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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F64F2F it is the complementary color #09B0D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F64F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F64F2F shade: #FB4F2A, #FF613D, #FF7350, #FF8563 and #FF9776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F64F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F64F2F shade: #F64F2F, #E53D1C, #D42B09, #C31900 and #B20700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F64F2F shade: #F64D2C and #F62C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F64F2F shade: #F64D2C, #F6832C, #F6BA2C, #F6F02C and #C6F62C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F64F2F shade matches the following richer shades: #F64D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F64F2F shade: #F64D2C, #E4593E, #D36550, #C17162 and #AF7D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F64F2F shade: #F62C7A, #F62C44, #F64B2C, #F6812C and #F6B62C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F64F2F shade: #C82708, #EF2F0A, #F64D2C, #F86E54 and #FA907C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F64F2F shade: #F64F2F, #B0F62C and #2C5FF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F64F2F shade: #F64F2F, #2CF64B and #4B2CF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F64F2F shade: #F64F2F, #B0F62C, #2CD8F6 and #732CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F64F2F shade: #F64F2F, #73F62C, #2CD8F6 and #B02CF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 81 / 4

HEX #F64F2F

RGB 246 79 47

HSL 9.65, 0.92%, 0.57%

LAB 57.45, 62.15, 53.11

 

Complementary color

CMYK 96 / 15 / 0 / 18

HEX #09B0D0

RGB 9 176 208

HSL 189.65, 0.92%, 0.43%

LAB 66.26, -25.8, -26.69

 

CMYK 0 / 69 / 83 / 2

HEX #FB4F2A

RGB 251 79 42

HSL 10.62, 0.96%, 0.57%

LAB 58.29, 63.61, 56.49

 

CMYK 0 / 62 / 76 / 0

HEX #FF613D

RGB 255 97 61

HSL 11.13, 1%, 0.62%

LAB 61.78, 58.32, 51.07

 

CMYK 0 / 55 / 69 / 0

HEX #FF7350

RGB 255 115 80

HSL 12, 1%, 0.66%

LAB 65.04, 51.1, 44.92

 

CMYK 0 / 48 / 61 / 0

HEX #FF8563

RGB 255 133 99

HSL 13.08, 1%, 0.69%

LAB 68.7, 43.52, 39.23

 

CMYK 0 / 41 / 54 / 0

HEX #FF9776

RGB 255 151 118

HSL 14.45, 1%, 0.73%

LAB 72.69, 35.8, 34.09

 

CMYK 0 / 68 / 81 / 4

HEX #F64F2F

RGB 246 79 47

HSL 9.65, 0.92%, 0.57%

LAB 57.45, 62.15, 53.11

 

CMYK 0 / 73 / 88 / 10

HEX #E53D1C

RGB 229 61 28

HSL 9.85, 0.79%, 0.5%

LAB 51.93, 62.81, 55.57

 

CMYK 0 / 80 / 96 / 17

HEX #D42B09

RGB 212 43 9

HSL 10.05, 0.92%, 0.43%

LAB 46.64, 62.96, 56.88

 

CMYK 0 / 87 / 100 / 24

HEX #C31900

RGB 195 25 0

HSL 7.69, 1%, 0.38%

LAB 41.68, 62.27, 55.33

 

CMYK 0 / 96 / 100 / 30

HEX #B20700

RGB 178 7 0

HSL 2.36, 1%, 0.35%

LAB 37.15, 60.35, 51.39

 

CMYK 0 / 69 / 82 / 4

HEX #F64D2C

RGB 246 77 44

HSL 9.8, 0.92%, 0.57%

LAB 57.16, 62.82, 54.24

 

CMYK 0 / 82 / 82 / 4

HEX #F62C2C

RGB 246 44 44

HSL 0, 0.92%, 0.57%

LAB 53.57, 72.8, 50.95

 

CMYK 0 / 69 / 82 / 4

HEX #F64D2C

RGB 246 77 44

HSL 9.8, 0.92%, 0.57%

LAB 57.16, 62.82, 54.24

 

CMYK 0 / 47 / 82 / 4

HEX #F6832C

RGB 246 131 44

HSL 25.84, 0.92%, 0.57%

LAB 66.53, 38.48, 62.63

 

CMYK 0 / 24 / 82 / 4

HEX #F6BA2C

RGB 246 186 44

HSL 42.18, 0.92%, 0.57%

LAB 78.98, 9.82, 73.45

 

CMYK 0 / 2 / 82 / 4

HEX #F6F02C

RGB 246 240 44

HSL 58.22, 0.92%, 0.57%

LAB 92.62, -17.46, 85

 

CMYK 20 / 0 / 82 / 4

HEX #C6F62C

RGB 198 246 44

HSL 74.26, 0.92%, 0.57%

LAB 90.83, -39.55, 82.12

 

CMYK 0 / 69 / 82 / 4

HEX #F64D2C

RGB 246 77 44

HSL 9.8, 0.92%, 0.57%

LAB 57.16, 62.82, 54.24

 

CMYK 0 / 69 / 82 / 4

HEX #F64D2C

RGB 246 77 44

HSL 9.8, 0.92%, 0.57%

LAB 57.16, 62.82, 54.24

 

CMYK 0 / 61 / 73 / 11

HEX #E4593E

RGB 228 89 62

HSL 9.76, 0.75%, 0.57%

LAB 56.07, 52.56, 43.14

 

