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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5D82ACE it is the complementary color #0A27D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5D82ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5D82ACE shade: #FAD825CE, #FFEA38CE, #FFFC4BCE, #FFFF5ECE and #FFFF71CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5D82ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5D82ACE shade: #F5D82ACE, #E4C617CE, #D3B404CE, #C2A200CE and #B19000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5D82ACE shade: #F5D829, #F5A129, #F56A29, #F53329 and #F52929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5D82ACE shade: #F5D829, #DBF529, #A4F529, #6DF529 and #36F529

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5D82ACE shade matches the following richer shades: #F5D829

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5D82ACE shade: #F5D829, #E3CB3B, #D1BE4D, #BEB15F and #ACA471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5D82ACE shade: #F56929, #F5A029, #F5D629, #DDF529 and #A7F529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5D82ACE shade: #C2A809, #E9CA0B, #F5D829, #F7DF50 and #F9E678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5D82ACE shade: #F5D82A, #29F533 and #8529F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5D82ACE shade: #F5D82A, #29F5D6 and #D629F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5D82ACE shade: #F5D82A, #29F533, #2947F5 and #F529EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5D82ACE shade: #F5D82A, #29F570, #2947F5 and #F529AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 67 / 3

HEX #F5D82ACE

RGBA 245 216 42 0.81

HSLA 51.43, 0.91%, 0.56%, 0.81

LABA 86.35, -6.07, 80.18, 0.81

 

Complementary color

CMYK 77 / 66 / 0 / 13

HEX #0A27D5CE

RGBA 10 39 213 0.81

HSLA 231.43, 0.91%, 0.44%, 0.81

LABA 30.21, 57.53, -87.43, 0.81

 

CMYK 0 / 11 / 69 / 2

HEX #FAD825CE

RGBA 250 216 37 0.81

HSLA 50.42, 0.96%, 0.56%, 0.81

LABA 86.79, -4.08, 81.89, 0.81

 

CMYK 0 / 7 / 63 / 0

HEX #FFEA38CE

RGBA 255 234 56 0.81

HSLA 53.67, 1%, 0.61%, 0.81

LABA 91.86, -10.44, 81.54, 0.81

 

CMYK 0 / 1 / 57 / 0

HEX #FFFC4BCE

RGBA 255 252 75 0.81

HSLA 59, 1%, 0.65%, 0.81

LABA 96.57, -18.46, 79.98, 0.81

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF5ECE

RGBA 255 255 94 0.81

HSLA 60, 1%, 0.68%, 0.81

LABA 97.47, -18.93, 74, 0.81

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF71CE

RGBA 255 255 113 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.62, -17.7, 66.42, 0.81

 

CMYK 0 / 10 / 67 / 3

HEX #F5D82ACE

RGBA 245 216 42 0.81

HSLA 51.43, 0.91%, 0.56%, 0.81

LABA 86.35, -6.07, 80.18, 0.81

 

CMYK 0 / 11 / 73 / 9

HEX #E4C617CE

RGBA 228 198 23 0.81

HSLA 51.22, 0.82%, 0.49%, 0.81

LABA 80.15, -4.59, 78.51, 0.81

 

CMYK 0 / 12 / 79 / 14

HEX #D3B404CE

RGBA 211 180 4 0.81

HSLA 51.01, 0.96%, 0.42%, 0.81

LABA 73.87, -2.91, 75.55, 0.81

 

CMYK 0 / 13 / 81 / 19

HEX #C2A200CE

RGBA 194 162 0 0.81

HSLA 50.1, 1%, 0.38%, 0.81

LABA 67.51, -1, 70.74, 0.81

 

CMYK 0 / 15 / 81 / 25

HEX #B19000CE

RGBA 177 144 0 0.81

HSLA 48.81, 1%, 0.35%, 0.81

LABA 61.04, 1.04, 65.4, 0.81

 

