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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E76C it is the complementary color #0A1893. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E76C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E76C shade: #FAE767, #FFF97A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E76C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E76C shade: #F5E76C, #E4D559, #D3C346, #C2B133 and #B19F20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E76C shade: #F5E76B, #F5C26B, #F59C6B, #F5776B and #F56B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E76C shade: #F5E76B, #DEF56B, #B9F56B, #94F56B and #6EF56B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E76C shade matches the following richer shades: #F5E76B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E76C shade: #F5E76B, #E8DC78, #DBD285, #CEC892 and #C2BE9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E76C shade: #F59B6B, #F5C06B, #F5E56B, #E0F56B and #BBF56B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E76C shade: #EFDA1E, #F2E045, #F5E76B, #F7ED92 and #FAF3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E76C shade: #F5E76C, #6BF577 and #AE6BF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E76C shade: #F5E76C, #6BF5E5 and #E56BF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E76C shade: #F5E76C, #6BF577, #6B7BF5 and #F56BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E76C shade: #F5E76C, #6BF5A0, #6B7BF5 and #F56BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 56 / 4

HEX #F5E76C

RGB 245 231 108

HSL 53.87, 0.87%, 0.69%

LAB 90.62, -10.32, 60.48

 

Complementary color

CMYK 93 / 84 / 0 / 42

HEX #0A1893

RGB 10 24 147

HSL 233.87, 0.87%, 0.31%

LAB 19.33, 43.65, -66.04

 

CMYK 0 / 8 / 59 / 2

HEX #FAE767

RGB 250 231 103

HSL 52.24, 0.94%, 0.69%

LAB 90.99, -8.66, 63.21

 

CMYK 0 / 2 / 52 / 0

HEX #FFF97A

RGB 255 249 122

HSL 57.29, 1%, 0.74%

LAB 96.17, -14.12, 60.81

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76C

RGB 245 231 108

HSL 53.87, 0.87%, 0.69%

LAB 90.62, -10.32, 60.48

 

CMYK 0 / 7 / 61 / 11

HEX #E4D559

RGB 228 213 89

HSL 53.53, 0.72%, 0.62%

LAB 84.38, -9.58, 61.46

 

CMYK 0 / 8 / 67 / 17

HEX #D3C346

RGB 211 195 70

HSL 53.19, 0.62%, 0.55%

LAB 78.06, -8.71, 62.25

 

CMYK 0 / 9 / 74 / 24

HEX #C2B133

RGB 194 177 51

HSL 52.87, 0.58%, 0.48%

LAB 71.66, -7.67, 62.65

 

CMYK 0 / 10 / 82 / 31

HEX #B19F20

RGB 177 159 32

HSL 52.55, 0.69%, 0.41%

LAB 65.16, -6.43, 62.35

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76B

RGB 245 231 107

HSL 53.91, 0.87%, 0.69%

LAB 90.61, -10.4, 60.91

 

CMYK 0 / 21 / 56 / 4

HEX #F5C26B

RGB 245 194 107

HSL 37.83, 0.87%, 0.69%

LAB 81.32, 8.47, 50.14

 

CMYK 0 / 36 / 56 / 4

HEX #F59C6B

RGB 245 156 107

HSL 21.3, 0.87%, 0.69%

LAB 72.4, 28.44, 39.29

 

CMYK 0 / 51 / 56 / 4

HEX #F5776B

RGB 245 119 107

HSL 5.22, 0.87%, 0.69%

LAB 64.7, 47.29, 29.5

 

CMYK 0 / 56 / 56 / 4

HEX #F56B6B

RGB 245 107 107

HSL 0, 0.87%, 0.69%

LAB 62.5, 52.97, 26.62

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76B

RGB 245 231 107

HSL 53.91, 0.87%, 0.69%

LAB 90.61, -10.4, 60.91

 

CMYK 9 / 0 / 56 / 4

HEX #DEF56B

RGB 222 245 107

HSL 70, 0.87%, 0.69%

LAB 92.53, -26.31, 62.61

 

CMYK 24 / 0 / 56 / 4

HEX #B9F56B

RGB 185 245 107

HSL 86.09, 0.87%, 0.69%

LAB 90.17, -40.2, 59.31

 

CMYK 40 / 0 / 56 / 4

HEX #94F56B

RGB 148 245 107

HSL 102.17, 0.87%, 0.69%

LAB 88.29, -52.67, 56.64

 

CMYK 55 / 0 / 56 / 4

HEX #6EF56B

RGB 110 245 107

HSL 118.7, 0.87%, 0.69%

LAB 86.84, -63.24, 54.58

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76B

RGB 245 231 107

HSL 53.91, 0.87%, 0.69%

LAB 90.61, -10.4, 60.91

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76B

RGB 245 231 107

HSL 53.91, 0.87%, 0.69%

LAB 90.61, -10.4, 60.91

 

CMYK 0 / 5 / 48 / 9

HEX #E8DC78

RGB 232 220 120

HSL 53.57, 0.71%, 0.69%

LAB 86.85, -9.07, 50.23

 

