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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E596 it is the complementary color #0A1A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E596 shade: #FAE591, #FFF7A4, #FFFFB7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E596 shade: #F5E596, #E4D383, #D3C170, #C2AF5D and #B19D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E596 shade: #F5E594, #F5CA94, #F5B094, #F59694 and #F59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E596 shade: #F5E594, #EBF594, #D1F594, #B7F594 and #9CF594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E596 shade matches the following richer shades: #F5E594 and #FFEB8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E596 shade: #F5E594, #ECDE9D, #E2D8A7, #D9D2B0 and #CFCBBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E596 shade: #F5AF94, #F5C994, #F5E394, #EDF594 and #D3F594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E596 shade: #EED248, #F2DB6E, #F5E594, #F9EEB9 and #FCF7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E596 shade: #F5E596, #94F595 and #BC94F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E596 shade: #F5E596, #94F5E3 and #E394F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E596 shade: #F5E596, #94F595, #94A6F5 and #F594F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E596 shade: #F5E596, #94F5B3, #94A6F5 and #F594D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 39 / 4

HEX #F5E596

RGB 245 229 150

HSL 49.89, 0.83%, 0.77%

LAB 90.62, -5.52, 40.48

 

Complementary color

CMYK 90 / 75 / 0 / 59

HEX #0A1A69

RGB 10 26 105

HSL 229.89, 0.83%, 0.23%

LAB 14.53, 27.19, -47.23

 

CMYK 0 / 8 / 42 / 2

HEX #FAE591

RGB 250 229 145

HSL 48, 0.91%, 0.77%

LAB 90.97, -4.1, 43.49

 

CMYK 0 / 3 / 36 / 0

HEX #FFF7A4

RGB 255 247 164

HSL 54.73, 1%, 0.82%

LAB 96.19, -9.13, 40.89

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 7 / 39 / 4

HEX #F5E596

RGB 245 229 150

HSL 49.89, 0.83%, 0.77%

LAB 90.62, -5.52, 40.48

 

CMYK 0 / 7 / 43 / 11

HEX #E4D383

RGB 228 211 131

HSL 49.48, 0.64%, 0.7%

LAB 84.34, -5.05, 41.66

 

CMYK 0 / 9 / 47 / 17

HEX #D3C170

RGB 211 193 112

HSL 49.09, 0.53%, 0.63%

LAB 77.97, -4.5, 42.88

 

CMYK 0 / 10 / 52 / 24

HEX #C2AF5D

RGB 194 175 93

HSL 48.71, 0.45%, 0.56%

LAB 71.5, -3.86, 44.12

 

CMYK 0 / 11 / 58 / 31

HEX #B19D4A

RGB 177 157 74

HSL 48.35, 0.41%, 0.49%

LAB 64.93, -3.09, 45.33

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 0 / 18 / 40 / 4

HEX #F5CA94

RGB 245 202 148

HSL 33.4, 0.83%, 0.77%

LAB 83.86, 8.1, 32.66

 

CMYK 0 / 28 / 40 / 4

HEX #F5B094

RGB 245 176 148

HSL 17.32, 0.83%, 0.77%

LAB 77.64, 21.76, 24.33

 

CMYK 0 / 39 / 40 / 4

HEX #F59694

RGB 245 150 148

HSL 1.24, 0.83%, 0.77%

LAB 71.8, 35.43, 16.3

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 4 / 0 / 40 / 4

HEX #EBF594

RGB 235 245 148

HSL 66.19, 0.83%, 0.77%

LAB 93.93, -17.49, 45.54

 

CMYK 15 / 0 / 40 / 4

HEX #D1F594

RGB 209 245 148

HSL 82.27, 0.83%, 0.77%

LAB 92.13, -27.17, 42.88

 

CMYK 25 / 0 / 40 / 4

HEX #B7F594

RGB 183 245 148

HSL 98.35, 0.83%, 0.77%

LAB 90.56, -36.35, 40.54

 

CMYK 36 / 0 / 40 / 4

HEX #9CF594

RGB 156 245 148

HSL 115.05, 0.83%, 0.77%

LAB 89.16, -45.12, 38.47

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 0 / 8 / 46 / 0

HEX #FFEB8A

RGB 255 235 138

HSL 49.74, 1%, 0.77%

LAB 92.8, -5.83, 49.3

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 0 / 6 / 33 / 7

HEX #ECDE9D

RGB 236 222 157

HSL 49.37, 0.68%, 0.77%

LAB 88.21, -4.65, 33.66

 

CMYK 0 / 4 / 26 / 11

HEX #E2D8A7

RGB 226 216 167

HSL 49.83, 0.5%, 0.77%

LAB 86.04, -4.13, 25.45

 

CMYK 0 / 3 / 19 / 15

HEX #D9D2B0

RGB 217 210 176

HSL 49.76, 0.35%, 0.77%

LAB 83.96, -3.12, 17.74

 

