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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F644F0 it is the complementary color #09BB0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F644F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F644F0 shade: #FB44EB, #FF56FE, #FF68FF, #FF7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F644F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F644F0 shade: #F644F0, #E532DD, #D420CA, #C30EB7 and #B200A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F644F0 shade: #F646F0, #F646C1, #F64691, #F64662 and #F64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F644F0 shade: #F646F0, #CD46F6, #9D46F6, #6E46F6 and #4646F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F644F0 shade matches the following richer shades: #F646F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F644F0 shade: #F646F0, #E756E2, #D765D3, #C775C4 and #B885B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F644F0 shade: #9E46F6, #CD46F6, #F646F0, #F646C1 and #F64692

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F644F0 shade: #DF0BD8, #F41FED, #F646F0, #F86DF3 and #FA95F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F644F0 shade: #F644F0, #F66F46 and #46F6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F644F0 shade: #F644F0, #F0F646 and #46F0F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F644F0 shade: #F644F0, #F66F46, #46F64C and #46CDF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F644F0 shade: #F644F0, #F6A446, #46F64C and #4698F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 2 / 4

HEX #F644F0

RGB 246 68 240

HSL 302.02, 0.91%, 0.62%

LAB 61.67, 83.89, -50.45

 

Complementary color

CMYK 95 / 0 / 92 / 27

HEX #09BB0F

RGB 9 187 15

HSL 122.02, 0.91%, 0.38%

LAB 66.24, -67.51, 64.1

 

CMYK 0 / 73 / 6 / 2

HEX #FB44EB

RGB 251 68 235

HSL 305.25, 0.96%, 0.63%

LAB 62.2, 84.18, -46.77

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FE

RGB 255 86 254

HSL 300.36, 1%, 0.67%

LAB 65.8, 82.09, -51.56

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 72 / 2 / 4

HEX #F644F0

RGB 246 68 240

HSL 302.02, 0.91%, 0.62%

LAB 61.67, 83.89, -50.45

 

CMYK 0 / 78 / 3 / 10

HEX #E532DD

RGB 229 50 221

HSL 302.68, 0.77%, 0.55%

LAB 56.25, 82.58, -48.56

 

CMYK 0 / 85 / 5 / 17

HEX #D420CA

RGB 212 32 202

HSL 303.33, 0.74%, 0.48%

LAB 51.03, 80.48, -46.17

 

CMYK 0 / 93 / 6 / 24

HEX #C30EB7

RGB 195 14 183

HSL 303.98, 0.87%, 0.41%

LAB 46.09, 77.32, -43.14

 

CMYK 0 / 100 / 8 / 30

HEX #B200A4

RGB 178 0 164

HSL 304.72, 1%, 0.35%

LAB 41.45, 73.01, -39.44

 

CMYK 0 / 72 / 2 / 4

HEX #F646F0

RGB 246 70 240

HSL 302.05, 0.91%, 0.62%

LAB 61.88, 83.28, -50.12

 

CMYK 0 / 72 / 22 / 4

HEX #F646C1

RGB 246 70 193

HSL 318.07, 0.91%, 0.62%

LAB 59.73, 76.73, -26.95

 

CMYK 0 / 72 / 41 / 4

HEX #F64691

RGB 246 70 145

HSL 334.43, 0.91%, 0.62%

LAB 58.05, 71.39, -1.62

 

CMYK 0 / 72 / 60 / 4

HEX #F64662

RGB 246 70 98

HSL 350.45, 0.91%, 0.62%

LAB 56.93, 67.68, 24.52

 

CMYK 0 / 72 / 72 / 4

HEX #F64646

RGB 246 70 70

HSL 0, 0.91%, 0.62%

LAB 56.5, 66.21, 40.1

 

CMYK 0 / 72 / 2 / 4

HEX #F646F0

RGB 246 70 240

HSL 302.05, 0.91%, 0.62%

LAB 61.88, 83.28, -50.12

 

CMYK 17 / 72 / 0 / 4

HEX #CD46F6

RGB 205 70 246

HSL 286.02, 0.91%, 0.62%

LAB 56.1, 76.01, -63.04

 

CMYK 36 / 72 / 0 / 4

HEX #9D46F6

RGB 157 70 246

HSL 269.66, 0.91%, 0.62%

LAB 49.74, 67.09, -73.64

 

CMYK 55 / 72 / 0 / 4

HEX #6E46F6

RGB 110 70 246

HSL 253.64, 0.91%, 0.62%

LAB 44.73, 59.68, -82.03

 

CMYK 72 / 72 / 0 / 4

HEX #4646F6

RGB 70 70 246

HSL 240, 0.91%, 0.62%

LAB 41.75, 55.04, -87.05

 

CMYK 0 / 72 / 2 / 4

HEX #F646F0

RGB 246 70 240

HSL 302.05, 0.91%, 0.62%

LAB 61.88, 83.28, -50.12

 

CMYK 0 / 72 / 2 / 4

HEX #F646F0

RGB 246 70 240

HSL 302.05, 0.91%, 0.62%

LAB 61.88, 83.28, -50.12

 

CMYK 0 / 63 / 2 / 9

HEX #E756E2

RGB 231 86 226

HSL 302.07, 0.75%, 0.62%

LAB 60.9, 72.18, -43.99

 