CMYK 0 / 12 / 83 / 4

HEX #F5D829

RGB 245 216 41

HSL 51.47, 0.91%, 0.56%

LAB 86.35, -6.1, 80.43

 

CMYK 0 / 34 / 83 / 4

HEX #F5A129

RGB 245 161 41

HSL 35.29, 0.91%, 0.56%

LAB 72.93, 22.44, 69.15

 

CMYK 0 / 57 / 83 / 4

HEX #F56A29

RGB 245 106 41

HSL 19.12, 0.91%, 0.56%

LAB 61.55, 50.19, 59.39

 

CMYK 0 / 79 / 83 / 4

HEX #F53329

RGB 245 51 41

HSL 2.94, 0.91%, 0.56%

LAB 53.96, 70.74, 52.71

 

CMYK 0 / 83 / 83 / 4

HEX #F52929

RGB 245 41 41

HSL 0, 0.91%, 0.56%

LAB 53.12, 73.12, 51.96

 

CMYK 0 / 12 / 83 / 4

HEX #F5D829

RGB 245 216 41

HSL 51.47, 0.91%, 0.56%

LAB 86.35, -6.1, 80.43

 

CMYK 11 / 0 / 83 / 4

HEX #DBF529

RGB 219 245 41

HSL 67.65, 0.91%, 0.56%

LAB 91.92, -30.92, 84.27

 

CMYK 33 / 0 / 83 / 4

HEX #A4F529

RGB 164 245 41

HSL 83.82, 0.91%, 0.56%

LAB 88.62, -51.77, 80.14

 

CMYK 56 / 0 / 83 / 4

HEX #6DF529

RGB 109 245 41

HSL 100, 0.91%, 0.56%

LAB 86.36, -68.54, 77.29

 

CMYK 78 / 0 / 83 / 4

HEX #36F529

RGB 54 245 41

HSL 116.18, 0.91%, 0.56%

LAB 85.12, -78.95, 75.71

 

CMYK 0 / 12 / 83 / 4

HEX #F5D829

RGB 245 216 41

HSL 51.47, 0.91%, 0.56%

LAB 86.35, -6.1, 80.43

 

CMYK 0 / 12 / 83 / 4

HEX #F5D829

RGB 245 216 41

HSL 51.47, 0.91%, 0.56%

LAB 86.35, -6.1, 80.43

 

CMYK 0 / 11 / 74 / 11

HEX #E3CB3B

RGB 227 203 59

HSL 51.43, 0.75%, 0.56%

LAB 81.49, -6.54, 70.22

 

CMYK 0 / 9 / 63 / 18

HEX #D1BE4D

RGB 209 190 77

HSL 51.36, 0.59%, 0.56%

LAB 76.63, -6.57, 57.76

 

CMYK 0 / 7 / 50 / 25

HEX #BEB15F

RGB 190 177 95

HSL 51.79, 0.42%, 0.56%

LAB 71.7, -6.41, 43.28

 

CMYK 0 / 5 / 34 / 33

HEX #ACA471

RGB 172 164 113

HSL 51.86, 0.26%, 0.56%

LAB 66.91, -5, 27.55

 

CMYK 0 / 57 / 83 / 4

HEX #F56929

RGB 245 105 41

HSL 18.82, 0.91%, 0.56%

LAB 61.37, 50.65, 59.23

 

CMYK 0 / 35 / 83 / 4

HEX #F5A029

RGB 245 160 41

HSL 35, 0.91%, 0.56%

LAB 72.7, 22.97, 68.96

 

CMYK 0 / 13 / 83 / 4

HEX #F5D629

RGB 245 214 41

HSL 50.88, 0.91%, 0.56%

LAB 85.84, -5.09, 80

 

CMYK 10 / 0 / 83 / 4

HEX #DDF529

RGB 221 245 41

HSL 67.06, 0.91%, 0.56%

LAB 92.06, -30.12, 84.44

 

CMYK 32 / 0 / 83 / 4

HEX #A7F529

RGB 167 245 41

HSL 82.94, 0.91%, 0.56%

LAB 88.77, -50.71, 80.33

 

