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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5EC01 it is the complementary color #0A13FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5EC01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5EC01 shade: #FAEC00, #FFFE0F, #FFFF22, #FFFF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5EC01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5EC01 shade: #F5EC01, #E4DA00, #D3C800, #C2B600 and #B1A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5EC01 shade: #F4EB01, #F4A901, #F46801, #F42701 and #F40101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5EC01 shade: #F4EB01, #BBF401, #7AF401, #38F401 and #01F40B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5EC01 shade matches the following richer shades: #F4EB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5EC01 shade: #F4EB01, #E0D815, #CCC629, #B8B43D and #A4A150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5EC01 shade: #F46601, #F4A701, #F4E701, #BFF401 and #7EF401

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5EC01 shade: #A19C01, #CBC301, #F4EB01, #FEF620 and #FEF749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5EC01 shade: #F5EC01, #01F426 and #8701F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5EC01 shade: #F5EC01, #01F4E7 and #E701F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5EC01 shade: #F5EC01, #01F426, #010DF4 and #F401CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5EC01 shade: #F5EC01, #01F46E, #010DF4 and #F40187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 100 / 4

HEX #F5EC01

RGB 245 236 1

HSL 57.79, 0.99%, 0.48%

LAB 91.42, -16.57, 89.88

 

Complementary color

CMYK 96 / 93 / 0 / 0

HEX #0A13FE

RGB 10 19 254

HSL 237.79, 0.99%, 0.52%

LAB 33.32, 75.85, -105.6

 

CMYK 0 / 6 / 100 / 2

HEX #FAEC00

RGB 250 236 0

HSL 56.64, 1%, 0.49%

LAB 91.83, -14.48, 90.44

 

CMYK 0 / 0 / 94 / 0

HEX #FFFE0F

RGB 255 254 15

HSL 59.75, 1%, 0.53%

LAB 96.89, -20.97, 93.22

 

CMYK 0 / 0 / 87 / 0

HEX #FFFF22

RGB 255 255 34

HSL 60, 1%, 0.57%

LAB 97.19, -21.18, 91.01

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF35

RGB 255 255 53

HSL 60, 1%, 0.6%

LAB 97.24, -20.71, 87.06

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 4 / 100 / 4

HEX #F5EC01

RGB 245 236 1

HSL 57.79, 0.99%, 0.48%

LAB 91.42, -16.57, 89.88

 

CMYK 0 / 4 / 100 / 11

HEX #E4DA00

RGB 228 218 0

HSL 57.37, 1%, 0.45%

LAB 85.32, -14.91, 84.89

 

CMYK 0 / 5 / 100 / 17

HEX #D3C800

RGB 211 200 0

HSL 56.87, 1%, 0.41%

LAB 79.13, -13.22, 79.76

 

CMYK 0 / 6 / 100 / 24

HEX #C2B600

RGB 194 182 0

HSL 56.29, 1%, 0.38%

LAB 72.84, -11.47, 74.54

 

CMYK 0 / 7 / 100 / 31

HEX #B1A400

RGB 177 164 0

HSL 55.59, 1%, 0.35%

LAB 66.44, -9.68, 69.24

 

CMYK 0 / 4 / 100 / 4

HEX #F4EB01

RGB 244 235 1

HSL 57.78, 0.99%, 0.48%

LAB 91.08, -16.5, 89.59

 

CMYK 0 / 31 / 100 / 4

HEX #F4A901

RGB 244 169 1

HSL 41.48, 0.99%, 0.48%

LAB 74.58, 17.2, 77.99

 

CMYK 0 / 57 / 100 / 4

HEX #F46801

RGB 244 104 1

HSL 25.43, 0.99%, 0.48%

LAB 60.9, 50.16, 69.45

 

CMYK 0 / 84 / 100 / 4

HEX #F42701

RGB 244 39 1

HSL 9.38, 0.99%, 0.48%

LAB 52.6, 72.76, 65.37

 

CMYK 0 / 100 / 100 / 4

HEX #F40101

RGB 244 1 1

HSL 0, 0.99%, 0.48%

LAB 50.99, 77.41, 64.75

 

CMYK 0 / 4 / 100 / 4

HEX #F4EB01

RGB 244 235 1

HSL 57.78, 0.99%, 0.48%

LAB 91.08, -16.5, 89.59

 

CMYK 23 / 0 / 100 / 4

HEX #BBF401

RGB 187 244 1

HSL 74.07, 0.99%, 0.48%

LAB 89.52, -43.67, 86.65

 

CMYK 50 / 0 / 100 / 4

HEX #7AF401

RGB 122 244 1

HSL 90.12, 0.99%, 0.48%

LAB 86.43, -65.6, 82.92

 

CMYK 77 / 0 / 100 / 4

HEX #38F401

RGB 56 244 1

HSL 106.42, 0.99%, 0.48%

LAB 84.76, -79.43, 80.9

 

CMYK 100 / 0 / 95 / 4

HEX #01F40B

RGB 1 244 11

HSL 122.47, 0.99%, 0.48%

LAB 84.35, -83.16, 79.57

 

CMYK 0 / 4 / 100 / 4

HEX #F4EB01

RGB 244 235 1

HSL 57.78, 0.99%, 0.48%

LAB 91.08, -16.5, 89.59

 

CMYK 0 / 4 / 100 / 4

HEX #F4EB01

RGB 244 235 1

HSL 57.78, 0.99%, 0.48%

LAB 91.08, -16.5, 89.59

 

