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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6488300 it is the complementary color #09B77C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6488300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6488300 shade: #FB487E00, #FF5A9100, #FF6CA400, #FF7EB700 and #FF90CA00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6488300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6488300 shade: #F6488300, #E5367000, #D4245D00, #C3124A00 and #B2003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6488300 shade: #F64682, #F64652 and #F64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6488300 shade: #F64682, #F646B1, #F646E1, #DC46F6 and #AD46F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6488300 shade matches the following richer shades: #F64682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6488300 shade: #F64682, #E75687, #D7658C, #C77591 and #B88596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6488300 shade: #F646E2, #F646B3, #F64684, #F64655 and #F66646

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6488300 shade: #DF0B53, #F41F67, #F64682, #F86D9C and #FA95B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6488300 shade: #F64883, #F6DC46 and #46CAF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6488300 shade: #F64883, #84F646 and #4684F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6488300 shade: #F64883, #F6DC46, #46F6B9 and #4660F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6488300 shade: #F64883, #DCF646, #46F6B9 and #6046F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F6488300

RGBA 246 72 131 0

HSLA 339.66, 0.91%, 0.62%, 0

LABA 57.91, 69.44, 6.41, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #09B77C00

RGBA 9 183 124 0

HSLA 159.66, 0.91%, 0.38%, 0

LABA 66.04, -52.89, 19.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FB487E00

RGBA 251 72 126 0

HSLA 341.9, 0.96%, 0.63%, 0

LABA 58.65, 70.42, 10.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A9100

RGBA 255 90 145 0

HSLA 340, 1%, 0.68%, 0

LABA 62.18, 66.65, 4.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6CA400

RGBA 255 108 164 0

HSLA 337.14, 1%, 0.71%, 0

LABA 65.49, 61.09, -1.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7EB700

RGBA 255 126 183 0

HSLA 333.49, 1%, 0.75%, 0

LABA 69.18, 55.08, -6.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF90CA00

RGBA 255 144 202 0

HSLA 328.65, 1%, 0.78%, 0

LABA 73.2, 48.85, -11.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F6488300

RGBA 246 72 131 0

HSLA 339.66, 0.91%, 0.62%, 0

LABA 57.91, 69.44, 6.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E5367000

RGBA 229 54 112 0

HSLA 340.11, 0.77%, 0.55%, 0

LABA 52.36, 68.96, 9.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4245D00

RGBA 212 36 93 0

HSLA 340.57, 0.71%, 0.49%, 0

LABA 47.04, 67.8, 13.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3124A00

RGBA 195 18 74 0

HSLA 341.02, 0.83%, 0.42%, 0

LABA 42.05, 65.65, 17.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2003700

RGBA 178 0 55 0

HSLA 341.46, 1%, 0.35%, 0

LABA 37.37, 62.55, 22.92, 0

 

CMYK 0 / 72 / 47 / 4

HEX #F64682

RGB 246 70 130

HSL 339.55, 0.91%, 0.62%

LAB 57.64, 70.03, 6.61

 

CMYK 0 / 72 / 67 / 4

HEX #F64652

RGB 246 70 82

HSL 355.91, 0.91%, 0.62%

LAB 56.67, 66.77, 33.49

 

CMYK 0 / 72 / 72 / 4

HEX #F64646

RGB 246 70 70

HSL 0, 0.91%, 0.62%

LAB 56.5, 66.21, 40.1

 

CMYK 0 / 72 / 47 / 4

HEX #F64682

RGB 246 70 130

HSL 339.55, 0.91%, 0.62%

LAB 57.64, 70.03, 6.61

 

CMYK 0 / 72 / 28 / 4

HEX #F646B1

RGB 246 70 177

HSL 323.52, 0.91%, 0.62%

LAB 59.11, 74.78, -18.7

 

CMYK 0 / 72 / 9 / 4

HEX #F646E1

RGB 246 70 225

HSL 307.16, 0.91%, 0.62%

LAB 61.14, 81.06, -42.9

 

CMYK 11 / 72 / 0 / 4

HEX #DC46F6

RGB 220 70 246

HSL 291.14, 0.91%, 0.62%

LAB 58.27, 78.97, -59.44

 

CMYK 30 / 72 / 0 / 4

HEX #AD46F6

RGB 173 70 246

HSL 275.11, 0.91%, 0.62%

LAB 51.74, 69.96, -70.29

 

CMYK 0 / 72 / 47 / 4

HEX #F64682

RGB 246 70 130

HSL 339.55, 0.91%, 0.62%

LAB 57.64, 70.03, 6.61

 

CMYK 0 / 72 / 47 / 4

HEX #F64682

RGB 246 70 130

HSL 339.55, 0.91%, 0.62%

LAB 57.64, 70.03, 6.61

 

CMYK 0 / 63 / 42 / 9

HEX #E75687

RGB 231 86 135

HSL 339.72, 0.75%, 0.62%

LAB 57.46, 60.11, 3.08

 

CMYK 0 / 53 / 35 / 16

HEX #D7658C

RGB 215 101 140

HSL 339.47, 0.59%, 0.62%

LAB 57.7, 48.75, 0.21

 

