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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5DF06 it is the complementary color #0A20F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5DF06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5DF06 shade: #FADF01, #FFF114, #FFFF27, #FFFF3A and #FFFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5DF06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5DF06 shade: #F5DF06, #E4CD00, #D3BB00, #C2A900 and #B19700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5DF06 shade: #F4DE06, #F49E06, #F45E06, #F41E06 and #F40606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5DF06 shade: #F4DE06, #C9F406, #89F406, #49F406 and #09F406

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5DF06 shade matches the following richer shades: #F4DE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5DF06 shade: #F4DE06, #DFCD1A, #CBBD2F, #B7AC43 and #A39C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5DF06 shade: #F45D06, #F49D06, #F4DC06, #CCF406 and #8DF406

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5DF06 shade: #A39504, #CBB905, #F4DE06, #FAE62A and #FBEB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5DF06 shade: #F5DF06, #06F41E and #7D06F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5DF06 shade: #F5DF06, #06F4DC and #DC06F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5DF06 shade: #F5DF06, #06F41E, #061EF4 and #F406DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5DF06 shade: #F5DF06, #06F465, #061EF4 and #F40695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 98 / 4

HEX #F5DF06

RGB 245 223 6

HSL 54.48, 0.95%, 0.49%

LAB 88.07, -10.14, 87.04

 

Complementary color

CMYK 96 / 87 / 0 / 2

HEX #0A20F9

RGB 10 32 249

HSL 234.48, 0.95%, 0.51%

LAB 33.85, 70.87, -101.9

 

CMYK 0 / 11 / 100 / 2

HEX #FADF01

RGB 250 223 1

HSL 53.49, 0.99%, 0.49%

LAB 88.5, -8.06, 87.96

 

CMYK 0 / 5 / 92 / 0

HEX #FFF114

RGB 255 241 20

HSL 56.43, 1%, 0.54%

LAB 93.55, -14.66, 90.19

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF27

RGB 255 255 39

HSL 60, 1%, 0.58%

LAB 97.2, -21.07, 90.12

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 9 / 98 / 4

HEX #F5DF06

RGB 245 223 6

HSL 54.48, 0.95%, 0.49%

LAB 88.07, -10.14, 87.04

 

CMYK 0 / 10 / 100 / 11

HEX #E4CD00

RGB 228 205 0

HSL 53.95, 1%, 0.45%

LAB 81.92, -8.41, 82.45

 

CMYK 0 / 11 / 100 / 17

HEX #D3BB00

RGB 211 187 0

HSL 53.18, 1%, 0.41%

LAB 75.69, -6.59, 77.29

 

CMYK 0 / 13 / 100 / 24

HEX #C2A900

RGB 194 169 0

HSL 52.27, 1%, 0.38%

LAB 69.36, -4.71, 72.05

 

CMYK 0 / 15 / 100 / 31

HEX #B19700

RGB 177 151 0

HSL 51.19, 1%, 0.35%

LAB 62.91, -2.76, 66.71

 

CMYK 0 / 9 / 98 / 4

HEX #F4DE06

RGB 244 222 6

HSL 54.45, 0.95%, 0.49%

LAB 87.72, -10.06, 86.75

 

CMYK 0 / 35 / 98 / 4

HEX #F49E06

RGB 244 158 6

HSL 38.32, 0.95%, 0.49%

LAB 72.03, 23.03, 75.69

 

CMYK 0 / 61 / 98 / 4

HEX #F45E06

RGB 244 94 6

HSL 22.18, 0.95%, 0.49%

LAB 59.21, 54.68, 67.61

 

CMYK 0 / 88 / 98 / 4

HEX #F41E06

RGB 244 30 6

HSL 6.05, 0.95%, 0.49%

LAB 52.03, 74.46, 63.89

 

CMYK 0 / 98 / 98 / 4

HEX #F40606

RGB 244 6 6

HSL 0, 0.95%, 0.49%

LAB 51.12, 77.08, 63.49

 

CMYK 0 / 9 / 98 / 4

HEX #F4DE06

RGB 244 222 6

HSL 54.45, 0.95%, 0.49%

LAB 87.72, -10.06, 86.75

 

CMYK 18 / 0 / 98 / 4

HEX #C9F406

RGB 201 244 6

HSL 70.84, 0.95%, 0.49%

LAB 90.38, -38.21, 87.31

 

CMYK 44 / 0 / 98 / 4

HEX #89F406

RGB 137 244 6

HSL 86.97, 0.95%, 0.49%

LAB 87.01, -61.08, 83.24

 

CMYK 70 / 0 / 98 / 4

HEX #49F406

RGB 73 244 6

HSL 103.11, 0.95%, 0.49%

LAB 85.06, -76.79, 80.86

 

CMYK 96 / 0 / 98 / 4

HEX #09F406

RGB 9 244 6

HSL 119.24, 0.95%, 0.49%

LAB 84.37, -82.99, 80

 

CMYK 0 / 9 / 98 / 4

HEX #F4DE06

RGB 244 222 6

HSL 54.45, 0.95%, 0.49%

LAB 87.72, -10.06, 86.75

 

CMYK 0 / 9 / 98 / 4

HEX #F4DE06

RGB 244 222 6

HSL 54.45, 0.95%, 0.49%

LAB 87.72, -10.06, 86.75

 

CMYK 0 / 8 / 88 / 13

HEX #DFCD1A

RGB 223 205 26

HSL 54.52, 0.79%, 0.49%

LAB 81.52, -10.25, 78.87

 

