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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5AA2D it is the complementary color #0A55D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5AA2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5AA2D shade: #FAAA28, #FFBC3B, #FFCE4E, #FFE061 and #FFF274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5AA2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5AA2D shade: #F5AA2D, #E4981A, #D38607, #C27400 and #B16200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5AA2D shade: #F5AA2E, #F5742E, #F53F2E and #F52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5AA2D shade: #F5AA2E, #F5E02E, #D4F52E, #9FF52E and #69F52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5AA2D shade matches the following richer shades: #F5AA2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5AA2D shade: #F5AA2E, #E3A63F, #D2A151, #C09D63 and #AE9975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5AA2D shade: #F53E2E, #F5732E, #F5A92E, #F5DE2E and #D7F52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5AA2D shade: #C78009, #EE990B, #F5AA2E, #F7BA55 and #F9CA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5AA2D shade: #F5AA2D, #52F52E and #592EF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5AA2D shade: #F5AA2D, #2EF5A9 and #A92EF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5AA2D shade: #F5AA2D, #52F52E, #2E7AF5 and #D12EF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5AA2D shade: #F5AA2D, #2EF545, #2E7AF5 and #F52EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 82 / 4

HEX #F5AA2D

RGB 245 170 45

HSL 37.5, 0.91%, 0.57%

LAB 75.05, 17.82, 69.7

 

Complementary color

CMYK 95 / 60 / 0 / 18

HEX #0A55D2

RGB 10 85 210

HSL 217.5, 0.91%, 0.43%

LAB 39.94, 29.12, -69.63

 

CMYK 0 / 32 / 84 / 2

HEX #FAAA28

RGB 250 170 40

HSL 37.14, 0.95%, 0.57%

LAB 75.59, 19.79, 71.93

 

CMYK 0 / 26 / 77 / 0

HEX #FFBC3B

RGB 255 188 59

HSL 39.49, 1%, 0.62%

LAB 80.48, 13.07, 70.25

 

CMYK 0 / 19 / 69 / 0

HEX #FFCE4E

RGB 255 206 78

HSL 43.39, 1%, 0.65%

LAB 84.97, 4.58, 67.4

 

CMYK 0 / 12 / 62 / 0

HEX #FFE061

RGB 255 224 97

HSL 48.23, 1%, 0.69%

LAB 89.6, -3.51, 64.39

 

CMYK 0 / 5 / 55 / 0

HEX #FFF274

RGB 255 242 116

HSL 54.39, 1%, 0.73%

LAB 94.32, -11.15, 61.36

 

CMYK 0 / 31 / 82 / 4

HEX #F5AA2D

RGB 245 170 45

HSL 37.5, 0.91%, 0.57%

LAB 75.05, 17.82, 69.7

 

CMYK 0 / 33 / 89 / 11

HEX #E4981A

RGB 228 152 26

HSL 37.43, 0.8%, 0.5%

LAB 68.77, 19.67, 69.12

 

CMYK 0 / 36 / 97 / 17

HEX #D38607

RGB 211 134 7

HSL 37.35, 0.94%, 0.43%

LAB 62.44, 21.75, 67.12

 

CMYK 0 / 40 / 100 / 24

HEX #C27400

RGB 194 116 0

HSL 35.88, 1%, 0.38%

LAB 56.05, 24.08, 63

 

CMYK 0 / 45 / 100 / 31

HEX #B16200

RGB 177 98 0

HSL 33.22, 1%, 0.35%

LAB 49.6, 26.56, 57.77

 

CMYK 0 / 31 / 81 / 4

HEX #F5AA2E

RGB 245 170 46

HSL 37.39, 0.91%, 0.57%

LAB 75.05, 17.85, 69.38

 

CMYK 0 / 53 / 81 / 4

HEX #F5742E

RGB 245 116 46

HSL 21.11, 0.91%, 0.57%

LAB 63.43, 45.59, 59.01

 

CMYK 0 / 74 / 81 / 4

HEX #F53F2E

RGB 245 63 46

HSL 5.13, 0.91%, 0.57%

LAB 55.24, 67.39, 51.44

 

CMYK 0 / 81 / 81 / 4

HEX #F52E2E

RGB 245 46 46

HSL 0, 0.91%, 0.57%

LAB 53.56, 72.11, 49.85

 

CMYK 0 / 31 / 81 / 4

HEX #F5AA2E

RGB 245 170 46

HSL 37.39, 0.91%, 0.57%

LAB 75.05, 17.85, 69.38

 

CMYK 0 / 9 / 81 / 4

HEX #F5E02E

RGB 245 224 46

HSL 53.67, 0.91%, 0.57%

LAB 88.41, -9.97, 80.92

 

CMYK 13 / 0 / 81 / 4

HEX #D4F52E

RGB 212 245 46

HSL 69.95, 0.91%, 0.57%

LAB 91.46, -33.56, 82.55

 

CMYK 35 / 0 / 81 / 4

HEX #9FF52E

RGB 159 245 46

HSL 85.93, 0.91%, 0.57%

LAB 88.39, -53.32, 78.67

 

CMYK 57 / 0 / 81 / 4

HEX #69F52E

RGB 105 245 46

HSL 102.21, 0.91%, 0.57%

LAB 86.26, -69.32, 75.96

 

CMYK 0 / 31 / 81 / 4

HEX #F5AA2E

RGB 245 170 46

HSL 37.39, 0.91%, 0.57%

LAB 75.05, 17.85, 69.38

 

CMYK 0 / 31 / 81 / 4

HEX #F5AA2E

RGB 245 170 46

HSL 37.39, 0.91%, 0.57%

LAB 75.05, 17.85, 69.38

 

