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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E5CE7F it is the complementary color #0A1A317F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E5CE7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E5CE7F shade: #FAE5C97F, #FFF7DC7F, #FFFFEF7F and #FFFFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E5CE7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E5CE7F shade: #F5E5CE7F, #E4D3BB7F, #D3C1A87F, #C2AF957F and #B19D827F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E5CE7F shade: #F5E4CC, #F5D9CC, #F5CECC and #F5CCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E5CE7F shade: #F5E4CC, #F5EFCC, #EFF5CC, #E4F5CC and #DAF5CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E5CE7F shade matches the following richer shades: #F5E4CC, #FAE5C7 and #FEE6C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E5CE7F shade: #F5E4CC, #F0E3D1, #EBE2D6, #E6E1DB and #E1E0E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E5CE7F shade: #F5CECC, #F5D9CC, #F5E4CC, #F5EFCC and #F0F5CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E5CE7F shade: #E7C088, #EED2AA, #F5E4CC, #FCF6EE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E5CE7F shade: #F5E5CE, #D5F5CC and #D4CCF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E5CE7F shade: #F5E5CE, #CCF5E4 and #E4CCF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E5CE7F shade: #F5E5CE, #D5F5CC, #CCDDF5 and #ECCCF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E5CE7F shade: #F5E5CE, #CCF5D0, #CCDDF5 and #F5CCF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 8 / 2

HEX #F5E5CE7F

RGBA 245 229 206 0.5

HSLA 35.38, 0.66%, 0.88%, 0.5

LABA 91.64, 1.76, 13.17, 0.5

 

Complementary color

CMYK 40 / 23 / 0 / 40

HEX #0A1A317F

RGBA 10 26 49 0.5

HSLA 215.38, 0.66%, 0.12%, 0.5

LABA 9.2, 2.71, -17.28, 0.5

 

CMYK 0 / 4 / 10 / 1

HEX #FAE5C97F

RGBA 250 229 201 0.5

HSLA 34.29, 0.83%, 0.88%, 0.5

LABA 91.94, 2.81, 16.25, 0.5

 

CMYK 0 / 2 / 7 / 0

HEX #FFF7DC7F

RGBA 255 247 220 0.5

HSLA 46.29, 1%, 0.93%, 0.5

LABA 97.21, -1.71, 13.93, 0.5

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFEF7F

RGBA 255 255 239 0.5

HSLA 60, 1%, 0.97%, 0.5

LABA 99.62, -2.71, 7.63, 0.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF7F

RGBA 255 255 255 0.5

HSLA 0, 0%, 1%, 0.5

LABA 100, 0.01, -0.01, 0.5

 

CMYK 0 / 3 / 8 / 2

HEX #F5E5CE7F

RGBA 245 229 206 0.5

HSLA 35.38, 0.66%, 0.88%, 0.5

LABA 91.64, 1.76, 13.17, 0.5

 

CMYK 0 / 4 / 9 / 5

HEX #E4D3BB7F

RGBA 228 211 187 0.5

HSLA 35.12, 0.43%, 0.81%, 0.5

LABA 85.34, 2.04, 14.01, 0.5

 

CMYK 0 / 4 / 10 / 9

HEX #D3C1A87F

RGBA 211 193 168 0.5

HSLA 34.88, 0.33%, 0.74%, 0.5

LABA 78.94, 2.35, 14.89, 0.5

 

CMYK 0 / 5 / 12 / 12

HEX #C2AF957F

RGBA 194 175 149 0.5

HSLA 34.67, 0.27%, 0.67%, 0.5

LABA 72.43, 2.69, 15.83, 0.5

 

CMYK 0 / 6 / 13 / 15

HEX #B19D827F

RGBA 177 157 130 0.5

HSLA 34.47, 0.23%, 0.6%, 0.5

LABA 65.81, 3.08, 16.83, 0.5

 

CMYK 0 / 7 / 17 / 4

HEX #F5E4CC

RGB 245 228 204

HSL 35.12, 0.67%, 0.88%

LAB 91.35, 1.97, 13.8

 

