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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F63BCF it is the complementary color #09C430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F63BCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F63BCF shade: #FB3BCA, #FF4DDD, #FF5FF0, #FF71FF and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F63BCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F63BCF shade: #F63BCF, #E529BC, #D417A9, #C30596 and #B20083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F63BCF shade: #F53CCF, #F53C9D, #F53C6A and #F53C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F63BCF shade: #F53CCF, #EA3CF5, #B83CF5, #863CF5 and #543CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F63BCF shade matches the following richer shades: #F53CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F63BCF shade: #F53CCF, #E54CC5, #D45DBB, #C46DB2 and #B37EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F63BCF shade: #B73CF5, #E93CF5, #F53CD0, #F53C9F and #F53C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F63BCF shade: #D50AAB, #F314C5, #F53CCF, #F763D8 and #F98AE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F63BCF shade: #F63BCF, #F5863C and #3CF5D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F63BCF shade: #F63BCF, #D0F53C and #3CD0F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F63BCF shade: #F63BCF, #F5863C, #3CF561 and #3CABF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F63BCF shade: #F63BCF, #F5BE3C, #3CF561 and #3C73F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 16 / 4

HEX #F63BCF

RGB 246 59 207

HSL 312.51, 0.91%, 0.6%

LAB 59.18, 81.79, -35.79

 

Complementary color

CMYK 95 / 0 / 76 / 23

HEX #09C430

RGB 9 196 48

HSL 132.51, 0.91%, 0.4%

LAB 69.29, -68.34, 58.68

 

CMYK 0 / 76 / 20 / 2

HEX #FB3BCA

RGB 251 59 202

HSL 315.31, 0.96%, 0.61%

LAB 59.8, 82.24, -31.92

 

CMYK 0 / 70 / 13 / 0

HEX #FF4DDD

RGB 255 77 221

HSL 311.46, 1%, 0.65%

LAB 63.17, 80.27, -37.38

 

CMYK 0 / 63 / 6 / 0

HEX #FF5FF0

RGB 255 95 240

HSL 305.63, 1%, 0.69%

LAB 66.32, 76.61, -43.03

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 76 / 16 / 4

HEX #F63BCF

RGB 246 59 207

HSL 312.51, 0.91%, 0.6%

LAB 59.18, 81.79, -35.79

 

CMYK 0 / 82 / 18 / 10

HEX #E529BC

RGB 229 41 188

HSL 313.09, 0.78%, 0.53%

LAB 53.89, 80.12, -33.36

 

CMYK 0 / 89 / 20 / 17

HEX #D417A9

RGB 212 23 169

HSL 313.65, 0.8%, 0.46%

LAB 48.85, 77.54, -30.32

 

CMYK 0 / 97 / 23 / 24

HEX #C30596

RGB 195 5 150

HSL 314.21, 0.95%, 0.39%

LAB 44.11, 73.87, -26.6

 

CMYK 0 / 100 / 26 / 30

HEX #B20083

RGB 178 0 131

HSL 315.84, 1%, 0.35%

LAB 39.75, 68.78, -21.99

 

CMYK 0 / 76 / 16 / 4

HEX #F53CCF

RGB 245 60 207

HSL 312.32, 0.9%, 0.6%

LAB 59.11, 81.3, -35.92

 

CMYK 0 / 76 / 36 / 4

HEX #F53C9D

RGB 245 60 157

HSL 328.54, 0.9%, 0.6%

LAB 57.15, 75.42, -10.02

 

CMYK 0 / 76 / 57 / 4

HEX #F53C6A

RGB 245 60 106

HSL 345.08, 0.9%, 0.6%

LAB 55.77, 71.1, 18.2

 

CMYK 0 / 76 / 76 / 4

HEX #F53C3C

RGB 245 60 60

HSL 0, 0.9%, 0.6%

LAB 55.04, 68.75, 43.94

 

CMYK 0 / 76 / 16 / 4

HEX #F53CCF

RGB 245 60 207

HSL 312.32, 0.9%, 0.6%

LAB 59.11, 81.3, -35.92

 

CMYK 4 / 76 / 0 / 4

HEX #EA3CF5

RGB 234 60 245

HSL 296.43, 0.9%, 0.6%

LAB 59.27, 84.59, -57.17

 

CMYK 25 / 76 / 0 / 4

HEX #B83CF5

RGB 184 60 245

HSL 280.22, 0.9%, 0.6%

LAB 51.85, 75.43, -69.49

 

CMYK 45 / 76 / 0 / 4

HEX #863CF5

RGB 134 60 245

HSL 264, 0.9%, 0.6%

LAB 45.49, 67.38, -80.14

 

CMYK 66 / 76 / 0 / 4

HEX #543CF5

RGB 84 60 245

HSL 247.78, 0.9%, 0.6%

LAB 40.75, 61.23, -88.1

 

CMYK 0 / 76 / 16 / 4

HEX #F53CCF

RGB 245 60 207

HSL 312.32, 0.9%, 0.6%

LAB 59.11, 81.3, -35.92

 

CMYK 0 / 76 / 16 / 4

HEX #F53CCF

RGB 245 60 207

HSL 312.32, 0.9%, 0.6%

LAB 59.11, 81.3, -35.92

 

CMYK 0 / 67 / 14 / 10

HEX #E54CC5

RGB 229 76 197

HSL 312.55, 0.75%, 0.6%

LAB 57.9, 71.08, -32.29

 

