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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5BB7B it is the complementary color #0A4484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5BB7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5BB7B shade: #FABB76, #FFCD89, #FFDF9C, #FFF1AF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5BB7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5BB7B shade: #F5BB7B, #E4A968, #D39755, #C28542 and #B1732F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5BB7B shade: #F5BB7A, #F59A7A and #F57A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5BB7B shade: #F5BB7A, #F5DC7A, #EDF57A, #CCF57A and #ABF57A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5BB7B shade matches the following richer shades: #F5BB7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5BB7B shade: #F5BB7A, #E9BA86, #DEB991, #D2B99D and #C7B8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5BB7B shade: #F57A7C, #F5997A, #F5BA7A, #F5DA7A and #EFF57A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5BB7B shade: #EF932D, #F2A754, #F5BB7A, #F8CEA1 and #FBE2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5BB7B shade: #F5BB7B, #9DF57A and #897AF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5BB7B shade: #F5BB7B, #7AF5BA and #BA7AF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5BB7B shade: #F5BB7B, #9DF57A, #7AB6F5 and #D27AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5BB7B shade: #F5BB7B, #7AF57C, #7AB6F5 and #F57AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 50 / 4

HEX #F5BB7B

RGB 245 187 123

HSL 31.48, 0.86%, 0.72%

LAB 79.83, 13.46, 40.34

 

Complementary color

CMYK 92 / 48 / 0 / 48

HEX #0A4484

RGB 10 68 132

HSL 211.48, 0.86%, 0.28%

LAB 29.07, 8.7, -40.76

 

CMYK 0 / 25 / 53 / 2

HEX #FABB76

RGB 250 187 118

HSL 31.36, 0.93%, 0.72%

LAB 80.28, 15.04, 43.55

 

CMYK 0 / 20 / 46 / 0

HEX #FFCD89

RGB 255 205 137

HSL 34.58, 1%, 0.77%

LAB 85.37, 9.36, 40.45

 

CMYK 0 / 13 / 39 / 0

HEX #FFDF9C

RGB 255 223 156

HSL 40.61, 1%, 0.81%

LAB 90.06, 2.04, 36.9

 

CMYK 0 / 5 / 31 / 0

HEX #FFF1AF

RGB 255 241 175

HSL 49.5, 1%, 0.84%

LAB 94.85, -4.87, 33.64

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7B

RGB 245 187 123

HSL 31.48, 0.86%, 0.72%

LAB 79.83, 13.46, 40.34

 

CMYK 0 / 26 / 54 / 11

HEX #E4A968

RGB 228 169 104

HSL 31.45, 0.7%, 0.65%

LAB 73.46, 14.44, 41.73

 

CMYK 0 / 28 / 60 / 17

HEX #D39755

RGB 211 151 85

HSL 31.43, 0.59%, 0.58%

LAB 67, 15.57, 43.18

 

CMYK 0 / 31 / 66 / 24

HEX #C28542

RGB 194 133 66

HSL 31.41, 0.51%, 0.51%

LAB 60.46, 16.88, 44.66

 

CMYK 0 / 35 / 73 / 31

HEX #B1732F

RGB 177 115 47

HSL 31.38, 0.58%, 0.44%

LAB 53.83, 18.41, 46.04

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7A

RGB 245 187 122

HSL 31.71, 0.86%, 0.72%

LAB 79.82, 13.37, 40.83

 

CMYK 0 / 37 / 50 / 4

HEX #F59A7A

RGB 245 154 122

HSL 15.61, 0.86%, 0.72%

LAB 72.18, 30.74, 31.03

 

CMYK 0 / 50 / 50 / 4

HEX #F57A7A

RGB 245 122 122

HSL 0, 0.86%, 0.72%

LAB 65.54, 47.05, 22.21

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7A

RGB 245 187 122

HSL 31.71, 0.86%, 0.72%

LAB 79.82, 13.37, 40.83

 

CMYK 0 / 10 / 50 / 4

HEX #F5DC7A

RGB 245 220 122

HSL 47.8, 0.86%, 0.72%

LAB 87.97, -3.69, 50.89

 

CMYK 3 / 0 / 50 / 4

HEX #EDF57A

RGB 237 245 122

HSL 63.9, 0.86%, 0.72%

LAB 93.76, -19.24, 57.65

 

CMYK 17 / 0 / 50 / 4

HEX #CCF57A

RGB 204 245 122

HSL 80, 0.86%, 0.72%

LAB 91.48, -31.84, 54.38

 

CMYK 30 / 0 / 50 / 4

HEX #ABF57A

RGB 171 245 122

HSL 96.1, 0.86%, 0.72%

LAB 89.57, -43.58, 51.62

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7A

RGB 245 187 122

HSL 31.71, 0.86%, 0.72%

LAB 79.82, 13.37, 40.83

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7A

RGB 245 187 122

HSL 31.71, 0.86%, 0.72%

LAB 79.82, 13.37, 40.83

 

CMYK 0 / 20 / 42 / 9

HEX #E9BA86

RGB 233 186 134

HSL 31.52, 0.69%, 0.72%

LAB 78.56, 10.26, 32.76

 