CMYK 0 / 4 / 91 / 12

HEX #E0D815

RGB 224 216 21

HSL 57.64, 0.83%, 0.48%

LAB 84.49, -15.41, 82.02

 

CMYK 0 / 3 / 80 / 20

HEX #CCC629

RGB 204 198 41

HSL 57.79, 0.67%, 0.48%

LAB 78.1, -14.49, 72

 

CMYK 0 / 2 / 67 / 28

HEX #B8B43D

RGB 184 180 61

HSL 58.05, 0.5%, 0.48%

LAB 71.67, -13.03, 58.57

 

CMYK 0 / 2 / 51 / 36

HEX #A4A150

RGB 164 161 80

HSL 57.86, 0.34%, 0.48%

LAB 64.93, -10.3, 42.1

 

CMYK 0 / 58 / 100 / 4

HEX #F46601

RGB 244 102 1

HSL 24.94, 0.99%, 0.48%

LAB 60.55, 51.08, 69.26

 

CMYK 0 / 32 / 100 / 4

HEX #F4A701

RGB 244 167 1

HSL 40.99, 0.99%, 0.48%

LAB 74.11, 18.25, 77.67

 

CMYK 0 / 5 / 100 / 4

HEX #F4E701

RGB 244 231 1

HSL 56.79, 0.99%, 0.48%

LAB 90.04, -14.55, 88.84

 

CMYK 22 / 0 / 100 / 4

HEX #BFF401

RGB 191 244 1

HSL 73.09, 0.99%, 0.48%

LAB 89.76, -42.14, 86.94

 

CMYK 48 / 0 / 100 / 4

HEX #7EF401

RGB 126 244 1

HSL 89.14, 0.99%, 0.48%

LAB 86.57, -64.46, 83.1

 

CMYK 0 / 3 / 99 / 37

HEX #A19C01

RGB 161 156 1

HSL 58.13, 0.99%, 0.32%

LAB 62.81, -12.67, 65.82

 

CMYK 0 / 4 / 100 / 20

HEX #CBC301

RGB 203 195 1

HSL 57.62, 0.99%, 0.4%

LAB 77.12, -14.15, 77.89

 

CMYK 0 / 4 / 100 / 4

HEX #F4EB01

RGB 244 235 1

HSL 57.78, 0.99%, 0.48%

LAB 91.08, -16.5, 89.59

 

CMYK 0 / 3 / 87 / 0

HEX #FEF620

RGB 254 246 32

HSL 57.84, 0.99%, 0.56%

LAB 94.78, -17.32, 89.4

 

CMYK 0 / 3 / 71 / 0

HEX #FEF749

RGB 254 247 73

HSL 57.68, 0.99%, 0.64%

LAB 95.19, -16.55, 79.3

 

CMYK 0 / 4 / 100 / 4

HEX #F5EC01

RGB 245 236 1

HSL 57.79, 0.99%, 0.48%

LAB 91.42, -16.57, 89.88

 

CMYK 100 / 0 / 84 / 4

HEX #01F426

RGB 1 244 38

HSL 129.14, 0.99%, 0.48%

LAB 84.41, -82.38, 75.58

 

CMYK 45 / 100 / 0 / 4

HEX #8701F4

RGB 135 1 244

HSL 273.09, 0.99%, 0.48%

LAB 40.74, 81.37, -87.37

 

CMYK 0 / 4 / 100 / 4

HEX #F5EC01

RGB 245 236 1

HSL 57.79, 0.99%, 0.48%

LAB 91.42, -16.57, 89.88

 

CMYK 100 / 0 / 5 / 4

HEX #01F4E7

RGB 1 244 231

HSL 176.79, 0.99%, 0.48%

LAB 87.23, -50.17, -7.42

 

CMYK 5 / 100 / 0 / 4

HEX #E701F4

RGB 231 1 244

HSL 296.79, 0.99%, 0.48%

LAB 55.63, 92.99, -62.47

 

CMYK 0 / 4 / 100 / 4

HEX #F5EC01

RGB 245 236 1

HSL 57.79, 0.99%, 0.48%

LAB 91.42, -16.57, 89.88

 

CMYK 100 / 0 / 84 / 4

HEX #01F426

RGB 1 244 38

HSL 129.14, 0.99%, 0.48%

LAB 84.41, -82.38, 75.58

 

CMYK 100 / 95 / 0 / 4

HEX #010DF4

RGB 1 13 244

HSL 237.04, 0.99%, 0.48%

LAB 31.41, 74.5, -103.16

 

CMYK 0 / 100 / 15 / 4

HEX #F401CF

RGB 244 1 207

HSL 309.14, 0.99%, 0.48%

LAB 55.85, 90.09, -41.05

 

CMYK 0 / 4 / 100 / 4

HEX #F5EC01

RGB 245 236 1

HSL 57.79, 0.99%, 0.48%

LAB 91.42, -16.57, 89.88

 

CMYK 100 / 0 / 55 / 4

HEX #01F46E

RGB 1 244 110

HSL 146.91, 0.99%, 0.48%

LAB 84.91, -75.98, 50.54

 

CMYK 100 / 95 / 0 / 4

HEX #010DF4

RGB 1 13 244

HSL 237.04, 0.99%, 0.48%

LAB 31.41, 74.5, -103.16

 

CMYK 0 / 100 / 45 / 4

HEX #F40187

RGB 244 1 135

HSL 326.91, 0.99%, 0.48%

LAB 52.95, 82.69, -3.22

 

Description

Color code: HEX #F5EC01 | qconv.com Color code: HEX #F5EC01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 236 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 236 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 100 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 100% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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