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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5DB59CE it is the complementary color #0A24A6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5DB59CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5DB59CE shade: #FADB54CE, #FFED67CE, #FFFF7ACE, #FFFF8DCE and #FFFFA0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5DB59CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5DB59CE shade: #F5DB59CE, #E4C946CE, #D3B733CE, #C2A520CE and #B1930DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5DB59CE shade: #F5DB56, #F5B056, #F58556, #F55A56 and #F55656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5DB59CE shade: #F5DB56, #E5F556, #BAF556, #8FF556 and #64F556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5DB59CE shade matches the following richer shades: #F5DB56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5DB59CE shade: #F5DB56, #E7D165, #D8C773, #CABE82 and #BBB490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5DB59CE shade: #F58656, #F5B056, #F5DB56, #E5F556 and #BBF556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5DB59CE shade: #EBC60E, #F3D22F, #F5DB56, #F7E37D and #FAEBA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5DB59CE shade: #F5DB59, #56F55C and #9B56F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5DB59CE shade: #F5DB59, #56F5DB and #DB56F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5DB59CE shade: #F5DB59, #56F55C, #5671F5 and #F556F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5DB59CE shade: #F5DB59, #56F58B, #5671F5 and #F556C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 52 / 3

HEX #F5DB59CE

RGBA 245 219 89 0.81

HSLA 50, 0.89%, 0.65%, 0.81

LABA 87.39, -5.59, 65.13, 0.81

 

Complementary color

CMYK 76 / 63 / 0 / 28

HEX #0A24A6CE

RGBA 10 36 166 0.81

HSLA 230, 0.89%, 0.35%, 0.81

LABA 23.93, 43.65, -70.04, 0.81

 

CMYK 0 / 10 / 54 / 2

HEX #FADB54CE

RGBA 250 219 84 0.81

HSLA 48.8, 0.94%, 0.65%, 0.81

LABA 87.79, -3.81, 67.74, 0.81

 

CMYK 0 / 6 / 48 / 0

HEX #FFED67CE

RGBA 255 237 103 0.81

HSLA 52.89, 1%, 0.7%, 0.81

LABA 92.93, -9.61, 65.48, 0.81

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF7ACE

RGBA 255 255 122 0.81

HSLA 60, 1%, 0.74%, 0.81

LABA 97.71, -17.02, 62.59, 0.81

 

CMYK 0 / 0 / 36 / 0

HEX #FFFF8DCE

RGBA 255 255 141 0.81

HSLA 60, 1%, 0.78%, 0.81

LABA 97.91, -15.4, 54.17, 0.81

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFA0CE

RGBA 255 255 160 0.81

HSLA 60, 1%, 0.81%, 0.81

LABA 98.16, -13.5, 45.4, 0.81

 

CMYK 0 / 9 / 52 / 3

HEX #F5DB59CE

RGBA 245 219 89 0.81

HSLA 50, 0.89%, 0.65%, 0.81

LABA 87.39, -5.59, 65.13, 0.81

 

CMYK 0 / 10 / 56 / 9

HEX #E4C946CE

RGBA 228 201 70 0.81

HSLA 49.75, 0.75%, 0.58%, 0.81

LABA 81.13, -4.59, 65.85, 0.81

 

CMYK 0 / 11 / 61 / 14

HEX #D3B733CE

RGBA 211 183 51 0.81

HSLA 49.5, 0.65%, 0.51%, 0.81

LABA 74.8, -3.42, 66.17, 0.81

 

CMYK 0 / 12 / 68 / 19

HEX #C2A520CE

RGBA 194 165 32 0.81

HSLA 49.26, 0.72%, 0.44%, 0.81

LABA 68.38, -2.05, 65.74, 0.81

 

CMYK 0 / 14 / 75 / 25

HEX #B1930DCE

RGBA 177 147 13 0.81

HSLA 49.02, 0.86%, 0.37%, 0.81

LABA 61.86, -0.42, 64.05, 0.81

 

