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Color name
HEX #F5E7B2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E7B2 it is the complementary color #0A184D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E7B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E7B2 shade: #FAE7AD, #FFF9C0, #FFFFD3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E7B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E7B2 shade: #F5E7B2, #E4D59F, #D3C38C, #C2B179 and #B19F66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E7B2 shade: #F5E7B2, #F5D5B2, #F5C3B2 and #F5B2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E7B2 shade: #F5E7B2, #F1F5B2, #DFF5B2, #CDF5B2 and #BBF5B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E7B2 shade matches the following richer shades: #F5E7B2 and #FCEBAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E7B2 shade: #F5E7B2, #EEE3B9, #E7DFC0, #E0DBC7 and #D9D7CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E7B2 shade: #F5C3B2, #F5D5B2, #F5E7B2, #F2F5B2 and #E0F5B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E7B2 shade: #ECD069, #F0DC8E, #F5E7B2, #FAF2D7 and #FFFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E7B2 shade: #F5E7B2, #B3F5B2 and #CCB2F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E7B2 shade: #F5E7B2, #B2F5E7 and #E7B2F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E7B2 shade: #F5E7B2, #B3F5B2, #B2C1F5 and #F4B2F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E7B2 shade: #F5E7B2, #B2F5C5, #B2C1F5 and #F5B2E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

Complementary color

CMYK 87 / 69 / 0 / 70

HEX #0A184D

RGB 10 24 77

HSL 227.46, 0.77%, 0.17%

LAB 10.95, 16.91, -34.3

 

CMYK 0 / 8 / 31 / 2

HEX #FAE7AD

RGB 250 231 173

HSL 45.19, 0.89%, 0.83%

LAB 91.91, -1.96, 30.63

 

CMYK 0 / 2 / 25 / 0

HEX #FFF9C0

RGB 255 249 192

HSL 54.29, 1%, 0.88%

LAB 97.15, -6.71, 28.15

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 0 / 7 / 30 / 11

HEX #E4D59F

RGB 228 213 159

HSL 46.96, 0.56%, 0.76%

LAB 85.29, -2.87, 28.62

 

CMYK 0 / 8 / 34 / 17

HEX #D3C38C

RGB 211 195 140

HSL 46.48, 0.45%, 0.69%

LAB 78.91, -2.5, 29.72

 

CMYK 0 / 9 / 38 / 24

HEX #C2B179

RGB 194 177 121

HSL 46.03, 0.37%, 0.62%

LAB 72.42, -2.06, 30.88

 

CMYK 0 / 10 / 42 / 31

HEX #B19F66

RGB 177 159 102

HSL 45.6, 0.32%, 0.55%

LAB 65.83, -1.54, 32.12

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 0 / 13 / 27 / 4

HEX #F5D5B2

RGB 245 213 178

HSL 31.34, 0.77%, 0.83%

LAB 87.1, 6.02, 21.42

 

CMYK 0 / 20 / 27 / 4

HEX #F5C3B2

RGB 245 195 178

HSL 15.22, 0.77%, 0.83%

LAB 82.73, 15.42, 15.33

 

CMYK 0 / 27 / 27 / 4

HEX #F5B2B2

RGB 245 178 178

HSL 0, 0.77%, 0.83%

LAB 78.73, 24.39, 9.67

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 2 / 0 / 27 / 4

HEX #F1F5B2

RGB 241 245 178

HSL 63.58, 0.77%, 0.83%

LAB 94.83, -11.69, 31.91

 

CMYK 9 / 0 / 27 / 4

HEX #DFF5B2

RGB 223 245 178

HSL 79.7, 0.77%, 0.83%

LAB 93.54, -18.23, 29.94

 

CMYK 16 / 0 / 27 / 4

HEX #CDF5B2

RGB 205 245 178

HSL 95.82, 0.77%, 0.83%

LAB 92.35, -24.58, 28.14

 

CMYK 24 / 0 / 27 / 4

HEX #BBF5B2

RGB 187 245 178

HSL 111.94, 0.77%, 0.83%

LAB 91.27, -30.66, 26.49

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 0 / 7 / 32 / 1

HEX #FCEBAB

RGB 252 235 171

HSL 47.41, 0.93%, 0.83%

LAB 93.04, -3.47, 33.19

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 0 / 5 / 22 / 7

HEX #EEE3B9

RGB 238 227 185

HSL 47.55, 0.61%, 0.83%

LAB 90.15, -2.82, 21.9

 