CMYK 0 / 11 / 17 / 4

HEX #F5D9CC

RGB 245 217 204

HSL 19.02, 0.67%, 0.88%

LAB 88.64, 7.64, 9.94

 

CMYK 0 / 16 / 17 / 4

HEX #F5CECC

RGB 245 206 204

HSL 2.93, 0.67%, 0.88%

LAB 85.96, 13.38, 6.1

 

CMYK 0 / 17 / 17 / 4

HEX #F5CCCC

RGB 245 204 204

HSL 0, 0.67%, 0.88%

LAB 85.48, 14.43, 5.41

 

CMYK 0 / 7 / 17 / 4

HEX #F5E4CC

RGB 245 228 204

HSL 35.12, 0.67%, 0.88%

LAB 91.35, 1.97, 13.8

 

CMYK 0 / 2 / 17 / 4

HEX #F5EFCC

RGB 245 239 204

HSL 51.22, 0.67%, 0.88%

LAB 94.1, -3.63, 17.67

 

CMYK 2 / 0 / 17 / 4

HEX #EFF5CC

RGB 239 245 204

HSL 68.78, 0.67%, 0.88%

LAB 95.17, -8.77, 19.1

 

CMYK 7 / 0 / 17 / 4

HEX #E4F5CC

RGB 228 245 204

HSL 84.88, 0.67%, 0.88%

LAB 94.38, -12.62, 17.88

 

CMYK 11 / 0 / 17 / 4

HEX #DAF5CC

RGB 218 245 204

HSL 99.51, 0.67%, 0.88%

LAB 93.7, -16.06, 16.82

 

CMYK 0 / 7 / 17 / 4

HEX #F5E4CC

RGB 245 228 204

HSL 35.12, 0.67%, 0.88%

LAB 91.35, 1.97, 13.8

 

CMYK 0 / 8 / 20 / 2

HEX #FAE5C7

RGB 250 229 199

HSL 35.29, 0.84%, 0.88%

LAB 91.9, 2.53, 17.23

 

CMYK 0 / 9 / 24 / 0

HEX #FEE6C2

RGB 254 230 194

HSL 36, 0.97%, 0.88%

LAB 92.38, 2.77, 20.54

 

CMYK 0 / 7 / 17 / 4

HEX #F5E4CC

RGB 245 228 204

HSL 35.12, 0.67%, 0.88%

LAB 91.35, 1.97, 13.8

 

CMYK 0 / 5 / 13 / 6

HEX #F0E3D1

RGB 240 227 209

HSL 34.84, 0.51%, 0.88%

LAB 90.81, 1.47, 10.36

 

CMYK 0 / 4 / 9 / 8

HEX #EBE2D6

RGB 235 226 214

HSL 34.29, 0.34%, 0.88%

LAB 90.28, 1.03, 6.94

 

CMYK 0 / 2 / 5 / 10

HEX #E6E1DB

RGB 230 225 219

HSL 32.73, 0.18%, 0.88%

LAB 89.76, 0.65, 3.52

 

CMYK 0 / 0 / 0 / 12

HEX #E1E0E0

RGB 225 224 224

HSL 0, 0.02%, 0.88%

LAB 89.25, 0.34, 0.11

 

CMYK 0 / 16 / 17 / 4

HEX #F5CECC

RGB 245 206 204

HSL 2.93, 0.67%, 0.88%

LAB 85.96, 13.38, 6.1

 

CMYK 0 / 11 / 17 / 4

HEX #F5D9CC

RGB 245 217 204

HSL 19.02, 0.67%, 0.88%

LAB 88.64, 7.64, 9.94

 

CMYK 0 / 7 / 17 / 4

HEX #F5E4CC

RGB 245 228 204

HSL 35.12, 0.67%, 0.88%

LAB 91.35, 1.97, 13.8

 

CMYK 0 / 2 / 17 / 4

HEX #F5EFCC

RGB 245 239 204

HSL 51.22, 0.67%, 0.88%

LAB 94.1, -3.63, 17.67

 

