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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F595D44C it is the complementary color #0A6A2B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F595D44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F595D44C shade: #FA95CF4C, #FFA7E24C, #FFB9F54C, #FFCBFF4C and #FFDDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F595D44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F595D44C shade: #F595D44C, #E483C14C, #D371AE4C, #C25F9B4C and #B14D884C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F595D44C shade: #F594D4, #F594B9, #F5949F and #F59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F595D44C shade: #F594D4, #F594EE, #E294F5, #C894F5 and #AD94F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F595D44C shade matches the following richer shades: #F594D4 and #FF8AD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F595D44C shade: #F594D4, #EC9DD1, #E2A7CE, #D9B0CB and #CFBAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F595D44C shade: #E294F5, #F594EF, #F594D5, #F594BB and #F594A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F595D44C shade: #EE48B5, #F26EC4, #F594D4, #F9B9E3 and #FCDFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F595D44C shade: #F595D4, #F5C894 and #94F5EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F595D44C shade: #F595D4, #D5F594 and #94D5F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F595D44C shade: #F595D4, #F5C894, #94F5B4 and #94C1F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F595D44C shade: #F595D4, #F5E594, #94F5B4 and #94A4F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 4 / 1

HEX #F595D44C

RGBA 245 149 212 0.3

HSLA 320.63, 0.83%, 0.77%, 0.3

LABA 73.32, 44.58, -16.88, 0.3

 

Complementary color

CMYK 27 / 0 / 18 / 18

HEX #0A6A2B4C

RGBA 10 106 43 0.3

HSLA 140.63, 0.83%, 0.23%, 0.3

LABA 38.81, -40.35, 27.9, 0.3

 

CMYK 0 / 12 / 5 / 1

HEX #FA95CF4C

RGBA 250 149 207 0.3

HSLA 325.54, 0.91%, 0.78%, 0.3

LABA 73.76, 45.43, -13.42, 0.3

 

CMYK 0 / 10 / 3 / 0

HEX #FFA7E24C

RGBA 255 167 226 0.3

HSLA 319.77, 1%, 0.83%, 0.3

LABA 78.69, 40.77, -16.33, 0.3

 

CMYK 0 / 8 / 1 / 0

HEX #FFB9F54C

RGBA 255 185 245 0.3

HSLA 308.57, 1%, 0.86%, 0.3

LABA 83.21, 34.57, -19.73, 0.3

 

CMYK 0 / 6 / 0 / 0

HEX #FFCBFF4C

RGBA 255 203 255 0.3

HSLA 300, 1%, 0.9%, 0.3

LABA 87.58, 26.9, -18.44, 0.3

 

CMYK 0 / 4 / 0 / 0

HEX #FFDDFF4C

RGBA 255 221 255 0.3

HSLA 300, 1%, 0.93%, 0.3

LABA 91.77, 17.47, -12.16, 0.3

 

CMYK 0 / 12 / 4 / 1

HEX #F595D44C

RGBA 245 149 212 0.3

HSLA 320.63, 0.83%, 0.77%, 0.3

LABA 73.32, 44.58, -16.88, 0.3

 

CMYK 0 / 13 / 5 / 3

HEX #E483C14C

RGBA 228 131 193 0.3

HSLA 321.65, 0.64%, 0.7%, 0.3

LABA 66.96, 45.34, -16.14, 0.3

 

CMYK 0 / 14 / 5 / 5

HEX #D371AE4C

RGBA 211 113 174 0.3

HSLA 322.65, 0.53%, 0.64%, 0.3

LABA 60.53, 46.1, -15.31, 0.3

 

CMYK 0 / 15 / 6 / 7

HEX #C25F9B4C

RGBA 194 95 155 0.3

HSLA 323.64, 0.45%, 0.57%, 0.3

LABA 54.05, 46.83, -14.33, 0.3

 

CMYK 0 / 17 / 7 / 9

HEX #B14D884C

RGBA 177 77 136 0.3

HSLA 324.6, 0.39%, 0.5%, 0.3

LABA 47.54, 47.47, -13.14, 0.3

 

