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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F643CB it is the complementary color #09BC34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F643CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F643CB shade: #FB43C6, #FF55D9, #FF67EC, #FF79FF and #FF8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F643CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F643CB shade: #F643CB, #E531B8, #D41FA5, #C30D92 and #B2007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F643CB shade: #F641CB, #F6419A, #F64169 and #F64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F643CB shade: #F641CB, #F141F6, #C041F6, #8F41F6 and #5E41F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F643CB shade matches the following richer shades: #F641CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F643CB shade: #F641CB, #E651C2, #D661BA, #C671B1 and #B681A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F643CB shade: #C041F6, #F041F6, #F641CC, #F6419C and #F6416B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F643CB shade: #DA0AA8, #F41AC0, #F641CB, #F868D5 and #FA90E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F643CB shade: #F643CB, #F68F41 and #41F6D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F643CB shade: #F643CB, #CCF641 and #41CCF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F643CB shade: #F643CB, #F68F41, #41F66B and #41A8F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F643CB shade: #F643CB, #F6C641, #41F66B and #4171F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 17 / 4

HEX #F643CB

RGB 246 67 203

HSL 314.41, 0.91%, 0.61%

LAB 59.82, 78.96, -32.53

 

Complementary color

CMYK 95 / 0 / 72 / 26

HEX #09BC34

RGB 9 188 52

HSL 134.41, 0.91%, 0.39%

LAB 66.73, -65.7, 54.67

 

CMYK 0 / 73 / 21 / 2

HEX #FB43C6

RGB 251 67 198

HSL 317.28, 0.96%, 0.62%

LAB 60.43, 79.47, -28.67

 

CMYK 0 / 67 / 15 / 0

HEX #FF55D9

RGB 255 85 217

HSL 313.41, 1%, 0.67%

LAB 63.97, 76.97, -33.88

 

CMYK 0 / 60 / 7 / 0

HEX #FF67EC

RGB 255 103 236

HSL 307.5, 1%, 0.7%

LAB 67.29, 72.82, -39.3

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 73 / 17 / 4

HEX #F643CB

RGB 246 67 203

HSL 314.41, 0.91%, 0.61%

LAB 59.82, 78.96, -32.53

 

CMYK 0 / 79 / 20 / 10

HEX #E531B8

RGB 229 49 184

HSL 315, 0.78%, 0.55%

LAB 54.36, 77.75, -30.31

 

CMYK 0 / 85 / 22 / 17

HEX #D41FA5

RGB 212 31 165

HSL 315.58, 0.74%, 0.48%

LAB 49.12, 75.74, -27.53

 

CMYK 0 / 93 / 25 / 24

HEX #C30D92

RGB 195 13 146

HSL 316.15, 0.88%, 0.41%

LAB 44.18, 72.64, -24.06

 

CMYK 0 / 100 / 29 / 30

HEX #B2007F

RGB 178 0 127

HSL 317.19, 1%, 0.35%

LAB 39.58, 68.33, -19.79

 

CMYK 0 / 74 / 17 / 4

HEX #F641CB

RGB 246 65 203

HSL 314.25, 0.91%, 0.61%

LAB 59.6, 79.56, -32.86

 

CMYK 0 / 74 / 37 / 4

HEX #F6419A

RGB 246 65 154

HSL 330.5, 0.91%, 0.61%

LAB 57.76, 73.87, -7.34

 

CMYK 0 / 74 / 57 / 4

HEX #F64169

RGB 246 65 105

HSL 346.74, 0.91%, 0.61%

LAB 56.48, 69.77, 19.79

 

CMYK 0 / 74 / 74 / 4

HEX #F64141

RGB 246 65 65

HSL 0, 0.91%, 0.61%

LAB 55.84, 67.67, 42.13

 

CMYK 0 / 74 / 17 / 4

HEX #F641CB

RGB 246 65 203

HSL 314.25, 0.91%, 0.61%

LAB 59.6, 79.56, -32.86

 

CMYK 2 / 74 / 0 / 4

HEX #F141F6

RGB 241 65 246

HSL 298.34, 0.91%, 0.61%

LAB 60.9, 84.68, -55.06

 

CMYK 22 / 74 / 0 / 4

HEX #C041F6

RGB 192 65 246

HSL 282.1, 0.91%, 0.61%

LAB 53.64, 75.32, -67.09

 

CMYK 42 / 74 / 0 / 4

HEX #8F41F6

RGB 143 65 246

HSL 265.86, 0.91%, 0.61%

LAB 47.33, 66.89, -77.64

 

CMYK 62 / 74 / 0 / 4

HEX #5E41F6

RGB 94 65 246

HSL 249.61, 0.91%, 0.61%

LAB 42.48, 60.14, -85.78

 

CMYK 0 / 74 / 17 / 4

HEX #F641CB

RGB 246 65 203

HSL 314.25, 0.91%, 0.61%

LAB 59.6, 79.56, -32.86

 

CMYK 0 / 74 / 17 / 4

HEX #F641CB

RGB 246 65 203

HSL 314.25, 0.91%, 0.61%

LAB 59.6, 79.56, -32.86

 

CMYK 0 / 65 / 16 / 10

HEX #E651C2

RGB 230 81 194

HSL 314.5, 0.75%, 0.61%

LAB 58.6, 69.03, -29.47

 

