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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F62151 it is the complementary color #09DEAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F62151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F62151 shade: #FB214C, #FF335F, #FF4572, #FF5785 and #FF6998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F62151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F62151 shade: #F62151, #E50F3E, #D4002B, #C30018 and #B20005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F62151 shade: #F62352 and #F62323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F62151 shade: #F62352, #F6238B, #F623C4, #EF23F6 and #B623F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F62151 shade matches the following richer shades: #F62352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F62151 shade: #F62352, #E3355C, #D14867, #BE5A71 and #AC6D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F62151 shade: #F623C5, #F6238C, #F62354, #F62A23 and #F66223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F62151 shade: #BE0831, #E60A3B, #F62352, #F74A71 and #F97290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F62151 shade: #F62151, #F6EF23 and #23A8F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F62151 shade: #F62151, #54F623 and #2354F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F62151 shade: #F62151, #F6EF23, #23F6C5 and #232AF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F62151 shade: #F62151, #BEF623, #23F6C5 and #5B23F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 67 / 4

HEX #F62151

RGB 246 33 81

HSL 346.48, 0.92%, 0.55%

LAB 53.25, 76.32, 29.82

 

Complementary color

CMYK 96 / 0 / 22 / 13

HEX #09DEAE

RGB 9 222 174

HSL 166.48, 0.92%, 0.45%

LAB 79.25, -56.05, 11.01

 

CMYK 0 / 87 / 70 / 2

HEX #FB214C

RGB 251 33 76

HSL 348.17, 0.96%, 0.56%

LAB 54.15, 77.34, 34.11

 

CMYK 0 / 80 / 63 / 0

HEX #FF335F

RGB 255 51 95

HSL 347.06, 1%, 0.6%

LAB 56.54, 75.55, 26.08

 

CMYK 0 / 73 / 55 / 0

HEX #FF4572

RGB 255 69 114

HSL 345.48, 1%, 0.64%

LAB 58.72, 71.62, 17.8

 

CMYK 0 / 66 / 48 / 0

HEX #FF5785

RGB 255 87 133

HSL 343.57, 1%, 0.67%

LAB 61.46, 66.74, 10.49

 

CMYK 0 / 59 / 40 / 0

HEX #FF6998

RGB 255 105 152

HSL 341.2, 1%, 0.71%

LAB 64.67, 61.12, 4.12

 

CMYK 0 / 87 / 67 / 4

HEX #F62151

RGB 246 33 81

HSL 346.48, 0.92%, 0.55%

LAB 53.25, 76.32, 29.82

 

CMYK 0 / 93 / 73 / 10

HEX #E50F3E

RGB 229 15 62

HSL 346.82, 0.88%, 0.48%

LAB 48.69, 73.81, 34.82

 

CMYK 0 / 100 / 80 / 17

HEX #D4002B

RGB 212 0 43

HSL 347.83, 1%, 0.42%

LAB 44.48, 70.37, 40.28

 

CMYK 0 / 100 / 88 / 24

HEX #C30018

RGB 195 0 24

HSL 352.62, 1%, 0.38%

LAB 40.68, 65.76, 45.66

 

CMYK 0 / 100 / 97 / 30

HEX #B20005

RGB 178 0 5

HSL 358.31, 1%, 0.35%

LAB 36.88, 61.23, 49.25

 

CMYK 0 / 86 / 67 / 4

HEX #F62352

RGB 246 35 82

HSL 346.64, 0.92%, 0.55%

LAB 53.39, 76.01, 29.4

 

CMYK 0 / 86 / 86 / 4

HEX #F62323

RGB 246 35 35

HSL 0, 0.92%, 0.55%

LAB 52.86, 74.46, 54.67

 

CMYK 0 / 86 / 67 / 4

HEX #F62352

RGB 246 35 82

HSL 346.64, 0.92%, 0.55%

LAB 53.39, 76.01, 29.4

 

CMYK 0 / 86 / 43 / 4

HEX #F6238B

RGB 246 35 139

HSL 330.43, 0.92%, 0.55%

LAB 54.72, 79.81, -2.97

 

CMYK 0 / 86 / 20 / 4

HEX #F623C4

RGB 246 35 196

HSL 314.22, 0.92%, 0.55%

LAB 56.86, 85.69, -33.12

 

CMYK 3 / 86 / 0 / 4

HEX #EF23F6

RGB 239 35 246

HSL 298.01, 0.92%, 0.55%

LAB 58.23, 91.14, -59.34

 

CMYK 26 / 86 / 0 / 4

HEX #B623F6

RGB 182 35 246

HSL 281.8, 0.92%, 0.55%

LAB 49.25, 82.25, -74.28

 

CMYK 0 / 86 / 67 / 4

HEX #F62352

RGB 246 35 82

HSL 346.64, 0.92%, 0.55%

LAB 53.39, 76.01, 29.4

 

CMYK 0 / 86 / 67 / 4

HEX #F62352

RGB 246 35 82

HSL 346.64, 0.92%, 0.55%

LAB 53.39, 76.01, 29.4

 

CMYK 0 / 77 / 59 / 11

HEX #E3355C

RGB 227 53 92

HSL 346.55, 0.76%, 0.55%

LAB 51.44, 67.3, 20.17

 