CMYK 0 / 40 / 13 / 4

HEX #F594D4

RGB 245 148 212

HSL 320.41, 0.83%, 0.77%

LAB 73.12, 45.09, -17.19

 

CMYK 0 / 40 / 24 / 4

HEX #F594B9

RGB 245 148 185

HSL 337.11, 0.83%, 0.77%

LAB 72.29, 41.09, -3.51

 

CMYK 0 / 40 / 35 / 4

HEX #F5949F

RGB 245 148 159

HSL 353.2, 0.83%, 0.77%

LAB 71.62, 37.73, 9.95

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 40 / 13 / 4

HEX #F594D4

RGB 245 148 212

HSL 320.41, 0.83%, 0.77%

LAB 73.12, 45.09, -17.19

 

CMYK 0 / 40 / 3 / 4

HEX #F594EE

RGB 245 148 238

HSL 304.33, 0.83%, 0.77%

LAB 74.04, 49.41, -30.03

 

CMYK 8 / 40 / 0 / 4

HEX #E294F5

RGB 226 148 245

HSL 288.25, 0.83%, 0.77%

LAB 72.19, 45.03, -36.88

 

CMYK 18 / 40 / 0 / 4

HEX #C894F5

RGB 200 148 245

HSL 272.16, 0.83%, 0.77%

LAB 69.51, 37.45, -41.26

 

CMYK 29 / 40 / 0 / 4

HEX #AD94F5

RGB 173 148 245

HSL 255.46, 0.83%, 0.77%

LAB 67.02, 29.84, -45.34

 

CMYK 0 / 40 / 13 / 4

HEX #F594D4

RGB 245 148 212

HSL 320.41, 0.83%, 0.77%

LAB 73.12, 45.09, -17.19

 

CMYK 0 / 46 / 16 / 0

HEX #FF8AD7

RGB 255 138 215

HSL 320.51, 1%, 0.77%

LAB 72.46, 53.73, -19.73

 

CMYK 0 / 40 / 13 / 4

HEX #F594D4

RGB 245 148 212

HSL 320.41, 0.83%, 0.77%

LAB 73.12, 45.09, -17.19

 

CMYK 0 / 33 / 11 / 7

HEX #EC9DD1

RGB 236 157 209

HSL 320.51, 0.68%, 0.77%

LAB 73.9, 36.98, -14.47

 

CMYK 0 / 26 / 9 / 11

HEX #E2A7CE

RGB 226 167 206

HSL 320.34, 0.5%, 0.77%

LAB 74.99, 27.77, -11.3

 

CMYK 0 / 19 / 6 / 15

HEX #D9B0CB

RGB 217 176 203

HSL 320.49, 0.35%, 0.77%

LAB 76.14, 19.3, -8.04

 

CMYK 0 / 10 / 3 / 19

HEX #CFBAC8

RGB 207 186 200

HSL 320, 0.18%, 0.77%

LAB 77.61, 9.9, -4.33

 

CMYK 8 / 40 / 0 / 4

HEX #E294F5

RGB 226 148 245

HSL 288.25, 0.83%, 0.77%

LAB 72.19, 45.03, -36.88

 

CMYK 0 / 40 / 2 / 4

HEX #F594EF

RGB 245 148 239

HSL 303.71, 0.83%, 0.77%

LAB 74.08, 49.58, -30.52

 

CMYK 0 / 40 / 13 / 4

HEX #F594D5

RGB 245 148 213

HSL 319.79, 0.83%, 0.77%

LAB 73.15, 45.25, -17.69

 

CMYK 0 / 40 / 24 / 4

HEX #F594BB

RGB 245 148 187

HSL 335.88, 0.83%, 0.77%

LAB 72.35, 41.36, -4.53

 

CMYK 0 / 40 / 34 / 4

HEX #F594A1

RGB 245 148 161

HSL 351.96, 0.83%, 0.77%

LAB 71.67, 37.97, 8.91

 