CMYK 0 / 17 / 35 / 13

HEX #DEB991

RGB 222 185 145

HSL 31.17, 0.54%, 0.72%

LAB 77.44, 7.69, 25.28

 

CMYK 0 / 12 / 25 / 18

HEX #D2B99D

RGB 210 185 157

HSL 31.7, 0.37%, 0.72%

LAB 76.58, 4.62, 17.49

 

CMYK 0 / 8 / 16 / 22

HEX #C7B8A8

RGB 199 184 168

HSL 30.97, 0.22%, 0.72%

LAB 75.61, 2.66, 10.04

 

CMYK 0 / 50 / 49 / 4

HEX #F57A7C

RGB 245 122 124

HSL 359.02, 0.86%, 0.72%

LAB 65.58, 47.22, 21.14

 

CMYK 0 / 38 / 50 / 4

HEX #F5997A

RGB 245 153 122

HSL 15.12, 0.86%, 0.72%

LAB 71.96, 31.26, 30.75

 

CMYK 0 / 24 / 50 / 4

HEX #F5BA7A

RGB 245 186 122

HSL 31.22, 0.86%, 0.72%

LAB 79.58, 13.9, 40.53

 

CMYK 0 / 11 / 50 / 4

HEX #F5DA7A

RGB 245 218 122

HSL 46.83, 0.86%, 0.72%

LAB 87.47, -2.67, 50.28

 

CMYK 2 / 0 / 50 / 4

HEX #EFF57A

RGB 239 245 122

HSL 62.93, 0.86%, 0.72%

LAB 93.91, -18.46, 57.86

 

CMYK 0 / 38 / 81 / 6

HEX #EF932D

RGB 239 147 45

HSL 31.55, 0.86%, 0.56%

LAB 69.05, 27.42, 64.15

 

CMYK 0 / 31 / 65 / 5

HEX #F2A754

RGB 242 167 84

HSL 31.52, 0.86%, 0.64%

LAB 74.29, 19.86, 52.96

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7A

RGB 245 187 122

HSL 31.71, 0.86%, 0.72%

LAB 79.82, 13.37, 40.83

 

CMYK 0 / 17 / 35 / 3

HEX #F8CEA1

RGB 248 206 161

HSL 31.03, 0.86%, 0.8%

LAB 85.34, 8.66, 27.94

 

CMYK 0 / 10 / 21 / 2

HEX #FBE2C7

RGB 251 226 199

HSL 31.15, 0.87%, 0.88%

LAB 91.25, 4.42, 16.32

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7B

RGB 245 187 123

HSL 31.48, 0.86%, 0.72%

LAB 79.83, 13.46, 40.34

 

CMYK 36 / 0 / 50 / 4

HEX #9DF57A

RGB 157 245 122

HSL 102.93, 0.86%, 0.72%

LAB 88.86, -48.19, 50.61

 

CMYK 44 / 50 / 0 / 4

HEX #897AF5

RGB 137 122 245

HSL 247.32, 0.86%, 0.72%

LAB 57.88, 35.66, -60.04

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7B

RGB 245 187 123

HSL 31.48, 0.86%, 0.72%

LAB 79.83, 13.46, 40.34

 

CMYK 50 / 0 / 24 / 4

HEX #7AF5BA

RGB 122 245 186

HSL 151.22, 0.86%, 0.72%

LAB 88.44, -47.79, 18.01

 

CMYK 24 / 50 / 0 / 4

HEX #BA7AF5

RGB 186 122 245

HSL 271.22, 0.86%, 0.72%

LAB 62.47, 47.67, -52.45

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7B

RGB 245 187 123

HSL 31.48, 0.86%, 0.72%

LAB 79.83, 13.46, 40.34

 

CMYK 36 / 0 / 50 / 4

HEX #9DF57A

RGB 157 245 122

HSL 102.93, 0.86%, 0.72%

LAB 88.86, -48.19, 50.61

 

CMYK 50 / 26 / 0 / 4

HEX #7AB6F5

RGB 122 182 245

HSL 210.73, 0.86%, 0.72%

LAB 72.35, -2.32, -37.25

 

CMYK 14 / 50 / 0 / 4

HEX #D27AF5

RGB 210 122 245

HSL 282.93, 0.86%, 0.72%

LAB 65.13, 53.97, -48.06

 

CMYK 0 / 24 / 50 / 4

HEX #F5BB7B

RGB 245 187 123

HSL 31.48, 0.86%, 0.72%

LAB 79.83, 13.46, 40.34

 

CMYK 50 / 0 / 49 / 4

HEX #7AF57C

RGB 122 245 124

HSL 120.98, 0.86%, 0.72%

LAB 87.44, -58.13, 47.59

 

CMYK 50 / 26 / 0 / 4

HEX #7AB6F5

RGB 122 182 245

HSL 210.73, 0.86%, 0.72%

LAB 72.35, -2.32, -37.25

 

CMYK 0 / 50 / 1 / 4

HEX #F57AF3

RGB 245 122 243

HSL 300.98, 0.86%, 0.72%

LAB 69.33, 63, -40.07

 

Description

Color code: HEX #F5BB7B | qconv.com Color code: HEX #F5BB7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 187 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 187 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 50% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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