0.91%, 0.6%

LAB 57.71, 62.19, 46.85

 

CMYK 0 / 47 / 76 / 4

HEX #F6823C

RGB 246 130 60

HSL 22.58, 0.91%, 0.6%

LAB 66.43, 39.53, 55.87

 

CMYK 0 / 27 / 76 / 4

HEX #F6B43C

RGB 246 180 60

HSL 38.71, 0.91%, 0.6%

LAB 77.62, 13.5, 66.83

 

CMYK 0 / 7 / 76 / 4

HEX #F6E63C

RGB 246 230 60

HSL 54.84, 0.91%, 0.6%

LAB 90.1, -12.06, 78.48

 

CMYK 14 / 0 / 76 / 4

HEX #D3F63C

RGB 211 246 60

HSL 71.29, 0.91%, 0.6%

LAB 91.72, -33.9, 79.02

 

CMYK 0 / 67 / 76 / 4

HEX #F6503C

RGB 246 80 60

HSL 6.45, 0.91%, 0.6%

LAB 57.71, 62.19, 46.85

 

CMYK 0 / 67 / 76 / 4

HEX #F6503C

RGB 246 80 60

HSL 6.45, 0.91%, 0.6%

LAB 57.71, 62.19, 46.85

 

CMYK 0 / 59 / 66 / 10

HEX #E55D4D

RGB 229 93 77

HSL 6.32, 0.75%, 0.6%

LAB 57.1, 51.86, 36.18

 

CMYK 0 / 50 / 56 / 16

HEX #D56A5D

RGB 213 106 93

HSL 6.5, 0.59%, 0.6%

LAB 57.31, 40.91, 26.9

 

CMYK 0 / 39 / 44 / 23

HEX #C4776E

RGB 196 119 110

HSL 6.28, 0.42%, 0.6%

LAB 58.09, 29.12, 17.8

 

CMYK 0 / 27 / 30 / 29

HEX #B4847E

RGB 180 132 126

HSL 6.67, 0.26%, 0.6%

LAB 59.63, 17.6, 10.49

 

CMYK 0 / 76 / 43 / 4

HEX #F63C8D

RGB 246 60 141

HSL 333.87, 0.91%, 0.6%

LAB 56.83, 74.13, -1.06

 

CMYK 0 / 76 / 63 / 4

HEX #F63C5B

RGB 246 60 91

HSL 350, 0.91%, 0.6%

LAB 55.66, 70.45, 26.98

 

CMYK 0 / 68 / 76 / 4

HEX #F64F3C

RGB 246 79 60

HSL 6.13, 0.91%, 0.6%

LAB 57.57, 62.57, 46.7

 

CMYK 0 / 48 / 76 / 4

HEX #F6803C

RGB 246 128 60

HSL 21.94, 0.91%, 0.6%

LAB 66.03, 40.54, 55.46

 

CMYK 0 / 28 / 76 / 4

HEX #F6B23C

RGB 246 178 60

HSL 38.06, 0.91%, 0.6%

LAB 77.14, 14.55, 66.37

 

CMYK 0 / 85 / 95 / 16

HEX #D5200A

RGB 213 32 10

HSL 6.5, 0.91%, 0.44%

LAB 45.91, 65.89, 56.32

 

CMYK 0 / 82 / 91 / 4

HEX #F42D15

RGB 244 45 21

HSL 6.46, 0.91%, 0.52%

LAB 53.13, 71.6, 60.35

 

CMYK 0 / 67 / 76 / 4

HEX #F6503C

RGB 246 80 60

HSL 6.45, 0.91%, 0.6%

LAB 57.71, 62.19, 46.85

 

CMYK 0 / 54 / 60 / 3

HEX #F87364

RGB 248 115 100

HSL 6.08, 0.91%, 0.68%

LAB 64.27, 49.78, 32.93

 

CMYK 0 / 40 / 44 / 2

HEX #FA978B

RGB 250 151 139

HSL 6.49, 0.92%, 0.76%

LAB 72.44, 35.82, 22.24

 

CMYK 0 / 68 / 76 / 4

HEX #F64F3B

RGB 246 79 59

HSL 6.42, 0.91%, 0.6%

LAB 57.56, 62.53, 47.22

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63C

RGB 190 246 60

HSL 78.06, 0.91%, 0.6%

LAB 90.41, -41.98, 77.32

 

CMYK 76 / 53 / 0 / 4

HEX #3C74F6

RGB 60 116 246

HSL 221.94, 0.91%, 0.6%

LAB 51.96, 26.35, -70.37

 

CMYK 0 / 68 / 76 / 4

HEX #F64F3B

RGB 246 79 59

HSL 6.42, 0.91%, 0.6%

LAB 57.56, 62.53, 47.22

 

CMYK 76 / 0 / 68 / 4

HEX #3CF64F

RGB 60 246 79

HSL 126.13, 0.91%, 0.6%

LAB 85.72, -75.93, 64.6

 

CMYK 68 / 76 / 0 / 4

HEX #4F3CF6

RGB 79 60 246

HSL 246.13, 0.91%, 0.6%

LAB 40.49, 61.05, -89.1

 

CMYK 0 / 68 / 76 / 4

HEX #F64F3B

RGB 246 79 59

HSL 6.42, 0.91%, 0.6%

LAB 57.56, 62.53, 47.22

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63C

RGB 190 246 60

HSL 78.06, 0.91%, 0.6%

LAB 90.41, -41.98, 77.32

 

CMYK 76 / 8 / 0 / 4

HEX #3CE3F6

RGB 60 227 246

HSL 186.13, 0.91%, 0.6%

LAB 83.21, -35.14, -21.29

 

CMYK 53 / 76 / 0 / 4

HEX #743CF6

RGB 116 60 246

HSL 258.06, 0.91%, 0.6%

LAB 43.65, 65.16, -83.78

 

CMYK 0 / 68 / 76 / 4

HEX #F64F3B

RGB 246 79 59

HSL 6.42, 0.91%, 0.6%

LAB 57.56, 62.53, 47.22

 

CMYK 46 / 0 / 76 / 4

HEX #86F63C

RGB 134 246 60

HSL 96.13, 0.91%, 0.6%

LAB 87.63, -61.07, 73.71

 

CMYK 76 / 8 / 0 / 4

HEX #3CE3F6

RGB 60 227 246

HSL 186.13, 0.91%, 0.6%

LAB 83.21, -35.14, -21.29

 

CMYK 30 / 76 / 0 / 4

HEX #AC3CF6

RGB 172 60 246

HSL 276.13, 0.91%, 0.6%

LAB 50.28, 73.58, -72.67

 

Description

Color code: HEX #F64F3B | qconv.com Color code: HEX #F64F3B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 79 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 79 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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