CMYK 0 / 56 / 12 / 17

HEX #D45DBB

RGB 212 93 187

HSL 312.61, 0.58%, 0.6%

LAB 57.48, 58.1, -27.42

 

CMYK 0 / 44 / 9 / 23

HEX #C46DB2

RGB 196 109 178

HSL 312.41, 0.42%, 0.6%

LAB 57.93, 44, -21.74

 

CMYK 0 / 30 / 6 / 30

HEX #B37EA8

RGB 179 126 168

HSL 312.45, 0.26%, 0.6%

LAB 59.28, 27.36, -14.13

 

CMYK 25 / 76 / 0 / 4

HEX #B73CF5

RGB 183 60 245

HSL 279.89, 0.9%, 0.6%

LAB 51.71, 75.26, -69.72

 

CMYK 5 / 76 / 0 / 4

HEX #E93CF5

RGB 233 60 245

HSL 296.11, 0.9%, 0.6%

LAB 59.11, 84.4, -57.43

 

CMYK 0 / 76 / 15 / 4

HEX #F53CD0

RGB 245 60 208

HSL 312, 0.9%, 0.6%

LAB 59.16, 81.43, -36.42

 

CMYK 0 / 76 / 35 / 4

HEX #F53C9F

RGB 245 60 159

HSL 327.89, 0.9%, 0.6%

LAB 57.22, 75.62, -11.1

 

CMYK 0 / 76 / 56 / 4

HEX #F53C6D

RGB 245 60 109

HSL 344.11, 0.9%, 0.6%

LAB 55.83, 71.3, 16.51

 

CMYK 0 / 95 / 20 / 16

HEX #D50AAB

RGB 213 10 171

HSL 312.41, 0.91%, 0.44%

LAB 48.64, 79.42, -31.83

 

CMYK 0 / 92 / 19 / 5

HEX #F314C5

RGB 243 20 197

HSL 312.38, 0.9%, 0.52%

LAB 55.67, 87.27, -35.6

 

CMYK 0 / 76 / 16 / 4

HEX #F53CCF

RGB 245 60 207

HSL 312.32, 0.9%, 0.6%

LAB 59.11, 81.3, -35.92

 

CMYK 0 / 60 / 13 / 3

HEX #F763D8

RGB 247 99 216

HSL 312.57, 0.9%, 0.68%

LAB 64.69, 69.4, -32.3

 

CMYK 0 / 45 / 9 / 2

HEX #F98AE2

RGB 249 138 226

HSL 312.43, 0.9%, 0.76%

LAB 72.1, 53.62, -26.4

 

CMYK 0 / 76 / 16 / 4

HEX #F63BCF

RGB 246 59 207

HSL 312.51, 0.91%, 0.6%

LAB 59.18, 81.79, -35.79

 

CMYK 0 / 45 / 76 / 4

HEX #F5863C

RGB 245 134 60

HSL 24, 0.9%, 0.6%

LAB 67.12, 37.11, 56.51

 

CMYK 76 / 0 / 15 / 4

HEX #3CF5D0

RGB 60 245 208

HSL 168, 0.9%, 0.6%

LAB 87.4, -53.4, 4.9

 

CMYK 0 / 76 / 16 / 4

HEX #F63BCF

RGB 246 59 207

HSL 312.51, 0.91%, 0.6%

LAB 59.18, 81.79, -35.79

 

CMYK 15 / 0 / 76 / 4

HEX #D0F53C

RGB 208 245 60

HSL 72, 0.9%, 0.6%

LAB 91.25, -34.62, 78.51

 

CMYK 76 / 15 / 0 / 4

HEX #3CD0F5

RGB 60 208 245

HSL 192, 0.9%, 0.6%

LAB 77.68, -26.29, -29.19

 

CMYK 0 / 76 / 16 / 4

HEX #F63BCF

RGB 246 59 207

HSL 312.51, 0.91%, 0.6%

LAB 59.18, 81.79, -35.79

 

CMYK 0 / 45 / 76 / 4

HEX #F5863C

RGB 245 134 60

HSL 24, 0.9%, 0.6%

LAB 67.12, 37.11, 56.51

 

CMYK 76 / 0 / 60 / 4

HEX #3CF561

RGB 60 245 97

HSL 132, 0.9%, 0.6%

LAB 85.57, -73.79, 57.17

 

CMYK 76 / 30 / 0 / 4

HEX #3CABF5

RGB 60 171 245

HSL 204, 0.9%, 0.6%

LAB 67.04, -6.82, -45.73

 

CMYK 0 / 76 / 16 / 4

HEX #F63BCF

RGB 246 59 207

HSL 312.51, 0.91%, 0.6%

LAB 59.18, 81.79, -35.79

 

CMYK 0 / 22 / 76 / 4

HEX #F5BE3C

RGB 245 190 60

HSL 42.16, 0.9%, 0.6%

LAB 79.93, 7.85, 69

 

CMYK 76 / 0 / 60 / 4

HEX #3CF561

RGB 60 245 97

HSL 132, 0.9%, 0.6%

LAB 85.57, -73.79, 57.17

 

CMYK 76 / 53 / 0 / 4

HEX #3C73F5

RGB 60 115 245

HSL 222.16, 0.9%, 0.6%

LAB 51.63, 26.61, -70.35

 

Description

Color code: HEX #F63BCF | qconv.com Color code: HEX #F63BCF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 59 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 59 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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