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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E87DBF it is the complementary color #0A1782BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E87DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E87DBF shade: #FAE878BF, #FFFA8BBF, #FFFF9EBF, #FFFFB1BF and #FFFFC4BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E87DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E87DBF shade: #F5E87DBF, #E4D66ABF, #D3C457BF, #C2B244BF and #B1A031BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E87DBF shade: #F5E97F, #F5C97F, #F5A97F, #F5897F and #F57F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E87DBF shade: #F5E97F, #E2F57F, #C2F57F, #A2F57F and #82F57F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E87DBF shade matches the following richer shades: #F5E97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E87DBF shade: #F5E97F, #EAE08A, #DFD795, #D4CEA0 and #C9C6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E87DBF shade: #F5A87F, #F5C87F, #F5E87F, #E4F57F and #C4F57F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E87DBF shade: #F0DB32, #F2E259, #F5E97F, #F8EFA5 and #FBF6CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E87DBF shade: #F5E87D, #7FF589 and #B87FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E87DBF shade: #F5E87D, #7FF5E8 and #E87FF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E87DBF shade: #F5E87D, #7FF589, #7F8DF5 and #F57FEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E87DBF shade: #F5E87D, #7FF5AC, #7F8DF5 and #F57FC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 37 / 3

HEX #F5E87DBF

RGBA 245 232 125 0.75

HSLA 53.5, 0.86%, 0.73%, 0.75

LABA 91.06, -9.45, 53.19, 0.75

 

Complementary color

CMYK 69 / 62 / 0 / 37

HEX #0A1782BF

RGBA 10 23 130 0.75

HSLA 233.5, 0.86%, 0.27%, 0.75

LABA 16.94, 38.39, -59.36, 0.75

 

CMYK 0 / 5 / 39 / 1

HEX #FAE878BF

RGBA 250 232 120 0.75

HSLA 51.69, 0.93%, 0.73%, 0.75

LABA 91.41, -7.88, 56.05, 0.75

 

CMYK 0 / 1 / 34 / 0

HEX #FFFA8BBF

RGBA 255 250 139 0.75

HSLA 57.41, 1%, 0.77%, 0.75

LABA 96.61, -13.15, 53.52, 0.75

 

CMYK 0 / 0 / 29 / 0

HEX #FFFF9EBF

RGBA 255 255 158 0.75

HSLA 60, 1%, 0.81%, 0.75

LABA 98.13, -13.71, 46.33, 0.75

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFB1BF

RGBA 255 255 177 0.75

HSLA 60, 1%, 0.85%, 0.75

LABA 98.41, -11.56, 37.37, 0.75

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFC4BF

RGBA 255 255 196 0.75

HSLA 60, 1%, 0.88%, 0.75

LABA 98.74, -9.15, 28.29, 0.75

 

CMYK 0 / 4 / 37 / 3

HEX #F5E87DBF

RGBA 245 232 125 0.75

HSLA 53.5, 0.86%, 0.73%, 0.75

LABA 91.06, -9.45, 53.19, 0.75

 

CMYK 0 / 5 / 40 / 8

HEX #E4D66ABF

RGBA 228 214 106 0.75

HSLA 53.11, 0.69%, 0.65%, 0.75

LABA 84.81, -8.85, 54.33, 0.75

 

CMYK 0 / 5 / 44 / 13

HEX #D3C457BF

RGBA 211 196 87 0.75

HSLA 52.74, 0.58%, 0.58%, 0.75

LABA 78.47, -8.14, 55.41, 0.75

 

CMYK 0 / 6 / 49 / 18

HEX #C2B244BF

RGBA 194 178 68 0.75

HSLA 52.38, 0.51%, 0.51%, 0.75

LABA 72.05, -7.29, 56.34, 0.75

 

CMYK 0 / 7 / 54 / 23

HEX #B1A031BF

RGBA 177 160 49 0.75

HSLA 52.03, 0.57%, 0.44%, 0.75

LABA 65.52, -6.27, 56.94, 0.75

 