CMYK 0 / 11 / 65 / 4

HEX #F5DB56

RGB 245 219 86

HSL 50.19, 0.89%, 0.65%

LAB 87.36, -5.76, 66.35

 

CMYK 0 / 28 / 65 / 4

HEX #F5B056

RGB 245 176 86

HSL 33.96, 0.89%, 0.65%

LAB 76.76, 16.48, 54.87

 

CMYK 0 / 46 / 65 / 4

HEX #F58556

RGB 245 133 86

HSL 17.74, 0.89%, 0.65%

LAB 67.17, 38.91, 43.91

 

CMYK 0 / 63 / 65 / 4

HEX #F55A56

RGB 245 90 86

HSL 1.51, 0.89%, 0.65%

LAB 59.34, 59.07, 34.47

 

CMYK 0 / 65 / 65 / 4

HEX #F55656

RGB 245 86 86

HSL 0, 0.89%, 0.65%

LAB 58.73, 60.71, 33.72

 

CMYK 0 / 11 / 65 / 4

HEX #F5DB56

RGB 245 219 86

HSL 50.19, 0.89%, 0.65%

LAB 87.36, -5.76, 66.35

 

CMYK 7 / 0 / 65 / 4

HEX #E5F556

RGB 229 245 86

HSL 66.04, 0.89%, 0.65%

LAB 92.85, -25, 71.68

 

CMYK 24 / 0 / 65 / 4

HEX #BAF556

RGB 186 245 86

HSL 82.26, 0.89%, 0.65%

LAB 90.05, -41.52, 67.89

 

CMYK 42 / 0 / 65 / 4

HEX #8FF556

RGB 143 245 86

HSL 98.49, 0.89%, 0.65%

LAB 87.88, -56.17, 64.92

 

CMYK 59 / 0 / 65 / 4

HEX #64F556

RGB 100 245 86

HSL 114.72, 0.89%, 0.65%

LAB 86.35, -67.75, 62.82

 

CMYK 0 / 11 / 65 / 4

HEX #F5DB56

RGB 245 219 86

HSL 50.19, 0.89%, 0.65%

LAB 87.36, -5.76, 66.35

 

CMYK 0 / 11 / 65 / 4

HEX #F5DB56

RGB 245 219 86

HSL 50.19, 0.89%, 0.65%

LAB 87.36, -5.76, 66.35

 

CMYK 0 / 10 / 56 / 9

HEX #E7D165

RGB 231 209 101

HSL 49.85, 0.73%, 0.65%

LAB 83.72, -5.48, 55.45

 

CMYK 0 / 8 / 47 / 15

HEX #D8C773

RGB 216 199 115

HSL 49.9, 0.56%, 0.65%

LAB 80, -5.29, 43.99

 

CMYK 0 / 6 / 36 / 21

HEX #CABE82

RGB 202 190 130

HSL 50, 0.4%, 0.65%

LAB 76.68, -4.64, 31.86

 

CMYK 0 / 4 / 23 / 27

HEX #BBB490

RGB 187 180 144

HSL 50.23, 0.24%, 0.65%

LAB 73.04, -3.4, 19.29

 

CMYK 0 / 45 / 65 / 4

HEX #F58656

RGB 245 134 86

HSL 18.11, 0.89%, 0.65%

LAB 67.38, 38.4, 44.15

 

CMYK 0 / 28 / 65 / 4

HEX #F5B056

RGB 245 176 86

HSL 33.96, 0.89%, 0.65%

LAB 76.76, 16.48, 54.87

 

CMYK 0 / 11 / 65 / 4

HEX #F5DB56

RGB 245 219 86

HSL 50.19, 0.89%, 0.65%

LAB 87.36, -5.76, 66.35

 

CMYK 7 / 0 / 65 / 4

HEX #E5F556

RGB 229 245 86

HSL 66.04, 0.89%, 0.65%

LAB 92.85, -25, 71.68

 

