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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B751CE it is the complementary color #0A48AECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B751CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B751CE shade: #FAB74CCE, #FFC95FCE, #FFDB72CE, #FFED85CE and #FFFF98CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B751CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B751CE shade: #F5B751CE, #E4A53ECE, #D3932BCE, #C28118CE and #B16F05CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B751CE shade: #F5B751, #F58B51, #F55F51 and #F55151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B751CE shade: #F5B751, #F5E351, #DBF551, #AEF551 and #82F551

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B751CE shade matches the following richer shades: #F5B751

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B751CE shade: #F5B751, #E6B460, #D7B06F, #C8AC7E and #B9A98D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B751CE shade: #F55F51, #F58B51, #F5B651, #F5E251 and #DCF551

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B751CE shade: #E6940D, #F3A72B, #F5B751, #F7C778 and #F9D79F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B751CE shade: #F5B751, #6FF551 and #7551F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B751CE shade: #F5B751, #51F5B6 and #B651F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B751CE shade: #F5B751, #6FF551, #5190F5 and #D751F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B751CE shade: #F5B751, #51F565, #5190F5 and #F551E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 54 / 3

HEX #F5B751CE

RGBA 245 183 81 0.81

HSLA 37.32, 0.89%, 0.64%, 0.81

LABA 78.39, 12.51, 58.92, 0.81

 

Complementary color

CMYK 76 / 47 / 0 / 26

HEX #0A48AECE

RGBA 10 72 174 0.81

HSLA 217.32, 0.89%, 0.36%, 0.81

LABA 33.47, 23.47, -59.15, 0.81

 

CMYK 0 / 22 / 56 / 2

HEX #FAB74CCE

RGBA 250 183 76 0.81

HSLA 36.9, 0.95%, 0.64%, 0.81

LABA 78.88, 14.33, 61.78, 0.81

 

CMYK 0 / 17 / 51 / 0

HEX #FFC95FCE

RGBA 255 201 95 0.81

HSLA 39.75, 1%, 0.69%, 0.81

LABA 83.89, 8.11, 58.98, 0.81

 

CMYK 0 / 11 / 45 / 0

HEX #FFDB72CE

RGBA 255 219 114 0.81

HSLA 44.68, 1%, 0.72%, 0.81

LABA 88.51, 0.2, 55.53, 0.81

 

CMYK 0 / 6 / 39 / 0

HEX #FFED85CE

RGBA 255 237 133 0.81

HSLA 51.15, 1%, 0.76%, 0.81

LABA 93.24, -7.28, 52.24, 0.81

 

CMYK 0 / 0 / 33 / 0

HEX #FFFF98CE

RGBA 255 255 152 0.81

HSLA 60, 1%, 0.8%, 0.81

LABA 98.05, -14.33, 49.12, 0.81

 

CMYK 0 / 20 / 54 / 3

HEX #F5B751CE

RGBA 245 183 81 0.81

HSLA 37.32, 0.89%, 0.64%, 0.81

LABA 78.39, 12.51, 58.92, 0.81

 

CMYK 0 / 22 / 59 / 9

HEX #E4A53ECE

RGBA 228 165 62 0.81

HSLA 37.23, 0.75%, 0.57%, 0.81

LABA 72.06, 13.89, 59.94, 0.81

 

CMYK 0 / 25 / 64 / 14

HEX #D3932BCE

RGBA 211 147 43 0.81

HSLA 37.14, 0.66%, 0.5%, 0.81

LABA 65.66, 15.48, 60.56, 0.81

 

CMYK 0 / 27 / 71 / 19

HEX #C28118CE

RGBA 194 129 24 0.81

HSLA 37.06, 0.78%, 0.43%, 0.81

LABA 59.19, 17.32, 60.36, 0.81

 

CMYK 0 / 30 / 79 / 25

HEX #B16F05CE

RGBA 177 111 5 0.81

HSLA 36.98, 0.95%, 0.36%, 0.81

LABA 52.65, 19.44, 58.72, 0.81

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 0 / 43 / 67 / 4

HEX #F58B51

RGB 245 139 81

HSL 21.22, 0.89%, 0.64%

LAB 68.37, 35.55, 47.84

 

CMYK 0 / 61 / 67 / 4

HEX #F55F51

RGB 245 95 81

HSL 5.12, 0.89%, 0.64%

LAB 60.06, 56.68, 38.14

 

CMYK 0 / 67 / 67 / 4

HEX #F55151

RGB 245 81 81

HSL 0, 0.89%, 0.64%

LAB 57.93, 62.41, 35.57

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 0 / 7 / 67 / 4

HEX #F5E351

RGB 245 227 81

HSL 53.41, 0.89%, 0.64%

LAB 89.37, -10.04, 70.42

 

CMYK 11 / 0 / 67 / 4

HEX #DBF551

RGB 219 245 81

HSL 69.51, 0.89%, 0.64%

LAB 92.11, -29.25, 72.58

 