CMYK 0 / 52 / 62 / 17

HEX #D36550

RGB 211 101 80

HSL 9.62, 0.6%, 0.57%

LAB 55.82, 41.72, 32.31

 

CMYK 0 / 41 / 49 / 24

HEX #C17162

RGB 193 113 98

HSL 9.47, 0.43%, 0.57%

LAB 56.12, 29.97, 21.96

 

CMYK 0 / 29 / 34 / 31

HEX #AF7D73

RGB 175 125 115

HSL 10, 0.27%, 0.57%

LAB 57.09, 18.06, 13.16

 

CMYK 0 / 82 / 50 / 4

HEX #F62C7A

RGB 246 44 122

HSL 336.83, 0.92%, 0.57%

LAB 54.87, 76.65, 7.41

 

CMYK 0 / 82 / 72 / 4

HEX #F62C44

RGB 246 44 68

HSL 352.87, 0.92%, 0.57%

LAB 53.83, 73.56, 38.14

 

CMYK 0 / 70 / 82 / 4

HEX #F64B2C

RGB 246 75 44

HSL 9.21, 0.92%, 0.57%

LAB 56.89, 63.55, 53.99

 

CMYK 0 / 48 / 82 / 4

HEX #F6812C

RGB 246 129 44

HSL 25.25, 0.92%, 0.57%

LAB 66.12, 39.49, 62.27

 

CMYK 0 / 26 / 82 / 4

HEX #F6B62C

RGB 246 182 44

HSL 40.99, 0.92%, 0.57%

LAB 78.01, 11.91, 72.61

 

CMYK 0 / 81 / 96 / 22

HEX #C82708

RGB 200 39 8

HSL 9.69, 0.92%, 0.41%

LAB 43.87, 60.54, 54.36

 

CMYK 0 / 80 / 96 / 6

HEX #EF2F0A

RGB 239 47 10

HSL 9.69, 0.92%, 0.49%

LAB 52.29, 69.62, 62.51

 

CMYK 0 / 69 / 82 / 4

HEX #F64D2C

RGB 246 77 44

HSL 9.8, 0.92%, 0.57%

LAB 57.16, 62.82, 54.24

 

CMYK 0 / 56 / 66 / 3

HEX #F86E54

RGB 248 110 84

HSL 9.51, 0.92%, 0.65%

LAB 63.13, 51.15, 40.29

 

CMYK 0 / 42 / 50 / 2

HEX #FA907C

RGB 250 144 124

HSL 9.52, 0.93%, 0.73%

LAB 70.68, 38.01, 28.09

 

CMYK 0 / 68 / 81 / 4

HEX #F64F2F

RGB 246 79 47

HSL 9.65, 0.92%, 0.57%

LAB 57.45, 62.15, 53.11

 

CMYK 28 / 0 / 82 / 4

HEX #B0F62C

RGB 176 246 44

HSL 80.79, 0.92%, 0.57%

LAB 89.54, -47.8, 80.51

 

CMYK 82 / 61 / 0 / 4

HEX #2C5FF6

RGB 44 95 246

HSL 224.85, 0.92%, 0.57%

LAB 46.14, 38.05, -79.86

 

CMYK 0 / 68 / 81 / 4

HEX #F64F2F

RGB 246 79 47

HSL 9.65, 0.92%, 0.57%

LAB 57.45, 62.15, 53.11

 

CMYK 82 / 0 / 70 / 4

HEX #2CF64B

RGB 44 246 75

HSL 129.21, 0.92%, 0.57%

LAB 85.48, -78.14, 65.77

 

CMYK 70 / 82 / 0 / 4

HEX #4B2CF6

RGB 75 44 246

HSL 249.21, 0.92%, 0.57%

LAB 37.75, 67.84, -93.64

 

CMYK 0 / 68 / 81 / 4

HEX #F64F2F

RGB 246 79 47

HSL 9.65, 0.92%, 0.57%

LAB 57.45, 62.15, 53.11

 

CMYK 28 / 0 / 82 / 4

HEX #B0F62C

RGB 176 246 44

HSL 80.79, 0.92%, 0.57%

LAB 89.54, -47.8, 80.51

 

CMYK 82 / 12 / 0 / 4

HEX #2CD8F6

RGB 44 216 246

HSL 188.91, 0.92%, 0.57%

LAB 79.78, -31.34, -26.52

 

CMYK 53 / 82 / 0 / 4

HEX #732CF6

RGB 115 44 246

HSL 261.09, 0.92%, 0.57%

LAB 41.37, 71.36, -87.53

 

CMYK 0 / 68 / 81 / 4

HEX #F64F2F

RGB 246 79 47

HSL 9.65, 0.92%, 0.57%

LAB 57.45, 62.15, 53.11

 

CMYK 53 / 0 / 82 / 4

HEX #73F62C

RGB 115 246 44

HSL 98.91, 0.92%, 0.57%

LAB 86.87, -67.21, 77.12

 

CMYK 82 / 12 / 0 / 4

HEX #2CD8F6

RGB 44 216 246

HSL 188.91, 0.92%, 0.57%

LAB 79.78, -31.34, -26.52

 

CMYK 28 / 82 / 0 / 4

HEX #B02CF6

RGB 176 44 246

HSL 279.21, 0.92%, 0.57%

LAB 49.11, 79.22, -74.55

 

Description

Color code: HEX #F64F2F | qconv.com Color code: HEX #F64F2F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 79 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 79 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 81 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 81% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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