CMYK 0 / 5 / 48 / 4

HEX #F5E97F

RGB 245 233 127

HSL 53.9, 0.86%, 0.73%

LAB 91.33, -9.78, 52.58

 

CMYK 0 / 18 / 48 / 4

HEX #F5C97F

RGB 245 201 127

HSL 37.63, 0.86%, 0.73%

LAB 83.29, 6.51, 42.67

 

CMYK 0 / 31 / 48 / 4

HEX #F5A97F

RGB 245 169 127

HSL 21.36, 0.86%, 0.73%

LAB 75.65, 23.31, 32.89

 

CMYK 0 / 44 / 48 / 4

HEX #F5897F

RGB 245 137 127

HSL 5.08, 0.86%, 0.73%

LAB 68.63, 39.99, 23.59

 

CMYK 0 / 48 / 48 / 4

HEX #F57F7F

RGB 245 127 127

HSL 0, 0.86%, 0.73%

LAB 66.61, 45.03, 20.85

 

CMYK 0 / 5 / 48 / 4

HEX #F5E97F

RGB 245 233 127

HSL 53.9, 0.86%, 0.73%

LAB 91.33, -9.78, 52.58

 

CMYK 8 / 0 / 48 / 4

HEX #E2F57F

RGB 226 245 127

HSL 69.66, 0.86%, 0.73%

LAB 93.02, -23.04, 54.27

 

CMYK 21 / 0 / 48 / 4

HEX #C2F57F

RGB 194 245 127

HSL 85.93, 0.86%, 0.73%

LAB 90.92, -34.99, 51.24

 

CMYK 34 / 0 / 48 / 4

HEX #A2F57F

RGB 162 245 127

HSL 102.2, 0.86%, 0.73%

LAB 89.17, -45.99, 48.69

 

CMYK 47 / 0 / 48 / 4

HEX #82F57F

RGB 130 245 127

HSL 118.47, 0.86%, 0.73%

LAB 87.77, -55.6, 46.65

 

CMYK 0 / 5 / 48 / 4

HEX #F5E97F

RGB 245 233 127

HSL 53.9, 0.86%, 0.73%

LAB 91.33, -9.78, 52.58

 

CMYK 0 / 5 / 48 / 4

HEX #F5E97F

RGB 245 233 127

HSL 53.9, 0.86%, 0.73%

LAB 91.33, -9.78, 52.58

 

CMYK 0 / 4 / 41 / 8

HEX #EAE08A

RGB 234 224 138

HSL 53.75, 0.7%, 0.73%

LAB 88.28, -8.55, 43.26

 

CMYK 0 / 4 / 33 / 13

HEX #DFD795

RGB 223 215 149

HSL 53.51, 0.54%, 0.73%

LAB 85.23, -7.04, 33.61

 

CMYK 0 / 3 / 25 / 17

HEX #D4CEA0

RGB 212 206 160

HSL 53.08, 0.38%, 0.73%

LAB 82.21, -5.21, 23.68

 

CMYK 0 / 1 / 15 / 21

HEX #C9C6AB

RGB 201 198 171

HSL 54, 0.22%, 0.73%

LAB 79.47, -3.53, 13.92

 

CMYK 0 / 31 / 48 / 4

HEX #F5A87F

RGB 245 168 127

HSL 20.85, 0.86%, 0.73%

LAB 75.42, 23.84, 32.59

 

CMYK 0 / 18 / 48 / 4

HEX #F5C87F

RGB 245 200 127

HSL 37.12, 0.86%, 0.73%

LAB 83.05, 7.03, 42.36

 

CMYK 0 / 5 / 48 / 4

HEX #F5E87F

RGB 245 232 127

HSL 53.39, 0.86%, 0.73%

LAB 91.08, -9.28, 52.27

 

CMYK 7 / 0 / 48 / 4

HEX #E4F57F

RGB 228 245 127

HSL 68.64, 0.86%, 0.73%

LAB 93.16, -22.28, 54.47

 

