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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B2964C it is the complementary color #0A4D694C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B2964C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B2964C shade: #FAB2914C, #FFC4A44C, #FFD6B74C, #FFE8CA4C and #FFFADD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B2964C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B2964C shade: #F5B2964C, #E4A0834C, #D38E704C, #C27C5D4C and #B16A4A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B2964C shade: #F5B094, #F59694 and #F59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B2964C shade: #F5B094, #F5CB94, #F5E594, #EBF594 and #D1F594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B2964C shade matches the following richer shades: #F5B094 and #FFAC8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B2964C shade: #F5B094, #ECB49D, #E2B8A7, #D9BCB0 and #CFC0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B2964C shade: #F594AC, #F59594, #F5AF94, #F5C994 and #F5E394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B2964C shade: #EE7948, #F2956E, #F5B094, #F9CCB9 and #FCE8DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B2964C shade: #F5B296, #C6F594 and #949FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B2964C shade: #F5B296, #94F5AF and #AF94F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B2964C shade: #F5B296, #C6F594, #94D9F5 and #C394F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B2964C shade: #F5B296, #A9F594, #94D9F5 and #E094F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 12 / 1

HEX #F5B2964C

RGBA 245 178 150 0.3

HSLA 17.68, 0.83%, 0.77%, 0.3

LABA 78.14, 20.93, 23.94, 0.3

 

Complementary color

CMYK 27 / 8 / 0 / 18

HEX #0A4D694C

RGBA 10 77 105 0.3

HSLA 197.68, 0.83%, 0.23%, 0.3

LABA 30.38, -8.55, -21.74, 0.3

 

CMYK 0 / 9 / 13 / 1

HEX #FAB2914C

RGBA 250 178 145 0.3

HSLA 18.86, 0.91%, 0.77%, 0.3

LABA 78.58, 22.31, 27.3, 0.3

 

CMYK 0 / 7 / 11 / 0

HEX #FFC4A44C

RGBA 255 196 164 0.3

HSLA 21.1, 1%, 0.82%, 0.3

LABA 83.66, 16.91, 24.2, 0.3

 

CMYK 0 / 5 / 8 / 0

HEX #FFD6B74C

RGBA 255 214 183 0.3

HSLA 25.83, 1%, 0.86%, 0.3

LABA 88.34, 9.89, 20.66, 0.3

 

CMYK 0 / 3 / 6 / 0

HEX #FFE8CA4C

RGBA 255 232 202 0.3

HSLA 33.96, 1%, 0.9%, 0.3

LABA 93.12, 3.23, 17.44, 0.3

 

CMYK 0 / 1 / 4 / 0

HEX #FFFADD4C

RGBA 255 250 221 0.3

HSLA 51.18, 1%, 0.93%, 0.3

LABA 97.97, -3.07, 14.51, 0.3

 

CMYK 0 / 8 / 12 / 1

HEX #F5B2964C

RGBA 245 178 150 0.3

HSLA 17.68, 0.83%, 0.77%, 0.3

LABA 78.14, 20.93, 23.94, 0.3

 

CMYK 0 / 9 / 13 / 3

HEX #E4A0834C

RGBA 228 160 131 0.3

HSLA 17.94, 0.64%, 0.7%, 0.3

LABA 71.74, 21.8, 25.22, 0.3

 

CMYK 0 / 10 / 14 / 5

HEX #D38E704C

RGBA 211 142 112 0.3

HSLA 18.18, 0.53%, 0.63%, 0.3

LABA 65.25, 22.79, 26.62, 0.3

 

CMYK 0 / 11 / 16 / 7

HEX #C27C5D4C

RGBA 194 124 93 0.3

HSLA 18.42, 0.45%, 0.56%, 0.3

LABA 58.67, 23.9, 28.17, 0.3

 

CMYK 0 / 12 / 17 / 9

HEX #B16A4A4C

RGBA 177 106 74 0.3

HSLA 18.64, 0.41%, 0.49%, 0.3

LABA 52.01, 25.17, 29.89, 0.3

 

CMYK 0 / 28 / 40 / 4

HEX #F5B094

RGB 245 176 148

HSL 17.32, 0.83%, 0.77%

LAB 77.64, 21.76, 24.33

 

CMYK 0 / 39 / 40 / 4

HEX #F59694

RGB 245 150 148

HSL 1.24, 0.83%, 0.77%

LAB 71.8, 35.43, 16.3

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 28 / 40 / 4

HEX #F5B094

RGB 245 176 148

HSL 17.32, 0.83%, 0.77%

LAB 77.64, 21.76, 24.33

 

CMYK 0 / 17 / 40 / 4

HEX #F5CB94

RGB 245 203 148

HSL 34.02, 0.83%, 0.77%

LAB 84.1, 7.58, 32.99

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 4 / 0 / 40 / 4

HEX #EBF594

RGB 235 245 148

HSL 66.19, 0.83%, 0.77%

LAB 93.93, -17.49, 45.54

 

CMYK 15 / 0 / 40 / 4

HEX #D1F594

RGB 209 245 148

HSL 82.27, 0.83%, 0.77%

LAB 92.13, -27.17, 42.88

 

CMYK 0 / 28 / 40 / 4

HEX #F5B094

RGB 245 176 148

HSL 17.32, 0.83%, 0.77%

LAB 77.64, 21.76, 24.33

 

CMYK 0 / 33 / 46 / 0

HEX #FFAC8A

RGB 255 172 138

HSL 17.44, 1%, 0.77%

LAB 77.64, 26.68, 29.87

 

CMYK 0 / 28 / 40 / 4

HEX #F5B094

RGB 245 176 148

HSL 17.32, 0.83%, 0.77%

LAB 77.64, 21.76, 24.33

 