CMYK 0 / 70 / 24 / 7

HEX #EE48B5

RGB 238 72 181

HSL 320.6, 0.83%, 0.61%

LAB 58.18, 72.6, -22.55

 

CMYK 0 / 55 / 19 / 5

HEX #F26EC4

RGB 242 110 196

HSL 320.91, 0.84%, 0.69%

LAB 64.97, 60.33, -20.67

 

CMYK 0 / 40 / 13 / 4

HEX #F594D4

RGB 245 148 212

HSL 320.41, 0.83%, 0.77%

LAB 73.12, 45.09, -17.19

 

CMYK 0 / 26 / 9 / 2

HEX #F9B9E3

RGB 249 185 227

HSL 320.63, 0.84%, 0.85%

LAB 82.05, 29.52, -11.89

 

CMYK 0 / 12 / 4 / 1

HEX #FCDFF2

RGB 252 223 242

HSL 320.69, 0.83%, 0.93%

LAB 91.63, 13.14, -5.59

 

CMYK 0 / 39 / 13 / 4

HEX #F595D4

RGB 245 149 212

HSL 320.63, 0.83%, 0.77%

LAB 73.32, 44.58, -16.88

 

CMYK 0 / 18 / 40 / 4

HEX #F5C894

RGB 245 200 148

HSL 32.16, 0.83%, 0.77%

LAB 83.37, 9.15, 32.02

HEX #F5C894

CMYK 40 / 0 / 2 / 4

HEX #94F5EF

RGB 148 245 239

HSL 176.29, 0.83%, 0.77%

LAB 90.7, -29.95, -6.13

HEX #94F5EF

CMYK 0 / 39 / 13 / 4

HEX #F595D4

RGB 245 149 212

HSL 320.63, 0.83%, 0.77%

LAB 73.32, 44.58, -16.88

 

CMYK 13 / 0 / 40 / 4

HEX #D5F594

RGB 213 245 148

HSL 79.79, 0.83%, 0.77%

LAB 92.39, -25.71, 43.27

 

CMYK 40 / 13 / 0 / 4

HEX #94D5F5

RGB 148 213 245

HSL 199.79, 0.83%, 0.77%

LAB 82.1, -12.62, -22.17

 

CMYK 0 / 39 / 13 / 4

HEX #F595D4

RGB 245 149 212

HSL 320.63, 0.83%, 0.77%

LAB 73.32, 44.58, -16.88

 

CMYK 0 / 18 / 40 / 4

HEX #F5C894

RGB 245 200 148

HSL 32.16, 0.83%, 0.77%

LAB 83.37, 9.15, 32.02

HEX #F5C894

CMYK 40 / 0 / 27 / 4

HEX #94F5B4

RGB 148 245 180

HSL 139.79, 0.83%, 0.77%

LAB 89.34, -42.26, 22.5

HEX #94F5B4

CMYK 40 / 21 / 0 / 4

HEX #94C1F5

RGB 148 193 245

HSL 212.16, 0.83%, 0.77%

LAB 76.7, -2.03, -30.43

HEX #94C1F5

CMYK 0 / 39 / 13 / 4

HEX #F595D4

RGB 245 149 212

HSL 320.63, 0.83%, 0.77%

LAB 73.32, 44.58, -16.88

 

CMYK 0 / 7 / 40 / 4

HEX #F5E594

RGB 245 229 148

HSL 50.1, 0.83%, 0.77%

LAB 90.59, -5.73, 41.44

 

CMYK 40 / 0 / 27 / 4

HEX #94F5B4

RGB 148 245 180

HSL 139.79, 0.83%, 0.77%

LAB 89.34, -42.26, 22.5

 

CMYK 40 / 33 / 0 / 4

HEX #94A4F5

RGB 148 164 245

HSL 230.1, 0.83%, 0.77%

LAB 69.07, 14.07, -42.26

 

Description

Color code: HEX #F595D44C | qconv.com Color code: HEX #F595D44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 149 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 149 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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