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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5CF97 it is the complementary color #0A3068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5CF97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5CF97 shade: #FACF92, #FFE1A5, #FFF3B8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5CF97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5CF97 shade: #F5CF97, #E4BD84, #D3AB71, #C2995E and #B1874B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5CF97 shade: #F5D099, #F5B799, #F59E99 and #F59999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5CF97 shade: #F5D099, #F5E999, #E8F599, #D0F599 and #B7F599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5CF97 shade matches the following richer shades: #F5D099 and #FED190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5CF97 shade: #F5D099, #ECCEA2, #E3CCAB, #DACAB4 and #D1C9BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5CF97 shade: #F59D99, #F5B699, #F5CF99, #F5E799 and #EAF599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5CF97 shade: #EDAD4E, #F1BE73, #F5D099, #F9E1BE and #FCF2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5CF97 shade: #F5CF97, #ADF599 and #AA99F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5CF97 shade: #F5CF97, #99F5CF and #CF99F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5CF97 shade: #F5CF97, #ADF599, #99BFF5 and #E199F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5CF97 shade: #F5CF97, #99F5A1, #99BFF5 and #F599ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 38 / 4

HEX #F5CF97

RGB 245 207 151

HSL 35.74, 0.82%, 0.78%

LAB 85.14, 5.84, 32.8

 

Complementary color

CMYK 90 / 54 / 0 / 59

HEX #0A3068

RGB 10 48 104

HSL 215.74, 0.82%, 0.22%

LAB 20.74, 10.79, -36.42

 

CMYK 0 / 17 / 42 / 2

HEX #FACF92

RGB 250 207 146

HSL 35.19, 0.91%, 0.78%

LAB 85.52, 7.25, 35.96

 

CMYK 0 / 12 / 35 / 0

HEX #FFE1A5

RGB 255 225 165

HSL 40, 1%, 0.82%

LAB 90.7, 2.03, 33.17

 

CMYK 0 / 5 / 28 / 0

HEX #FFF3B8

RGB 255 243 184

HSL 49.86, 1%, 0.86%

LAB 95.51, -4.75, 29.96

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 16 / 38 / 4

HEX #F5CF97

RGB 245 207 151

HSL 35.74, 0.82%, 0.78%

LAB 85.14, 5.84, 32.8

 

CMYK 0 / 17 / 42 / 11

HEX #E4BD84

RGB 228 189 132

HSL 35.63, 0.64%, 0.71%

LAB 78.78, 6.47, 34.01

 

CMYK 0 / 19 / 46 / 17

HEX #D3AB71

RGB 211 171 113

HSL 35.51, 0.53%, 0.64%

LAB 72.34, 7.2, 35.29

 

CMYK 0 / 21 / 52 / 24

HEX #C2995E

RGB 194 153 94

HSL 35.4, 0.45%, 0.56%

LAB 65.8, 8.05, 36.65

 

CMYK 0 / 24 / 58 / 31

HEX #B1874B

RGB 177 135 75

HSL 35.29, 0.4%, 0.49%

LAB 59.14, 9.06, 38.06

 

CMYK 0 / 15 / 38 / 4

HEX #F5D099

RGB 245 208 153

HSL 35.87, 0.82%, 0.78%

LAB 85.42, 5.54, 32.14

 

CMYK 0 / 25 / 38 / 4

HEX #F5B799

RGB 245 183 153

HSL 19.57, 0.82%, 0.78%

LAB 79.37, 18.63, 24.02

 

CMYK 0 / 36 / 38 / 4

HEX #F59E99

RGB 245 158 153

HSL 3.26, 0.82%, 0.78%

LAB 73.65, 31.81, 16.13

 

CMYK 0 / 38 / 38 / 4

HEX #F59999

RGB 245 153 153

HSL 0, 0.82%, 0.78%

LAB 72.56, 34.43, 14.6

 

CMYK 0 / 15 / 38 / 4

HEX #F5D099

RGB 245 208 153

HSL 35.87, 0.82%, 0.78%

LAB 85.42, 5.54, 32.14

 

CMYK 0 / 5 / 38 / 4

HEX #F5E999

RGB 245 233 153

HSL 52.17, 0.82%, 0.78%

LAB 91.68, -7.2, 40.35

 

CMYK 5 / 0 / 38 / 4

HEX #E8F599

RGB 232 245 153

HSL 68.48, 0.82%, 0.78%

LAB 93.78, -18.07, 42.86

 

CMYK 15 / 0 / 38 / 4

HEX #D0F599

RGB 208 245 153

HSL 84.13, 0.82%, 0.78%

LAB 92.14, -26.92, 40.42

 

CMYK 25 / 0 / 38 / 4

HEX #B7F599

RGB 183 245 153

HSL 100.43, 0.82%, 0.78%

LAB 90.63, -35.68, 38.17

 

CMYK 0 / 15 / 38 / 4

HEX #F5D099

RGB 245 208 153

HSL 35.87, 0.82%, 0.78%

LAB 85.42, 5.54, 32.14

 

CMYK 0 / 18 / 43 / 0

HEX #FED190

RGB 254 209 144

HSL 35.45, 0.98%, 0.78%

LAB 86.35, 7.58, 38.14

 

CMYK 0 / 15 / 38 / 4

HEX #F5D099

RGB 245 208 153

HSL 35.87, 0.82%, 0.78%

LAB 85.42, 5.54, 32.14

 