CMYK 0 / 24 / 33 / 7

HEX #ECB49D

RGB 236 180 157

HSL 17.47, 0.68%, 0.77%

LAB 77.82, 17.24, 19.6

 

CMYK 0 / 19 / 26 / 11

HEX #E2B8A7

RGB 226 184 167

HSL 17.29, 0.5%, 0.77%

LAB 78.02, 12.62, 14.33

 

CMYK 0 / 13 / 19 / 15

HEX #D9BCB0

RGB 217 188 176

HSL 17.56, 0.35%, 0.77%

LAB 78.38, 8.43, 9.87

 

CMYK 0 / 7 / 10 / 19

HEX #CFC0BA

RGB 207 192 186

HSL 17.14, 0.18%, 0.77%

LAB 78.76, 4.25, 4.91

 

CMYK 0 / 40 / 30 / 4

HEX #F594AC

RGB 245 148 172

HSL 345.15, 0.83%, 0.77%

LAB 71.94, 39.34, 3.2

 

CMYK 0 / 39 / 40 / 4

HEX #F59594

RGB 245 149 148

HSL 0.62, 0.83%, 0.77%

LAB 71.59, 35.95, 16

 

CMYK 0 / 29 / 40 / 4

HEX #F5AF94

RGB 245 175 148

HSL 16.7, 0.83%, 0.77%

LAB 77.41, 22.29, 24.02

 

CMYK 0 / 18 / 40 / 4

HEX #F5C994

RGB 245 201 148

HSL 32.78, 0.83%, 0.77%

LAB 83.61, 8.63, 32.34

 

CMYK 0 / 7 / 40 / 4

HEX #F5E394

RGB 245 227 148

HSL 48.87, 0.83%, 0.77%

LAB 90.09, -4.72, 40.79

 

CMYK 0 / 49 / 70 / 7

HEX #EE7948

RGB 238 121 72

HSL 17.71, 0.83%, 0.61%

LAB 63.61, 41.5, 46.75

 

CMYK 0 / 38 / 55 / 5

HEX #F2956E

RGB 242 149 110

HSL 17.73, 0.84%, 0.69%

LAB 70.52, 31.17, 35.27

 

CMYK 0 / 28 / 40 / 4

HEX #F5B094

RGB 245 176 148

HSL 17.32, 0.83%, 0.77%

LAB 77.64, 21.76, 24.33

 

CMYK 0 / 18 / 26 / 2

HEX #F9CCB9

RGB 249 204 185

HSL 17.81, 0.84%, 0.85%

LAB 85.42, 13.13, 15.44

 

CMYK 0 / 8 / 12 / 1

HEX #FCE8DF

RGB 252 232 223

HSL 18.62, 0.83%, 0.93%

LAB 93.34, 5.33, 6.82

 

CMYK 0 / 27 / 39 / 4

HEX #F5B296

RGB 245 178 150

HSL 17.68, 0.83%, 0.77%

LAB 78.14, 20.93, 23.94

 

CMYK 19 / 0 / 40 / 4

HEX #C6F594

RGB 198 245 148

HSL 89.07, 0.83%, 0.77%

LAB 91.44, -31.13, 41.85

 

CMYK 40 / 35 / 0 / 4

HEX #949FF5

RGB 148 159 245

HSL 233.2, 0.83%, 0.77%

LAB 67.79, 16.92, -44.27

 

CMYK 0 / 27 / 39 / 4

HEX #F5B296

RGB 245 178 150

HSL 17.68, 0.83%, 0.77%

LAB 78.14, 20.93, 23.94

 

CMYK 40 / 0 / 29 / 4

HEX #94F5AF

RGB 148 245 175

HSL 136.7, 0.83%, 0.77%

LAB 89.25, -43.15, 24.93

 

CMYK 29 / 40 / 0 / 4

HEX #AF94F5

RGB 175 148 245

HSL 256.7, 0.83%, 0.77%

LAB 67.19, 30.39, -45.06

 

CMYK 0 / 27 / 39 / 4

HEX #F5B296

RGB 245 178 150

HSL 17.68, 0.83%, 0.77%

LAB 78.14, 20.93, 23.94

 

CMYK 19 / 0 / 40 / 4

HEX #C6F594

RGB 198 245 148

HSL 89.07, 0.83%, 0.77%

LAB 91.44, -31.13, 41.85

 

CMYK 40 / 11 / 0 / 4

HEX #94D9F5

RGB 148 217 245

HSL 197.32, 0.83%, 0.77%

LAB 83.19, -14.67, -20.52

 

CMYK 20 / 40 / 0 / 4

HEX #C394F5

RGB 195 148 245

HSL 269.07, 0.83%, 0.77%

LAB 69.02, 36.01, -42.06

 

CMYK 0 / 27 / 39 / 4

HEX #F5B296

RGB 245 178 150

HSL 17.68, 0.83%, 0.77%

LAB 78.14, 20.93, 23.94

 

CMYK 31 / 0 / 40 / 4

HEX #A9F594

RGB 169 245 148

HSL 107.01, 0.83%, 0.77%

LAB 89.8, -41.01, 39.42

 

CMYK 40 / 11 / 0 / 4

HEX #94D9F5

RGB 148 217 245

HSL 197.32, 0.83%, 0.77%

LAB 83.19, -14.67, -20.52

 

CMYK 9 / 40 / 0 / 4

HEX #E094F5

RGB 224 148 245

HSL 287.01, 0.83%, 0.77%

LAB 71.97, 44.44, -37.23

 

Description

Color code: HEX #F5B2964C | qconv.com Color code: HEX #F5B2964C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 178 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 178 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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