CMYK 0 / 41 / 27 / 22

HEX #C77591

RGB 199 117 145

HSL 339.51, 0.42%, 0.62%

LAB 58.89, 35.67, -1.22

 

CMYK 0 / 28 / 18 / 28

HEX #B88596

RGB 184 133 150

HSL 340, 0.26%, 0.62%

LAB 60.93, 22.16, -1.31

 

CMYK 0 / 72 / 8 / 4

HEX #F646E2

RGB 246 70 226

HSL 306.82, 0.91%, 0.62%

LAB 61.19, 81.21, -43.39

 

CMYK 0 / 72 / 27 / 4

HEX #F646B3

RGB 246 70 179

HSL 322.84, 0.91%, 0.62%

LAB 59.18, 75.02, -19.74

 

CMYK 0 / 72 / 46 / 4

HEX #F64684

RGB 246 70 132

HSL 338.86, 0.91%, 0.62%

LAB 57.69, 70.2, 5.51

 

CMYK 0 / 72 / 65 / 4

HEX #F64655

RGB 246 70 85

HSL 354.89, 0.91%, 0.62%

LAB 56.71, 66.93, 31.82

 

CMYK 0 / 59 / 72 / 4

HEX #F66646

RGB 246 102 70

HSL 10.91, 0.91%, 0.62%

LAB 61.25, 53.4, 45.48

 

CMYK 0 / 95 / 63 / 13

HEX #DF0B53

RGB 223 11 83

HSL 339.62, 0.91%, 0.46%

LAB 47.69, 73.72, 20.53

 

CMYK 0 / 87 / 58 / 4

HEX #F41F67

RGB 244 31 103

HSL 339.72, 0.91%, 0.54%

LAB 53.16, 77.36, 16.4

 

CMYK 0 / 72 / 47 / 4

HEX #F64682

RGB 246 70 130

HSL 339.55, 0.91%, 0.62%

LAB 57.64, 70.03, 6.61

 

CMYK 0 / 56 / 37 / 3

HEX #F86D9C

RGB 248 109 156

HSL 339.71, 0.91%, 0.7%

LAB 64.4, 57.57, 1.31

 

CMYK 0 / 40 / 27 / 2

HEX #FA95B7

RGB 250 149 183

HSL 339.8, 0.91%, 0.78%

LAB 73.05, 42.02, -1.22

 

CMYK 0 / 71 / 47 / 4

HEX #F64883

RGB 246 72 131

HSL 339.66, 0.91%, 0.62%

LAB 57.91, 69.44, 6.41

 

CMYK 0 / 11 / 72 / 4

HEX #F6DC46

RGB 246 220 70

HSL 51.14, 0.91%, 0.62%

LAB 87.59, -6.67, 72.78

 

CMYK 72 / 18 / 0 / 4

HEX #46CAF6

RGB 70 202 246

HSL 195, 0.91%, 0.62%

LAB 76.19, -21.8, -32

 

CMYK 0 / 71 / 47 / 4

HEX #F64883

RGB 246 72 131

HSL 339.66, 0.91%, 0.62%

LAB 57.91, 69.44, 6.41

 

CMYK 46 / 0 / 72 / 4

HEX #84F646

RGB 132 246 70

HSL 98.86, 0.91%, 0.62%

LAB 87.61, -61.05, 70.42

 

CMYK 72 / 46 / 0 / 4

HEX #4684F6

RGB 70 132 246

HSL 218.86, 0.91%, 0.62%

LAB 56.54, 17.66, -62.94

 

CMYK 0 / 71 / 47 / 4

HEX #F64883

RGB 246 72 131

HSL 339.66, 0.91%, 0.62%

LAB 57.91, 69.44, 6.41

 

CMYK 0 / 11 / 72 / 4

HEX #F6DC46

RGB 246 220 70

HSL 51.14, 0.91%, 0.62%

LAB 87.59, -6.67, 72.78

 

CMYK 72 / 0 / 25 / 4

HEX #46F6B9

RGB 70 246 185

HSL 159.2, 0.91%, 0.62%

LAB 87.35, -57.97, 16.79

 

CMYK 72 / 61 / 0 / 4

HEX #4660F6

RGB 70 96 246

HSL 231.14, 0.91%, 0.62%

LAB 47.39, 39.87, -77.78

 

CMYK 0 / 71 / 47 / 4

HEX #F64883

RGB 246 72 131

HSL 339.66, 0.91%, 0.62%

LAB 57.91, 69.44, 6.41

 

CMYK 11 / 0 / 72 / 4

HEX #DCF646

RGB 220 246 70

HSL 68.86, 0.91%, 0.62%

LAB 92.38, -29.9, 76.72

 

CMYK 72 / 0 / 25 / 4

HEX #46F6B9

RGB 70 246 185

HSL 159.2, 0.91%, 0.62%

LAB 87.35, -57.97, 16.79

 

CMYK 61 / 72 / 0 / 4

HEX #6046F6

RGB 96 70 246

HSL 248.86, 0.91%, 0.62%

LAB 43.54, 57.85, -84.03

 

Description

Color code: HEX #F6488300 | qconv.com Color code: HEX #F6488300 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 72 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 72 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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