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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F60D7D it is the complementary color #09F282. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F60D7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F60D7D shade: #FB0D78, #FF1F8B, #FF319E, #FF43B1 and #FF55C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F60D7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F60D7D shade: #F60D7D, #E5006A, #D40057, #C30044 and #B20031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F60D7D shade: #F60E7E, #F60E3F and #F60E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F60D7D shade: #F60E7E, #F60EBC, #F20EF6, #B30EF6 and #740EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F60D7D shade matches the following richer shades: #F60E7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F60D7D shade: #F60E7E, #E2227E, #CE367F, #BA4A80 and #A55F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F60D7D shade: #F20EF6, #F60EBC, #F60E7E, #F60E40 and #F6190E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F60D7D shade: #AB0656, #D30869, #F60E7E, #F83693 and #F95DA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F60D7D shade: #F60D7D, #F6B40E and #0EDBF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F60D7D shade: #F60D7D, #7EF60E and #0E7EF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F60D7D shade: #F60D7D, #F6B40E, #0EF686 and #0E50F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F60D7D shade: #F60D7D, #F2F60E, #0EF686 and #120EF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 49 / 4

HEX #F60D7D

RGB 246 13 125

HSL 331.16, 0.93%, 0.51%

LAB 53.34, 81.5, 3.42

 

Complementary color

CMYK 96 / 0 / 46 / 5

HEX #09F282

RGB 9 242 130

HSL 151.16, 0.93%, 0.49%

LAB 84.57, -72.1, 40.7

 

CMYK 0 / 95 / 52 / 2

HEX #FB0D78

RGB 251 13 120

HSL 333.03, 0.97%, 0.52%

LAB 54.19, 82.24, 7.78

 

CMYK 0 / 88 / 45 / 0

HEX #FF1F8B

RGB 255 31 139

HSL 331.07, 1%, 0.56%

LAB 56.19, 82.5, -0.61

 

CMYK 0 / 81 / 38 / 0

HEX #FF319E

RGB 255 49 158

HSL 328.25, 1%, 0.6%

LAB 57.97, 80.76, -9.21

 

CMYK 0 / 74 / 31 / 0

HEX #FF43B1

RGB 255 67 177

HSL 324.89, 1%, 0.63%

LAB 60.29, 77.94, -16.76

 

CMYK 0 / 67 / 23 / 0

HEX #FF55C4

RGB 255 85 196

HSL 320.82, 1%, 0.67%

LAB 63.13, 74.19, -23.31

 

CMYK 0 / 95 / 49 / 4

HEX #F60D7D

RGB 246 13 125

HSL 331.16, 0.93%, 0.51%

LAB 53.34, 81.5, 3.42

 

CMYK 0 / 100 / 54 / 10

HEX #E5006A

RGB 229 0 106

HSL 332.23, 1%, 0.45%

LAB 49.13, 77.36, 8.51

 

CMYK 0 / 100 / 59 / 17

HEX #D40057

RGB 212 0 87

HSL 335.38, 1%, 0.42%

LAB 45.2, 72.32, 14.3

 

CMYK 0 / 100 / 65 / 24

HEX #C30044

RGB 195 0 68

HSL 339.08, 1%, 0.38%

LAB 41.25, 67.28, 20.35

 

CMYK 0 / 100 / 72 / 30

HEX #B20031

RGB 178 0 49

HSL 343.48, 1%, 0.35%

LAB 37.27, 62.28, 26.62

 

CMYK 0 / 94 / 49 / 4

HEX #F60E7E

RGB 246 14 126

HSL 331.03, 0.93%, 0.51%

LAB 53.4, 81.49, 2.9

 

CMYK 0 / 94 / 74 / 4

HEX #F60E3F

RGB 246 14 63

HSL 347.33, 0.93%, 0.51%

LAB 52.14, 78.05, 39.09

 

CMYK 0 / 94 / 94 / 4

HEX #F60E0E

RGB 246 14 14

HSL 0, 0.93%, 0.51%

LAB 51.77, 77.02, 61.97

 

CMYK 0 / 94 / 49 / 4

HEX #F60E7E

RGB 246 14 126

HSL 331.03, 0.93%, 0.51%

LAB 53.4, 81.49, 2.9

 

CMYK 0 / 94 / 24 / 4

HEX #F60EBC

RGB 246 14 188

HSL 315, 0.93%, 0.51%

LAB 55.62, 87.34, -30.43

 

CMYK 2 / 94 / 0 / 4

HEX #F20EF6

RGB 242 14 246

HSL 298.97, 0.93%, 0.51%

LAB 57.89, 94.11, -59.86

 

CMYK 27 / 94 / 0 / 4

HEX #B30EF6

RGB 179 14 246

HSL 282.67, 0.93%, 0.51%

LAB 47.69, 85.16, -76.85

 

CMYK 53 / 94 / 0 / 4

HEX #740EF6

RGB 116 14 246

HSL 266.38, 0.93%, 0.51%

LAB 39.04, 78.77, -91.39

 

CMYK 0 / 94 / 49 / 4

HEX #F60E7E

RGB 246 14 126

HSL 331.03, 0.93%, 0.51%

LAB 53.4, 81.49, 2.9

 

CMYK 0 / 94 / 49 / 4

HEX #F60E7E

RGB 246 14 126

HSL 331.03, 0.93%, 0.51%

LAB 53.4, 81.49, 2.9

 

CMYK 0 / 85 / 44 / 11

HEX #E2227E

RGB 226 34 126

HSL 331.25, 0.77%, 0.51%

LAB 50.47, 74.23, -1.83

 