CMYK 0 / 53 / 2 / 16

HEX #D765D3

RGB 215 101 211

HSL 302.11, 0.59%, 0.62%

LAB 60.3, 59.18, -36.66

 

CMYK 0 / 41 / 2 / 22

HEX #C775C4

RGB 199 117 196

HSL 302.2, 0.42%, 0.62%

LAB 60.65, 43.93, -27.79

 

CMYK 0 / 28 / 1 / 28

HEX #B885B6

RGB 184 133 182

HSL 302.35, 0.26%, 0.62%

LAB 61.95, 27.77, -18.01

 

CMYK 36 / 72 / 0 / 4

HEX #9E46F6

RGB 158 70 246

HSL 270, 0.91%, 0.62%

LAB 49.86, 67.27, -73.43

 

CMYK 17 / 72 / 0 / 4

HEX #CD46F6

RGB 205 70 246

HSL 286.02, 0.91%, 0.62%

LAB 56.1, 76.01, -63.04

 

CMYK 0 / 72 / 2 / 4

HEX #F646F0

RGB 246 70 240

HSL 302.05, 0.91%, 0.62%

LAB 61.88, 83.28, -50.12

 

CMYK 0 / 72 / 22 / 4

HEX #F646C1

RGB 246 70 193

HSL 318.07, 0.91%, 0.62%

LAB 59.73, 76.73, -26.95

 

CMYK 0 / 72 / 41 / 4

HEX #F64692

RGB 246 70 146

HSL 334.09, 0.91%, 0.62%

LAB 58.08, 71.48, -2.17

 

CMYK 0 / 95 / 3 / 13

HEX #DF0BD8

RGB 223 11 216

HSL 301.98, 0.91%, 0.46%

LAB 52.82, 87.02, -51.22

 

CMYK 0 / 87 / 3 / 4

HEX #F41FED

RGB 244 31 237

HSL 301.97, 0.91%, 0.54%

LAB 58.35, 91.3, -54.08

 

CMYK 0 / 72 / 2 / 4

HEX #F646F0

RGB 246 70 240

HSL 302.05, 0.91%, 0.62%

LAB 61.88, 83.28, -50.12

 

CMYK 0 / 56 / 2 / 3

HEX #F86DF3

RGB 248 109 243

HSL 302.16, 0.91%, 0.7%

LAB 67.55, 69.64, -42.83

 

CMYK 0 / 40 / 1 / 2

HEX #FA95F7

RGB 250 149 247

HSL 301.78, 0.91%, 0.78%

LAB 75.16, 51.97, -33.15

 

CMYK 0 / 72 / 2 / 4

HEX #F644F0

RGB 246 68 240

HSL 302.02, 0.91%, 0.62%

LAB 61.67, 83.89, -50.45

 

CMYK 0 / 55 / 72 / 4

HEX #F66F46

RGB 246 111 70

HSL 13.98, 0.91%, 0.62%

LAB 62.85, 49.25, 47.25

 

CMYK 72 / 0 / 26 / 4

HEX #46F6B6

RGB 70 246 182

HSL 158.18, 0.91%, 0.62%

LAB 87.29, -58.63, 18.25

 

CMYK 0 / 72 / 2 / 4

HEX #F644F0

RGB 246 68 240

HSL 302.02, 0.91%, 0.62%

LAB 61.67, 83.89, -50.45

 

CMYK 2 / 0 / 72 / 4

HEX #F0F646

RGB 240 246 70

HSL 62.05, 0.91%, 0.62%

LAB 93.83, -21.88, 78.61

 

CMYK 72 / 2 / 0 / 4

HEX #46F0F6

RGB 70 240 246

HSL 182.05, 0.91%, 0.62%

LAB 87.13, -40.05, -15.35

 

CMYK 0 / 72 / 2 / 4

HEX #F644F0

RGB 246 68 240

HSL 302.02, 0.91%, 0.62%

LAB 61.67, 83.89, -50.45

 

CMYK 0 / 55 / 72 / 4

HEX #F66F46

RGB 246 111 70

HSL 13.98, 0.91%, 0.62%

LAB 62.85, 49.25, 47.25

 

CMYK 72 / 0 / 69 / 4

HEX #46F64C

RGB 70 246 76

HSL 122.05, 0.91%, 0.62%

LAB 85.87, -74.73, 65.93

 

CMYK 72 / 17 / 0 / 4

HEX #46CDF6

RGB 70 205 246

HSL 193.98, 0.91%, 0.62%

LAB 77.05, -23.32, -30.67

 

CMYK 0 / 72 / 2 / 4

HEX #F644F0

RGB 246 68 240

HSL 302.02, 0.91%, 0.62%

LAB 61.67, 83.89, -50.45

 

CMYK 0 / 33 / 72 / 4

HEX #F6A446

RGB 246 164 70

HSL 32.05, 0.91%, 0.62%

LAB 73.92, 22.35, 59.09

 

CMYK 72 / 0 / 69 / 4

HEX #46F64C

RGB 70 246 76

HSL 122.05, 0.91%, 0.62%

LAB 85.87, -74.73, 65.93

 

CMYK 72 / 38 / 0 / 4

HEX #4698F6

RGB 70 152 246

HSL 212.05, 0.91%, 0.62%

LAB 62.01, 5.65, -54.21

 

Description

Color code: HEX #F644F0 | qconv.com Color code: HEX #F644F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 68 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 68 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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