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Color name
HEX #F5C19B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5C19B it is the complementary color #0A3E64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5C19B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5C19B shade: #FAC196, #FFD3A9, #FFE5BC, #FFF7CF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5C19B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5C19B shade: #F5C19B, #E4AF88, #D39D75, #C28B62 and #B1794F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5C19B shade: #F5C099, #F5A799 and #F59999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5C19B shade: #F5C099, #F5D999, #F5F199, #E0F599 and #C7F599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5C19B shade matches the following richer shades: #F5C099 and #FEBE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5C19B shade: #F5C099, #ECC1A2, #E3C3AB, #DAC4B4 and #D1C5BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5C19B shade: #F599A4, #F5A799, #F5BF99, #F5D899 and #F5F099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5C19B shade: #ED914E, #F1A873, #F5C099, #F9D7BE and #FCEEE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5C19B shade: #F5C19B, #BCF599 and #9A99F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5C19B shade: #F5C19B, #99F5BF and #BF99F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5C19B shade: #F5C19B, #BCF599, #99CFF5 and #D299F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5C19B shade: #F5C19B, #A1F599, #99CFF5 and #ED99F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 37 / 4

HEX #F5C19B

RGB 245 193 155

HSL 25.33, 0.82%, 0.78%

LAB 81.79, 13.6, 26.24

 

Complementary color

CMYK 90 / 38 / 0 / 61

HEX #0A3E64

RGB 10 62 100

HSL 205.33, 0.82%, 0.22%

LAB 25.04, -0.88, -26.93

 

CMYK 0 / 23 / 40 / 2

HEX #FAC196

RGB 250 193 150

HSL 25.8, 0.91%, 0.78%

LAB 82.2, 14.97, 29.5

 

CMYK 0 / 17 / 34 / 0

HEX #FFD3A9

RGB 255 211 169

HSL 29.3, 1%, 0.83%

LAB 87.35, 9.7, 26.6

 

CMYK 0 / 10 / 26 / 0

HEX #FFE5BC

RGB 255 229 188

HSL 36.72, 1%, 0.87%

LAB 92.1, 2.84, 23.26

 

CMYK 0 / 3 / 19 / 0

HEX #FFF7CF

RGB 255 247 207

HSL 50, 1%, 0.91%

LAB 96.94, -3.64, 20.22

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 21 / 37 / 4

HEX #F5C19B

RGB 245 193 155

HSL 25.33, 0.82%, 0.78%

LAB 81.79, 13.6, 26.24

 

CMYK 0 / 23 / 40 / 11

HEX #E4AF88

RGB 228 175 136

HSL 25.43, 0.63%, 0.71%

LAB 75.41, 14.33, 27.45

 

CMYK 0 / 26 / 45 / 17

HEX #D39D75

RGB 211 157 117

HSL 25.53, 0.52%, 0.64%

LAB 68.93, 15.16, 28.74

 

CMYK 0 / 28 / 49 / 24

HEX #C28B62

RGB 194 139 98

HSL 25.63, 0.44%, 0.57%

LAB 62.35, 16.11, 30.15

 

CMYK 0 / 32 / 55 / 31

HEX #B1794F

RGB 177 121 79

HSL 25.71, 0.39%, 0.5%

LAB 55.67, 17.22, 31.68

 

CMYK 0 / 22 / 38 / 4

HEX #F5C099

RGB 245 192 153

HSL 25.43, 0.82%, 0.78%

LAB 81.52, 13.89, 26.92

 

CMYK 0 / 32 / 38 / 4

HEX #F5A799

RGB 245 167 153

HSL 9.13, 0.82%, 0.78%

LAB 75.67, 27.08, 18.93

 

CMYK 0 / 38 / 38 / 4

HEX #F59999

RGB 245 153 153

HSL 0, 0.82%, 0.78%

LAB 72.56, 34.43, 14.6

 

CMYK 0 / 22 / 38 / 4

HEX #F5C099

RGB 245 192 153

HSL 25.43, 0.82%, 0.78%

LAB 81.52, 13.89, 26.92

 

CMYK 0 / 11 / 38 / 4

HEX #F5D999

RGB 245 217 153

HSL 41.74, 0.82%, 0.78%

LAB 87.65, 0.91, 35.1

 

CMYK 0 / 2 / 38 / 4

HEX #F5F199

RGB 245 241 153

HSL 57.39, 0.82%, 0.78%

LAB 93.72, -11.18, 42.98

 

CMYK 9 / 0 / 38 / 4

HEX #E0F599

RGB 224 245 153

HSL 73.7, 0.82%, 0.78%

LAB 93.21, -21.06, 42.02

 

CMYK 19 / 0 / 38 / 4

HEX #C7F599

RGB 199 245 153

HSL 90, 0.82%, 0.78%

LAB 91.57, -30.14, 39.57

 

CMYK 0 / 22 / 38 / 4

HEX #F5C099

RGB 245 192 153

HSL 25.43, 0.82%, 0.78%

LAB 81.52, 13.89, 26.92

 

CMYK 0 / 25 / 43 / 0

HEX #FEBE90

RGB 254 190 144

HSL 25.09, 0.98%, 0.78%

LAB 81.79, 17.47, 32.18

 

CMYK 0 / 22 / 38 / 4

HEX #F5C099

RGB 245 192 153

HSL 25.43, 0.82%, 0.78%

LAB 81.52, 13.89, 26.92

 

CMYK 0 / 18 / 31 / 7

HEX #ECC1A2

RGB 236 193 162

HSL 25.14, 0.66%, 0.78%

LAB 81.06, 10.99, 21.39

 