CMYK 0 / 13 / 95 / 24

HEX #C2A809

RGB 194 168 9

HSL 51.57, 0.91%, 0.4%

LAB 69.11, -4.08, 70.76

 

CMYK 0 / 13 / 95 / 9

HEX #E9CA0B

RGB 233 202 11

HSL 51.62, 0.91%, 0.48%

LAB 81.61, -4.64, 81.4

 

CMYK 0 / 12 / 83 / 4

HEX #F5D829

RGB 245 216 41

HSL 51.47, 0.91%, 0.56%

LAB 86.35, -6.1, 80.43

 

CMYK 0 / 10 / 68 / 3

HEX #F7DF50

RGB 247 223 80

HSL 51.38, 0.91%, 0.64%

LAB 88.51, -7.27, 69.99

 

CMYK 0 / 8 / 52 / 2

HEX #F9E678

RGB 249 230 120

HSL 51.16, 0.91%, 0.72%

LAB 90.82, -7.29, 55.33

 

CMYK 0 / 12 / 83 / 4

HEX #F5D82A

RGB 245 216 42

HSL 51.43, 0.91%, 0.56%

LAB 86.35, -6.07, 80.18

 

CMYK 83 / 0 / 79 / 4

HEX #29F533

RGB 41 245 51

HSL 122.94, 0.91%, 0.56%

LAB 85, -79.86, 73.02

 

CMYK 46 / 83 / 0 / 4

HEX #8529F5

RGB 133 41 245

HSL 267.06, 0.91%, 0.56%

LAB 43.01, 74.11, -84.2

 

CMYK 0 / 12 / 83 / 4

HEX #F5D82A

RGB 245 216 42

HSL 51.43, 0.91%, 0.56%

LAB 86.35, -6.07, 80.18

 

CMYK 83 / 0 / 13 / 4

HEX #29F5D6

RGB 41 245 214

HSL 170.88, 0.91%, 0.56%

LAB 87.31, -53.56, 1.61

 

CMYK 13 / 83 / 0 / 4

HEX #D629F5

RGB 214 41 245

HSL 290.88, 0.91%, 0.56%

LAB 54.53, 85.72, -64.95

 

CMYK 0 / 12 / 83 / 4

HEX #F5D82A

RGB 245 216 42

HSL 51.43, 0.91%, 0.56%

LAB 86.35, -6.07, 80.18

 

CMYK 83 / 0 / 79 / 4

HEX #29F533

RGB 41 245 51

HSL 122.94, 0.91%, 0.56%

LAB 85, -79.86, 73.02

 

CMYK 83 / 71 / 0 / 4

HEX #2947F5

RGB 41 71 245

HSL 231.18, 0.91%, 0.56%

LAB 40.53, 52, -88.55

 

CMYK 0 / 83 / 4 / 4

HEX #F529EB

RGB 245 41 235

HSL 302.94, 0.91%, 0.56%

LAB 58.97, 89.54, -51.95

 

CMYK 0 / 12 / 83 / 4

HEX #F5D82A

RGB 245 216 42

HSL 51.43, 0.91%, 0.56%

LAB 86.35, -6.07, 80.18

 

CMYK 83 / 0 / 54 / 4

HEX #29F570

RGB 41 245 112

HSL 140.88, 0.91%, 0.56%

LAB 85.48, -74, 50.36

 

CMYK 83 / 71 / 0 / 4

HEX #2947F5

RGB 41 71 245

HSL 231.18, 0.91%, 0.56%

LAB 40.53, 52, -88.55

 

CMYK 0 / 83 / 29 / 4

HEX #F529AD

RGB 245 41 173

HSL 321.18, 0.91%, 0.56%

LAB 56.1, 81.75, -20.98

 

Description

Color code: HEX #F5D82ACE | qconv.com Color code: HEX #F5D82ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 216 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 216 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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