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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5EE3ACE it is the complementary color #0A11C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5EE3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5EE3ACE shade: #FAEE35CE, #FFFF48CE, #FFFF5BCE, #FFFF6ECE and #FFFF81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5EE3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5EE3ACE shade: #F5EE3ACE, #E4DC27CE, #D3CA14CE, #C2B801CE and #B1A600CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5EE3ACE shade: #F5ED38, #F5BB38, #F58838, #F55538 and #F53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5EE3ACE shade: #F5ED38, #C9F538, #96F538, #63F538 and #38F540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5EE3ACE shade matches the following richer shades: #F5ED38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5EE3ACE shade: #F5ED38, #E4DE49, #D3CE5A, #C2BF6B and #B1AF7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5EE3ACE shade: #F58738, #F5B938, #F5EB38, #CCF538 and #9AF538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5EE3ACE shade: #CFC80B, #F2EA11, #F5ED38, #F7F160 and #F9F487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5EE3ACE shade: #F5EE3A, #38F555 and #A038F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5EE3ACE shade: #F5EE3A, #38F5EB and #EB38F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5EE3ACE shade: #F5EE3A, #38F555, #3842F5 and #F538D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5EE3ACE shade: #F5EE3A, #38F58D, #3842F5 and #F538A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 62 / 3

HEX #F5EE3ACE

RGBA 245 238 58 0.81

HSLA 57.75, 0.9%, 0.59%, 0.81

LABA 92.07, -16.47, 80.85, 0.81

 

Complementary color

CMYK 77 / 74 / 0 / 18

HEX #0A11C5CE

RGBA 10 17 197 0.81

HSLA 237.75, 0.9%, 0.41%, 0.81

LABA 25.25, 61.38, -86.35, 0.81

 

CMYK 0 / 4 / 64 / 2

HEX #FAEE35CE

RGBA 250 238 53 0.81

HSLA 56.35, 0.95%, 0.59%, 0.81

LABA 92.46, -14.57, 82.74, 0.81

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF48CE

RGBA 255 255 72 0.81

HSLA 60, 1%, 0.64%, 0.81

LABA 97.33, -20.03, 81.69, 0.81

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF5BCE

RGBA 255 255 91 0.81

HSLA 60, 1%, 0.68%, 0.81

LABA 97.44, -19.1, 75.13, 0.81

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF6ECE

RGBA 255 255 110 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.59, -17.91, 67.66, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF81CE

RGBA 255 255 129 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.78, -16.46, 59.54, 0.81

 

CMYK 0 / 2 / 62 / 3

HEX #F5EE3ACE

RGBA 245 238 58 0.81

HSLA 57.75, 0.9%, 0.59%, 0.81

LABA 92.07, -16.47, 80.85, 0.81

 

CMYK 0 / 3 / 67 / 9

HEX #E4DC27CE

RGBA 228 220 39 0.81

HSLA 57.46, 0.78%, 0.52%, 0.81

LABA 85.92, -15.32, 79.95, 0.81

 

CMYK 0 / 3 / 73 / 14

HEX #D3CA14CE

RGBA 211 202 20 0.81

HSLA 57.17, 0.83%, 0.45%, 0.81

LABA 79.69, -13.99, 77.99, 0.81

 

CMYK 0 / 4 / 81 / 19

HEX #C2B801CE

RGBA 194 184 1 0.81

HSLA 56.89, 0.99%, 0.38%, 0.81

LABA 73.38, -12.49, 74.83, 0.81

 

CMYK 0 / 5 / 81 / 25

HEX #B1A600CE

RGBA 177 166 0 0.81

HSLA 56.27, 1%, 0.35%, 0.81

LABA 66.99, -10.73, 69.63, 0.81

 

CMYK 0 / 3 / 77 / 4

HEX #F5ED38

RGB 245 237 56

HSL 57.46, 0.9%, 0.59%

LAB 91.8, -16.05, 81.18

 