CMYK 0 / 27 / 72 / 11

HEX #E3A63F

RGB 227 166 63

HSL 37.68, 0.75%, 0.57%

LAB 72.2, 12.98, 59.63

 

CMYK 0 / 23 / 61 / 18

HEX #D2A151

RGB 210 161 81

HSL 37.21, 0.59%, 0.57%

LAB 69.32, 9.46, 47.83

 

CMYK 0 / 18 / 48 / 25

HEX #C09D63

RGB 192 157 99

HSL 37.42, 0.42%, 0.57%

LAB 66.69, 5.51, 35.09

 

CMYK 0 / 12 / 33 / 32

HEX #AE9975

RGB 174 153 117

HSL 37.89, 0.26%, 0.57%

LAB 64.21, 2.29, 21.8

 

CMYK 0 / 75 / 81 / 4

HEX #F53E2E

RGB 245 62 46

HSL 4.82, 0.91%, 0.57%

LAB 55.13, 67.7, 51.34

 

CMYK 0 / 53 / 81 / 4

HEX #F5732E

RGB 245 115 46

HSL 20.8, 0.91%, 0.57%

LAB 63.24, 46.07, 58.84

 

CMYK 0 / 31 / 81 / 4

HEX #F5A92E

RGB 245 169 46

HSL 37.09, 0.91%, 0.57%

LAB 74.82, 18.37, 69.17

 

CMYK 0 / 9 / 81 / 4

HEX #F5DE2E

RGB 245 222 46

HSL 53.07, 0.91%, 0.57%

LAB 87.9, -8.97, 80.48

 

CMYK 12 / 0 / 81 / 4

HEX #D7F52E

RGB 215 245 46

HSL 69.05, 0.91%, 0.57%

LAB 91.66, -32.37, 82.81

 

CMYK 0 / 36 / 95 / 22

HEX #C78009

RGB 199 128 9

HSL 37.58, 0.91%, 0.41%

LAB 59.53, 19.82, 64.09

 

CMYK 0 / 36 / 95 / 7

HEX #EE990B

RGB 238 153 11

HSL 37.53, 0.91%, 0.49%

LAB 70.16, 23.18, 73.46

 

CMYK 0 / 31 / 81 / 4

HEX #F5AA2E

RGB 245 170 46

HSL 37.39, 0.91%, 0.57%

LAB 75.05, 17.85, 69.38

 

CMYK 0 / 25 / 66 / 3

HEX #F7BA55

RGB 247 186 85

HSL 37.41, 0.91%, 0.65%

LAB 79.36, 12, 58.25

 

CMYK 0 / 19 / 50 / 2

HEX #F9CA7C

RGB 249 202 124

HSL 37.44, 0.91%, 0.73%

LAB 83.88, 7.33, 44.98

 

CMYK 0 / 31 / 82 / 4

HEX #F5AA2D

RGB 245 170 45

HSL 37.5, 0.91%, 0.57%

LAB 75.05, 17.82, 69.7

 

CMYK 67 / 0 / 81 / 4

HEX #52F52E

RGB 82 245 46

HSL 109.15, 0.91%, 0.57%

LAB 85.65, -74.31, 75.18

 

CMYK 64 / 81 / 0 / 4

HEX #592EF5

RGB 89 46 245

HSL 252.96, 0.91%, 0.57%

LAB 39.02, 67.87, -90.95

 

CMYK 0 / 31 / 82 / 4

HEX #F5AA2D

RGB 245 170 45

HSL 37.5, 0.91%, 0.57%

LAB 75.05, 17.82, 69.7

 

CMYK 81 / 0 / 31 / 4

HEX #2EF5A9

RGB 46 245 169

HSL 157.09, 0.91%, 0.57%

LAB 86.38, -63.69, 23.62

 

CMYK 31 / 81 / 0 / 4

HEX #A92EF5

RGB 169 46 245

HSL 277.09, 0.91%, 0.57%

LAB 48.24, 77.43, -75.46

 

CMYK 0 / 31 / 82 / 4

HEX #F5AA2D

RGB 245 170 45

HSL 37.5, 0.91%, 0.57%

LAB 75.05, 17.82, 69.7

 

CMYK 67 / 0 / 81 / 4

HEX #52F52E

RGB 82 245 46

HSL 109.15, 0.91%, 0.57%

LAB 85.65, -74.31, 75.18

 

CMYK 81 / 50 / 0 / 4

HEX #2E7AF5

RGB 46 122 245

HSL 217.09, 0.91%, 0.57%

LAB 53.05, 20.87, -68.06

 

CMYK 15 / 81 / 0 / 4

HEX #D12EF5

RGB 209 46 245

HSL 289.15, 0.91%, 0.57%

LAB 54.13, 83.76, -65.62

 

CMYK 0 / 31 / 82 / 4

HEX #F5AA2D

RGB 245 170 45

HSL 37.5, 0.91%, 0.57%

LAB 75.05, 17.82, 69.7

 

CMYK 81 / 0 / 72 / 4

HEX #2EF545

RGB 46 245 69

HSL 126.93, 0.91%, 0.57%

LAB 85.16, -78.14, 67.58

 

CMYK 81 / 50 / 0 / 4

HEX #2E7AF5

RGB 46 122 245

HSL 217.09, 0.91%, 0.57%

LAB 53.05, 20.87, -68.06

 

CMYK 0 / 81 / 9 / 4

HEX #F52EDE

RGB 245 46 222

HSL 306.93, 0.91%, 0.57%

LAB 58.64, 86.74, -45.16

 

Description

Color code: HEX #F5AA2D | qconv.com Color code: HEX #F5AA2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 170 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 170 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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