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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5BC9B it is the complementary color #0A4364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5BC9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5BC9B shade: #FABC96, #FFCEA9, #FFE0BC, #FFF2CF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5BC9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5BC9B shade: #F5BC9B, #E4AA88, #D39875, #C28662 and #B1744F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5BC9B shade: #F5BB99, #F5A299 and #F59999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5BC9B shade: #F5BB99, #F5D399, #F5EC99, #E5F599 and #CCF599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5BC9B shade matches the following richer shades: #F5BB99 and #FEB890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5BC9B shade: #F5BB99, #ECBDA2, #E3BFAB, #DAC2B4 and #D1C4BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5BC9B shade: #F599A8, #F5A299, #F5BB99, #F5D399 and #F5EC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5BC9B shade: #ED884E, #F1A173, #F5BB99, #F9D4BE and #FCEDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5BC9B shade: #F5BC9B, #C1F599 and #999CF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5BC9B shade: #F5BC9B, #99F5BB and #BB99F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5BC9B shade: #F5BC9B, #C1F599, #99D3F5 and #CD99F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5BC9B shade: #F5BC9B, #A5F599, #99D3F5 and #E999F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 37 / 4

HEX #F5BC9B

RGB 245 188 155

HSL 22, 0.82%, 0.78%

LAB 80.6, 16.23, 24.62

 

Complementary color

CMYK 90 / 33 / 0 / 61

HEX #0A4364

RGB 10 67 100

HSL 202, 0.82%, 0.22%

LAB 26.73, -4.21, -24.27

 

CMYK 0 / 25 / 40 / 2

HEX #FABC96

RGB 250 188 150

HSL 22.8, 0.91%, 0.78%

LAB 81.01, 17.59, 27.91

 

CMYK 0 / 19 / 34 / 0

HEX #FFCEA9

RGB 255 206 169

HSL 25.81, 1%, 0.83%

LAB 86.14, 12.29, 24.95

 

CMYK 0 / 12 / 26 / 0

HEX #FFE0BC

RGB 255 224 188

HSL 32.24, 1%, 0.87%

LAB 90.87, 5.4, 21.57

 

CMYK 0 / 5 / 19 / 0

HEX #FFF2CF

RGB 255 242 207

HSL 43.75, 1%, 0.91%

LAB 95.69, -1.12, 18.48

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 23 / 37 / 4

HEX #F5BC9B

RGB 245 188 155

HSL 22, 0.82%, 0.78%

LAB 80.6, 16.23, 24.62

 

CMYK 0 / 25 / 40 / 11

HEX #E4AA88

RGB 228 170 136

HSL 22.17, 0.63%, 0.71%

LAB 74.2, 17, 25.83

 

CMYK 0 / 28 / 45 / 17

HEX #D39875

RGB 211 152 117

HSL 22.34, 0.52%, 0.64%

LAB 67.72, 17.87, 27.14

 

CMYK 0 / 31 / 49 / 24

HEX #C28662

RGB 194 134 98

HSL 22.5, 0.44%, 0.57%

LAB 61.13, 18.87, 28.58

 

CMYK 0 / 34 / 55 / 31

HEX #B1744F

RGB 177 116 79

HSL 22.65, 0.39%, 0.5%

LAB 54.45, 20.02, 30.16

 

CMYK 0 / 24 / 38 / 4

HEX #F5BB99

RGB 245 187 153

HSL 22.17, 0.82%, 0.78%

LAB 80.32, 16.52, 25.31

 

CMYK 0 / 34 / 38 / 4

HEX #F5A299

RGB 245 162 153

HSL 5.87, 0.82%, 0.78%

LAB 74.54, 29.71, 17.37

 

CMYK 0 / 38 / 38 / 4

HEX #F59999

RGB 245 153 153

HSL 0, 0.82%, 0.78%

LAB 72.56, 34.43, 14.6

 

CMYK 0 / 24 / 38 / 4

HEX #F5BB99

RGB 245 187 153

HSL 22.17, 0.82%, 0.78%

LAB 80.32, 16.52, 25.31

 

CMYK 0 / 14 / 38 / 4

HEX #F5D399

RGB 245 211 153

HSL 37.83, 0.82%, 0.78%

LAB 86.16, 3.99, 33.13

 

CMYK 0 / 4 / 38 / 4

HEX #F5EC99

RGB 245 236 153

HSL 54.13, 0.82%, 0.78%

LAB 92.44, -8.7, 41.34

 

CMYK 7 / 0 / 38 / 4

HEX #E5F599

RGB 229 245 153

HSL 70.43, 0.82%, 0.78%

LAB 93.56, -19.19, 42.54

 

CMYK 17 / 0 / 38 / 4

HEX #CCF599

RGB 204 245 153

HSL 86.74, 0.82%, 0.78%

LAB 91.88, -28.36, 40.04

 

CMYK 0 / 24 / 38 / 4

HEX #F5BB99

RGB 245 187 153

HSL 22.17, 0.82%, 0.78%

LAB 80.32, 16.52, 25.31

 

CMYK 0 / 28 / 43 / 0

HEX #FEB890

RGB 254 184 144

HSL 21.82, 0.98%, 0.78%

LAB 80.38, 20.61, 30.31

 

CMYK 0 / 24 / 38 / 4

HEX #F5BB99

RGB 245 187 153

HSL 22.17, 0.82%, 0.78%

LAB 80.32, 16.52, 25.31

 

CMYK 0 / 20 / 31 / 7

HEX #ECBDA2

RGB 236 189 162

HSL 21.89, 0.66%, 0.78%

LAB 80.09, 13.1, 20.05

 

