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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B071 it is the complementary color #0A4F8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B071. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B071 shade: #FAB06C, #FFC27F, #FFD492, #FFE6A5 and #FFF8B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B071. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B071 shade: #F5B071, #E49E5E, #D38C4B, #C27A38 and #B16825

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B071 shade: #F5AF70, #F58C70 and #F57070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B071 shade: #F5AF70, #F5D370, #F3F570, #CFF570 and #ABF570

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B071 shade matches the following richer shades: #F5AF70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B071 shade: #F5AF70, #E9B07C, #DCB189, #D0B195 and #C4B2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B071 shade: #F57079, #F58B70, #F5AE70, #F5D270 and #F5F570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B071 shade: #F08523, #F29A49, #F5AF70, #F8C597 and #FADABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B071 shade: #F5B071, #9CF570 and #7970F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B071 shade: #F5B071, #70F5AE and #AE70F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B071 shade: #F5B071, #9CF570, #70B7F5 and #C970F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B071 shade: #F5B071, #74F570, #70B7F5 and #F170F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 54 / 4

HEX #F5B071

RGB 245 176 113

HSL 28.64, 0.87%, 0.7%

LAB 77.07, 18.39, 42

 

Complementary color

CMYK 93 / 44 / 0 / 44

HEX #0A4F8E

RGB 10 79 142

HSL 208.64, 0.87%, 0.3%

LAB 33.16, 5.44, -40.35

 

CMYK 0 / 30 / 57 / 2

HEX #FAB06C

RGB 250 176 108

HSL 28.73, 0.93%, 0.7%

LAB 77.55, 20.01, 45.25

 

CMYK 0 / 24 / 50 / 0

HEX #FFC27F

RGB 255 194 127

HSL 31.41, 1%, 0.75%

LAB 82.58, 14.16, 41.98

 

CMYK 0 / 17 / 43 / 0

HEX #FFD492

RGB 255 212 146

HSL 36.33, 1%, 0.79%

LAB 87.2, 6.63, 38.25

 

CMYK 0 / 10 / 35 / 0

HEX #FFE6A5

RGB 255 230 165

HSL 43.33, 1%, 0.82%

LAB 91.94, -0.51, 34.82

 

CMYK 0 / 3 / 28 / 0

HEX #FFF8B8

RGB 255 248 184

HSL 54.08, 1%, 0.86%

LAB 96.76, -7.25, 31.66

 

CMYK 0 / 28 / 54 / 4

HEX #F5B071

RGB 245 176 113

HSL 28.64, 0.87%, 0.7%

LAB 77.07, 18.39, 42

 

CMYK 0 / 31 / 59 / 11

HEX #E49E5E

RGB 228 158 94

HSL 28.66, 0.71%, 0.63%

LAB 70.7, 19.53, 43.48

 

CMYK 0 / 34 / 64 / 17

HEX #D38C4B

RGB 211 140 75

HSL 28.68, 0.61%, 0.56%

LAB 64.25, 20.84, 45.02

 

CMYK 0 / 37 / 71 / 24

HEX #C27A38

RGB 194 122 56

HSL 28.7, 0.55%, 0.49%

LAB 57.73, 22.35, 46.54

 

CMYK 0 / 41 / 79 / 31

HEX #B16825

RGB 177 104 37

HSL 28.71, 0.65%, 0.42%

LAB 51.13, 24.09, 47.86

 

CMYK 0 / 29 / 54 / 4

HEX #F5AF70

RGB 245 175 112

HSL 28.42, 0.87%, 0.7%

LAB 76.83, 18.83, 42.2

 

CMYK 0 / 43 / 54 / 4

HEX #F58C70

RGB 245 140 112

HSL 12.63, 0.87%, 0.7%

LAB 69, 37.16, 32.31

 

CMYK 0 / 54 / 54 / 4

HEX #F57070

RGB 245 112 112

HSL 0, 0.87%, 0.7%

LAB 63.48, 51.03, 25.09

 

CMYK 0 / 29 / 54 / 4

HEX #F5AF70

RGB 245 175 112

HSL 28.42, 0.87%, 0.7%

LAB 76.83, 18.83, 42.2

 

CMYK 0 / 14 / 54 / 4

HEX #F5D370

RGB 245 211 112

HSL 44.66, 0.87%, 0.7%

LAB 85.59, 0.07, 52.81

 

CMYK 1 / 0 / 54 / 4

HEX #F3F570

RGB 243 245 112

HSL 60.9, 0.87%, 0.7%

LAB 94.11, -17.69, 62.64

 

CMYK 16 / 0 / 54 / 4

HEX #CFF570

RGB 207 245 112

HSL 77.14, 0.87%, 0.7%

LAB 91.57, -31.64, 59.06

 

CMYK 30 / 0 / 54 / 4

HEX #ABF570

RGB 171 245 112

HSL 93.38, 0.87%, 0.7%

LAB 89.46, -44.64, 56.06

 

CMYK 0 / 29 / 54 / 4

HEX #F5AF70

RGB 245 175 112

HSL 28.42, 0.87%, 0.7%

LAB 76.83, 18.83, 42.2

 

CMYK 0 / 29 / 54 / 4

HEX #F5AF70

RGB 245 175 112

HSL 28.42, 0.87%, 0.7%

LAB 76.83, 18.83, 42.2

 

CMYK 0 / 24 / 47 / 9

HEX #E9B07C

RGB 233 176 124

HSL 28.62, 0.71%, 0.7%

LAB 75.96, 14.54, 34.63

 