CMYK 0 / 24 / 77 / 4

HEX #F5BB38

RGB 245 187 56

HSL 41.59, 0.9%, 0.59%

LAB 79.18, 9.26, 69.71

 

CMYK 0 / 44 / 77 / 4

HEX #F58838

RGB 245 136 56

HSL 25.4, 0.9%, 0.59%

LAB 67.51, 35.93, 58.65

 

CMYK 0 / 65 / 77 / 4

HEX #F55538

RGB 245 85 56

HSL 9.21, 0.9%, 0.59%

LAB 58.22, 59.76, 49.39

 

CMYK 0 / 77 / 77 / 4

HEX #F53838

RGB 245 56 56

HSL 0, 0.9%, 0.59%

LAB 54.58, 69.79, 45.62

 

CMYK 0 / 3 / 77 / 4

HEX #F5ED38

RGB 245 237 56

HSL 57.46, 0.9%, 0.59%

LAB 91.8, -16.05, 81.18

 

CMYK 18 / 0 / 77 / 4

HEX #C9F538

RGB 201 245 56

HSL 73.97, 0.9%, 0.59%

LAB 90.78, -37.51, 79.08

 

CMYK 39 / 0 / 77 / 4

HEX #96F538

RGB 150 245 56

HSL 90.16, 0.9%, 0.59%

LAB 88, -55.89, 75.5

 

CMYK 60 / 0 / 77 / 4

HEX #63F538

RGB 99 245 56

HSL 106.35, 0.9%, 0.59%

LAB 86.13, -70.22, 73.06

 

CMYK 77 / 0 / 74 / 4

HEX #38F540

RGB 56 245 64

HSL 122.54, 0.9%, 0.59%

LAB 85.26, -77.37, 69.41

 

CMYK 0 / 3 / 77 / 4

HEX #F5ED38

RGB 245 237 56

HSL 57.46, 0.9%, 0.59%

LAB 91.8, -16.05, 81.18

 

CMYK 0 / 3 / 77 / 4

HEX #F5ED38

RGB 245 237 56

HSL 57.46, 0.9%, 0.59%

LAB 91.8, -16.05, 81.18

 

CMYK 0 / 3 / 68 / 11

HEX #E4DE49

RGB 228 222 73

HSL 57.68, 0.74%, 0.59%

LAB 86.61, -15, 70.21

 

CMYK 0 / 2 / 57 / 17

HEX #D3CE5A

RGB 211 206 90

HSL 57.52, 0.58%, 0.59%

LAB 81.14, -13, 57.05

 

CMYK 0 / 2 / 45 / 24

HEX #C2BF6B

RGB 194 191 107

HSL 57.93, 0.42%, 0.59%

LAB 75.94, -10.88, 42.55

 

CMYK 0 / 1 / 30 / 31

HEX #B1AF7C

RGB 177 175 124

HSL 57.74, 0.25%, 0.59%

LAB 70.5, -7.43, 26.48

 

CMYK 0 / 45 / 77 / 4

HEX #F58738

RGB 245 135 56

HSL 25.08, 0.9%, 0.59%

LAB 67.3, 36.45, 58.44

 

CMYK 0 / 24 / 77 / 4

HEX #F5B938

RGB 245 185 56

HSL 40.95, 0.9%, 0.59%

LAB 78.69, 10.31, 69.26

 

CMYK 0 / 4 / 77 / 4

HEX #F5EB38

RGB 245 235 56

HSL 56.83, 0.9%, 0.59%

LAB 91.29, -15.08, 80.72

 

CMYK 17 / 0 / 77 / 4

HEX #CCF538

RGB 204 245 56

HSL 73.02, 0.9%, 0.59%

LAB 90.97, -36.35, 79.32

 

CMYK 37 / 0 / 77 / 4

HEX #9AF538

RGB 154 245 56

HSL 88.89, 0.9%, 0.59%

LAB 88.19, -54.57, 75.74

 