CMYK 0 / 7 / 77 / 20

HEX #CBBD2F

RGB 203 189 47

HSL 54.62, 0.62%, 0.49%

LAB 75.64, -10.14, 68

 

CMYK 0 / 6 / 63 / 28

HEX #B7AC43

RGB 183 172 67

HSL 54.31, 0.46%, 0.49%

LAB 69.45, -8.95, 53.72

 

CMYK 0 / 4 / 47 / 36

HEX #A39C57

RGB 163 156 87

HSL 54.47, 0.3%, 0.49%

LAB 63.55, -7.4, 36.87

 

CMYK 0 / 62 / 98 / 4

HEX #F45D06

RGB 244 93 6

HSL 21.93, 0.95%, 0.49%

LAB 59.04, 55.11, 67.51

 

CMYK 0 / 36 / 98 / 4

HEX #F49D06

RGB 244 157 6

HSL 38.07, 0.95%, 0.49%

LAB 71.8, 23.56, 75.53

 

CMYK 0 / 10 / 98 / 4

HEX #F4DC06

RGB 244 220 6

HSL 53.95, 0.95%, 0.49%

LAB 87.21, -9.07, 86.38

 

CMYK 16 / 0 / 98 / 4

HEX #CCF406

RGB 204 244 6

HSL 70.08, 0.95%, 0.49%

LAB 90.58, -37.03, 87.54

 

CMYK 42 / 0 / 98 / 4

HEX #8DF406

RGB 141 244 6

HSL 85.97, 0.95%, 0.49%

LAB 87.18, -59.82, 83.44

 

CMYK 0 / 9 / 98 / 36

HEX #A39504

RGB 163 149 4

HSL 54.72, 0.95%, 0.33%

LAB 61.04, -8.01, 64.17

 

CMYK 0 / 9 / 98 / 20

HEX #CBB905

RGB 203 185 5

HSL 54.55, 0.95%, 0.41%

LAB 74.45, -9.01, 75.52

 

CMYK 0 / 9 / 98 / 4

HEX #F4DE06

RGB 244 222 6

HSL 54.45, 0.95%, 0.49%

LAB 87.72, -10.06, 86.75

 

CMYK 0 / 8 / 83 / 2

HEX #FAE62A

RGB 250 230 42

HSL 54.23, 0.95%, 0.57%

LAB 90.36, -10.95, 83.71

 

CMYK 0 / 6 / 67 / 2

HEX #FBEB52

RGB 251 235 82

HSL 54.32, 0.95%, 0.65%

LAB 91.92, -11.49, 72.8

 

CMYK 0 / 9 / 98 / 4

HEX #F5DF06

RGB 245 223 6

HSL 54.48, 0.95%, 0.49%

LAB 88.07, -10.14, 87.04

 

CMYK 98 / 0 / 88 / 4

HEX #06F41E

RGB 6 244 30

HSL 126.05, 0.95%, 0.49%

LAB 84.4, -82.54, 77.15

 

CMYK 49 / 98 / 0 / 4

HEX #7D06F4

RGB 125 6 244

HSL 270, 0.95%, 0.49%

LAB 39.62, 79.99, -89.27

 

CMYK 0 / 9 / 98 / 4

HEX #F5DF06

RGB 245 223 6

HSL 54.48, 0.95%, 0.49%

LAB 88.07, -10.14, 87.04

 

CMYK 98 / 0 / 10 / 4

HEX #06F4DC

RGB 6 244 220

HSL 173.95, 0.95%, 0.49%

LAB 86.95, -53.07, -2.07

 

CMYK 10 / 98 / 0 / 4

HEX #DC06F4

RGB 220 6 244

HSL 293.95, 0.95%, 0.49%

LAB 53.9, 91.03, -65.35

 

CMYK 0 / 9 / 98 / 4

HEX #F5DF06

RGB 245 223 6

HSL 54.48, 0.95%, 0.49%

LAB 88.07, -10.14, 87.04

 

CMYK 98 / 0 / 88 / 4

HEX #06F41E

RGB 6 244 30

HSL 126.05, 0.95%, 0.49%

LAB 84.4, -82.54, 77.15

 

CMYK 98 / 88 / 0 / 4

HEX #061EF4

RGB 6 30 244

HSL 233.95, 0.95%, 0.49%

LAB 32.92, 70.14, -100.64

 

CMYK 0 / 98 / 10 / 4

HEX #F406DC

RGB 244 6 220

HSL 306.05, 0.95%, 0.49%

LAB 56.62, 91.41, -47.25

 

CMYK 0 / 9 / 98 / 4

HEX #F5DF06

RGB 245 223 6

HSL 54.48, 0.95%, 0.49%

LAB 88.07, -10.14, 87.04

 

CMYK 98 / 0 / 59 / 4

HEX #06F465

RGB 6 244 101

HSL 143.95, 0.95%, 0.49%

LAB 84.83, -77.01, 54.47

 

CMYK 98 / 88 / 0 / 4

HEX #061EF4

RGB 6 30 244

HSL 233.95, 0.95%, 0.49%

LAB 32.92, 70.14, -100.64

 

CMYK 0 / 98 / 39 / 4

HEX #F40695

RGB 244 6 149

HSL 323.95, 0.95%, 0.49%

LAB 53.53, 83.54, -10.75

 

Description

Color code: HEX #F5DF06 | qconv.com Color code: HEX #F5DF06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 223 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 223 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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