CMYK 0 / 74 / 38 / 19

HEX #CE367F

RGB 206 54 127

HSL 331.18, 0.61%, 0.51%

LAB 48.63, 64.14, -5.58

 

CMYK 0 / 60 / 31 / 27

HEX #BA4A80

RGB 186 74 128

HSL 331.07, 0.45%, 0.51%

LAB 48.13, 50.62, -7.29

 

CMYK 0 / 42 / 22 / 35

HEX #A55F81

RGB 165 95 129

HSL 330.86, 0.28%, 0.51%

LAB 49.21, 33.04, -6.6

 

CMYK 2 / 94 / 0 / 4

HEX #F20EF6

RGB 242 14 246

HSL 298.97, 0.93%, 0.51%

LAB 57.89, 94.11, -59.86

 

CMYK 0 / 94 / 24 / 4

HEX #F60EBC

RGB 246 14 188

HSL 315, 0.93%, 0.51%

LAB 55.62, 87.34, -30.43

 

CMYK 0 / 94 / 49 / 4

HEX #F60E7E

RGB 246 14 126

HSL 331.03, 0.93%, 0.51%

LAB 53.4, 81.49, 2.9

 

CMYK 0 / 94 / 74 / 4

HEX #F60E40

RGB 246 14 64

HSL 347.07, 0.93%, 0.51%

LAB 52.15, 78.08, 38.52

 

CMYK 0 / 90 / 94 / 4

HEX #F6190E

RGB 246 25 14

HSL 2.84, 0.93%, 0.51%

LAB 52.2, 75.78, 62.2

 

CMYK 0 / 96 / 50 / 33

HEX #AB0656

RGB 171 6 86

HSL 330.91, 0.93%, 0.35%

LAB 36.86, 62.15, 1.95

 

CMYK 0 / 96 / 50 / 17

HEX #D30869

RGB 211 8 105

HSL 331.33, 0.93%, 0.43%

LAB 45.69, 72.62, 3.73

 

CMYK 0 / 94 / 49 / 4

HEX #F60E7E

RGB 246 14 126

HSL 331.03, 0.93%, 0.51%

LAB 53.4, 81.49, 2.9

 

CMYK 0 / 78 / 41 / 3

HEX #F83693

RGB 248 54 147

HSL 331.24, 0.93%, 0.59%

LAB 56.78, 76.83, -4.63

 

CMYK 0 / 63 / 33 / 2

HEX #F95DA8

RGB 249 93 168

HSL 331.15, 0.93%, 0.67%

LAB 62.33, 66.11, -8.6

 

CMYK 0 / 95 / 49 / 4

HEX #F60D7D

RGB 246 13 125

HSL 331.16, 0.93%, 0.51%

LAB 53.34, 81.5, 3.42

 

CMYK 0 / 27 / 94 / 4

HEX #F6B40E

RGB 246 180 14

HSL 42.93, 0.93%, 0.51%

LAB 77.44, 12.39, 78.63

 

CMYK 94 / 11 / 0 / 4

HEX #0EDBF6

RGB 14 219 246

HSL 186.98, 0.93%, 0.51%

LAB 80.41, -34.28, -25.59

 

CMYK 0 / 95 / 49 / 4

HEX #F60D7D

RGB 246 13 125

HSL 331.16, 0.93%, 0.51%

LAB 53.34, 81.5, 3.42

 

CMYK 49 / 0 / 94 / 4

HEX #7EF60E

RGB 126 246 14

HSL 91.03, 0.93%, 0.51%

LAB 87.18, -65.01, 82.53

 

CMYK 94 / 49 / 0 / 4

HEX #0E7EF6

RGB 14 126 246

HSL 211.03, 0.93%, 0.51%

LAB 53.67, 16.92, -67.63

 

CMYK 0 / 95 / 49 / 4

HEX #F60D7D

RGB 246 13 125

HSL 331.16, 0.93%, 0.51%

LAB 53.34, 81.5, 3.42

 

CMYK 0 / 27 / 94 / 4

HEX #F6B40E

RGB 246 180 14

HSL 42.93, 0.93%, 0.51%

LAB 77.44, 12.39, 78.63

 

CMYK 94 / 0 / 46 / 4

HEX #0EF686

RGB 14 246 134

HSL 151.03, 0.93%, 0.51%

LAB 85.87, -72.57, 40.41

 

CMYK 94 / 67 / 0 / 4

HEX #0E50F6

RGB 14 80 246

HSL 222.93, 0.93%, 0.51%

LAB 41.98, 45.93, -86.73

 

CMYK 0 / 95 / 49 / 4

HEX #F60D7D

RGB 246 13 125

HSL 331.16, 0.93%, 0.51%

LAB 53.34, 81.5, 3.42

 

CMYK 2 / 0 / 94 / 4

HEX #F2F60E

RGB 242 246 14

HSL 61.03, 0.93%, 0.51%

LAB 93.81, -22.51, 90.55

 

CMYK 94 / 0 / 46 / 4

HEX #0EF686

RGB 14 246 134

HSL 151.03, 0.93%, 0.51%

LAB 85.87, -72.57, 40.41

 

CMYK 93 / 94 / 0 / 4

HEX #120EF6

RGB 18 14 246

HSL 241.03, 0.93%, 0.51%

LAB 32.03, 74.93, -103.25

 

Description

Color code: HEX #F60D7D | qconv.com Color code: HEX #F60D7D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 13 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 13 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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