CMYK 0 / 2 / 10 / 19

HEX #CFCBBA

RGB 207 203 186

HSL 48.57, 0.18%, 0.77%

LAB 81.58, -1.55, 8.96

 

CMYK 0 / 29 / 40 / 4

HEX #F5AF94

RGB 245 175 148

HSL 16.7, 0.83%, 0.77%

LAB 77.41, 22.29, 24.02

 

CMYK 0 / 18 / 40 / 4

HEX #F5C994

RGB 245 201 148

HSL 32.78, 0.83%, 0.77%

LAB 83.61, 8.63, 32.34

 

CMYK 0 / 7 / 40 / 4

HEX #F5E394

RGB 245 227 148

HSL 48.87, 0.83%, 0.77%

LAB 90.09, -4.72, 40.79

 

CMYK 3 / 0 / 40 / 4

HEX #EDF594

RGB 237 245 148

HSL 64.95, 0.83%, 0.77%

LAB 94.08, -16.73, 45.75

 

CMYK 14 / 0 / 40 / 4

HEX #D3F594

RGB 211 245 148

HSL 81.03, 0.83%, 0.77%

LAB 92.26, -26.44, 43.07

 

CMYK 0 / 12 / 70 / 7

HEX #EED248

RGB 238 210 72

HSL 49.88, 0.83%, 0.61%

LAB 84.35, -4.87, 68.6

 

CMYK 0 / 10 / 55 / 5

HEX #F2DB6E

RGB 242 219 110

HSL 49.55, 0.84%, 0.69%

LAB 87.32, -5.37, 55.71

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 0 / 4 / 26 / 2

HEX #F9EEB9

RGB 249 238 185

HSL 49.69, 0.84%, 0.85%

LAB 93.79, -4.33, 27.05

 

CMYK 0 / 2 / 12 / 1

HEX #FCF7DF

RGB 252 247 223

HSL 49.66, 0.83%, 0.93%

LAB 97.04, -2.29, 12.13

 

CMYK 0 / 7 / 39 / 4

HEX #F5E596

RGB 245 229 150

HSL 49.89, 0.83%, 0.77%

LAB 90.62, -5.52, 40.48

 

CMYK 40 / 0 / 39 / 4

HEX #94F595

RGB 148 245 149

HSL 120.62, 0.83%, 0.77%

LAB 88.81, -47.38, 37.45

 

CMYK 23 / 40 / 0 / 4

HEX #BC94F5

RGB 188 148 245

HSL 264.74, 0.83%, 0.77%

LAB 68.36, 34.02, -43.14

 

CMYK 0 / 7 / 39 / 4

HEX #F5E596

RGB 245 229 150

HSL 49.89, 0.83%, 0.77%

LAB 90.62, -5.52, 40.48

 

CMYK 40 / 0 / 7 / 4

HEX #94F5E3

RGB 148 245 227

HSL 168.87, 0.83%, 0.77%

LAB 90.39, -32.7, -0.34

 

CMYK 7 / 40 / 0 / 4

HEX #E394F5

RGB 227 148 245

HSL 288.87, 0.83%, 0.77%

LAB 72.3, 45.33, -36.7

 

CMYK 0 / 7 / 39 / 4

HEX #F5E596

RGB 245 229 150

HSL 49.89, 0.83%, 0.77%

LAB 90.62, -5.52, 40.48

 

CMYK 40 / 0 / 39 / 4

HEX #94F595

RGB 148 245 149

HSL 120.62, 0.83%, 0.77%

LAB 88.81, -47.38, 37.45

 

CMYK 40 / 32 / 0 / 4

HEX #94A6F5

RGB 148 166 245

HSL 228.87, 0.83%, 0.77%

LAB 69.58, 12.94, -41.45

 

CMYK 0 / 40 / 1 / 4

HEX #F594F3

RGB 245 148 243

HSL 301.24, 0.83%, 0.77%

LAB 74.23, 50.29, -32.46

 

CMYK 0 / 7 / 39 / 4

HEX #F5E596

RGB 245 229 150

HSL 49.89, 0.83%, 0.77%

LAB 90.62, -5.52, 40.48

 

CMYK 40 / 0 / 27 / 4

HEX #94F5B3

RGB 148 245 179

HSL 139.18, 0.83%, 0.77%

LAB 89.33, -42.44, 22.99

 

CMYK 40 / 32 / 0 / 4

HEX #94A6F5

RGB 148 166 245

HSL 228.87, 0.83%, 0.77%

LAB 69.58, 12.94, -41.45

 

CMYK 0 / 40 / 13 / 4

HEX #F594D6

RGB 245 148 214

HSL 319.18, 0.83%, 0.77%

LAB 73.19, 45.41, -18.19

 

Description

Color code: HEX #F5E596 | qconv.com Color code: HEX #F5E596 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 229 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 229 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 39 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 39% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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