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Color name
HEX #F5B935

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B935 it is the complementary color #0A46CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B935. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B935 shade: #FAB930, #FFCB43, #FFDD56, #FFEF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B935. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B935 shade: #F5B935, #E4A722, #D3950F, #C28300 and #B17100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B935 shade: #F5B832, #F58432, #F54F32 and #F53232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B935 shade: #F5B832, #F5ED32, #C9F532, #95F532 and #60F532

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B935 shade matches the following richer shades: #F5B832

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B935 shade: #F5B832, #E4B244, #D3AB55, #C1A566 and #B09E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B935 shade: #F55032, #F58432, #F5B832, #F5EC32 and #CBF532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B935 shade: #CC8F0A, #F3AB0B, #F5B832, #F7C65A and #F9D481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B935 shade: #F5B935, #49F532 and #6A32F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B935 shade: #F5B935, #32F5B8 and #B832F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B935 shade: #F5B935, #49F532, #3270F5 and #DF32F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B935 shade: #F5B935, #32F556, #3270F5 and #F532D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 78 / 4

HEX #F5B935

RGB 245 185 53

HSL 41.25, 0.91%, 0.58%

LAB 78.68, 10.2, 70.29

 

Complementary color

CMYK 95 / 65 / 0 / 21

HEX #0A46CA

RGB 10 70 202

HSL 221.25, 0.91%, 0.42%

LAB 35.42, 35.83, -72.42

 

CMYK 0 / 26 / 81 / 2

HEX #FAB930

RGB 250 185 48

HSL 40.69, 0.95%, 0.58%

LAB 79.18, 12.16, 72.57

 

CMYK 0 / 20 / 74 / 0

HEX #FFCB43

RGB 255 203 67

HSL 43.4, 1%, 0.63%

LAB 84.16, 5.62, 70.83

 

CMYK 0 / 13 / 66 / 0

HEX #FFDD56

RGB 255 221 86

HSL 47.93, 1%, 0.67%

LAB 88.75, -2.64, 68.08

 

CMYK 0 / 6 / 59 / 0

HEX #FFEF69

RGB 255 239 105

HSL 53.6, 1%, 0.71%

LAB 93.46, -10.46, 65.2

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 24 / 78 / 4

HEX #F5B935

RGB 245 185 53

HSL 41.25, 0.91%, 0.58%

LAB 78.68, 10.2, 70.29

 

CMYK 0 / 27 / 85 / 11

HEX #E4A722

RGB 228 167 34

HSL 41.13, 0.78%, 0.51%

LAB 72.39, 11.85, 69.97

 

CMYK 0 / 29 / 93 / 17

HEX #D3950F

RGB 211 149 15

HSL 41.02, 0.87%, 0.44%

LAB 66.04, 13.73, 68.46

 

CMYK 0 / 32 / 100 / 24

HEX #C28300

RGB 194 131 0

HSL 40.52, 1%, 0.38%

LAB 59.62, 15.86, 65.33

 

CMYK 0 / 36 / 100 / 31

HEX #B17100

RGB 177 113 0

HSL 38.31, 1%, 0.35%

LAB 53.12, 18.25, 60.02

 

CMYK 0 / 25 / 80 / 4

HEX #F5B832

RGB 245 184 50

HSL 41.23, 0.91%, 0.58%

LAB 78.42, 10.62, 71.05

 

CMYK 0 / 46 / 80 / 4

HEX #F58432

RGB 245 132 50

HSL 25.23, 0.91%, 0.58%

LAB 66.63, 37.77, 60.32

 

CMYK 0 / 68 / 80 / 4

HEX #F54F32

RGB 245 79 50

HSL 8.92, 0.91%, 0.58%

LAB 57.3, 61.91, 51.45

 

CMYK 0 / 80 / 80 / 4

HEX #F53232

RGB 245 50 50

HSL 0, 0.91%, 0.58%

LAB 53.95, 71.23, 48.15

 

CMYK 0 / 25 / 80 / 4

HEX #F5B832

RGB 245 184 50

HSL 41.23, 0.91%, 0.58%

LAB 78.42, 10.62, 71.05

 

CMYK 0 / 3 / 80 / 4

HEX #F5ED32

RGB 245 237 50

HSL 57.54, 0.91%, 0.58%

LAB 91.78, -16.25, 82.79

 

CMYK 18 / 0 / 80 / 4

HEX #C9F532

RGB 201 245 50

HSL 73.54, 0.91%, 0.58%

LAB 90.76, -37.74, 80.67

 

CMYK 39 / 0 / 80 / 4

HEX #95F532

RGB 149 245 50

HSL 89.54, 0.91%, 0.58%

LAB 87.93, -56.5, 77.07

 

CMYK 61 / 0 / 80 / 4

HEX #60F532

RGB 96 245 50

HSL 105.85, 0.91%, 0.58%

LAB 86.02, -71.22, 74.61

 

CMYK 0 / 25 / 80 / 4

HEX #F5B832

RGB 245 184 50

HSL 41.23, 0.91%, 0.58%

LAB 78.42, 10.62, 71.05

 

CMYK 0 / 25 / 80 / 4

HEX #F5B832

RGB 245 184 50

HSL 41.23, 0.91%, 0.58%

LAB 78.42, 10.62, 71.05

 

CMYK 0 / 22 / 70 / 11

HEX #E4B244

RGB 228 178 68

HSL 41.25, 0.75%, 0.58%

LAB 75.3, 7.28, 60.73

 