CMYK 0 / 55 / 13 / 16

HEX #D661BA

RGB 214 97 186

HSL 314.36, 0.59%, 0.61%

LAB 58.41, 56.67, -25.39

 

CMYK 0 / 43 / 11 / 22

HEX #C671B1

RGB 198 113 177

HSL 314.82, 0.43%, 0.61%

LAB 58.97, 42.38, -19.56

 

CMYK 0 / 29 / 7 / 29

HEX #B681A9

RGB 182 129 169

HSL 314.72, 0.27%, 0.61%

LAB 60.35, 26.91, -13.06

 

CMYK 22 / 74 / 0 / 4

HEX #C041F6

RGB 192 65 246

HSL 282.1, 0.91%, 0.61%

LAB 53.64, 75.32, -67.09

 

CMYK 2 / 74 / 0 / 4

HEX #F041F6

RGB 240 65 246

HSL 298.01, 0.91%, 0.61%

LAB 60.75, 84.49, -55.31

 

CMYK 0 / 74 / 17 / 4

HEX #F641CC

RGB 246 65 204

HSL 313.92, 0.91%, 0.61%

LAB 59.65, 79.69, -33.36

 

CMYK 0 / 74 / 37 / 4

HEX #F6419C

RGB 246 65 156

HSL 329.83, 0.91%, 0.61%

LAB 57.82, 74.07, -8.42

 

CMYK 0 / 74 / 57 / 4

HEX #F6416B

RGB 246 65 107

HSL 346.08, 0.91%, 0.61%

LAB 56.52, 69.9, 18.66

 

CMYK 0 / 95 / 23 / 15

HEX #DA0AA8

RGB 218 10 168

HSL 314.42, 0.91%, 0.45%

LAB 49.43, 80.02, -28.74

 

CMYK 0 / 89 / 21 / 4

HEX #F41AC0

RGB 244 26 192

HSL 314.31, 0.91%, 0.53%

LAB 55.86, 86.16, -32.4

 

CMYK 0 / 74 / 17 / 4

HEX #F641CB

RGB 246 65 203

HSL 314.25, 0.91%, 0.61%

LAB 59.6, 79.56, -32.86

 

CMYK 0 / 58 / 14 / 3

HEX #F868D5

RGB 248 104 213

HSL 314.58, 0.91%, 0.69%

LAB 65.48, 67.12, -29.37

 

CMYK 0 / 42 / 10 / 2

HEX #FA90E0

RGB 250 144 224

HSL 314.72, 0.91%, 0.77%

LAB 73.32, 50.61, -23.43

 

CMYK 0 / 73 / 17 / 4

HEX #F643CB

RGB 246 67 203

HSL 314.41, 0.91%, 0.61%

LAB 59.82, 78.96, -32.53

 

CMYK 0 / 42 / 74 / 4

HEX #F68F41

RGB 246 143 65

HSL 25.86, 0.91%, 0.61%

LAB 69.2, 33.09, 56.43

 

CMYK 74 / 0 / 12 / 4

HEX #41F6D8

RGB 65 246 216

HSL 170.06, 0.91%, 0.61%

LAB 87.97, -51.26, 1.56

 

CMYK 0 / 73 / 17 / 4

HEX #F643CB

RGB 246 67 203

HSL 314.41, 0.91%, 0.61%

LAB 59.82, 78.96, -32.53

 

CMYK 17 / 0 / 74 / 4

HEX #CCF641

RGB 204 246 65

HSL 73.92, 0.91%, 0.61%

LAB 91.29, -36.4, 76.93

 

CMYK 74 / 17 / 0 / 4

HEX #41CCF6

RGB 65 204 246

HSL 193.92, 0.91%, 0.61%

LAB 76.66, -23.42, -31.29

 

CMYK 0 / 73 / 17 / 4

HEX #F643CB

RGB 246 67 203

HSL 314.41, 0.91%, 0.61%

LAB 59.82, 78.96, -32.53

 

CMYK 0 / 42 / 74 / 4

HEX #F68F41

RGB 246 143 65

HSL 25.86, 0.91%, 0.61%

LAB 69.2, 33.09, 56.43

 

CMYK 74 / 0 / 57 / 4

HEX #41F66B

RGB 65 246 107

HSL 133.92, 0.91%, 0.61%

LAB 86.05, -72.23, 53.39

 

CMYK 74 / 32 / 0 / 4

HEX #41A8F6

RGB 65 168 246

HSL 205.86, 0.91%, 0.61%

LAB 66.35, -4.2, -47.34

 

CMYK 0 / 73 / 17 / 4

HEX #F643CB

RGB 246 67 203

HSL 314.41, 0.91%, 0.61%

LAB 59.82, 78.96, -32.53

 

CMYK 0 / 20 / 74 / 4

HEX #F6C641

RGB 246 198 65

HSL 44.09, 0.91%, 0.61%

LAB 82.03, 4.33, 69.21

 

CMYK 74 / 0 / 57 / 4

HEX #41F66B

RGB 65 246 107

HSL 133.92, 0.91%, 0.61%

LAB 86.05, -72.23, 53.39

 

CMYK 74 / 54 / 0 / 4

HEX #4171F6

RGB 65 113 246

HSL 224.09, 0.91%, 0.61%

LAB 51.37, 28.78, -71.31

 

Description

Color code: HEX #F643CB | qconv.com Color code: HEX #F643CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 67 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 67 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 17 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 17% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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