CMYK 0 / 3 / 17 / 9

HEX #E7DFC0

RGB 231 223 192

HSL 47.69, 0.45%, 0.83%

LAB 88.72, -2.31, 16.18

 

CMYK 0 / 2 / 11 / 12

HEX #E0DBC7

RGB 224 219 199

HSL 48, 0.29%, 0.83%

LAB 87.31, -1.67, 10.43

 

CMYK 0 / 1 / 5 / 15

HEX #D9D7CE

RGB 217 215 206

HSL 49.09, 0.13%, 0.83%

LAB 85.91, -0.9, 4.67

 

CMYK 0 / 20 / 27 / 4

HEX #F5C3B2

RGB 245 195 178

HSL 15.22, 0.77%, 0.83%

LAB 82.73, 15.42, 15.33

 

CMYK 0 / 13 / 27 / 4

HEX #F5D5B2

RGB 245 213 178

HSL 31.34, 0.77%, 0.83%

LAB 87.1, 6.02, 21.42

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 1 / 0 / 27 / 4

HEX #F2F5B2

RGB 242 245 178

HSL 62.69, 0.77%, 0.83%

LAB 94.91, -11.32, 32.02

 

CMYK 9 / 0 / 27 / 4

HEX #E0F5B2

RGB 224 245 178

HSL 78.81, 0.77%, 0.83%

LAB 93.61, -17.87, 30.05

 

CMYK 0 / 12 / 56 / 7

HEX #ECD069

RGB 236 208 105

HSL 47.18, 0.78%, 0.67%

LAB 83.95, -2.61, 53.97

 

CMYK 0 / 8 / 41 / 6

HEX #F0DC8E

RGB 240 220 142

HSL 47.76, 0.77%, 0.75%

LAB 87.81, -3.76, 40.78

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 0 / 3 / 14 / 2

HEX #FAF2D7

RGB 250 242 215

HSL 46.29, 0.78%, 0.91%

LAB 95.47, -1.71, 13.99

 

CMYK 0 / 0 / 2 / 0

HEX #FFFEFB

RGB 255 254 251

HSL 45, 1%, 0.99%

LAB 99.65, -0.19, 1.54

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 27 / 0 / 27 / 4

HEX #B3F5B2

RGB 179 245 178

HSL 119.1, 0.77%, 0.83%

LAB 90.83, -33.27, 25.81

 

CMYK 17 / 27 / 0 / 4

HEX #CCB2F5

RGB 204 178 245

HSL 263.28, 0.77%, 0.83%

LAB 76.84, 22.21, -29.86

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 27 / 0 / 6 / 4

HEX #B2F5E7

RGB 178 245 231

HSL 167.46, 0.77%, 0.83%

LAB 91.93, -23.7, -0

 

CMYK 6 / 27 / 0 / 4

HEX #E7B2F5

RGB 231 178 245

HSL 287.46, 0.77%, 0.83%

LAB 79.28, 30.61, -25.91

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 27 / 0 / 27 / 4

HEX #B3F5B2

RGB 179 245 178

HSL 119.1, 0.77%, 0.83%

LAB 90.83, -33.27, 25.81

 

CMYK 27 / 21 / 0 / 4

HEX #B2C1F5

RGB 178 193 245

HSL 226.57, 0.77%, 0.83%

LAB 78.58, 6.23, -27.38

 

CMYK 0 / 27 / 0 / 4

HEX #F4B2F5

RGB 244 178 245

HSL 299.1, 0.77%, 0.83%

LAB 80.55, 34.73, -23.86

 

CMYK 0 / 6 / 27 / 4

HEX #F5E7B2

RGB 245 231 178

HSL 47.46, 0.77%, 0.83%

LAB 91.59, -3.2, 27.57

 

CMYK 27 / 0 / 20 / 4

HEX #B2F5C5

RGB 178 245 197

HSL 137.01, 0.77%, 0.83%

LAB 91.14, -30.33, 16.49

 

CMYK 27 / 21 / 0 / 4

HEX #B2C1F5

RGB 178 193 245

HSL 226.57, 0.77%, 0.83%

LAB 78.58, 6.23, -27.38

 

CMYK 0 / 27 / 8 / 4

HEX #F5B2E2

RGB 245 178 226

HSL 317.01, 0.77%, 0.83%

LAB 80.04, 31.71, -14.41

 

Description

Color code: HEX #F5E7B2 | qconv.com Color code: HEX #F5E7B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 231 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 231 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 27% 4% C M Y K

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