CMYK 0 / 19 / 60 / 17

HEX #D3AB55

RGB 211 171 85

HSL 40.95, 0.59%, 0.58%

LAB 71.98, 4.81, 48.98

 

CMYK 0 / 15 / 47 / 24

HEX #C1A566

RGB 193 165 102

HSL 41.54, 0.42%, 0.58%

LAB 68.9, 1.89, 36.32

 

CMYK 0 / 10 / 32 / 31

HEX #B09E78

RGB 176 158 120

HSL 40.71, 0.26%, 0.58%

LAB 65.78, 0.76, 22.29

 

CMYK 0 / 67 / 80 / 4

HEX #F55032

RGB 245 80 50

HSL 9.23, 0.91%, 0.58%

LAB 57.44, 61.53, 51.59

 

CMYK 0 / 46 / 80 / 4

HEX #F58432

RGB 245 132 50

HSL 25.23, 0.91%, 0.58%

LAB 66.63, 37.77, 60.32

 

CMYK 0 / 25 / 80 / 4

HEX #F5B832

RGB 245 184 50

HSL 41.23, 0.91%, 0.58%

LAB 78.42, 10.62, 71.05

 

CMYK 0 / 4 / 80 / 4

HEX #F5EC32

RGB 245 236 50

HSL 57.23, 0.91%, 0.58%

LAB 91.52, -15.76, 82.56

 

CMYK 17 / 0 / 80 / 4

HEX #CBF532

RGB 203 245 50

HSL 72.92, 0.91%, 0.58%

LAB 90.89, -36.96, 80.83

 

CMYK 0 / 30 / 95 / 20

HEX #CC8F0A

RGB 204 143 10

HSL 41.13, 0.91%, 0.42%

LAB 63.76, 13.84, 67.22

 

CMYK 0 / 30 / 95 / 5

HEX #F3AB0B

RGB 243 171 11

HSL 41.38, 0.91%, 0.5%

LAB 74.95, 15.81, 77.07

 

CMYK 0 / 25 / 80 / 4

HEX #F5B832

RGB 245 184 50

HSL 41.23, 0.91%, 0.58%

LAB 78.42, 10.62, 71.05

 

CMYK 0 / 20 / 64 / 3

HEX #F7C65A

RGB 247 198 90

HSL 41.27, 0.91%, 0.66%

LAB 82.33, 6.05, 59.27

 

CMYK 0 / 15 / 48 / 2

HEX #F9D481

RGB 249 212 129

HSL 41.5, 0.91%, 0.74%

LAB 86.41, 2.62, 45.65

 

CMYK 0 / 24 / 78 / 4

HEX #F5B935

RGB 245 185 53

HSL 41.25, 0.91%, 0.58%

LAB 78.68, 10.2, 70.29

 

CMYK 70 / 0 / 80 / 4

HEX #49F532

RGB 73 245 50

HSL 112.92, 0.91%, 0.58%

LAB 85.48, -75.73, 73.91

 

CMYK 57 / 80 / 0 / 4

HEX #6A32F5

RGB 106 50 245

HSL 257.23, 0.91%, 0.58%

LAB 41.12, 67.92, -87.43

 

CMYK 0 / 24 / 78 / 4

HEX #F5B935

RGB 245 185 53

HSL 41.25, 0.91%, 0.58%

LAB 78.68, 10.2, 70.29

 

CMYK 80 / 0 / 25 / 4

HEX #32F5B8

RGB 50 245 184

HSL 161.23, 0.91%, 0.58%

LAB 86.72, -60.07, 16.39

 

CMYK 25 / 80 / 0 / 4

HEX #B832F5

RGB 184 50 245

HSL 281.23, 0.91%, 0.58%

LAB 50.76, 78.59, -71.26

 

CMYK 0 / 24 / 78 / 4

HEX #F5B935

RGB 245 185 53

HSL 41.25, 0.91%, 0.58%

LAB 78.68, 10.2, 70.29

 

CMYK 70 / 0 / 80 / 4

HEX #49F532

RGB 73 245 50

HSL 112.92, 0.91%, 0.58%

LAB 85.48, -75.73, 73.91

 

CMYK 80 / 54 / 0 / 4

HEX #3270F5

RGB 50 112 245

HSL 220.92, 0.91%, 0.58%

LAB 50.52, 27.49, -72.15

 

CMYK 9 / 80 / 0 / 4

HEX #DF32F5

RGB 223 50 245

HSL 293.23, 0.91%, 0.58%

LAB 56.65, 85.19, -61.46

 

CMYK 0 / 24 / 78 / 4

HEX #F5B935

RGB 245 185 53

HSL 41.25, 0.91%, 0.58%

LAB 78.68, 10.2, 70.29

 

CMYK 80 / 0 / 65 / 4

HEX #32F556

RGB 50 245 86

HSL 131.08, 0.91%, 0.58%

LAB 85.33, -76.19, 61.41

 

CMYK 80 / 54 / 0 / 4

HEX #3270F5

RGB 50 112 245

HSL 220.92, 0.91%, 0.58%

LAB 50.52, 27.49, -72.15

 

CMYK 0 / 80 / 14 / 4

HEX #F532D2

RGB 245 50 210

HSL 310.77, 0.91%, 0.58%

LAB 58.36, 84.24, -38.79

 

Description

Color code: HEX #F5B935 | qconv.com Color code: HEX #F5B935 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 185 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 185 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 78% 4% C M Y K

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