CMYK 0 / 16 / 25 / 11

HEX #E3BFAB

RGB 227 191 171

HSL 21.43, 0.5%, 0.78%

LAB 79.92, 9.84, 14.87

 

CMYK 0 / 11 / 17 / 15

HEX #DAC2B4

RGB 218 194 180

HSL 22.11, 0.34%, 0.78%

LAB 80.06, 6.23, 10.13

 

CMYK 0 / 6 / 10 / 18

HEX #D1C4BD

RGB 209 196 189

HSL 21, 0.18%, 0.78%

LAB 80.02, 3.35, 5.13

 

CMYK 0 / 38 / 31 / 4

HEX #F599A8

RGB 245 153 168

HSL 350.22, 0.82%, 0.78%

LAB 72.91, 36.24, 6.8

 

CMYK 0 / 34 / 38 / 4

HEX #F5A299

RGB 245 162 153

HSL 5.87, 0.82%, 0.78%

LAB 74.54, 29.71, 17.37

 

CMYK 0 / 24 / 38 / 4

HEX #F5BB99

RGB 245 187 153

HSL 22.17, 0.82%, 0.78%

LAB 80.32, 16.52, 25.31

 

CMYK 0 / 14 / 38 / 4

HEX #F5D399

RGB 245 211 153

HSL 37.83, 0.82%, 0.78%

LAB 86.16, 3.99, 33.13

 

CMYK 0 / 4 / 38 / 4

HEX #F5EC99

RGB 245 236 153

HSL 54.13, 0.82%, 0.78%

LAB 92.44, -8.7, 41.34

 

CMYK 0 / 43 / 67 / 7

HEX #ED884E

RGB 237 136 78

HSL 21.89, 0.82%, 0.62%

LAB 66.64, 33.77, 47.11

 

CMYK 0 / 33 / 52 / 5

HEX #F1A173

RGB 241 161 115

HSL 21.9, 0.82%, 0.7%

LAB 73.17, 24.87, 35.96

 

CMYK 0 / 24 / 38 / 4

HEX #F5BB99

RGB 245 187 153

HSL 22.17, 0.82%, 0.78%

LAB 80.32, 16.52, 25.31

 

CMYK 0 / 15 / 24 / 2

HEX #F9D4BE

RGB 249 212 190

HSL 22.37, 0.83%, 0.86%

LAB 87.46, 9.65, 15.68

 

CMYK 0 / 6 / 10 / 1

HEX #FCEDE4

RGB 252 237 228

HSL 22.5, 0.8%, 0.94%

LAB 94.68, 3.57, 6.16

 

CMYK 0 / 23 / 37 / 4

HEX #F5BC9B

RGB 245 188 155

HSL 22, 0.82%, 0.78%

LAB 80.6, 16.23, 24.62

 

CMYK 21 / 0 / 38 / 4

HEX #C1F599

RGB 193 245 153

HSL 93.91, 0.82%, 0.78%

LAB 91.21, -32.25, 39.03

 

CMYK 38 / 36 / 0 / 4

HEX #999CF5

RGB 153 156 245

HSL 238.04, 0.82%, 0.78%

LAB 67.38, 19.93, -44.88

 

CMYK 0 / 23 / 37 / 4

HEX #F5BC9B

RGB 245 188 155

HSL 22, 0.82%, 0.78%

LAB 80.6, 16.23, 24.62

 

CMYK 38 / 0 / 24 / 4

HEX #99F5BB

RGB 153 245 187

HSL 142.17, 0.82%, 0.78%

LAB 89.7, -39.57, 19.44

 

CMYK 24 / 38 / 0 / 4

HEX #BB99F5

RGB 187 153 245

HSL 262.17, 0.82%, 0.78%

LAB 69.43, 30.96, -41.48

 

CMYK 0 / 23 / 37 / 4

HEX #F5BC9B

RGB 245 188 155

HSL 22, 0.82%, 0.78%

LAB 80.6, 16.23, 24.62

 

CMYK 21 / 0 / 38 / 4

HEX #C1F599

RGB 193 245 153

HSL 93.91, 0.82%, 0.78%

LAB 91.21, -32.25, 39.03

 

CMYK 38 / 14 / 0 / 4

HEX #99D3F5

RGB 153 211 245

HSL 202.17, 0.82%, 0.78%

LAB 81.81, -10.29, -22.58

 

CMYK 16 / 38 / 0 / 4

HEX #CD99F5

RGB 205 153 245

HSL 273.91, 0.82%, 0.78%

LAB 71.11, 36.18, -38.72

 

CMYK 0 / 23 / 37 / 4

HEX #F5BC9B

RGB 245 188 155

HSL 22, 0.82%, 0.78%

LAB 80.6, 16.23, 24.62

 

CMYK 33 / 0 / 38 / 4

HEX #A5F599

RGB 165 245 153

HSL 112.17, 0.82%, 0.78%

LAB 89.68, -41.59, 36.74

 

CMYK 38 / 14 / 0 / 4

HEX #99D3F5

RGB 153 211 245

HSL 202.17, 0.82%, 0.78%

LAB 81.81, -10.29, -22.58

 

CMYK 5 / 38 / 0 / 4

HEX #E999F5

RGB 233 153 245

HSL 292.17, 0.82%, 0.78%

LAB 74, 44.49, -34.02

 

Description

Color code: HEX #F5BC9B | qconv.com Color code: HEX #F5BC9B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 188 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 188 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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