CMYK 0 / 3 / 95 / 19

HEX #CFC80B

RGB 207 200 11

HSL 57.86, 0.9%, 0.43%

LAB 78.81, -14.83, 78.3

 

CMYK 0 / 3 / 93 / 5

HEX #F2EA11

RGB 242 234 17

HSL 57.87, 0.9%, 0.51%

LAB 90.67, -16.71, 87.88

 

CMYK 0 / 3 / 77 / 4

HEX #F5ED38

RGB 245 237 56

HSL 57.46, 0.9%, 0.59%

LAB 91.8, -16.05, 81.18

 

CMYK 0 / 2 / 61 / 3

HEX #F7F160

RGB 247 241 96

HSL 57.62, 0.9%, 0.67%

LAB 93.25, -15.25, 68.56

 

CMYK 0 / 2 / 46 / 2

HEX #F9F487

RGB 249 244 135

HSL 57.37, 0.9%, 0.75%

LAB 94.56, -12.91, 52.79

 

CMYK 0 / 3 / 76 / 4

HEX #F5EE3A

RGB 245 238 58

HSL 57.75, 0.9%, 0.59%

LAB 92.07, -16.47, 80.85

 

CMYK 77 / 0 / 65 / 4

HEX #38F555

RGB 56 245 85

HSL 129.21, 0.9%, 0.59%

LAB 85.4, -75.58, 61.92

 

CMYK 35 / 77 / 0 / 4

HEX #A038F5

RGB 160 56 245

HSL 273.02, 0.9%, 0.59%

LAB 48.13, 72.84, -75.69

 

CMYK 0 / 3 / 76 / 4

HEX #F5EE3A

RGB 245 238 58

HSL 57.75, 0.9%, 0.59%

LAB 92.07, -16.47, 80.85

 

CMYK 77 / 0 / 4 / 4

HEX #38F5EB

RGB 56 245 235

HSL 176.83, 0.9%, 0.59%

LAB 88.04, -46.76, -8.27

 

CMYK 4 / 77 / 0 / 4

HEX #EB38F5

RGB 235 56 245

HSL 296.83, 0.9%, 0.59%

LAB 59.05, 85.85, -57.51

 

CMYK 0 / 3 / 76 / 4

HEX #F5EE3A

RGB 245 238 58

HSL 57.75, 0.9%, 0.59%

LAB 92.07, -16.47, 80.85

 

CMYK 77 / 0 / 65 / 4

HEX #38F555

RGB 56 245 85

HSL 129.21, 0.9%, 0.59%

LAB 85.4, -75.58, 61.92

 

CMYK 77 / 73 / 0 / 4

HEX #3842F5

RGB 56 66 245

HSL 236.83, 0.9%, 0.59%

LAB 40.13, 55.75, -89.18

 

CMYK 0 / 77 / 12 / 4

HEX #F538D8

RGB 245 56 216

HSL 309.21, 0.9%, 0.59%

LAB 59.16, 83.58, -40.95

 

CMYK 0 / 3 / 76 / 4

HEX #F5EE3A

RGB 245 238 58

HSL 57.75, 0.9%, 0.59%

LAB 92.07, -16.47, 80.85

 

CMYK 77 / 0 / 42 / 4

HEX #38F58D

RGB 56 245 141

HSL 146.98, 0.9%, 0.59%

LAB 86.04, -68, 37.28

 

CMYK 77 / 73 / 0 / 4

HEX #3842F5

RGB 56 66 245

HSL 236.83, 0.9%, 0.59%

LAB 40.13, 55.75, -89.18

 

CMYK 0 / 77 / 35 / 4

HEX #F538A0

RGB 245 56 160

HSL 326.98, 0.9%, 0.59%

LAB 56.86, 76.84, -12.22

 

Description

Color code: HEX #F5EE3ACE | qconv.com Color code: HEX #F5EE3ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 238 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 238 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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