CMYK 2 / 0 / 17 / 4

HEX #F0F5CC

RGB 240 245 204

HSL 67.32, 0.67%, 0.88%

LAB 95.24, -8.41, 19.21

 

CMYK 0 / 17 / 41 / 9

HEX #E7C088

RGB 231 192 136

HSL 35.37, 0.66%, 0.72%

LAB 79.88, 6.52, 33.41

 

CMYK 0 / 12 / 29 / 7

HEX #EED2AA

RGB 238 210 170

HSL 35.29, 0.67%, 0.8%

LAB 85.59, 3.89, 23.43

 

CMYK 0 / 7 / 17 / 4

HEX #F5E4CC

RGB 245 228 204

HSL 35.12, 0.67%, 0.88%

LAB 91.35, 1.97, 13.8

 

CMYK 0 / 2 / 6 / 1

HEX #FCF6EE

RGB 252 246 238

HSL 34.29, 0.7%, 0.96%

LAB 97.14, 0.64, 4.54

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 7 / 16 / 4

HEX #F5E5CE

RGB 245 229 206

HSL 35.38, 0.66%, 0.88%

LAB 91.64, 1.76, 13.17

 

CMYK 13 / 0 / 17 / 4

HEX #D5F5CC

RGB 213 245 204

HSL 106.83, 0.67%, 0.88%

LAB 93.37, -17.76, 16.31

 

CMYK 13 / 17 / 0 / 4

HEX #D4CCF5

RGB 212 204 245

HSL 251.71, 0.67%, 0.88%

LAB 83.85, 10.64, -19.13

 

CMYK 0 / 7 / 16 / 4

HEX #F5E5CE

RGB 245 229 206

HSL 35.38, 0.66%, 0.88%

LAB 91.64, 1.76, 13.17

 

CMYK 17 / 0 / 7 / 4

HEX #CCF5E4

RGB 204 245 228

HSL 155.12, 0.67%, 0.88%

LAB 93.34, -16.43, 3.79

 

CMYK 7 / 17 / 0 / 4

HEX #E4CCF5

RGB 228 204 245

HSL 275.12, 0.67%, 0.88%

LAB 85.14, 15.75, -17.06

 

CMYK 0 / 7 / 16 / 4

HEX #F5E5CE

RGB 245 229 206

HSL 35.38, 0.66%, 0.88%

LAB 91.64, 1.76, 13.17

 

CMYK 13 / 0 / 17 / 4

HEX #D5F5CC

RGB 213 245 204

HSL 106.83, 0.67%, 0.88%

LAB 93.37, -17.76, 16.31

 

CMYK 17 / 10 / 0 / 4

HEX #CCDDF5

RGB 204 221 245

HSL 215.12, 0.67%, 0.88%

LAB 87.55, -0.84, -13.62

 

CMYK 4 / 17 / 0 / 4

HEX #ECCCF5

RGB 236 204 245

HSL 286.83, 0.67%, 0.88%

LAB 85.81, 18.35, -15.98

 

CMYK 0 / 7 / 16 / 4

HEX #F5E5CE

RGB 245 229 206

HSL 35.38, 0.66%, 0.88%

LAB 91.64, 1.76, 13.17

 

CMYK 17 / 0 / 15 / 4

HEX #CCF5D0

RGB 204 245 208

HSL 125.85, 0.67%, 0.88%

LAB 92.88, -20.07, 13.48

 

CMYK 17 / 10 / 0 / 4

HEX #CCDDF5

RGB 204 221 245

HSL 215.12, 0.67%, 0.88%

LAB 87.55, -0.84, -13.62

 

CMYK 0 / 17 / 2 / 4

HEX #F5CCF1

RGB 245 204 241

HSL 305.85, 0.67%, 0.88%

LAB 86.48, 20.58, -12.78

 

Description

Color code: HEX #F5E5CE7F | qconv.com Color code: HEX #F5E5CE7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 229 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 229 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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