CMYK 29 / 0 / 67 / 4

HEX #AEF551

RGB 174 245 81

HSL 85.98, 0.89%, 0.64%

LAB 89.34, -46.2, 68.85

 

CMYK 47 / 0 / 67 / 4

HEX #82F551

RGB 130 245 81

HSL 102.07, 0.89%, 0.64%

LAB 87.31, -60.45, 66.1

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 0 / 22 / 58 / 10

HEX #E6B460

RGB 230 180 96

HSL 37.61, 0.73%, 0.64%

LAB 76.26, 8.81, 49.13

 

CMYK 0 / 18 / 48 / 16

HEX #D7B06F

RGB 215 176 111

HSL 37.5, 0.57%, 0.64%

LAB 73.96, 5.98, 38.47

 

CMYK 0 / 14 / 37 / 22

HEX #C8AC7E

RGB 200 172 126

HSL 37.3, 0.4%, 0.64%

LAB 71.75, 3.62, 27.43

 

CMYK 0 / 9 / 24 / 27

HEX #B9A98D

RGB 185 169 141

HSL 38.18, 0.24%, 0.64%

LAB 69.9, 1.28, 16.56

 

CMYK 0 / 61 / 67 / 4

HEX #F55F51

RGB 245 95 81

HSL 5.12, 0.89%, 0.64%

LAB 60.06, 56.68, 38.14

 

CMYK 0 / 43 / 67 / 4

HEX #F58B51

RGB 245 139 81

HSL 21.22, 0.89%, 0.64%

LAB 68.37, 35.55, 47.84

 

CMYK 0 / 26 / 67 / 4

HEX #F5B651

RGB 245 182 81

HSL 36.95, 0.89%, 0.64%

LAB 78.15, 13.03, 58.66

 

CMYK 0 / 8 / 67 / 4

HEX #F5E251

RGB 245 226 81

HSL 53.05, 0.89%, 0.64%

LAB 89.11, -9.55, 70.16

 

CMYK 10 / 0 / 67 / 4

HEX #DCF551

RGB 220 245 81

HSL 69.15, 0.89%, 0.64%

LAB 92.18, -28.85, 72.67

 

CMYK 0 / 36 / 94 / 10

HEX #E6940D

RGB 230 148 13

HSL 37.33, 0.89%, 0.48%

LAB 68.04, 22.46, 71.24

 

CMYK 0 / 31 / 82 / 5

HEX #F3A72B

RGB 243 167 43

HSL 37.2, 0.89%, 0.56%

LAB 74.1, 18.49, 69.43

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 0 / 19 / 51 / 3

HEX #F7C778

RGB 247 199 120

HSL 37.32, 0.89%, 0.72%

LAB 82.9, 7.73, 45.72

 

CMYK 0 / 14 / 36 / 2

HEX #F9D79F

RGB 249 215 159

HSL 37.33, 0.88%, 0.8%

LAB 87.6, 4.16, 32.03

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 55 / 0 / 67 / 4

HEX #6FF551

RGB 111 245 81

HSL 109.02, 0.89%, 0.64%

LAB 86.64, -65.57, 65.18

 

CMYK 52 / 67 / 0 / 4

HEX #7551F5

RGB 117 81 245

HSL 253.17, 0.89%, 0.64%

LAB 47.31, 54.81, -77.22

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 67 / 0 / 26 / 4

HEX #51F5B6

RGB 81 245 182

HSL 156.95, 0.89%, 0.64%

LAB 87.21, -56.64, 18.18

 

CMYK 26 / 67 / 0 / 4

HEX #B651F5

RGB 182 81 245

HSL 276.95, 0.89%, 0.64%

LAB 54.47, 66.88, -65.27

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 55 / 0 / 67 / 4

HEX #6FF551

RGB 111 245 81

HSL 109.02, 0.89%, 0.64%

LAB 86.64, -65.57, 65.18

 

CMYK 67 / 41 / 0 / 4

HEX #5190F5

RGB 81 144 245

HSL 216.95, 0.89%, 0.64%

LAB 60.15, 11.63, -56.6

 

CMYK 12 / 67 / 0 / 4

HEX #D751F5

RGB 215 81 245

HSL 289.02, 0.89%, 0.64%

LAB 58.9, 73.78, -57.91

 

CMYK 0 / 25 / 67 / 4

HEX #F5B751

RGB 245 183 81

HSL 37.32, 0.89%, 0.64%

LAB 78.39, 12.51, 58.92

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 67 / 41 / 0 / 4

HEX #5190F5

RGB 81 144 245

HSL 216.95, 0.89%, 0.64%

LAB 60.15, 11.63, -56.6

 

CMYK 0 / 67 / 8 / 4

HEX #F551E2

RGB 245 81 226

HSL 306.95, 0.89%, 0.64%

LAB 62.33, 77.32, -41.6

 

Description

Color code: HEX #F5B751CE | qconv.com Color code: HEX #F5B751CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 183 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 183 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 54 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 54% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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