CMYK 20 / 0 / 48 / 4

HEX #C4F57F

RGB 196 245 127

HSL 84.92, 0.86%, 0.73%

LAB 91.04, -34.26, 51.41

 

CMYK 0 / 9 / 79 / 6

HEX #F0DB32

RGB 240 219 50

HSL 53.37, 0.86%, 0.57%

LAB 86.71, -9.46, 78.21

 

CMYK 0 / 7 / 63 / 5

HEX #F2E259

RGB 242 226 89

HSL 53.73, 0.85%, 0.65%

LAB 88.92, -10.33, 66.69

 

CMYK 0 / 5 / 48 / 4

HEX #F5E97F

RGB 245 233 127

HSL 53.9, 0.86%, 0.73%

LAB 91.33, -9.78, 52.58

 

CMYK 0 / 4 / 33 / 3

HEX #F8EFA5

RGB 248 239 165

HSL 53.49, 0.86%, 0.81%

LAB 93.63, -7.7, 36.94

 

CMYK 0 / 2 / 19 / 2

HEX #FBF6CC

RGB 251 246 204

HSL 53.62, 0.85%, 0.89%

LAB 96.32, -5, 20.84

 

CMYK 0 / 5 / 49 / 4

HEX #F5E87D

RGB 245 232 125

HSL 53.5, 0.86%, 0.73%

LAB 91.06, -9.45, 53.19

 

CMYK 48 / 0 / 44 / 4

HEX #7FF589

RGB 127 245 137

HSL 125.08, 0.86%, 0.73%

LAB 87.79, -55.02, 41.85

 

CMYK 25 / 48 / 0 / 4

HEX #B87FF5

RGB 184 127 245

HSL 268.98, 0.86%, 0.73%

LAB 63.31, 44.46, -51.12

 

CMYK 0 / 5 / 49 / 4

HEX #F5E87D

RGB 245 232 125

HSL 53.5, 0.86%, 0.73%

LAB 91.06, -9.45, 53.19

 

CMYK 48 / 0 / 5 / 4

HEX #7FF5E8

RGB 127 245 232

HSL 173.39, 0.86%, 0.73%

LAB 89.69, -36.48, -4.06

 

CMYK 5 / 48 / 0 / 4

HEX #E87FF5

RGB 232 127 245

HSL 293.39, 0.86%, 0.73%

LAB 68.7, 57.43, -42.27

 

CMYK 0 / 5 / 49 / 4

HEX #F5E87D

RGB 245 232 125

HSL 53.5, 0.86%, 0.73%

LAB 91.06, -9.45, 53.19

 

CMYK 48 / 0 / 44 / 4

HEX #7FF589

RGB 127 245 137

HSL 125.08, 0.86%, 0.73%

LAB 87.79, -55.02, 41.85

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF5

RGB 127 141 245

HSL 232.88, 0.86%, 0.73%

LAB 61.79, 22.27, -53.84

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEB

RGB 245 127 235

HSL 305.08, 0.86%, 0.73%

LAB 69.89, 59.29, -34.81

 

CMYK 0 / 5 / 49 / 4

HEX #F5E87D

RGB 245 232 125

HSL 53.5, 0.86%, 0.73%

LAB 91.06, -9.45, 53.19

 

CMYK 48 / 0 / 30 / 4

HEX #7FF5AC

RGB 127 245 172

HSL 142.88, 0.86%, 0.73%

LAB 88.35, -49.27, 25.09

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF5

RGB 127 141 245

HSL 232.88, 0.86%, 0.73%

LAB 61.79, 22.27, -53.84

 

CMYK 0 / 48 / 18 / 4

HEX #F57FC8

RGB 245 127 200

HSL 322.88, 0.86%, 0.73%

LAB 68.58, 53.78, -17.4

 

Description

Color code: HEX #F5E87DBF | qconv.com Color code: HEX #F5E87DBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 232 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 232 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 37 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 37% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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