CMYK 0 / 13 / 31 / 7

HEX #ECCEA2

RGB 236 206 162

HSL 35.68, 0.66%, 0.78%

LAB 84.27, 4.18, 25.78

 

CMYK 0 / 10 / 25 / 11

HEX #E3CCAB

RGB 227 204 171

HSL 35.36, 0.5%, 0.78%

LAB 83.16, 3, 19.39

 

CMYK 0 / 7 / 17 / 15

HEX #DACAB4

RGB 218 202 180

HSL 34.74, 0.34%, 0.78%

LAB 82.08, 2.01, 12.99

 

CMYK 0 / 4 / 10 / 18

HEX #D1C9BD

RGB 209 201 189

HSL 36, 0.18%, 0.78%

LAB 81.29, 0.71, 6.97

 

CMYK 0 / 36 / 38 / 4

HEX #F59D99

RGB 245 157 153

HSL 2.61, 0.82%, 0.78%

LAB 73.43, 32.34, 15.82

 

CMYK 0 / 26 / 38 / 4

HEX #F5B699

RGB 245 182 153

HSL 18.91, 0.82%, 0.78%

LAB 79.14, 19.16, 23.7

 

CMYK 0 / 16 / 38 / 4

HEX #F5CF99

RGB 245 207 153

HSL 35.22, 0.82%, 0.78%

LAB 85.17, 6.06, 31.81

 

CMYK 0 / 6 / 38 / 4

HEX #F5E799

RGB 245 231 153

HSL 50.87, 0.82%, 0.78%

LAB 91.17, -6.2, 39.7

 

CMYK 4 / 0 / 38 / 4

HEX #EAF599

RGB 234 245 153

HSL 67.17, 0.82%, 0.78%

LAB 93.92, -17.32, 43.08

 

CMYK 0 / 27 / 67 / 7

HEX #EDAD4E

RGB 237 173 78

HSL 35.85, 0.82%, 0.62%

LAB 75.1, 14.26, 56.47

 

CMYK 0 / 21 / 52 / 5

HEX #F1BE73

RGB 241 190 115

HSL 35.71, 0.82%, 0.7%

LAB 80.05, 9.57, 44.57

 

CMYK 0 / 15 / 38 / 4

HEX #F5D099

RGB 245 208 153

HSL 35.87, 0.82%, 0.78%

LAB 85.42, 5.54, 32.14

 

CMYK 0 / 10 / 24 / 2

HEX #F9E1BE

RGB 249 225 190

HSL 35.59, 0.83%, 0.86%

LAB 90.65, 2.94, 20.14

 

CMYK 0 / 4 / 10 / 1

HEX #FCF2E4

RGB 252 242 228

HSL 35, 0.8%, 0.94%

LAB 95.91, 1.03, 7.93

 

CMYK 0 / 16 / 38 / 4

HEX #F5CF97

RGB 245 207 151

HSL 35.74, 0.82%, 0.78%

LAB 85.14, 5.84, 32.8

 

CMYK 29 / 0 / 38 / 4

HEX #ADF599

RGB 173 245 153

HSL 106.96, 0.82%, 0.78%

LAB 90.09, -39.01, 37.35

 

CMYK 31 / 38 / 0 / 4

HEX #AA99F5

RGB 170 153 245

HSL 251.09, 0.82%, 0.78%

LAB 67.96, 26.2, -43.88

 

CMYK 0 / 16 / 38 / 4

HEX #F5CF97

RGB 245 207 151

HSL 35.74, 0.82%, 0.78%

LAB 85.14, 5.84, 32.8

 

CMYK 38 / 0 / 16 / 4

HEX #99F5CF

RGB 153 245 207

HSL 155.22, 0.82%, 0.78%

LAB 90.13, -35.68, 9.71

 

CMYK 16 / 38 / 0 / 4

HEX #CF99F5

RGB 207 153 245

HSL 275.22, 0.82%, 0.78%

LAB 71.31, 36.77, -38.4

 

CMYK 0 / 16 / 38 / 4

HEX #F5CF97

RGB 245 207 151

HSL 35.74, 0.82%, 0.78%

LAB 85.14, 5.84, 32.8

 

CMYK 29 / 0 / 38 / 4

HEX #ADF599

RGB 173 245 153

HSL 106.96, 0.82%, 0.78%

LAB 90.09, -39.01, 37.35

 

CMYK 38 / 22 / 0 / 4

HEX #99BFF5

RGB 153 191 245

HSL 215.22, 0.82%, 0.78%

LAB 76.45, 0.36, -30.78

 

CMYK 8 / 38 / 0 / 4

HEX #E199F5

RGB 225 153 245

HSL 286.96, 0.82%, 0.78%

LAB 73.14, 42.1, -35.41

 

CMYK 0 / 16 / 38 / 4

HEX #F5CF97

RGB 245 207 151

HSL 35.74, 0.82%, 0.78%

LAB 85.14, 5.84, 32.8

 

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

CMYK 38 / 22 / 0 / 4

HEX #99BFF5

RGB 153 191 245

HSL 215.22, 0.82%, 0.78%

LAB 76.45, 0.36, -30.78

 

CMYK 0 / 38 / 3 / 4

HEX #F599ED

RGB 245 153 237

HSL 305.22, 0.82%, 0.78%

LAB 75.02, 46.68, -27.98

 

Description

Color code: HEX #F5CF97 | qconv.com Color code: HEX #F5CF97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 207 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 207 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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