CMYK 0 / 20 / 38 / 14

HEX #DCB189

RGB 220 177 137

HSL 28.92, 0.54%, 0.7%

LAB 75.12, 10.21, 26.38

 

CMYK 0 / 15 / 28 / 18

HEX #D0B195

RGB 208 177 149

HSL 28.47, 0.39%, 0.7%

LAB 74.21, 7.02, 18.49

 

CMYK 0 / 9 / 18 / 23

HEX #C4B2A1

RGB 196 178 161

HSL 29.14, 0.23%, 0.7%

LAB 73.64, 3.65, 11.02

 

CMYK 0 / 54 / 51 / 4

HEX #F57079

RGB 245 112 121

HSL 355.94, 0.87%, 0.7%

LAB 63.66, 51.76, 20.22

 

CMYK 0 / 43 / 54 / 4

HEX #F58B70

RGB 245 139 112

HSL 12.18, 0.87%, 0.7%

LAB 68.79, 37.67, 32.04

 

CMYK 0 / 29 / 54 / 4

HEX #F5AE70

RGB 245 174 112

HSL 27.97, 0.87%, 0.7%

LAB 76.59, 19.36, 41.91

 

CMYK 0 / 14 / 54 / 4

HEX #F5D270

RGB 245 210 112

HSL 44.21, 0.87%, 0.7%

LAB 85.34, 0.58, 52.51

 

CMYK 0 / 0 / 54 / 4

HEX #F5F570

RGB 245 245 112

HSL 60, 0.87%, 0.7%

LAB 94.26, -16.9, 62.86

 

CMYK 0 / 45 / 85 / 6

HEX #F08523

RGB 240 133 35

HSL 28.68, 0.87%, 0.54%

LAB 66.08, 34.84, 65.09

 

CMYK 0 / 36 / 70 / 5

HEX #F29A49

RGB 242 154 73

HSL 28.76, 0.87%, 0.62%

LAB 71.19, 26.11, 54.72

 

CMYK 0 / 29 / 54 / 4

HEX #F5AF70

RGB 245 175 112

HSL 28.42, 0.87%, 0.7%

LAB 76.83, 18.83, 42.2

 

CMYK 0 / 21 / 39 / 3

HEX #F8C597

RGB 248 197 151

HSL 28.45, 0.87%, 0.78%

LAB 82.98, 12.21, 29.99

 

CMYK 0 / 13 / 24 / 2

HEX #FADABD

RGB 250 218 189

HSL 28.52, 0.86%, 0.86%

LAB 88.99, 6.77, 18.36

 

CMYK 0 / 28 / 54 / 4

HEX #F5B071

RGB 245 176 113

HSL 28.64, 0.87%, 0.7%

LAB 77.07, 18.39, 42

 

CMYK 36 / 0 / 54 / 4

HEX #9CF570

RGB 156 245 112

HSL 100.15, 0.87%, 0.7%

LAB 88.71, -49.62, 54.99

 

CMYK 51 / 54 / 0 / 4

HEX #7970F5

RGB 121 112 245

HSL 244.06, 0.87%, 0.7%

LAB 54.29, 38.08, -65.88

 

CMYK 0 / 28 / 54 / 4

HEX #F5B071

RGB 245 176 113

HSL 28.64, 0.87%, 0.7%

LAB 77.07, 18.39, 42

 

CMYK 54 / 0 / 29 / 4

HEX #70F5AE

RGB 112 245 174

HSL 147.97, 0.87%, 0.7%

LAB 87.87, -52.42, 23.34

 

CMYK 29 / 54 / 0 / 4

HEX #AE70F5

RGB 174 112 245

HSL 267.97, 0.87%, 0.7%

LAB 59.14, 49.97, -57.82

 

CMYK 0 / 28 / 54 / 4

HEX #F5B071

RGB 245 176 113

HSL 28.64, 0.87%, 0.7%

LAB 77.07, 18.39, 42

 

CMYK 36 / 0 / 54 / 4

HEX #9CF570

RGB 156 245 112

HSL 100.15, 0.87%, 0.7%

LAB 88.71, -49.62, 54.99

 

CMYK 54 / 25 / 0 / 4

HEX #70B7F5

RGB 112 183 245

HSL 207.97, 0.87%, 0.7%

LAB 72.16, -5.02, -37.58

 

CMYK 18 / 54 / 0 / 4

HEX #C970F5

RGB 201 112 245

HSL 280.15, 0.87%, 0.7%

LAB 62.17, 56.67, -52.82

 

CMYK 0 / 28 / 54 / 4

HEX #F5B071

RGB 245 176 113

HSL 28.64, 0.87%, 0.7%

LAB 77.07, 18.39, 42

 

CMYK 53 / 0 / 54 / 4

HEX #74F570

RGB 116 245 112

HSL 118.2, 0.87%, 0.7%

LAB 87.09, -61.17, 52.68

 

CMYK 54 / 25 / 0 / 4

HEX #70B7F5

RGB 112 183 245

HSL 207.97, 0.87%, 0.7%

LAB 72.16, -5.02, -37.58

 

CMYK 2 / 54 / 0 / 4

HEX #F170F5

RGB 241 112 245

HSL 298.2, 0.87%, 0.7%

LAB 67.19, 66.87, -44.56

 

Description

Color code: HEX #F5B071 | qconv.com Color code: HEX #F5B071 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 176 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 176 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 54 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 54% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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