CMYK 0 / 66 / 51 / 18

HEX #D14867

RGB 209 72 103

HSL 346.42, 0.6%, 0.55%

LAB 50.88, 56.1, 12.27

 

CMYK 0 / 53 / 41 / 25

HEX #BE5A71

RGB 190 90 113

HSL 346.2, 0.43%, 0.55%

LAB 51.21, 42.48, 6.3

 

CMYK 0 / 37 / 28 / 33

HEX #AC6D7B

RGB 172 109 123

HSL 346.67, 0.28%, 0.55%

LAB 53.1, 26.97, 2.77

 

CMYK 0 / 86 / 20 / 4

HEX #F623C5

RGB 246 35 197

HSL 313.93, 0.92%, 0.55%

LAB 56.91, 85.81, -33.63

 

CMYK 0 / 86 / 43 / 4

HEX #F6238C

RGB 246 35 140

HSL 330.14, 0.92%, 0.55%

LAB 54.75, 79.89, -3.52

 

CMYK 0 / 86 / 66 / 4

HEX #F62354

RGB 246 35 84

HSL 346.07, 0.92%, 0.55%

LAB 53.42, 76.11, 28.25

 

CMYK 0 / 83 / 86 / 4

HEX #F62A23

RGB 246 42 35

HSL 1.99, 0.92%, 0.55%

LAB 53.35, 73.05, 55.07

 

CMYK 0 / 60 / 86 / 4

HEX #F66223

RGB 246 98 35

HSL 17.91, 0.92%, 0.55%

LAB 60.29, 54.03, 60.73

 

CMYK 0 / 96 / 74 / 25

HEX #BE0831

RGB 190 8 49

HSL 346.48, 0.92%, 0.39%

LAB 40.15, 64.39, 30.65

 

CMYK 0 / 96 / 74 / 10

HEX #E60A3B

RGB 230 10 59

HSL 346.64, 0.92%, 0.47%

LAB 48.71, 74.39, 36.65

 

CMYK 0 / 86 / 67 / 4

HEX #F62352

RGB 246 35 82

HSL 346.64, 0.92%, 0.55%

LAB 53.39, 76.01, 29.4

 

CMYK 0 / 70 / 54 / 3

HEX #F74A71

RGB 247 74 113

HSL 346.47, 0.92%, 0.63%

LAB 57.91, 67.6, 17.04

 

CMYK 0 / 54 / 42 / 2

HEX #F97290

RGB 249 114 144

HSL 346.67, 0.92%, 0.71%

LAB 65.11, 54.33, 9.21

 

CMYK 0 / 87 / 67 / 4

HEX #F62151

RGB 246 33 81

HSL 346.48, 0.92%, 0.55%

LAB 53.25, 76.32, 29.82

 

CMYK 0 / 3 / 86 / 4

HEX #F6EF23

RGB 246 239 35

HSL 58.01, 0.92%, 0.55%

LAB 92.33, -17.19, 86.64

 

CMYK 86 / 32 / 0 / 4

HEX #23A8F6

RGB 35 168 246

HSL 202.18, 0.92%, 0.55%

LAB 65.76, -7.03, -48.31

 

CMYK 0 / 87 / 67 / 4

HEX #F62151

RGB 246 33 81

HSL 346.48, 0.92%, 0.55%

LAB 53.25, 76.32, 29.82

 

CMYK 66 / 0 / 86 / 4

HEX #54F623

RGB 84 246 35

HSL 106.07, 0.92%, 0.55%

LAB 85.97, -74.7, 77.95

 

CMYK 86 / 66 / 0 / 4

HEX #2354F6

RGB 35 84 246

HSL 226.07, 0.92%, 0.55%

LAB 43.29, 44.29, -84.56

 

CMYK 0 / 87 / 67 / 4

HEX #F62151

RGB 246 33 81

HSL 346.48, 0.92%, 0.55%

LAB 53.25, 76.32, 29.82

 

CMYK 0 / 3 / 86 / 4

HEX #F6EF23

RGB 246 239 35

HSL 58.01, 0.92%, 0.55%

LAB 92.33, -17.19, 86.64

 

CMYK 86 / 0 / 20 / 4

HEX #23F6C5

RGB 35 246 197

HSL 166.07, 0.92%, 0.55%

LAB 87.14, -58.6, 10.22

 

CMYK 86 / 83 / 0 / 4

HEX #232AF6

RGB 35 42 246

HSL 238.01, 0.92%, 0.55%

LAB 35.34, 66.68, -97.72

 

CMYK 0 / 87 / 67 / 4

HEX #F62151

RGB 246 33 81

HSL 346.48, 0.92%, 0.55%

LAB 53.25, 76.32, 29.82

 

CMYK 23 / 0 / 86 / 4

HEX #BEF623

RGB 190 246 35

HSL 75.92, 0.92%, 0.55%

LAB 90.31, -42.87, 83.38

 

CMYK 86 / 0 / 20 / 4

HEX #23F6C5

RGB 35 246 197

HSL 166.07, 0.92%, 0.55%

LAB 87.14, -58.6, 10.22

 

CMYK 63 / 86 / 0 / 4

HEX #5B23F6

RGB 91 35 246

HSL 255.92, 0.92%, 0.55%

LAB 37.99, 72.19, -93.22

 

Description

Color code: HEX #F62151 | qconv.com Color code: HEX #F62151 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 33 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 33 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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