CMYK 0 / 4 / 39 / 14

HEX #DBD285

RGB 219 210 133

HSL 53.72, 0.54%, 0.69%

LAB 83.36, -7.89, 39.26

 

CMYK 0 / 3 / 29 / 19

HEX #CEC892

RGB 206 200 146

HSL 54, 0.38%, 0.69%

LAB 79.9, -6.28, 27.83

 

CMYK 0 / 2 / 19 / 24

HEX #C2BE9E

RGB 194 190 158

HSL 53.33, 0.23%, 0.69%

LAB 76.54, -3.94, 16.69

 

CMYK 0 / 37 / 56 / 4

HEX #F59B6B

RGB 245 155 107

HSL 20.87, 0.87%, 0.69%

LAB 72.17, 28.97, 39.01

 

CMYK 0 / 22 / 56 / 4

HEX #F5C06B

RGB 245 192 107

HSL 36.96, 0.87%, 0.69%

LAB 80.84, 9.51, 49.56

 

CMYK 0 / 7 / 56 / 4

HEX #F5E56B

RGB 245 229 107

HSL 53.04, 0.87%, 0.69%

LAB 90.1, -9.4, 60.33

 

CMYK 9 / 0 / 56 / 4

HEX #E0F56B

RGB 224 245 107

HSL 69.13, 0.87%, 0.69%

LAB 92.67, -25.53, 62.81

 

CMYK 24 / 0 / 56 / 4

HEX #BBF56B

RGB 187 245 107

HSL 85.22, 0.87%, 0.69%

LAB 90.29, -39.48, 59.47

 

CMYK 0 / 9 / 87 / 6

HEX #EFDA1E

RGB 239 218 30

HSL 53.97, 0.87%, 0.53%

LAB 86.3, -9.89, 82.51

 

CMYK 0 / 7 / 71 / 5

HEX #F2E045

RGB 242 224 69

HSL 53.76, 0.87%, 0.61%

LAB 88.27, -10.38, 73.67

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76B

RGB 245 231 107

HSL 53.91, 0.87%, 0.69%

LAB 90.61, -10.4, 60.91

 

CMYK 0 / 4 / 41 / 3

HEX #F7ED92

RGB 247 237 146

HSL 54.06, 0.86%, 0.77%

LAB 92.76, -9.17, 45.22

 

CMYK 0 / 3 / 26 / 2

HEX #FAF3B8

RGB 250 243 184

HSL 53.64, 0.87%, 0.85%

LAB 95.11, -6.6, 29.37

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76C

RGB 245 231 108

HSL 53.87, 0.87%, 0.69%

LAB 90.62, -10.32, 60.48

 

CMYK 56 / 0 / 51 / 4

HEX #6BF577

RGB 107 245 119

HSL 125.22, 0.87%, 0.69%

LAB 86.88, -62.47, 49.14

 

CMYK 29 / 56 / 0 / 4

HEX #AE6BF5

RGB 174 107 245

HSL 269.13, 0.87%, 0.69%

LAB 58.14, 52.6, -59.43

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76C

RGB 245 231 108

HSL 53.87, 0.87%, 0.69%

LAB 90.62, -10.32, 60.48

 

CMYK 56 / 0 / 7 / 4

HEX #6BF5E5

RGB 107 245 229

HSL 173.04, 0.87%, 0.69%

LAB 88.96, -41.25, -3.65

 

CMYK 7 / 56 / 0 / 4

HEX #E56BF5

RGB 229 107 245

HSL 293.04, 0.87%, 0.69%

LAB 64.78, 66.08, -48.47

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76C

RGB 245 231 108

HSL 53.87, 0.87%, 0.69%

LAB 90.62, -10.32, 60.48

 

CMYK 56 / 0 / 51 / 4

HEX #6BF577

RGB 107 245 119

HSL 125.22, 0.87%, 0.69%

LAB 86.88, -62.47, 49.14

 

CMYK 56 / 50 / 0 / 4

HEX #6B7BF5

RGB 107 123 245

HSL 233.04, 0.87%, 0.69%

LAB 55.97, 28.8, -63.21

 

CMYK 0 / 56 / 5 / 4

HEX #F56BE9

RGB 245 107 233

HSL 305.22, 0.87%, 0.69%

LAB 66.38, 68.11, -39.17

 

CMYK 0 / 6 / 56 / 4

HEX #F5E76C

RGB 245 231 108

HSL 53.87, 0.87%, 0.69%

LAB 90.62, -10.32, 60.48

 

CMYK 56 / 0 / 35 / 4

HEX #6BF5A0

RGB 107 245 160

HSL 143.04, 0.87%, 0.69%

LAB 87.47, -56.12, 29.88

 

CMYK 56 / 50 / 0 / 4

HEX #6B7BF5

RGB 107 123 245

HSL 233.04, 0.87%, 0.69%

LAB 55.97, 28.8, -63.21

 

CMYK 0 / 56 / 22 / 4

HEX #F56BC0

RGB 245 107 192

HSL 323.04, 0.87%, 0.69%

LAB 64.75, 62, -18.71

 

Description

Color code: HEX #F5E76C | qconv.com Color code: HEX #F5E76C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 231 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 231 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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