CMYK 0 / 14 / 25 / 11

HEX #E3C3AB

RGB 227 195 171

HSL 25.71, 0.5%, 0.78%

LAB 80.91, 7.72, 16.26

 

CMYK 0 / 10 / 17 / 15

HEX #DAC4B4

RGB 218 196 180

HSL 25.26, 0.34%, 0.78%

LAB 80.56, 5.17, 10.84

 

CMYK 0 / 6 / 10 / 18

HEX #D1C5BD

RGB 209 197 189

HSL 24, 0.18%, 0.78%

LAB 80.27, 2.82, 5.5

 

CMYK 0 / 38 / 33 / 4

HEX #F599A4

RGB 245 153 164

HSL 352.83, 0.82%, 0.78%

LAB 72.81, 35.74, 8.88

 

CMYK 0 / 32 / 38 / 4

HEX #F5A799

RGB 245 167 153

HSL 9.13, 0.82%, 0.78%

LAB 75.67, 27.08, 18.93

 

CMYK 0 / 22 / 38 / 4

HEX #F5BF99

RGB 245 191 153

HSL 24.78, 0.82%, 0.78%

LAB 81.28, 14.42, 26.6

 

CMYK 0 / 12 / 38 / 4

HEX #F5D899

RGB 245 216 153

HSL 41.09, 0.82%, 0.78%

LAB 87.4, 1.42, 34.77

 

CMYK 0 / 2 / 38 / 4

HEX #F5F099

RGB 245 240 153

HSL 56.74, 0.82%, 0.78%

LAB 93.46, -10.69, 42.65

 

CMYK 0 / 39 / 67 / 7

HEX #ED914E

RGB 237 145 78

HSL 25.28, 0.82%, 0.62%

LAB 68.61, 29.07, 49.33

 

CMYK 0 / 30 / 52 / 5

HEX #F1A873

RGB 241 168 115

HSL 25.24, 0.82%, 0.7%

LAB 74.79, 21.17, 38.01

 

CMYK 0 / 22 / 38 / 4

HEX #F5C099

RGB 245 192 153

HSL 25.43, 0.82%, 0.78%

LAB 81.52, 13.89, 26.92

 

CMYK 0 / 14 / 24 / 2

HEX #F9D7BE

RGB 249 215 190

HSL 25.42, 0.83%, 0.86%

LAB 88.19, 8.1, 16.7

 

CMYK 0 / 6 / 10 / 1

HEX #FCEEE4

RGB 252 238 228

HSL 25, 0.8%, 0.94%

LAB 94.93, 3.06, 6.51

 

CMYK 0 / 21 / 37 / 4

HEX #F5C19B

RGB 245 193 155

HSL 25.33, 0.82%, 0.78%

LAB 81.79, 13.6, 26.24

 

CMYK 23 / 0 / 38 / 4

HEX #BCF599

RGB 188 245 153

HSL 97.17, 0.82%, 0.78%

LAB 90.91, -33.98, 38.59

 

CMYK 37 / 38 / 0 / 4

HEX #9A99F5

RGB 154 153 245

HSL 240.65, 0.82%, 0.78%

LAB 66.71, 21.91, -45.94

 

CMYK 0 / 21 / 37 / 4

HEX #F5C19B

RGB 245 193 155

HSL 25.33, 0.82%, 0.78%

LAB 81.79, 13.6, 26.24

 

CMYK 38 / 0 / 22 / 4

HEX #99F5BF

RGB 153 245 191

HSL 144.78, 0.82%, 0.78%

LAB 89.78, -38.82, 17.49

 

CMYK 22 / 38 / 0 / 4

HEX #BF99F5

RGB 191 153 245

HSL 264.78, 0.82%, 0.78%

LAB 69.79, 32.11, -40.88

 

CMYK 0 / 21 / 37 / 4

HEX #F5C19B

RGB 245 193 155

HSL 25.33, 0.82%, 0.78%

LAB 81.79, 13.6, 26.24

 

CMYK 23 / 0 / 38 / 4

HEX #BCF599

RGB 188 245 153

HSL 97.17, 0.82%, 0.78%

LAB 90.91, -33.98, 38.59

 

CMYK 38 / 16 / 0 / 4

HEX #99CFF5

RGB 153 207 245

HSL 204.78, 0.82%, 0.78%

LAB 80.73, -8.2, -24.22

 

CMYK 14 / 38 / 0 / 4

HEX #D299F5

RGB 210 153 245

HSL 277.17, 0.82%, 0.78%

LAB 71.61, 37.65, -37.91

 

CMYK 0 / 21 / 37 / 4

HEX #F5C19B

RGB 245 193 155

HSL 25.33, 0.82%, 0.78%

LAB 81.79, 13.6, 26.24

 

CMYK 34 / 0 / 38 / 4

HEX #A1F599

RGB 161 245 153

HSL 114.78, 0.82%, 0.78%

LAB 89.48, -42.84, 36.44

 

CMYK 38 / 16 / 0 / 4

HEX #99CFF5

RGB 153 207 245

HSL 204.78, 0.82%, 0.78%

LAB 80.73, -8.2, -24.22

 

CMYK 3 / 38 / 0 / 4

HEX #ED99F5

RGB 237 153 245

HSL 294.78, 0.82%, 0.78%

LAB 74.43, 45.69, -33.31

 

Description

Color code: HEX #F5C19B | qconv.com Color code: HEX #F5C19B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 193 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 193 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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