CMYK 24 / 0 / 65 / 4

HEX #BBF556

RGB 187 245 86

HSL 81.89, 0.89%, 0.65%

LAB 90.11, -41.16, 67.97

 

CMYK 0 / 16 / 94 / 8

HEX #EBC60E

RGB 235 198 14

HSL 49.95, 0.89%, 0.49%

LAB 80.78, -1.7, 80.56

 

CMYK 0 / 14 / 81 / 5

HEX #F3D22F

RGB 243 210 47

HSL 49.9, 0.89%, 0.57%

LAB 84.67, -3.74, 77.37

 

CMYK 0 / 11 / 65 / 4

HEX #F5DB56

RGB 245 219 86

HSL 50.19, 0.89%, 0.65%

LAB 87.36, -5.76, 66.35

 

CMYK 0 / 8 / 49 / 3

HEX #F7E37D

RGB 247 227 125

HSL 50.16, 0.88%, 0.73%

LAB 89.95, -6.16, 51.89

 

CMYK 0 / 6 / 34 / 2

HEX #FAEBA4

RGB 250 235 164

HSL 49.53, 0.9%, 0.81%

LAB 92.76, -5.05, 36.33

 

CMYK 0 / 11 / 64 / 4

HEX #F5DB59

RGB 245 219 89

HSL 50, 0.89%, 0.65%

LAB 87.39, -5.59, 65.13

 

CMYK 65 / 0 / 62 / 4

HEX #56F55C

RGB 86 245 92

HSL 122.26, 0.89%, 0.65%

LAB 86.03, -70.1, 59.94

 

CMYK 37 / 65 / 0 / 4

HEX #9B56F5

RGB 155 86 245

HSL 266.04, 0.89%, 0.65%

LAB 52.08, 59.12, -69.29

 

CMYK 0 / 11 / 64 / 4

HEX #F5DB59

RGB 245 219 89

HSL 50, 0.89%, 0.65%

LAB 87.39, -5.59, 65.13

 

CMYK 65 / 0 / 11 / 4

HEX #56F5DB

RGB 86 245 219

HSL 170.19, 0.89%, 0.65%

LAB 88.16, -47.29, 0.33

 

CMYK 11 / 65 / 0 / 4

HEX #DB56F5

RGB 219 86 245

HSL 290.19, 0.89%, 0.65%

LAB 60.17, 72.68, -55.86

 

CMYK 0 / 11 / 64 / 4

HEX #F5DB59

RGB 245 219 89

HSL 50, 0.89%, 0.65%

LAB 87.39, -5.59, 65.13

 

CMYK 65 / 0 / 62 / 4

HEX #56F55C

RGB 86 245 92

HSL 122.26, 0.89%, 0.65%

LAB 86.03, -70.1, 59.94

 

CMYK 65 / 54 / 0 / 4

HEX #5671F5

RGB 86 113 245

HSL 229.81, 0.89%, 0.65%

LAB 52.27, 31.26, -69.26

 

CMYK 0 / 65 / 2 / 4

HEX #F556F0

RGB 245 86 240

HSL 301.89, 0.89%, 0.65%

LAB 63.64, 77.67, -47.35

 

CMYK 0 / 11 / 64 / 4

HEX #F5DB59

RGB 245 219 89

HSL 50, 0.89%, 0.65%

LAB 87.39, -5.59, 65.13

 

CMYK 65 / 0 / 43 / 4

HEX #56F58B

RGB 86 245 139

HSL 140, 0.89%, 0.65%

LAB 86.58, -63.89, 39.07

 

CMYK 65 / 54 / 0 / 4

HEX #5671F5

RGB 86 113 245

HSL 229.81, 0.89%, 0.65%

LAB 52.27, 31.26, -69.26

 

CMYK 0 / 65 / 22 / 4

HEX #F556C0

RGB 245 86 192

HSL 320, 0.89%, 0.65%

LAB 61.55, 70.72, -23.6

 

Description

Color code: HEX #F5DB59CE | qconv.com Color code: HEX #F5DB59CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 219 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 219 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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